Book Clubs and Book Suggestions: NYPL Best Books of 2024

FINALIST FOR THE 2024 NATIONAL BOOK AWARD IN FICTION AN INSTANT NEW YORK TIMES BESTSELLER A NEW YORK TIMES and WASHINGTON POST NOTABLE BOOK of 2024 The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life "A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect . . . nothing short of riveting." --Vogue "All Fours has spurred a whisper network of women fantasizing about desire and freedom. . . . It's the talk of every group text."--The New York Times "All Fours possessed me. I picked it up and neglected my life until the last page, and then I started begging every woman I know to read it as soon as possible." --The Cut "A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life . . . Deeply funny and achingly true." --LA Times "July's novel is hot and weird and captivating and one of the most entertaining, deranged, and moving depictions of lust and romantic mania I've ever read." --New York Magazine A semi-famous artist announces her plan to drive cross-country, from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey. Miranda July's second novel confirms the brilliance of her unique approach to fiction. With July's wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman's quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

A lost classic of Holocaust literature translated for the first time--from journalist, poet and survivor József Debreczeni "As immediate a confrontation of the horrors of the camps as I've ever encountered. It's also a subtle if startling meditation on what it is to attempt to confront those horrors with words...Debreczeni has preserved a panoptic depiction of hell, at once personal, communal and atmospheric." --New York Times "A treasure...Debreczeni's memoir is a crucial contribution to Holocaust literature, a book that enlarges our understanding of 'life' in Auschwitz." --Wall Street Journal "A literary diamond...A holocaust memoir worthy of Primo Levi." --The Times of London "It should be required reading." --Jonathan Safran Foer, author of Everything Is Illuminated "A timely reminder of man's inhumanity to man." --Jung Chang, author of Wild Swans József Debreczeni, a prolific Hungarian-language journalist and poet, arrived in Auschwitz in 1944; had he been selected to go "left," his life expectancy would have been approximately forty-five minutes. One of the "lucky" ones, he was sent to the "right," which led to twelve horrifying months of incarceration and slave labor in a series of camps, ending in the "Cold Crematorium"--the so-called hospital of the forced labor camp Dörnhau, where prisoners too weak to work awaited execution. But as Soviet and Allied troops closed in on the camps, local Nazi commanders--anxious about the possible consequences of outright murder--decided to leave the remaining prisoners to die in droves rather than sending them directly to the gas chambers. Debreczeni recorded his experiences in Cold Crematorium, one of the harshest, most merciless indictments of Nazism ever written. This haunting memoir, rendered in the precise and unsentimental style of an accomplished journalist, is an eyewitness account of incomparable literary quality. The subject matter is intrinsically tragic, yet the author's evocative prose, sometimes using irony, sarcasm, and even acerbic humor, compels the reader to imagine human beings in circumstances impossible to comprehend intellectually. First published in Hungarian in 1950, it was never translated into a world language due to McCarthyism, Cold War hostilities and antisemitism. More than 70 years later, this masterpiece that was nearly lost to time will be available in 15 languages, finally taking its rightful place among the greatest works of Holocaust literature.

A National Bestseller * One of Barack Obama's Summer Reading List Picks * Nominated for the Carnegie Medal for Excellence and the Baillie Gifford Prize for Non-Fiction * A New York Times, Washington Post, and Chicago Tribune Notable Book "What an incredibly thorough documentation of the causes of the immigration crisis, the discussions that have been going on through multiple administrations." --Jon Stewart, The Daily Show "Everyone Who Is Gone Is Here is sure to take its place as one of the definitive accounts of the U.S. and Central American immigration puzzle. . . . Hopefully, those with the power to change things will listen." --Manuel Roig-Franzia, Washington Post An epic, heartbreaking, and deeply reported history of the disastrous humanitarian crisis at the southern border told through the lives of the migrants forced to risk everything and the policymakers who determine their fate, by New Yorker staff writer Jonathan Blitzer Everyone who makes the journey faces an impossible choice. Hundreds of thousands of people who arrive every year at the US-Mexico border travel far from their homes. An overwhelming share of them come from El Salvador, Guatemala, and Honduras, although many migrants come from farther away. Some are fleeing persecution, others crime or hunger. Very often it will not be their first attempt to cross. They may have already been deported from the United States, but it remains their only hope for safety and prosperity. Their homes have become uninhabitable. They will take their chances. This vast and unremitting crisis did not spring up overnight. Indeed, as Blitzer dramatizes with forensic, unprecedented reporting, it is the result of decades of misguided policy and sweeping corruption. Brilliantly weaving the stories of Central Americans whose lives have been devastated by chronic political conflict and violence with those of American activists, government officials, and the politicians responsible for the country's tragically tangled immigration policy, Blitzer reveals the full, layered picture for the first time. Everyone Who Is Gone Is Here is an odyssey of struggle and resilience. With astonishing nuance and detail, Blitzer tells an epic story about the people whose lives ebb and flow across the border, and in doing so, he delves into the heart of American life itself. This vital and remarkable story has shaped the nation's turbulent politics and culture in countless ways--and will almost certainly determine its future.

NEW YORK TIMES BESTSELLER * A TODAY SHOW #ReadWithJenna BOOK CLUB PICK * A NEW YORK TIMES NOTABLE BOOK * From the best-selling author of Ghosts and Everything I Know About Love: a story of heartbreak and friendship and how to survive both "Like Nora Ephron, with a British twist....Delivers the most delightful aspects of classic romantic comedy--snappy dialogue, realistic relationship dynamics, humorous meet-cutes and misunderstandings--and leaves behind the clichéd gender roles and traditional marriage plot." --The New York Times Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is. . . Without a home Waiting for his stand-up career to take off Wondering why everyone else around him seems to have grown up while he wasn't looking Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story... In this sharply funny and exquisitely relatable story of romantic disaster and friendship, Dolly Alderton offers up a love story with two endings, demonstrating once again why she is one of the most exciting writers today, and the true voice of a generation.

A New York Times Notable Book * a Top 10 Best Book of the Year by the Washington Post * a Kirkus Best Book of the Year  "Reading this book is a joy... much to say about the trans journey and will undoubtedly become a standard for those in need of guidance. " -- The Washington Post "Sante's bold devotion to complexity and clarity makes this an exemplary memoir. It is a clarion call to live one's most authentic life." -- The Boston Globe "Not to be missed, I Heard Her Call My Name is a powerful example of self-reflection and a vibrant exploration of the modern dynamics of gender and identity." -- Lit Hub's Most Anticipated Books of 2024 An iconic writer's lapidary memoir of a life spent pursuing a dream of artistic truth while evading the truth of her own gender identity, until, finally, she turned to face who she really was For a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, to drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates, on her way to building an estimable career as a writer. But she still felt like her life a performance. She was presenting a façade, even to herself. Sante's memoir braids together two threads of personal narrative: the arc of her life, and her recent step-by-step transition to a place of inner and outer alignment. Sante brings a loving irony to her account of her unsteady first steps; there was much she found she still needed to learn about being a woman after some sixty years cloaked in a man's identity, in a man's world. A marvel of grace and empathy, I Heard Her Call My Name parses with great sensitivity many issues that touch our lives deeply, of gender identity and far beyond.

AN INSTANT NEW YORK TIMES BESTSELLER * NATIONAL BOOK AWARD WINNER * SHORTLISTED FOR THE BOOKER PRIZE * KIRKUS PRIZE WINNER * A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim's point of view In development as a feature film to be produced by Steven Spielberg *  A Best Book of the Year of the Year so Far for 2024: The New York Times Book Review, TIME, Esquire, W Magazine, Bustle, LitHub "Genius"--The Atlantic * "A masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own."--Chicago Tribune * "A provocative, enlightening literary work of art."--The Boston Globe * "Everett's most thrilling novel, but also his most soulful."--The New York Times When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river's banks, encountering the scam artists posing as the Duke and Dauphin...), Jim's agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a "literary icon" (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a cornerstone of twenty-first century American literature.

NEW YORK TIMES BESTSELLER * SHORTLISTED FOR THE NATIONAL BOOK AWARD * A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction. A NEW YORK TIMES NOTABLE BOOK * A TIME MUST-READ BOOK OF THE YEAR "Kaveh Akbar is one of my favorite writers. Ever." --Tommy Orange, Pulitzer Prize-nominated author of There There "The best novel you'll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness." --Lauren Groff, best-selling author of Matrix and Fates and Furies Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father's life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past--toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Kaveh Akbar's Martyr! is a paean to how we spend our lives seeking meaning--in faith, art, ourselves, others.

In this "monumental and impressive" biography, Max Boot, the distinguished political columnist, illuminates the untold story of Ronald Reagan, revealing the man behind the mythology. Drawing on interviews with over one hundred of the fortieth president's aides, friends, and family members, as well as thousands of newly available documents, Boot provides "the best biography of Ronald Reagan to date" (Robert Mann). The story begins not in star-studded Hollywood but in the cradle of the Midwest, small-town Illinois, where Reagan was born in 1911 to Nelle Clyde Wilson, a devoted Disciples of Christ believer, and Jack Reagan, a struggling, alcoholic salesman. Boot vividly creates a portrait of a handsome young man, indeed a much-vaunted lifeguard, whose early successes mirrored those of Horatio Alger. And contextualizing Reagan's life against American history, Boot re-creates the world in which Reagan transitioned from local Iowa sportscaster to budding screen actor. The world of Hollywood from the 1930s to the 1950s would prove significant, not only in Reagan's coming-of-age in such classics as Knute Rockne and Kings Row but during the twilight of his film career, when he played opposite a chimpanzee in Bedtime for Bonzo, and then his eventual emergence as a television host of General Electric Theater, which established his bona fides as one of the leading conservative voices of the time. Indeed, the leap to California governor in 1966 seemed almost preordained, in which Reagan became a bellwether for a nation in the throes of a generational shift. Reagan's 1980 presidential election augured a shift that continues into this century. Boot writes not as a partisan but as a historian seeking to set the story straight. He explains how Reagan was an ideologue but also a supreme pragmatist who signed pro-abortion and gun control bills as governor, cut deals with Democrats in both Sacramento and Washington, and befriended Mikhail Gorbachev to end the Cold War. A master communicator, Reagan revived America's spirits after the traumas of Vietnam and Watergate. But Boot also shows how Reagan was armored in obliviousness. He traces Reagan's opposition to civil rights over forty years, reveals how he neglected the exploding AIDS epidemic, and details how America experienced a level of income inequality not seen since the Gilded Age. With its revelatory insights, Reagan: His Life and Legend is no apologia, depicting a man with a good-versus-evil worldview derived from his moralistic upbringing and Hollywood westerns. Providing fresh examinations of "trickle-down economics," the Cold War's end, the Iran-Contra affair, as well as a nuanced portrait of Reagan's family, this definitive biography is as compelling a presidential biography as any in recent decades.

NEW YORK TIMES BESTSELLER * A "thrilling and superbly crafted" (The Wall Street Journal) account of the most momentous voyage of the Age of Exploration, which culminated in Captain James Cook's death in Hawaii, and left a complex and controversial legacy still debated to this day. A NEW YORK TIMES NOTABLE BOOK * A TIME MUST-READ BOOK OF THE YEAR "Hampton Sides, an acclaimed master of the nonfiction narrative, has taken on Cook's story and retells it for the 21st century."--Los Angeles Times On July 12th, 1776, Captain James Cook, already lionized as the greatest explorer in British history, set off on his third voyage in his ship the HMS Resolution. Two-and-a-half years later, on a beach on the island of Hawaii, Cook was killed in a conflict with native Hawaiians. How did Cook, who was unique among captains for his respect for Indigenous peoples and cultures, come to that fatal moment? Hampton Sides' bravura account of Cook's last journey both wrestles with Cook's legacy and provides a thrilling narrative of the titanic efforts and continual danger that characterized exploration in the 1700s. Cook was renowned for his peerless seamanship, his humane leadership, and his dedication to science--the famed naturalist Joseph Banks accompanied him on his first voyage, and Cook has been called one of the most important figures of the Age of Enlightenment. He was also deeply interested in the native people he encountered. In fact, his stated mission was to return a Tahitian man, Mai, who had become the toast of London, to his home islands. On previous expeditions, Cook mapped huge swaths of the Pacific, including the east coast of Australia, and initiated first European contact with numerous peoples. He treated his crew well, and endeavored to learn about the societies he encountered with curiosity and without judgment. Yet something was different on this last voyage. Cook became mercurial, resorting to the lash to enforce discipline, and led his two vessels into danger time and again. Uncharacteristically, he ordered violent retaliation for perceived theft on the part of native peoples. This may have had something to do with his secret orders, which were to chart and claim lands before Britain's imperial rivals could, and to discover the fabled Northwest Passage. Whatever Cook's intentions, his scientific efforts were the sharp edge of the colonial sword, and the ultimate effects of first contact were catastrophic for Indigenous people around the world. The tensions between Cook's overt and covert missions came to a head on the shores of Hawaii. His first landing there was harmonious, but when Cook returned after mapping the coast of the Pacific Northwest and Alaska, his exploitative treatment of the Hawaiians led to the fatal encounter. At once a ferociously-paced story of adventure on the high seas and a searching examination of the complexities and consequences of the Age of Exploration, THE WIDE WIDE SEA is a major work from one of our finest narrative nonfiction writers.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR ONE OF NEW YORK PUBLIC LIBRARY'S TOP 10 BEST BOOKS OF THE YEAR "Enrigue's genius lies in his ability to bring readers close to its tangled knot of priests, mercenaries, warriors and princesses while adding a pinch of biting humor." --Silvia Moreno-Garcia, Los Angeles Times "Riotously entertaining... A triumph of solemnity-busting erudition and mischievous invention that will delight and titillate." --Financial Times From the visionary author of Sudden Death, a hallucinatory, revelatory colonial revenge story. One morning in 1519, conquistador Hernán Cortés enters the city of Tenochtitlan - today's Mexico City. Later that day, he will meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures. Cortés is accompanied by his captains, his troops, his prized horses, and his two translators: Friar Aguilar, a taciturn friar, and Malinalli, an enslaved, strategic Nahua princess. After nearly bungling their entrance to the city, the Spaniards are greeted at a ceremonial welcome meal by the steely Aztec princess Atotoxtli, sister and wife of Moctezuma. As they await their meeting with the emperor - who is at a political and spiritual crossroads, and relies on hallucinogens to get by - Cortés and his entourage are ensconced in the labyrinthine palace. Soon, one of Cortés's captains, Jazmín Caldera, overwhelmed by the grandeur of the place, begins to question the ease with which they were welcomed into the city, and wonders at the chances of getting out alive, much less conquering the empire. And what if... they don't? You Dreamed of Empires brings Tenochtitlan to life at its height, and reimagines its destiny. The incomparably original Álvaro Enrigue sets afire the moment of conquest and turns it into a moment of revolution, a restitutive, fantastical counterattack, in a novel so electric and so unique that it feels like a dream.