Book Clubs and Book Suggestions: New Yorker magazine

THE NEW YORK TIMES NOTABLE BOOK * THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE * From the bestselling historian and National Book Critics Circle Award finalist Charles King, the moving untold story of the eighteenth-century men and women behind the making of Handel's Messiah "A delicious history of music, power, love, genius, royalty and adventure."--Simon Sebag Montefiore, author of The World "A book of power and glory, brimming with emotion and dazzling in its reach."--Stacy Schiff, Pulitzer Prize-winning author of Cleopatra and The Revolutionary George Frideric Handel's Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras, as well as by audiences singing along with the words on their cell phones. But this work of triumphant joy was born in a worried age. Britain in the early Enlightenment was a place of astonishing creativity but also the seat of an empire mired in war, enslavement, and conflicts over everything from the legitimacy of government to the meaning of truth. Against this turbulent background, prize-winning author Charles King has crafted a cinematic drama of the troubled lives that shaped a masterpiece of hope. Every Valley presents a depressive dissenter stirred to action by an ancient prophecy; an actress plagued by an abusive husband and public scorn; an Atlantic sea captain and penniless philanthropist; and an African Muslim man held captive in the American colonies and hatching a dangerous plan for getting back home. At center stage is Handel himself, composer to kings but, at midlife, in ill health and straining to keep an audience's attention. Set amid royal intrigue, theater scandals, and political conspiracy, Every Valley is entertaining, inspiring, unforgettable.

First glimpsed riding on the back of a boy's motorcycle, fourteen-year-old Czeslawa comes to life in this mesmerizing novel by Lily Tuck, who imagines her upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, shorn, and tattooed number 26947 on arriving at Auschwitz, Czeslawa is then photographed. Three months later, she is dead. How did this happen to an ordinary Polish citizen? This is the question that Tuck grapples with in this haunting novel, which frames Czeslawa's story within the epic tragedy of six million Poles who perished during the German occupation. A decade prior to writing The Rest Is Memory, Tuck read an obituary of the photographer Wilhelm Brasse, who took more than 40,000 pictures of the Auschwitz prisoners. Included were three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out the photos and kept them, determined to learn more about Czeslawa, but she was only able to glean the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and her neighbors, her tattoo number, and the date of her death. From this scant evidence, Tuck's novel becomes a remarkable kaleidoscopic feat of imagination, something only our greatest novelists can do. "Beautifully written, all the while instilling a sense of horror" (Susanna Moore), Tuck's language swirls about, yet not a word is out of place. The subtly rotating images tumble out at us, accelerating as we learn about Czeslawa's tragic stay in Auschwitz, the lives of real people such as the barbaric Commandant Rudolf Höss; his unconscionable wife, Hedwig; the psychiatrist and child rescuer Janusz Korczak; and the mordant Polish short story writer Tadeusz Borowski. Although we are certain of Czeslawa's fate, we have no choice but to keep turning the pages, thoroughly mesmerized by Tuck's near otherworldly prose. In Lily Tuck's hands, The Rest Is Memory becomes an unforgettable work of historical reclamation that rescues an innocent life, one previously only recalled by a stark triptych of photographs.

In eleven stories, The World With Its Mouth Open follows the inner lives of people in Kashmir as they walk the uncertain terrain of their days, fractured from years of war. From a shopkeeper's encounter with a mannequin, to an expectant mother walking on a precarious road, to a young boy wavering between dreams and reality, to two dogs wandering the city, these stories weave in larger, devastating themes of loss, grief, violence, longing, and injustice with the threads of smaller, everyday realities that confront the characters' lives in profound ways. Although the stories circle the darker aspects of life, they are--at the same time--an attempt to run into life, into humor, into beauty, into another person who can offer refuge, if momentarily. Zahid Rafiq's The World With Its Mouth Open is an original and powerful debut collection announcing the arrival of a new voice that bears witness to the human condition with nuance, heart, humor, and incredible insight.

A century-long history of immigrant incarceration in the United States Today, U.S. Immigration & Customs Enforcement (ICE) detains an average of 37,000 migrants each night. To do so, they rely on, and pay for, the use of hundreds of local jails. But this is nothing new: the federal government has been detaining migrants in city and county jails for more than 100 years. In The Migrant's Jail, Brianna Nofil examines how a century of political, ideological, and economic exchange between the U.S. immigration bureaucracy and the criminal justice system gave rise to the world's largest system of migrant incarceration. Migrant detention is not simply an outgrowth of mass incarceration; rather, it has propelled carceral state-building and fostered intergovernmental policing efforts since the turn of the twentieth century. From the incarceration of Chinese migrants in New York in the 1900s and 1910s to the jailing of Caribbean refugees in Gulf South lockups of the 1980s and 1990s, federal immigration authorities provided communities with a cash windfall that they used to cut taxes, reward local officials, and build bigger jails--which they then had incentive to fill. Trapped in America's patchwork detention networks, migrants turned to courts, embassies, and the media to challenge the cruel paradox of "administrative imprisonment." Drawing on immigration records, affidavits, protest letters, and a variety of local sources, Nofil excavates the web of political negotiations, financial deals, and legal precedents that allows the United States to incarcerate migrants with little accountability and devastating consequences.

From the winner of the PEN/Malamud Award and "one of our most gifted writers" (Chicago Tribune) comes a comic novel about a divorced Midwestern dad who takes a cutting-edge medical test and learns that he has a predisposition to murder. In this fresh take on love and trouble in America, Brock Hobson, an insurance salesman and Sunday-school teacher, finds his equilibrium disturbed by the results of a predictive blood test. Baxter, a master storyteller, brings us a gradually building rollercoaster narrative, and a protagonist who is impertinent, searching, and hilariously relatable. From his good-as-gold, gentle girlfriend to the macho subcontractor guy his ex-wife left him for, not to mention his well-raised teenage kids, now exploring sex and sexuality, the secondary characters in Brock's life all contribute meaningfully to the drama, as increasing challenges to his sense of self and purpose crash over him. The final battle--no spoilers, but there is one--couldn't be more delightful, as this quick and bracing novel reminds us to choose the best people to love, accept the ones we love even if we didn't choose them, and love them all well.

A Globe and Mail Best Book of 2024 A Financial Times Best Book of 2024 A Kirkus Best Book of 2024 A Daily Telegraph Best Book of 2024 A "beautifully composed and revealing" (Financial Times) biography of the dazzling and painful life of Nobel Prize-winning physicist Roger Penrose--"a stunning achievement" (Kai Bird, American Prometheus). When he was six years old, Roger Penrose discovered a sundial in a clearing near his house. Through that machine made of light, shadow, and time, Roger glimpsed a "world behind the world" of transcendently beautiful geometry. It spurred him on a journey to become one of the world's most influential mathematicians, philosophers, and physicists.    Penrose would prove the limitations of general relativity, set a new agenda for theoretical physics, and astound colleagues and admirers with the elegance and beauty of his discoveries. However, as Patchen Barss documents in The Impossible Man, success came at a price: He was attuned to the secrets of the universe, but struggled to connect with loved ones, especially the women who care for or worked with him.   Both erudite and poetic, The Impossible Man draws on years of research and interviews, as well as previously unopened archives to present a moving portrait of Penrose the Nobel Prize-winning scientist and Roger the human being. It reveals not just the extraordinary life of Roger Penrose, but asks who gets to be a genius, and who makes the sacrifices that allow one man to be one.

For fans of American Housewife and the work of Lily King, a provocative, razor-sharp, and riotously entertaining story collection exploring the dark side of family and femininity. CONTAINS "COMORBIDITIES," WINNER OF THE BBC SHORT STORY PRIZE In my life, I had always been a good woman; controlling what it was that I wanted. But recently, I had started to notice my bad energy, and I began to follow it, wondering where it would take me . . . A woman has an unexpected outburst at a corporate therapy session for working mothers. A couple find some long-overdue time to rekindle their relationship and make an ill-advised home movie. A pregnant film director plots revenge on the actress who betrayed her. An ex-wife deliberately causes conflict at her ex-husband's wedding. This Is Why We Can't Have Nice Things illuminates the lives of malicious, subversive, and untamed women. Exploring failed sisterhood, dubious parenting, and the dark side of modern love, this powerful and funny collection exposes how society wants women to behave, and shows what happens when they refuse.

A riveting courtroom drama about the victims of one of the largest environmental disasters in U.S. history--and the country lawyer determined to challenge the notion that, in America, justice can be bought For more than fifty years, a power plant in the small town of Kingston, Tennessee,  burned fourteen thousand tons of coal a day, gradually creating a mountain of ashen waste sixty feet high and covering eighty-four acres, contained only by an earthen embankment. In 2008, just before Christmas, that embankment broke, unleashing a lethal wave of coal sludge that covered three hundred acres, damaged nearly thirty homes, and precipitating a cleanup effort that would cost more than a billion dollars--and the lives of more than fifty cleanup workers who inhaled the toxins it released. Jim Scott, a local personal-injury lawyer, agreed to represent the workers after they began to fall ill. That meant doing legal battle against the Tennessee Valley Authority,  a colossal, federally owned power company that had once been a famous cornerstone of President Franklin D. Roosevelt's New Deal. Scott and his hastily assembled team gathered extensive evidence of malfeasance: threats against workers; retaliatory firings; disregarded safety precautions; and test results, either hidden or altered, that would have revealed harmful concentrations of arsenic, lead, and radioactive materials at the cleanup site. At every stage, Scott--outmanned and nearly broke--had to overcome legal hurdles constructed by TVA and the firm it hired to help execute the cleanup. He grew especially close to one of the victims, whose swift decline only intensified his hunger for justice. As the incriminating evidence mounted, the workers seemed to have everything on their side, including the truth--and yet, was it all enough to prevail? The lawsuit that Scott pursued on the workers' behalf was about their illnesses, no doubt. But it was also about whether blue-collar employees could beat the C-suite; if self-described "hillbilly lawyers" could beat elite corporate defense attorneys; and whether strong evidence could beat fat pocketbooks. With suspense and rich detail, Jared Sullivan's thrilling account lays bare the casual brutality of the American justice system, and calls into question whether--and how--the federal government has failed its people.

"A powerful argument for reforming this system."--The New York Times An urgent investigation of student debt in America revealing the corrupt systems, rotten policies, and bad actors that have created a $1.7 trillion crisis. College costs more today than ever and is worth less. Tuition at public colleges has more than tripled in the past 50 years. Over the same period student debt has grown from virtually nothing to more than $1.7 trillion, second only to home mortgages. Skyrocketing student-loan burdens are leading an entire generation to put off the traditional milestones of adulthood: buying homes, getting married, starting families, and saving for retirement. The burden weighs heavier on women and black Americans, and with almost 10 percent of student debtors now over the age of 60, it is a crisis no longer limited to the young. Ryann Liebenthal's Burdened tells the maddening story of how the power plays of legislators and presidents, the commodification of higher ed, and the rapacious practices of for-profit colleges and private lenders have created today's student-debt lava pit. As the notion of student-loan cancellation percolates into the political mainstream, Liebenthal offers a deeply researched, sweeping narrative of our broken system. Rather than give in to despair, she boldly charts a way out, offering hopeful solutions to this seemingly unfixable problem.

A celebration of the beauty and mystery of language and how it shapes our lives, our loves, and our world. If there is one feature that defines the human condition, it is language: written, spoken, signed, understood, and misunderstood, in all its infinite glory. In this ingenious, lyrical exploration, Julie Sedivy draws on years of experience in the lab and a lifetime of linguistic love to bring the discoveries of linguistics home, to the place language itself lives: within the yearnings of the human heart and amid the complex social bonds that it makes possible. Linguaphile: A Life of Language Love follows the path that language takes through a human life--from an infant's first attempts at sense-making to the vulnerabilities and losses that accompany aging. As Sedivy shows, however, language and life are inextricable, and here she offers them together: a childish misunderstanding of her mother's meaning reveals the difficulty of relating to other minds; frustration with "professional" communication styles exposes the labyrinth of standards that define success; the first signs of hearing loss lead to a meditation on society's discomfort with physical and mental limitations. Part memoir, part scientific exploration, and part cultural commentary, this book epitomizes the thrills of a life steeped in the aesthetic delights of language and the joys of its scientific scrutiny.

From the National Book Award Finalist Domenico Starnone comes a new novel about childhood, memory, obsession, and the fictions we live by. Children can be cruel, and children can love as passionately and obsessively as adults. These two observations combine, igniting the imagination of Italy's greatest contemporary novelist and producing a seemingly candid novel that belies remarkable psychological depths and infinite degrees of enchantment. Imagine a child, a daydreamer, one of those boys who is always gazing out windows. His adoring grandmother, busy in the kitchen, keeps an eye on him. The child stares at the building opposite, watching a black-haired girl as she dances recklessly on her balcony. He is in love. And a love like this can push a child to extremes. He can become an explorer or a cabin boy, a cowboy or castaway; he can fight duels to the death, or even master unfamiliar languages. His grandmother has told him about the entrance to the underworld, and he knows the story of Orpheus's failed rescue mission. He could do better, he thinks; he wouldn't fail to bring that dark-haired up from the underground if she were dead, and it only he had the chance. A short, sharp, perfectly styled and unforgettable novel about love, desire, memory, and death by the Strega Prize-winning Italian author of Ties and International Booker Prize-longlisted author of The House on Via Gemito.

A WASHINGTON POST NOTABLE BOOK OF 2024 LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: "That's how little the activities of one person matter on the eighteenth of November.") Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume's gravitational pull--a force inverse to its constriction--has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle's seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects.  As one Danish reviewer beautifully put it, Balle's fiction consists of writing that listens. "Reading her is like being caressed by language itself."

An engaging account of the life and work of the legendary polymath Alexander von Humboldt In this lucid biography, Andreas Daum offers a succinct and novel interpretation of the life and oeuvre of Alexander von Humboldt (1769―1859). A Prussian nobleman born into the age of European Enlightenment, Humboldt was a contemporary of Napoleon, Simón Bolívar, and Charles Darwin. As a naturalist and scholar, he traveled the world, from the Americas to Central Asia, and recorded his observations in multiple volumes. Humboldt is still admired today for his interdisciplinary outreach and ecological awareness. Moving beyond the conventional views of Humboldt as either intellectual superhero or gentleman colonizer, Daum's incisive account focuses on Humboldt in the context of the tumultuous period of history in which he lived. Humboldt embodied the contradictions that marked the age of Atlantic Revolutions. He became a critic of slavery and embraced the emerging civil society but remained close to authoritarian rulers. He dedicated his life to scientific research yet was driven by emotional impulses and pleaded for an aesthetic appreciation of nature. Daum introduces a man passionately striving to establish a "cosmic" understanding of nature while grappling with the era's explosion of knowledge. This book provides the first concise biography of Humboldt, covering all periods of his life, exploring his personality, the vast range of his works, and his intellectual networks. Daum helps us understand Humboldt as a seminal historical figure and illuminates the role of science at the dawn of the global world.

NATIONAL BESTSELLER A Publishers Weekly Top 10 Book of the Year  * An Esquire Best Book of Fall 2024  * A Barnes & Noble Best Book of the Year Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction "Impeccably researched. . . . A fascinating book and an important one." -- Washington Post "[A] brilliant, kaleidoscopic debut. . . . Nagle's narrative is lucid and moving. . . . A showstopper." -- Publishers Weekly, starred review Most Anticipated Book of the Fall: Washington Post, People, Los Angeles Times, Parade, Bustle, Book Riot, and Literary Hub A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests--in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples. In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn't have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle's own Cherokee Nation.  Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country. 

From one of Japan's most brilliant and sensitive contemporary novelists, this speculative fiction masterpiece envisions an Earth where humans are nearing extinction, and rewrites our understanding of reproduction, ecology, evolution, artificial intelligence, communal life, creation, love, and the future of humanity In the distant future, humans are on the verge of extinction and have settled in small tribes across the planet under the observation and care of "Mothers." Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the race depends on the interbreeding of these and other alien beings--but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world. Unfolding over fourteen interconnected episodes spanning geological eons, at once technical and pastoral, mournful and utopic, Under the Eye of the Big Bird presents an astonishing vision of the end of our species as we know it.

ONE OF FALL'S MOST ANTICIPATED READS--New York Times, Vulture, BookPage, Kirkus Reviews, and more From the New York Times bestselling author and advice columnist, a poignant and funny debut novel about the residents of a women's hotel in 1960s New York City. The Beidermeier might be several rungs lower on the ladder than the real-life Barbizon, but its residents manage to occupy one another nonetheless. There's Katherine, the first-floor manager, lightly cynical and more than lightly suggestible. There's Lucianne, a workshy party girl caught between the love of comfort and an instinctive bridling at convention, Kitty the sponger, Ruth the failed hairdresser, and Pauline the typesetter. And there's Stephen, the daytime elevator operator and part-time Cooper Union student. The residents give up breakfast, juggle competing jobs at rival presses, abandon their children, get laid off from the telephone company, attempt to retrain as stenographers, all with the shared awareness that their days as an institution are numbered, and they'd better make the most of it while it lasts. As trenchant as the novels of Dawn Powell and Rona Jaffe and as immersive as The Marvelous Mrs. Maisel and Lessons in Chemistry, Women's Hotel is a modern classic--and it is very, very funny.

How the idea of deep time transformed how Americans see their country and themselves During the nineteenth century, Americans were shocked to learn that the land beneath their feet had once been stalked by terrifying beasts. T. rex and Brontosaurus ruled the continent. North America was home to saber-toothed cats and woolly mammoths, great herds of camels and hippos, and sultry tropical forests now fossilized into massive coal seams. How the New World Became Old tells the extraordinary story of how Americans discovered that the New World was not just old--it was a place rooted in deep time. In this panoramic book, Caroline Winterer traces the history of an idea that today lies at the heart of the nation's identity as a place of primordial natural beauty. Europeans called America the New World, and literal readings of the Bible suggested that Earth was only six thousand years old. Winterer takes readers from glacier-capped peaks in Yosemite to Alabama slave plantations and canal works in upstate New York, describing how naturalists, explorers, engineers, and ordinary Americans unearthed a past they never suspected, a history more ancient than anyone ever could have imagined. Drawing on archival evidence ranging from unpublished field notes and letters to early stratigraphic diagrams, How the New World Became Old reveals how the deep time revolution ushered in profound changes in science, literature, art, and religion, and how Americans came to realize that the New World might in fact be the oldest world of all.

On May 4, 1970, at Kent State University in Ohio, political fires that had been burning across America during the 1960s exploded. Antiwar protesters wearing bell-bottom jeans and long hair hurled taunts and rocks at another group of young Americans--National Guardsmen sporting gas masks and rifles. At half past noon, violence unfolded with chaotic speed, as guardsmen--many of whom had joined the Guard to escape the draft--opened fire on the students. Two reductive narratives ensued: one, that lethal state violence targeted Americans who spoke their minds; the other, that law enforcement gave troublemakers the comeuppance they deserved. For over fifty years, little middle ground has been found due to incomplete and sometimes contradictory evidence. Kent State meticulously re-creates the divided cultural landscape of America during the Vietnam War and heightened popular anxieties around the country. On college campuses, teach-ins, sit-down strikes, and demonstrations exposed the growing rift between the left and the right. Many students opposed the war as unnecessary and unjust and were uneasy over poor and working-class kids drafted and sent to Vietnam in their place. Some developed a hatred for the military, the police, and everything associated with authority, while others resolved to uphold law and order at any cost. Focusing on the thirteen victims of the Kent State shooting and a painstaking reconstruction of the days surrounding it, historian Brian VanDeMark draws on crucial new research and interviews--including, for the first time, the perspective of guardsmen who were there. The result is a complete reckoning with the tragedy that marked the end of the sixties.

Also available in audio featuring narration by Colman Domingo, Rachel Weisz, and Michael Cera "Instantly fascinating, brimming with twisting narratives and unforgettable endings... The Last Dream stands alone as a major literary talent's virtuosic debut." --Kaveh Akbar, New York Times bestselling author of Martyr! Making his English language debut, the iconoclastic, two-time Academy award-winning writer and director reveals his singular mind as never before in this collection of twelve remarkable stories spanning memoir, comedy, autofiction, parody, pastiche, and gothic fiction. With this debut collection, film legend Pedro Almodóvar delivers a tantalizing glimpse into his world, formed by twelve stories carefully selected from his personal writings dating from the late '60s to the present. Almodóvar writes: "I've been asked to write my autobiography more than once, and I've always refused. . . . I've never kept a diary, and whenever I've tried, I've never made it to page two; in a sense, then, this book represents something of a paradox. It might be best described as a fragmentary autobiography, incomplete and a little enigmatic." Each entry reflects Almodóvar's most intimate obsessions, as well as his evolution as an artist. In the title story, "The Last Dream," Almodóvar reflects on the death of his mother. Other entries in the collection include a love story between Jesus and Barabbas, a story of retribution that formed the basis for the film Bad Education, a manic adventure about a film director searching for painkillers on a bank holiday weekend, and a gothic tale centered around a repentant vampire. Translated from the Spanish by Frank Wynne

Franz Kafka meets Yorgos Lanthimos in this provocative new novel from one of America's most brilliant and distinctive writers In a speculative future, Abel, a menial worker, is called to serve in a secretive and fabled jury system. At the heart of this system is the repeat room, where a single juror, selected from hundreds of candidates, is able to inhabit the defendant's lived experience, to see as if through their eyes. The case to which Abel is assigned is revealed in the novel's shocking second act. We receive a record of a boy's broken and constrained life, a tale that reveals an illicit and passionate psycho-sexual relationship, its end as tragic as the circumstances of its conception. Artful in its suspense, and sharp in its evocation of a byzantine and cruel bureaucracy, The Repeat Room is an exciting and pointed critique of the nature of knowledge and judgment, and a vivid framing of Ball's absurd and nihilistic philosophy of love.

From the author of the critically acclaimed Laura & Emma comes a The Love Affairs of Nathaniel P. for our times: Kate Greathead's razor-sharp but big-hearted excavation of millennial masculinity, The Book of George. If you haven't had the misfortune of dating a George, you know someone who has. He's a young man brimming with potential but incapable of following through; sweet yet noncommittal to his long-suffering girlfriend; distant from but still reliant on his mother; charmingly funny one minute, sullenly brooding the next. Here, Kate Greathead paints one particular, unforgettable George in a series of droll and surprisingly poignant snapshots of his life over two decades. Despite his failings, it's hard not to root for George at least a little. Beneath his cynicism is a reservoir of fondness for his girlfriend, Jenny, and her valiant willingness to put up with him. Each demonstration of his flaws is paired with a self-eviscerating comment. No one is more disappointed in him than himself (except maybe Jenny and his mother). As hilarious as it is resonant and as singular as it is universal, The Book of George is a deft, unexpectedly moving portrait of one man--but also countless others.

This captivating book delves into the secretive world of the Irish Republican Brotherhood (IRB) and its profound impact on Ireland' s political landscape between 1914 and 1924. With the aid of new documentation, Ranelagh unravels the true influence of the oath-bound society without which the 1916 Rising might never have taken shape.For Michael Collins, the IRB was the true custodian of the Irish Republic, and the only body he pledged his loyalty to, but its legacy remains obscured by its intense secrecy. This book re-introduces the IRB as the organisation that created and furnished the IRA, influenced the result of the critical 1918 election, and changed the face of Irish history.From É amon de Valera' s recollections of how he first learned of the Treaty to narratives from Nora Connolly O' Brien, Emmett Dalton, and others, testimonies from key figures paint a vivid picture of the IRB' s inner workings and external influence.A fascinating exploration of secret societies, political manoeuvres, and personal sacrifices, The Organisation casts new light on a pivotal chapter in Ireland' s quest for independence.

A new account of Shakespearean tragedy as a response to life in an uncertain world In Shakespeare's Tragic Art, Rhodri Lewis offers a powerfully original reassessment of tragedy as Shakespeare wrote it--of what drew him toward tragic drama, what makes his tragedies distinctive, and why they matter. After reconstructing tragic theory and practice as Shakespeare and his contemporaries knew them, Lewis considers in detail each of Shakespeare's tragedies from Titus Andronicus to Coriolanus. He argues that these plays are a series of experiments whose greatness lies in their author's nerve-straining determination to represent the experience of living in a world that eludes rational analysis. They explore not just our inability to know ourselves as we would like to, but the compensatory and generally unacknowledged fictions to which we bind ourselves in our hunger for meaning--from the political, philosophical, social, and religious to the racial, sexual, personal, and familial. Lewis's Shakespeare not only creates tragedies that exceed those written before them. Through his art, he also affirms and invigorates the kinds of knowing that are available to intelligent animals like us. A major reevaluation of Shakespeare's tragedies, Shakespeare's Tragic Art is essential reading for anyone interested in Shakespeare, tragedy, or the capacity of literature to help us navigate the perplexities of the human condition.

"The people in The Third Realm are as vivid and convincing as Knausgaard's autobiographical persona . . . Enthralling . . . you can't stop reading." --Lev Grossman, The Atlantic "One of the most genuinely suspenseful, alluring books I've ever read. Novel by novel, Knausgaard is replenishing some feral charge to the world." --Brandon Taylor, The Washington Post From bestselling author Karl Ove Knausgaard, a kaleidoscopic novel about human nature in the face of enormous change--and the warring impulses between light and dark that live in all of us For several days, a strange and bright new star in the sky above Norway has sown an unyielding sense of foreboding, of agitation, and of fear. Tove, a painter on holiday with her family, has spiraled into a psychosis that stirs her into a flurry of unbridled creativity. Geir, a policeman who has been investigating a grisly triple murder, comes to a sinister revelation he must keep to himself. Nineteen-year-old Line falls in love with the lead singer of a metal band and is lured into a secret and frightening world. But most bewildering, and disquieting, is the discovery made by Syvert, an undertaker: since the star has appeared, no one has died. In The Third Realm, Karl Ove Knausgaard returns to the spellbinding world of The Morning Star and The Wolves of Eternity, as a cast of new and familiar characters continue to reckon with the meaning of this star. What is haunting them, and why? As supernatural forces collide with the mundanities of everyday, and the threshold between life and death becomes diffuse, people are forced to live their lives as before while the world around them slowly changes in inexplicable ways. Piercing through human existence into the bestial and phantasmagorical, Knausgaard flings opens the gates to our most distressing neuroses and forces us to ask: What happens if the dark forces in the world are set free?

In this magisterial book, historian Sunil Amrith twins the stories of environment and Empire, of genocide and eco-cide, of an extraordinary expansion of human freedom and its planetary costs. Drawing on an extraordinarily rich diversity of primary sources, he reckons with the ruins of Portuguese silver mining in Peru, British gold mining in South Africa, and oil extraction in Central Asia. He explores the railroads and highways that brought humans to new terrains of battle against each other and against stubborn nature. Amrith's account of the ways in which the First and Second World Wars involved the massive mobilization not only of men, but of other natural resources from around the globe, provides an essential new way of understanding war as an irreversible reshaping of the planet. So too does this book reveal the reality of migration as consequence of environmental harm. The imperial, globe-spanning pursuit of profit, joined with new forms of energy and new possibilities of freedom from hunger and discomfort, freedom to move and explore, has brought change to every inch of the Earth. Amrith relates in gorgeous prose, and on the largest canvas, a mind-altering epic--vibrant with stories, characters, and vivid images--in which humanity might find the collective wisdom to save itself.

LONGLISTED FOR THE BOOKER PRIZE "Like A.S. Byatt's Possession, Enlightenment is a baroque, genre-bending novel of ideas, ghosts and hidden histories. A richly layered epic....a heartfelt paean to the consolations of the sublime, where religion and science meet." -- Telegraph "Read it, then read it again. This is a book full of unexpected wonders." -- Literary Review From the author of The Essex Serpent, a dazzling novel of love and astronomy told over the course of twenty years through the lives of two improbable best friends. Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits--torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London. Over the course of twenty years, by coincidence and design, Thomas and Grace will find their lives brought back into orbit as the mystery of the vanished astronomer unfolds into a devastating tale of love and scientific pursuit. Thomas and Grace will ask themselves what it means to love and be loved, what is fixed and what is mutable, how much of our fate is predestined and written in the stars, and whether they can find their way back to each other. A thrillingly ambitious novel of friendship, faith, and unrequited love, rich in symmetry and symbolism, Enlightenment is a shimmering wonder of a book and Sarah Perry's finest work to date. 

A Kirkus Most Anticipated Book of Fall 2024 The first history of the notebook, a simple invention that changed the way the world thinks. We see notebooks everywhere we go. But where did these indispensable implements come from? How did they revolutionize our lives? And how can using a notebook help change the way you think? In this wide-ranging history, Roland Allen reveals how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of Leonardo and Frida Kahlo, Isaac Newton and Marie Curie, and writers from Chaucer to Henry James; shows how Darwin developed his theory of evolution in tiny pocket books and Agatha Christie plotted a hundred murders in scrappy exercise books; and introduces a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers, and mathematicians, all of whom used their notebooks as a space to think--and in doing so, shaped the modern world. In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper, he finds, can have profound consequences, changing the way we think and feel: making us more creative, more productive--and maybe even happier.

"Sequels are notoriously tricky. Even the characters in The Sequel acknowledge it. "They're never as good as the first book, are they?"... Well, this one is. By shifting the focus to Anna, Korelitz gives the novel what many sequels lack: a sense of newness. While the story grows more intricate, she remains in control. Her plot ― ha! ― is propulsive, her prose precise." ―The New York Times After the "insanely readable" (Stephen King) and "perfectly told" (Malcolm Gladwell) New York Times bestseller The Plot comes Jean Hanff Korelitz's equally captivating new novel: The Sequel. Anna Williams-Bonner has taken care of business. That is to say, she's taken care of her husband, bestselling novelist Jacob Finch Bonner, and laid to rest those anonymous accusations of plagiarism that so tormented him. Now she is living the contented life of a literary widow, enjoying her husband's royalty checks in perpetuity, but for the second time in her life, a work of fiction intercedes, and this time it's her own debut novel, The Afterword. After all, how hard can it really be to write a universally lauded bestseller? But when Anna publishes her book and indulges in her own literary acclaim, she begins to receive excerpts of a novel she never expected to see again, a novel that should no longer exist. That it does means something has gone very wrong, and someone out there knows far too much: about her late brother, her late husband, and just possibly... Anna, herself. What does this person want and what are they prepared to do? She has come too far, and worked too hard, to lose what she values most: the sole and uncontested right to her own story. And she is, by any standard, a master storyteller. With her signature wit and sardonic humor, Jean Hanff Korelitz gives readers an antihero to root for while illuminating and satirizing the world of publishing in this deliciously fun and suspenseful read.

INTERNATIONAL BESTSELLER! Shortlisted for Femina Etranger and Medicis Etranger Prizes "A masterclass in suspense ... Extraordinary." - Paula Hawkins "Terrifying, explosive and exhilarating" - Katie Kitamura "A modern masterpiece." -LitHub From a global star and International Booker Prize finalist, a razor-sharp, unforgettable novel about a maid who's seen too much and a family at a breaking point A young girl has died and the family's maid is being interrogated. She must tell the whole story before arriving at the girl's death. Estela came from the countryside, leaving her mother behind, to work for the señor and señora when their only child was born. They wanted a housemaid: "smart appearance, full time," their ad said. She wanted to make enough money to support her mother and return home. For seven years, Estela cleaned their laundry, wiped their floors, made their meals, kept their secrets, witnessed their fights and frictions, raised their daughter. She heard the rats scrabbling in the ceiling, saw the looks the señor gave the señora; she knew about the poison in the cabinet, the gun, the daughter's rebellion as she grew up, the mother's coldness, the father's distance. She saw it all. After a series of shocking betrayals and revelations, Estela stops speaking, breaking her silence only now, to tell the story of how it all fell apart. Is this a story of revenge or a confession? Class warfare or a cautionary tale? Building tension with every page, Clean is a gripping, incisive exploration of power, domesticity, and betrayal from an international star at the height of her powers.

An evocative coming-of-age memoir--the story of the education of a wayward wild child and acidhead who, searching for meaning and purpose, found refuge in the demimonde of the ruined but magical metropolis that was New York City in the 1970s. "In his beautiful memoir, Do Something, Guy Trebay paints a picture of a vanished, pre-AIDS Gotham that's both gritty and dazzling." --The New York Times Book Review Born in the Bronx, Guy Trebay was raised in an atmosphere of privilege on Long Island's North Shore after his entrepreneurial father struck business gold with Hawaiian Surf, a wildly successful cologne company that capitalized on the optimism of the 1960s as marketed to "an adventurous new breed of men.'' But behind the facade of material prosperity lay the emotional disarray of a household dominated by a charismatic, con artist father, a glamorous yet lost and careless mother, a family haunted by tragedy. By the time Trebay established a foothold at the fringes of Andy Warhol's Factory and the diverse artistic tribes that thrived in Manhattan in that pre-digital era, his father had lost his fortune, his younger sister had been arrested for armed robbery and fled underground, the family house was in ashes, and his mother was dead. Unschooled and on his own, Trebay became a striver, wending his way through a seemingly apocalyptic landscape populated by a vibrant cast of characters, including washed-up Hollywood screenwriters of the '30s; Warhol superstars like Jackie Curtis and Candy Darling; fashion geniuses like Charles James; and emerging artists, filmmakers, writers, designers, photographers, and deejays who would powerfully influence mainstream culture in the decades to come.

A groundbreaking history of how the decades-long war on terror changed virtually every aspect of American life, from the erosion of citizenship down to the cars we bought and TV we watched--by an acclaimed n+1 writer "Richard Beck, like many people alive today, has spent his adult life living in the shadow of 9/11, and Homeland is a devastating inquiry into the new world that day created."--Greg Grandin, Pulitzer Prize-winning author of The End of the Myth: From the Frontier to the Border Wall in the Mind of America For twenty years after September 11, the war on terror was simultaneously everywhere and nowhere. With all of the military violence occurring overseas even as the threat of sudden mass death permeated life at home, Americans found themselves living in two worlds at the same time. In one of them, soldiers fought overseas so that nothing at home would have to change at all. In the other, life in the United States took on all kinds of unfamiliar shapes, changing people's sense of themselves, their neighbors, and the strangers they sat next to on airplanes. In Homeland, Richard Beck delivers a gripping exploration of how much the war changed life in the United States and explains why there is no going back.  Though much has been made of the damage that Donald Trump did to the American political system, Beck argues that it was the war on terror that made Trump's presidency possible, fueling and exacerbating a series of crises that all came to a head with his rise to power. Homeland brilliantly isolates and explores four key issues: the militarism that swept through American politics and culture; the racism and xenophobia that boiled over in much of the country; an economic crisis that, Beck convincingly argues, connects the endurance of the war on terror to at least the end of the Second World War; and a lack of accountability that produced our "impunity culture"--the government-wide inability or refusal to face consequences that has transformed how the U.S. government relates to the people it governs.  To see American life through the lens of Homeland's sweeping argument is to understand the roots of our current condition. In its startling analysis of how the war on terror hollowed out the very idea of citizenship in the United States, Beck gives the most compelling explanation yet offered for the ongoing disintegration of America's social, political, and cultural fabric.

A Most-Anticipated Book: The New York Times Book Review, The Guardian, BBC, Marie Claire, Frieze, Literary Hub, The Millions, Our Culture, i news "A subtle, sexy, exquisitely written jewel of a book." --Melissa Febos, author of Girlhood "Scaffolding is a new and intimate story of desire . . . Riveting . . . I'll be reading this one again and again." --Chicago Review of Books The debut novel by the acclaimed author of Flâneuse and Art Monsters, Lauren Elkin's Scaffolding is a story of Paris, desire, love, psychoanalysis, and the turbulent affairs of two couples across time. Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor--a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective. Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn't sure he's ready for fatherhood. Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times--times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin's Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we've loved live on in us.

"Quite possibly America's best living writer of short stories."--NPR "Williams is a writer for our times: both visionary and caustic, knowing yet also full of wonder."--Catherine Taylor, The Financial Times Returning to her legendary short stories, Pulitzer Prize and National Book Award finalist Joy Williams offers a much-anticipated follow-up to Ninety-Nine Stories of God, which The New York Times Book Review called a "treasure trove of bafflements and tiny masterpieces." Concerning the Future of Souls balances the extraordinary and the humble, the bizarre and the beatific, as Azrael--transporter of souls and the most troubled and thoughtful of the angels--confronts the holy impossibility of his task, his uneasy relationship with Death, and his friendship with the Devil. Over the course of these ninety-nine illuminations, a collection of connected and disparate beings--ranging from ordinary folk to grand, known figures such as Jung, Nietzsche, Pythagoras, Bach, and Rilke; to mountains, oceans, dogs, birds, whales, horses, butterflies, a sixty-year-old tortoise, and a chimp named Washoe--experience the varying fate of the soul as each encounters the darkness of transcendence in this era of extinction. A brilliant crash course in philosophy, religion, literature, and culture, Concerning the Future of Souls is an absolution and an indictment, sorrowful and ecstatic. Williams will leave you wonderstruck, pondering the morality of being mortal.

A young Vietnamese woman living in Paris travels back to Saigon for her estranged mother's funeral. Her brother had recently built a new house in Saigon, and staged a grotesquely lavish ceremony for their mother to inaugurate what was rumored to be the first elevator in a private home in the country. But shortly after the ceremony, in the middle of the night, their mother mysteriously fell down the elevator shaft, dying in an instant. After the funeral, the daughter becomes increasingly fascinated with her family's history, and begins to investigate and track an enigmatic figure, Paul Polotsky, who emerges from her mother's notebook. Like an amateur sleuth, she trails Polotsky through the streets of Paris, sneaking behind him as he goes about his usual routines; meanwhile, she researches her mother's past--zigzagging across France and Asia--trying to find clues to the spiraling, deepening questions her mother left behind unanswered--and perhaps unanswerable. Still banned in Vietnam, Elevator in Sài Gòn is a thrilling novel combining elements of the detective thriller, historical romance, postcolonial ghost story, and a biting satire of life in a communist state.

In her first book since the widely acclaimed Strangers in Their Own Land, National Book Award finalist and bestselling author Arlie Russell Hochschild now ventures to Appalachia, uncovering the "pride paradox" that has given the right's appeals such resonance. For all the attempts to understand the state of American politics and the blue/red divide, we've ignored what economic and cultural loss can do to pride. What happens, Arlie Russell Hochschild asks, when a proud people in a hard-hit region suffer the deep loss of pride and are confronted with a powerful political appeal that makes it feel "stolen"? Hochschild's research drew her to Pikeville, Kentucky, in the heart of Appalachia, within the whitest and second-poorest congressional district in the nation, where the city was reeling: coal jobs had left, crushing poverty persisted, and a deadly drug crisis struck the region. Although Pikeville was in the political center thirty years ago, by 2016, 80 percent of the district's population voted for Donald Trump. Her brilliant exploration of the town's response to a white nationalist march in 2017 -- a rehearsal for the deadly Unite the Right march that would soon take place in Charlottesville, Virginia -- takes us deep inside a torn and suffering community. Hochschild focuses on a group swept up in the shifting political landscape: blue-collar men. In small churches, hillside hollers, roadside diners, trailer parks, and Narcotics Anonymous meetings, Hochschild introduces us to unforgettable people, and offers an original lens through which to see them and the wider world. In Stolen Pride, Hochschild incisively explores our dangerous times, even as she also points a way forward. "A piercing . . . impressive and nuanced assessment of a critical factor in American politics." -- Publishers Weekly (starred review)

How Big Tech is taking advantage of us, how AI is making it worse, and how we can create a thriving, AI-positive world. On balance, will AI help humanity or harm it? AI could revolutionize science, medicine, and technology, and deliver us a world of abundance and better health. Or it could be a disaster, leading to the downfall of democracy, or even our extinction. In Taming Silicon Valley, Gary Marcus, one of the most trusted voices in AI, explains that we still have a choice. And that the decisions we make now about AI will shape our next century. In this short but powerful manifesto, Marcus explains how Big Tech is taking advantage of us, how AI could make things much worse, and, most importantly, what we can do to safeguard our democracy, our society, and our future. Marcus explains the potential--and potential risks--of AI in the clearest possible terms and how Big Tech has effectively captured policymakers. He begins by laying out what is lacking in current AI, what the greatest risks of AI are, and how Big Tech has been playing both the public and the government, before digging into why the US government has thus far been ineffective at reining in Big Tech. He then offers real tools for readers, including eight suggestions for what a coherent AI policy should look like--from data rights to layered AI oversight to meaningful tax reform--and closes with how ordinary citizens can push for what is so desperately needed. Taming Silicon Valley is both a primer on how AI has gotten to its problematic present state and a book of activism in the tradition of Abbie Hoffman's Steal This Book and Thomas Paine's Common Sense. It is a deeply important book for our perilous historical moment that every concerned citizen must read.

"Rasmussen combines social history with rigorous reporting . . . His ability to delve into [his characters'] lives lends his book the feeling of a novel . . . Trenchant . . . Superlative." --Martha Anne Toll, The Washington Post An intimate history of the Afghan war--and the young Afghans whose dreams it enabled and dashed. No country was more deeply affected by 9/11 than Afghanistan: an entire generation grew up amid the upheaval that began that day. Young Afghans knew the promise of freedom, democracy, and safety, fought with each other over its meaning--and then witnessed its collapse. In Twenty Years, the Wall Street Journal correspondent Sune Engel Rasmussen draws on more than a decade of reporting from the country to tell Afghanistan's story from a new angle. Through the eyes of newly empowered women, skilled entrepreneurs, driven insurgents, and abandoned Western allies, we see the United States and its partners bring new freedoms and wealth, only to preside over the corruption, war-lordism, and social division that led to the Taliban's return to power. Rasmussen relates this history via two main characters: Zahra, who returns from abroad with high hopes for her liberated county, where she must fight to escape a brutal marriage and rebuild her life; and Omari, who joins the Taliban to protect the honor of his village and country and winds up wrestling with doubt and the trauma of war after achieving victory. We also meet Parasto, who risks her life running clandestine girls' schools under the new Taliban regime, and Fahim, a rags-to-riches tycoon who is forced to flee. With intimate access to these and other characters, Rasmussen offers deep insight into a country betrayed by the West and Taliban alike.

"Elegiac, funny, warm and wise, The Wisdom of Sheep will delight country folk and city dwellers alike." --Katherine May A touching, wise and surprising chronicle of the rich inner lives of animals, drawn from Rosamund Young's extraordinary lifetime as an organic farmer We talk a lot about sheep: following the herd, counting sheep to fall asleep and looking out for wolves in sheep's clothing. But, just like people, animals don't always follow the pack. Some are affectionate while others butt heads; some follow the leader while some guide the whole flock home. With startling beauty and tenderness, Rosamund Young reveals the remarkable emotional and intellectual complexity of the animals she lives with on her family farm, and the story of her life's work, with the intimacy of a personal diary. Just as she did in her acclaimed book, The Secret Life of Cows, Young transports readers to the wild meadows of Kite's Nest Farm, where she has worked as an organic farmer for over forty years, at the beck and call of the abundant wildlife, living in direct contact with the consciousnesses of her beloved animals. Through tender portraits of her sometimes eventful but always rewarding days at Kite's Nest, Young recounts a multitude of discoveries, such as how cows converse with one another, why sheep are so strongheaded--and why you should never, ever text whilst milking. That's a lesson you need learn only once. This is a story of joy, discovery, cooperation and, sometimes, heartbreak. But through it all, The Wisdom of Sheep is a fresh and delightful tribute to the miraculous inner worlds of the animals all around us and what we can learn about them, and about ourselves, by watching them more closely.

"A wild and funny ride through modern life." --The Financial Times It's Natwest's last day before he leaves for university, and there's only one thing on his mind: the deeply embarrassing package he ordered to his house - which still hasn't arrived. He won't leave town without it. Any alternative is too distressing to consider ... This is the story of twenty-four hours in the life of Natwest, and his small-town odyssey in pursuit of the missing package. And yet it's also the story of a middle-aged dentist who dreams of being a respected artist - but the only thing he can seem to paint is the human mouth. And it's the story of a tortured imam involved in a quasi-romantic entanglement with the local vicar; and an octogenerian mourning the death of her secretive husband; and a troubled teenager whose nudes have leaked on the internet. It's the story of Natwest's obnoxious ex-boyfriend, and his class-traitor mother and her childhood boyfriend, and the life-changing secrets he knows about Natwest's past. Alternating between Natwest's idiosyncratic inner world and the perspectives of the other characters - and dazzling in its energy, imagination and originality - this is an outrageously funny and tenderly moving story about being connected to everyone and everything at all times; about love, friendship, and the lies we tell ourselves; about unhappy endings, happy endings - and whether anything really is as simple as one or the other.

The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a smalltime hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can't leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice.  In this lush translation by Sophie Hughes and Annie McDermott, Layla Martinez's eerie debut novel is class-conscious horror that drags generations of monsters into the sun. Described by Mariana Enriquez as "a house of women and shadows, built from poetry and revenge," this vision of a broken family in our unjust world places power in the hands of the eccentric, the radical, and the desperate.

"Thoroughly researched and sprightly.... a complete history of the [Mediterranean world] with the women added back in, as they always should have been."--The New York Times A dazzlingly ambitious history of the ancient world that places women at the center--from Cleopatra to Boudica, Sappho to Fulvia, and countless other artists, writers, leaders, and creators of history Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women--whether they were simply sitting at their looms at home or participating in the highest echelons of power--were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage.

An intriguing new scientific theory that explains what life is and how it emerges. What is life? This is among the most difficult open problems in science, right up there with the nature of consciousness and the existence of matter. All the definitions we have fall short. None help us understand how life originates or the full range of possibilities for what life on other planets might look like. In Life as No One Knows It, physicist and astrobiologist Sara Imari Walker argues that solving the origin of life requires radical new thinking and an experimentally testable theory for what life is. This is an urgent issue for efforts to make life from scratch in laboratories here on Earth and missions searching for life on other planets. Walker proposes a new paradigm for understanding what physics encompasses and what we recognize as life. She invites us into a world of maverick scientists working without a map, seeking not just answers but better ways to formulate the biggest questions we have about the universe. The book culminates with the bold proposal of a new theory for identifying and classifying life, one that applies not just to biological life on Earth but to any instance of life in the universe. Rigorous, accessible, and vital, Life as No One Knows It celebrates the mystery of life and the explanatory power of physics.

A young widow grapples with the arrival of a once-in-a-lifetime comet and its tumultuous consequences, in a debut novel that blends mystery, astronomy, and romance, perfect for fans of Emma Cline's The Girls and Ottessa Moshfegh's Death in Her Hands. Sylvia Knight is losing hope that the person who killed her husband will ever face justice. Since the night of the hit-and-run, her world has been shrouded in hazy darkness--until she meets Theo St. John, the discoverer of a rare comet soon to be visible to the naked eye. As the comet begins to brighten, Sylvia wonders what the apparition might signify. She is soon drawn into the orbit of local mystic Joseph Evans, who believes the comet's arrival is nothing short of a divine message. Finding herself caught between two conflicting perspectives of this celestial phenomenon, she struggles to define for herself where the reality lies. As the comet grows in the sky, her town slowly descends further and further into a fervor over its impending apex, and Sylvia's quest to uncover her husband's killer will push her and those around her to the furthest reaches of their very lives. A novel about the search for meaning in a bewildering world, the loyalty of love, and the dangerous lengths people go to in pursuit of obsession, Bright Objects is a luminous, masterfully crafted literary thriller.

"Pol Guasch must be one of the best young writers working today. This novel is entirely resolute and clear-hearted." --Catherine Lacey, author of Biography of X "Profoundly strange and beautiful, formally bold and lyrically elevated." --The Guardian Survival is a moral quandary in this jagged, otherworldly debut charting forbidden love during an apocalypse. In a near future devastated by war and unspecified natural disaster, a young man and his mother cling to survival at the edge of a forest. The young man spends his days taking care of the home and exchanging letters with his lover, Boris, who lives in a city on the other side of the woods. It's barely a life, but it's a life nonetheless, despite the menacing soldiers patrolling the land. But after the young man commits a brutal act of desperate violence to protect his mother, he leaves home to find the mercurial Boris, who travels with him on a search for safety. When the journey's demands threaten his precarious relationship with Boris as well as his own moral compass, the young man is forced to confront whether, in his effort to stay alive, he has become the very danger he fought to escape. An award-winning novel from a blazingly original Catalonian writer, Pol Guasch's Napalm in the Heart is breathtaking in its intimacy, poetry, and devastation. Spare and quick, Guasch's debut is an artful, affecting story of star-crossed love under siege and the moral murkiness of survival.

One of the world's leading astrobiologists takes us on an awe-inspiring journey across the cosmos to investigate some of humanity's most profound questions: Are we alone in the universe? And, how did life on Earth begin? We are in a golden age in astronomy, living on the cusp of breakthroughs that will revolutionize our understanding of our place in the cosmos in. Yet a profound question remains: Are we alone in the universe? We have never been closer to answering this question. In The Secret Life of the Universe, astrobiologist and the director of the Carl Sagan Center at the SETI Institute Nathalie A. Cabrol takes us to the frontiers of the search for life. The book's odyssey begins by exploring how life began on Earth in order to understand what's necessary for its existence elsewhere. What role did our Moon play? And could life on Mars have seeded life on Earth? Cabrol continues this dazzling interplanetary tour, illuminating the likeliest places for life in our neighborhood: While Mars and the icy moons of Jupiter and Saturn are among the top contenders, recent missions are redefining the limits of habitability to include unexpected worlds. Finally, we seek life beyond our Solar System, becoming witness to a revolution in the night sky: the realization that there are as many planets as stars in our galaxy. With more than 300 million exoplanets in the habitable zone of their stars in the Milky Way alone, to think we are alone, or the only advanced intelligent civilization, may be little more than nonsense. The Secret Life of the Universe is a comprehensive and authoritative guide to the search for life. This is an exhilarating journey for anyone who has ever looked up at the stars and wondered what might be out there.

"Absorbing. . . . A revealing look at the hidden role that games have played in human development for centuries." --Kirkus "By turns philosophical and polemical, this is a provocative and fascinating book." --The Economist A wide-ranging intellectual history that reveals how important games have been to human progress, and what's at stake when we forget what games we're really playing. We play games to learn about the world, to understand our minds and the minds of others, and to make predictions about the future. Games are an essential aspect of humanity and a powerful tool for modeling reality. They're also a lot of fun. But games can be dangerous, especially when we mistake the model worlds of games for reality itself and let gamification co-opt human decision making. Playing with Reality explores the riveting history of games since the Enlightenment, weaving an unexpected path through military theory, political science, evolutionary biology, the development of computers and AI, cutting-edge neuroscience, and cognitive psychology. Neuroscientist and physicist Kelly Clancy shows how intertwined games have been with the arc of history. War games shaped the outcomes of real wars in nineteenth and twentieth century Europe. Game theory warped our understanding of human behavior and brought us to the brink of annihilation--yet still underlies basic assumptions in economics, politics, and technology design. We used games to teach computers how to learn for themselves, and now we are designing games that will determine the shape of society and future of democracy. In this revelatory work, Clancy makes the bold argument that the human fascination with games is the key to understanding our nature and our actions.

A New York Times Book Review Editors' Choice A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind The Coin's narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags. But America is stifling her--her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly. In enthralling, sensory prose, The Coin explores nature and civilization, beauty and justice, class and belonging--all while resisting easy moralizing. Provocative, wry, and inviting, The Coin marks the arrival of a major new literary voice. "[A] smart, sneering novel of capital and its consequences . . . In a spiraling, hallucinogenic plot, The Coin draws a dotted line between the narrator's grandmother's garden in Palestine and a splatter of excrement on New York City subway tiles; between her grandfather's birthplace of Bisan--'now a low-income town in Israel, housing mostly Jewish families from Morocco and no Palestinians'--Stokely Carmichael and a Gucci window display appropriating the language of revolution . . . The whiplash feels intentional, funny in an absurdist way, like the narrator's existential seesawing between jaded American consumerism and the sadness and guilt of displacement . . . The novel's power is not in cohesion, but in chaos." --Lauren Christensen, The New York Times Book Review

"Kaleidoscopic . . . A fascinating exploration of individual agency that never loses sight of the larger context . . . Just the kind of probing, nuanced and unsparing study to help us think things through." --The New York Times Through a connected set of biographical portraits of key Nazi figures that follows power as it radiated out from Hitler to the inner and outer circles of the regime's leadership, one of our greatest historians answers the enduring question, how does a society come to carry out a program of unspeakable evil? Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People, he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn.

LONGLISTED FOR THE BOOKER PRIZE "Remarkable...Compelling...Fine and taut...Indelible" --The New York Times * "Mesmerizing and shockingly good...I was utterly blown away." --Miranda Cowley Heller, author of The Paper Palace * "A brilliant debut, as multifaceted as a gem." --Kirkus Reviews (starred review) * "Moving, unnerving, and deeply sexy." --Tracy Chevalier, author of Girl with the Pearl Earring * "Fans of Patricia Highsmith and Ottessa Moshfegh's Eileen will find much to admire here."--Vulture An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961--a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother's country home, Isabel knows her life is as it should be--led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel's doorstep as a guest, to stay for the season. Eva is Isabel's antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn't. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house--a spoon, a knife, a bowl--Isabel's suspicions begin to spiral. In the sweltering peak of summer, Isabel's paranoia gives way to infatuation--leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva--nor the house in which they live--are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won't soon forget.

A book of mischief and improvisation that answers fundamentalism with rage, music, and delight in this earth. A book of mischief and improvisation, The Salt of the Universe answers fundamentalism of all kinds with rage, music, and delight. It asks questions that are urgent, impossible, necessary, and irresistible: Where does freedom live? Why does it sometimes feel so good to be told what to do? What on heaven and earth is the Apicklypse? These and other inquiries arise from Amy Leach's experience: playing fiddle and piano (and sometimes the organ); her childhood in the Seventh-day Adventist Church, and its many prohibitions (coffee, dancing) and emphasis on the apocalypse. After listening to thousands of sermons from a variety of pulpits, here Leach is offering one of her own. She borrows the words of an old hymn, and says: "This is my story, this is my song." Accompanied by four-year-old mystics and six-year-old geologists, bears and butterflies and willow trees, she praises not obedience but freedom, not secondhand but firsthand thoughts, not homogeneity but heterogeneity. She champions Emily Dickinson and Jesus over interfering prophets, questions over answers, the soul over the institution, Miles Davis over miles of marching. The Salt of the Universe argues against argument, and against restrictions of all kinds and their limiting effect on our humanity. In this whirlwind of linguistic cartwheels, philosophical shenanigans, and praise songs to the cosmos, Leach reminds us: we must run toward mischief, music, love, the wonders of nature, and the wild joys of all that we don't yet know.

The son of Ethiopian immigrants seeks to understand a hidden family history and uncovers a past colored by unexpected loss, addiction, and the enduring emotional pull toward home. After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah--a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush's stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth. But on the same day that Mamush arrives home in Washington, Samuel is found dead in his garage. With Hannah and their two-year-old son back in Paris, Mamush sets out on an unexpected journey across America in search of answers to questions he'd been told never to ask. As he does so, he begins to understand that perhaps the only chance he has of saving his family and making it back home is to confront not only the unresolved mystery around Samuel's life and death, but his own troubled memories, and the years spent masking them. Breathtaking, commanding, unforgettable work from one of America's most prodigiously gifted novelists.

From the porch of his home, Charles Lamosway has watched the life he might have had unfold across the river on Maine's Penobscot Reservation. He caught brief moments of his neighbor Elizabeth's life--from the day she came home from the hospital to her early twenties. But there's something deeper and more dangerous than the river that divides him from her and the rest of the tribal community. It's the secret that Elizabeth is his daughter, a secret Charles is no longer willing to keep. Now, it's been weeks since he's seen Elizabeth, and Charles is worried. As he attempts to hold on to and care for what he can--his home and property; his alcoholic and bighearted friend Bobby; and his mother, Louise, who is slipping deeper into dementia--he becomes increasingly haunted by his past. Forced to confront a lost childhood on the reservation, a love affair cut short, and the death of his beloved stepfather, Fredrick, Charles contends with questions he's long been afraid to ask. Is his secret about Elizabeth his to share? And would his daughter want to know the truth, even if it could cost her everything she's ever known?

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE * From the acclaimed author of Netherland (a New York Times Book Review Best Book of the year): the odyssey of two brothers crossing the world in search of an African soccer prodigy who might change their fortunes. Mark Wolfe, a brilliant if self-thwarting technical writer, lives in Pittsburgh with his wife, Sushila, and their toddler daughter. His half-brother Geoff, born and raised in the United Kingdom, is a desperate young soccer agent. He pulls Mark across the ocean into a scheme to track down an elusive prospect known only as "Godwin"--an African teenager Geoff believes could be the next Lionel Messi. Narrated in turn by Mark and his work colleague Lakesha Williams, Godwin is a tale of family and migration as well as an international adventure story that implicates the brothers in the beauty and ugliness of soccer, the perils and promises of international business, and the dark history of transatlantic money-making. As only he can do, Joseph O'Neill investigates the legacy of colonialism in the context of family love, global capitalism, and the dreaming individual.

"Riveting . . . a powerful snapshot of four young Chinese women attempting to assert control over the direction of their lives." --The New York Times Book Review "As powerfully intimate as it is politically incendiary." --British Vogue A sweeping yet intimate portrait of modern China told through the lives of four ordinary women striving for a better future in a highly unequal society While serving as the deputy Beijing bureau chief of the Financial Times, Chinese-British journalist Yuan Yang began to notice common threads in the lives of her Chinese peers--women born during China's turn toward capitalism in the 1980s and 1990s, who, despite the country's enormous economic gains during their lifetimes, were coming up against deeply entrenched barriers as they sought to achieve financial stability. The product of seven years of intimate, in-depth reporting, this transporting and indelible book traces the journey of four such women as they try to make better lives for themselves and their families in the new Chinese economy. June and Siyue are among the few in their villages to graduate high school. Each makes her way to Beijing, June as a young professional and Siyue an entrepreneur. Like Siyue, Leiya lives with her grandparents in their village while her parents send money home; yearning for a different life than those of the women she sees around her, Leiya soon joins her parents in Shenzhen as an underage factory worker. Born to an urban middle-class family, Sam is outraged when her eyes are opened the poor treatment of workers, and becomes a labor activist, increasingly under threat by the authorities. As the women grapple with government policies that threaten their businesses, their children's access to education, their choice of where to make a home, and, in Sam's case, their lives, a vivid, damning, and urgent picture emerges of the previously unseen human cost of China's rising economic tide--and the courage and perseverance of those caught in the swell.

A no-holds-barred biography of the great poet and sexual rebel, who could "give the dead a voice, make them sing" (Hilton Als, The New Yorker). Thom Gunn was not a confessional poet, and he withheld much, but inseparable from his rigorous, formal poetry was a ravenous, acute experience of life and death. Raised in Kent, England, and educated at Cambridge, Gunn found a home in San Francisco, where he documented the city's queerness, the hippie mentality (and drug use) of the sixties, and the tragedy and catastrophic impact of the AIDS crisis in the eighties and beyond. As Jeremy Lybarger wrote in The New Republic, the author of Moly and The Man with Night Sweats was "an agile poet who renovated tradition to accommodate the rude litter of modernity." Thom Gunn: A Cool Queer Life chronicles, for the first time, the largely undocumented life of this revolutionary poet. Michael Nott, a coeditor of The Letters of Thom Gunn, draws on letters, diaries, notebooks, interviews, and Gunn's poetry to create a portrait as vital as the man himself. Nott writes with insight and intimacy about the great sweep of Gunn's life: his traditional childhood in England; his mother's suicide; the mind-opening education he received at Cambridge, reading Shakespeare and John Donne; his decades in San Francisco and with his life partner, Mike Kitay; and his visceral experience of sex, drugs, and loss. Thom Gunn: A Cool Queer Life is a long-awaited, landmark study of one of England and America's most innovative poets.

"Singular . . . Virtuosic . . . Double Exposure is the best book I've read about America [. . .] in many, many years." --Corey Seymour, Vogue "Extraordinary . . . A transformative experience for the reader." --Lucy Sante "A large-hearted, wide-angled book . . . I couldn't put it down." --Ian Frazier A personal exploration of the American West and the work of one of America's greatest photographers. Timothy O'Sullivan is America's most famous war photographer. You know his work even if you don't know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work "surrealistic and disturbing." At the same time, we know very little about O'Sullivan himself. Nor do we know--really know--much more about the landscapes he captured. Robert Sullivan's Double Exposure sets off in pursuit of these two enigmas. This book documents the author's own road trip across the West in search of the places, many long forgotten or paved over, that O'Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and '70s, and how these changes were a continuation of the Civil War by other means. Sullivan, known for his probing investigations of place in the pages of The New Yorker and books like Rats and My American Revolution, has produced a work that, like O'Sullivan's magisterial photos of geysers and hot springs, exposes a fissure in the American landscape itself.

NATIONAL BESTSELLER NEW YORK TIMES EDITORS' CHOICE "Hypnotic...a haunting romance about desire, obsession, and ambition that is sure to get your heart rate up." --Time Magazine "R.O. Kwon's Exhibit is, hands down, the sexiest novel of the year." --Vogue "A highly sensory experience...lingers like a mysterious, multihued bruise." --The New York Times "One of the most buzzed-about books of the year...fiery, sexual, and undeniably original." --Poets & Writers From bestselling author R. O. Kwon, an exhilarating, blazing-hot novel about a woman caught between her desires and her life. At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Philip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night. Cracked open, Jin finds herself telling Lidija about an old familial curse, breaking a lifelong promise. She's been told that if she doesn't keep the curse a secret, she risks losing everything; death and ruin could lie ahead. As Jin and Lidija become more entangled, they realize they share more than the ferocity of their ambition, and begin to explore hidden desires. Something is ignited in Jin: her art, her body, and her sense of self irrevocably changed. But can she avoid the specter of the curse? Vital, bold, powerful, and deeply moving, Exhibit asks: how brightly can you burn before you light your life on fire?

"Seductive...consistently fun...This is The Graduate with an advanced degree. Wayne's plot was made to gallop, and it does not disappoint. I read The Winner in two nights. It's not just the sex that's provocative; it's the way the reader is steadily pulled into Conor's dilemma...I'd judge Wayne on his easy access to the immoral and amoral, but given my own voracious consumption of this book, better to stay off my high horse." -- The New York Times Conor O'Toole has never been anywhere like Cutters Neck, a gated community near Cape Cod. It's a sweet deal for the summer: in exchange for tennis lessons, he receives free lodging in a luxurious guest cottage, far from the cramped Yonkers apartment he shares with his diabetic mother. In this oceanfront paradise, however, new clients prove hard to come by, and Conor has bills to pay. When Catherine, a sharp-tongued divorcée, offers double his usual rate, he soon realizes she is expecting additional, off the court services for her money, and Conor tumbles into a secret erotic affair unlike anything he's experienced before. Despite his steamy flings with a woman twice his age, he simultaneously finds himself falling for an artsy, outspoken girl he meets on the beach. With cautious, strategic planning, Conor somehow manages this tangled web--until he makes one final, irreversible mistake. A dark, explosive literary thriller that brilliantly skewers the elite, Whiting Award winner Teddy Wayne's unputdownable novel is cinematic, shocking, and a psychological masterpiece.

Sylvia Plath is an object of enduring cultural fascination--the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne--a superfan and scholar--radically reimagines the last years of Plath's life, confronts her suicide and the construction of her legacy. Drawing from decades of study on Plath and her husband, Ted Hughes, the chief architect of Plath's mythology; the life and tragic suicide of Assia Wevill, Hughes's mistress; newly available archival materials; and a deep understanding of intimate partner violence, Van Duyne seeks to undo the silencing of Sylvia Plath and resuscitate her as the hardworking, brilliant writer she was.

The instant New York Times bestseller!  "Warm and perceptive." --New York Times "Griffin Dunne knows how to tell a story." --Washington Post "Dunne is a prospector for the incandescent detail."  --Los Angeles Times "What a remarkable and moving story filled with twists and turns, the most famous of faces, and a complex family revealed with loving candor. I was blown away by Griffin Dunne's life and his ability to capture so much of it in these beautifully written pages." --Anderson Cooper Griffin Dunne's memoir of growing up among larger-than-life characters in Hollywood and Manhattan finds wicked humor and glimmers of light in even the most painful of circumstances At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne's legendary LA launch party for Tom Wolfe's The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan's Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin's twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne's career as a crime reporter for Vanity Fair and a victims' rights activist. And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters--its author most of all.

A NEW YORK TIMES BESTSELLER "The God of the Woods should be your next summer mystery." --The Washington Post "Extraordinary . . . Reminds me of Donna Tartt's 1992 debut, The Secret History . . . I was so thoroughly submerged in a rich fictional world, that for hours I barely came up for air." --Maureen Corrigan, Fresh Air, NPR "Riveting from page one to the last breathless word." --Rebecca Makkai, New York Times bestselling author of I Have Some Questions For You When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn't just any thirteen-year-old: she's the daughter of the family that owns the summer camp and employs most of the region's residents. And this isn't the first time a Van Laar child has disappeared. Barbara's older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore's multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore's most ambitious and wide-reaching novel yet.

One of Lit Hub's most anticipated books of 2024 | One of Bloomberg's nine best books of the summer "Inventive . . . Whimsical . . . Fusing period atmosphere with fairy tale, Ehrlich Sachs hints at modern themes while summoning an unexpected imaginary place." --The New Yorker "Sachs draws from the madcap, darkly comic tradition of postmodern European fiction to reimagine the continent's catastrophic destiny . . . Like Thomas Bernhard before him, Sachs is a very funny writer unafraid of italics and exclamation marks, which he marshals against the absurdity of the world." --Dustin Illingworth, The New York Times Book Review "Adam Ehrlich Sachs continues to prove he is one of our most daring and original writers." --Camille Bordas, author of How to Behave in a Crowd A lean, seductive, and dazzlingly inventive novel that shows us the dark side of early twentieth-century Vienna. Vienna, 1919. A once-mighty empire has finally come crashing down--and a mysterious young woman, unable to speak, has turned up on the streets. A doctor appeals to the public for information about her past and receives a single response, from a sanatorium patient who claims to be her father. The man reveals only her name: Gretel. But he encloses a bedtime story he asks the doctor to read aloud to her, about an Architect whose radically modern creation has caused a great scandal. The next day a second story arrives, about a Ballet Master who develops a new position of the feet. Twenty-four more stories follow in alphabetical order, about an Immunologist and a Jeweler, a Revolutionary and a Satirist, a Waif and an X-ray Technician and a Zionist. Crossing paths and purposes, their stories interweave until a single picture emerges, that of a decadent, death-obsessed, oversexed empire buzzing with the ideas of Freud and Karl Kraus. There are artists who ape the innocence of children, and scientists who insist that children are anything but innocent . . . And then there's Gretel's own mother, who will do whatever it takes to sing onstage at the City Theater. Is it any wonder that this world--soon to vanish anyway in a war to end all wars--was one from which Gretel's father wished to shelter her?

A sweeping account of how small wars shaped global order in the age of empires Imperial conquest and colonization depended on pervasive raiding, slaving, and plunder. European empires amassed global power by asserting a right to use unilateral force at their discretion. They Called It Peace is a panoramic history of how these routines of violence remapped the contours of empire and reordered the world from the fifteenth to the twentieth centuries. In an account spanning from Asia to the Americas, Lauren Benton shows how imperial violence redefined the very nature of war and peace. Instead of preparing lasting peace, fragile truces ensured an easy return to war. Serial conflicts and armed interventions projected a de facto state of perpetual war across the globe. Benton describes how seemingly limited war sparked atrocities, from sudden massacres to long campaigns of dispossession and extermination. She brings vividly to life a world in which warmongers portrayed themselves as peacemakers and Europeans imagined "small" violence as essential to imperial rule and global order. Holding vital lessons for us today, They Called It Peace reveals how the imperial violence of the past has made perpetual war and the threat of atrocity endemic features of the international order.

A PUBLISHERS WEEKLY MOST ANTICIPATED BOOK OF 2024 FROM THE NATIONAL BOOK AWARD-LONGLISTED AUTHOR OF THE MOST SECRET MEMORY OF MEN A polyphonic tale of immigration and community by "the most promising Senegalese writer of his generation" (Le Monde) and winner of the 2021 Prix Goncourt Seventy-two men arrive in the middle of the Sicilian countryside. They are "immigrants," "refugees" or "migrants." But in Altino, they're called the ragazzi, the "guys" that the Santa Marta Association have taken responsibility for. In this small Sicilian town, their arrival changes life for everybody. While they wait to know their fate, the ragazzi encounter all kinds of people: a strange vicar who rewrites their pasts, a woman committed to ensuring them asylum, a man determined to fight against it, an older ragazzo who has become an interpreter, and a reclusive poet who no longer writes. Each character in this moving and important saga is forced to reflect on what it means to encounter people they know nothing about. They watch as a situation unfolds over which they have little control or insight. A story told through a growing symphony of voices that ends only when one final voice brings silence to the choir.

It's 2001, and twenty-four-year-old Gordon--handsome, sensitive, and eager for direction--takes a bus from Minnesota to New York City because it's the only place for a young gay man to go. As he begins to settle into the city's punishing rhythm, he gets a job walking rich Manhattanites' dogs. But it isn't until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him--and what he's capable of doing in order to get it for himself. A lush, heart-quickening novel about family and art, sex and class, and the terror of self-discovery, Thomas Grattan's In Tongues chronicles Gordon's perilous pursuit of belonging from the Midwest to New York and, later, to Europe and Mexico City. As he floats further into Phillip and Nicola's exclusive universe, and as lines blur between employee, muse, lover, and mentor, Gordon's charm, manipulation, and growing ambition begin to escape his own control, in turn threatening to unravel the lives, and lies, of those around him. Anchored by winsome lyricism, glinting intellect, and a main character whose yearnings and mistakes come to feel like our own, In Tongues crackles with fierce longing and pointed emotion, further confirming Grattan as a rare chronicler of young adulthood's joys and devastations.

MOST ANTICIPATED READ and MUST READ OF 2024: The Millions, LitHub, Esquire, BookRiot, Bustle, Vulture, Boston Globe, Brit & Co, Southern Living A National Book Foundation's 5 Under 35 honoree delivers her first work of nonfiction: a compulsively readable, genre-bending story of finding her missing birth mother and, along the way, learning the priceless power of self-knowledge. In 2020, Tracy O'Neill began to rethink her ideas of comfort and safety. Just out of a ten-year relationship and thirtysomething, she was driven by an acute awareness that the mysterious mother she'd never met might be dying somewhere in South Korea. After contacting a grizzled private investigator, O'Neill took his suggested homework to heart when he disappeared before the job was done, picking up the trail of clues and becoming her own hell-bent detective. Despite COVID-19, the promise of what she might discover--the possibility that her biological mother was her kind of outlaw, whose life could inspire her own--was too tempting. Written like a mystery novel, Woman of Interest is a tale of self-discovery and fugitivity from convention that features a femme fatale of unique proportions, a former CIA operative with a criminal record, and a dogged investigator of radical connections outside the nuclear family. O'Neill gorgeously bends the detective genre to her own will as a writer, stepping out of the shadows of her own self-conception to illuminate the hopes of the woman of interest she is both chasing and becoming.

A MOST ANTICIPATED BOOK * From one of the world's most distinguished anthropologists, an important and timely work of cultural history that looks at the origins and much debated future of anthropology museums "A provocative look at questions of ethnography, ownership and restitution . . . the argument [Kuper] makes in The Museum of Other People is important precisely because just about no one else is making it. He asks the questions that others are too shy to pose. . . . Required reading." -Financial Times (UK) In this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics. Kuper reveals the politics and struggles of trying to build these museums in Germany, France, and England in the mid-19th century, and the dramatic encounters between the very colorful and eccentric collectors, curators, political figures, and high members of the church who founded them. He also details the creation of contemporary museums and exhibitions, including the Smithsonian, the Harvard's Peabody Museum of American Archaeology and Ethnology, and the famous 1893 World's Columbian Exposition in Chicago which was inspired by the Paris World Fair of 1889. Despite the widespread popularity and cultural importance of these institutions, there also lies a murky legacy of imperialism, colonialism, and scientific racism in their creation. Kuper tackles difficult questions of repatriation and justice, and how best to ensure that the future of these museums is an ethical, appreciative one that promotes learning and cultural exchange. A stunning, unique, accessible work based on a lifetime of research, The Museum of Other People reckons with the painfully fraught history of museums of natural history, and how curators, anthropologists, and museumgoers alike can move forward alongside these time-honored institutions.

What is the work of art? In this guided tour inside the artist's head, Adam Moss traces the evolution of transcendent novels, paintings, jokes, movies, songs, and more. Weaving conversations with some of the most accomplished artists of our time together with the journal entries, napkin doodles, and sketches that were their tools, Moss breaks down the work - the tortuous paths and artistic decisions - that led to great art. From first glimmers to second thoughts, roads not taken, crises, breakthroughs, on to one triumphant finish after another. Featuring: Kara Walker, Tony Kushner, Roz Chast, Michael Cunningham, Moses Sumney, Sofia Coppola, Stephen Sondheim, Susan Meiselas, Louise Gluck, Maria de Los Angeles, Nico Muhly, Thomas Bartlett, Twyla Tharp, John Derian, Barbara Kruger, David Mandel, Gregory Crewdson, Marie Howe, Gay Talese, Cheryl Pope, Samin Nosrat, Joanna Quinn & Les Mills, Wesley Morris, Amy Sillman, Andrew Jarecki, Rostam, Ira Glass, Simphiwe Ndzube, Dean Baquet & Tom Bodkin, Max Porter, Elizabeth Diller, Ian Adelman / Calvin Seibert, Tyler Hobbs, Marc Jacobs, Grady West (Dina Martina), Will Shortz, Sheila Heti, Gerald Lovell, Jody Williams & Rita Sodi, Taylor Mac & Machine Dazzle, David Simon, George Saunders, Suzan-Lori Parks.

Named a Most Anticipated Book by Town & Country and Electric Literature "Michael Waters performs an Olympian act of storytelling, using the stories of these extraordinary athletes to explore in brilliant detail the struggle for understanding and equality." --Jonathan Eig, author of King: A Life, winner of the Pulitzer Prize The story of the early trans athletes and Olympic bureaucrats who lit the flame for today's culture wars. In December 1935, Zdeněk Koubek, one of the most famous sprinters in European women's sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes. In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era. With dogged research and cinematic flair, Waters also tracks how International Olympic Committee members ignored Nazi Germany's atrocities in order to pull off the Berlin Games, a partnership that ultimately influenced the IOC's nearly century-long obsession with surveilling and cataloging gender. Immersive and revelatory, The Other Olympians is a groundbreaking, hidden-in-the-archives marvel, an inspiring call for equality, and an essential contribution toward understanding the contemporary culture wars over gender in sports.

"The last great book I read . . . an early proof of debut novelist Alan Murrin's The Coast Road, about women in '90s Ireland negotiating the complexities of marriage in a country where divorce is illegal. It will no doubt be a bestseller."--actor Gillian Anderson A poignant debut novel about the lives of women in a claustrophobic coast town and the search for independence in a society that seeks to limit it. Set in 1994, The Coast Road tells the story of two women--Izzy Keaveney, a housewife, and Colette Crowley, a poet. Colette has left her husband and sons for a married man in Dublin. When she returns to her home in County Donegal to try to pick up the pieces of her old life, her husband, Shaun, a successful businessman, denies her access to her children. The only way she can see them is with the help of neighbour Izzy, acting as a go-between. Izzy also feels caught in a troubled marriage. The friendship that develops between them will ultimately lead to tragedy for one, and freedom for the other. Addictive as Big Little Lies with a depth and compassion that rivals the works of Claire Keegan, Elizabeth Strout, and Colm Tóibín, The Coast Road is a story about the limits placed on women's lives in Ireland only a generation ago, and the consequences women have suffered trying to gain independence. Award-winning Irish author Alan Murrin reminds us of the price we are forced to pay to find freedom.

NATIONAL BESTSELLER * Two young housemates embark on a road trip to discover themselves in this "exceptional, keenly observed meditation on art and love" (People) in a fractured America, by the award-winning author of The Third Rainbow Girl "Tender, introspective, and at times delightfully funny, this is the perfect book to bring on a road trip."--Time (LGBTQ+ Books to Read for Pride) A Most Anticipated Book of 2024: Los Angeles Times, Harper's Bazaar, Lit Hub, Debutiful, LGBTQ Reads, The Rumpus, Lilith, Hey Alma, Them, Kirkus Reviews What does it feel like, standing in the moments that will mark your life? When Bernie replies to Leah's ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography. After Bernie's former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs. What ensues is a journey into the heart of the nation, bringing the housemates into conversation with people from all walks of life--"the absurd dreamers and failures of this wide, wide country"--as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to chase their own ideas and dreams, and to embrace what they are capable of both romantically and artistically. Warm and insightful, Housemates is a story of youth and freedom--a glorious celebration of queer life, and how art and love might save us all.

A raw and masterful memoir about becoming a woman and going mad--and doing both at once.   When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother--feeling untethered and swimming through inarticulable pain--she made a suicide attempt that landed her in the New York State Psychiatric Institute.   After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs. In the decades it took her to recover from the experience, Suzanne came to understand her suffering as part of something larger: a long tradition of women whose complicated and compromised stories of self-actualization are reduced to "crazy chick" and "madwoman" narratives. It was a thrilling discovery, and she searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her.   Transporting, honest, and graceful, Committed is a story of discovery and recovery, reclaiming the idea of the madwoman as a template for insight and transcendence through the works of Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Audre Lorde, Shulamith Firestone, and others.

In this "brilliant . . . and darkly funny" (Sarah Dunn) novel, Dolores O'Shea's marriage collapsed when she discovers her husband's AI sex doll in the garage--but after moving "Zoey" into the house, they become oddly bonded, opening the door to a lifetime of repressed feelings and memories. 43-year-old Dolores O'Shea is logical, organized, and prepared to handle whatever comes her way. She keeps up with her job and housework, takes care of her mentally declining mother, and remains close with her old friends and her younger sister who's moved to New York. Though her marriage with David, an anesthesiologist, isn't what is used to be, nothing can quite prepare her for Zoey, the $8,000 AI sex doll that David has secretly purchased and stuffed away in the garage. At first, Zoey sparks an uncharacteristically strong violence in Dolores, whose entire life is suddenly cast in doubt. But then, Dolores and Zoey start to talk...and what surfaces runs deeper than Dolores could have ever expected, with consequences for all of the relationships in her life, especially her relationship to herself. Provocative, brilliant, and tender, Hey, Zoey is an electrifying new novel about the painful truths of modern-day connection and the complicated and unexpected forms that love can take in a lifetime. 

Sidetracks, Bei Dao's first new collection in almost fifteen years, is also the poet's first long poem and his magnum opus--the artistic culmination of a lifetime devoted to the renewal and reinvention of language. "As a poet, I am always lost," Bei Dao once said. Opening with a prologue of heavenly questions and followed by thirty-four cantos, Sidetracks travels forward and backward along the divergent paths of the poet's wandering life--from his time as a Young Pioneer in Beijing, through the years of exile living in six countries, back to the rural construction site where he worked during the Cultural Revolution, to the "sunshine tablecloth" in his kitchen in Davis, California, and his emotional visit home after a thirteen-year separation ("the mother tongue has deepened my foreignness"). All the various currents of our times rush into his lifelines, reconfigured through the "vortex of experience" and the poet's encounters with friends and strangers, artists and ghosts, as he moves from place to place, unable to return home. As the poet Michael Palmer has noted, "Bei Dao's work, in its rapid transitions, abrupt juxtapositions, and frequent recurrence to open syntax evokes the un-speakability of the exile's condition. It is a poetry of explosive convergences, of submersions and unfixed boundaries, 'amid languages.'"                             

A New York Times investigative reporter wades into the murky, pixelated waters of the multibillion-dollar NFT market--the virtual casino that sprang up overnight in 2020 and came crashing down, with all its celebrity hucksters, just two years later. A vibrant and witty exploration of the increasingly blurry line between art and money, artist and con artist, value and worthlessness. "A perfect book to understand and to laugh at the craziness of the art world today." --Jerry Saltz, author of How to Be an Artist In 2021, when the gavel fell at Christie's on the sale of Mike Winkelmann's Everydays series--a compilation of five thousand digital artworks--it made a thunderous announcement: Non-fungible tokens had arrived. The ludicrous world of CryptoKitties and Bored Apes had just produced a piece of art worth $69.3 million (at least according to the highest bidder). On that day, the traditional art market--the largest unregulated market in the world--put its stamp of approval on a very new and carnivalesque digital reality. But what did it mean for these two worlds to collide? Was it all just a money laundering scheme? And come on, what was that piece of digital flotsam really worth anyway? In Token Supremacy, Zachary Small works through these and other fascinating questions, tracing the crypto economy back to its origins in the 2008 financial crisis and the lineage of NFTs back to the first photographic negatives. Small describes jaw-dropping tales of heists, publicity stunts, and rug pulls, before zeroing in on the role of "security tokens" in the FTX scandal. Detours through art history provide insight into the mythmaking tactics that drive stratospheric auction sales and help the wealthy launder their finances (and reputations) through art. And we cast an eye toward a future where NFTs have paved the way for a dangerous, new shadow banking system. A wild and spellbinding tour through a world that strains belief.

An eloquent and intimate debut memoir about navigating the gap between expectation and reality in modern motherhood. I Cannot Control Everything Forever is Emily Bloom's journey towards and through motherhood, a path that has become, for the average woman, laden with data and medical technology. Emily faces decisions regarding genetic testing and diagnosis, technologies that offer the illusion of certainty but carry the weight of hard decisions. Her desire to know more thrusts her back into the history of science, as she traces the discoveries that impacted the modern state of pregnancy and motherhood. With the birth of their daughter, who is diagnosed with congenital deafness and later, Type 1 diabetes, Emily and her husband find their life centered around medical data, devices, and doctor's visits, but also made richer and fuller by parenting an exceptional child. As Emily learns, technology and data do not reduce the labor of caretaking. These things often fall, as the pandemic starkly revealed, on mothers. Trying to find a way out of the loneliness and individualism of 21st century parenthood, Emily finds joy in reaching outwards, towards art and literature-such as the maternal messiness of Louise Bourgeois or Greek myths about the power of fate-as well as the collective sustenance of friends and community. With lyrical and enchanting prose, I Cannot Control Everything Forever is an inspired meditation on art, science, and motherhood.

"The poet of rapture and tenderness" (Major Jackson, American Poets), Li-Young Lee speaks these poems with the intimacy and primacy of a whisper, as if from a lover to a beloved, or a believer to God. Each poem in The Invention of the Darling is a mysterious conjunction of spirit and matter, movement and stillness, the divine and the mundane, the sacred and the forbidden. They yearn for holistic union with The Beloved, every sentence another name for The Beloved, every poem another way to say "I love you." Forged in awe of life and love, these poems emerge from the unlit depths of our earthly, material desires and our deepest fears of mortality.

A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism.  The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life--for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent." A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal.

London, 1857: A pair of teenage girls holding a sign that says "Fugitive Slaves" ask for money on the corner of Blackman Street. After a constable accosts them and charges them with begging, they end up in court, where national newspapers pick up their story. Are the girls truly escaped slaves from Kentucky? Or will the city's dystopian Mendicity Society catch them in a lie, exposing them as born-and-raised Londoners and endangering their safety? With its many accounts of people like these who lived and made their living on the streets, Vagabonds forms a moving picture of London's most compelling period (1780?1870). Piecing together contemporary sources such as newspaper articles, letters, and journal entries, historian Oskar Jensen follows the harrowing, hopeful journeys of the city's poor: children, immigrants, street performers, thieves, and sex workers, all diverse in gender, ethnicity, ability, and origin. For the first time, their own voices give us a radical new perspective on this moment in history, with its deep inequality that bears an astonishing resemblance to our own era's divides.

A Dakota Johnson x TeaTime Book Club Pick "Exceptional, moving, and not to be missed."--Alice Hoffman "Gentle and fierce, heartbreaking without sacrificing its sense of humor . . . I have never read anything like it."--Robert Jones, Jr. A staggering, tender epic about gay men in rural China and the women who marry them. For over thirty years, Old Second and Bao Mei have cobbled together a meager existence in New York City's Chinatown. But unlike other couples, these two share an unusual past. In rural Fuzhou, before they emigrated, they frequented the Workers' Cinema: a theater where gay men cruised for love.   While classic war films played, Old Second and his countrymen found intimacy in the screening rooms. In the box office, Bao Mei sold movie tickets to closeted men, guarding their secrets and finding her own happiness with the projectionist. But when Old Second's passion for his male lover is revealed, a series of haunting events unfold, propelling these characters toward an uncertain future in America.   Spanning three timelines--post-socialist China, 1980s Chinatown, and contemporary New York--Cinema Love is an "exceptional" and "moving" (Alice Hoffman) epic about men and women who find themselves in forbidden relationships; the weight of secrets; and the way memory forever haunts the present.

A captivating portrait of the poet and the scientist who shared an enchanted view of nature Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical--and too dangerous for women. Natural Magic intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin's work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson's poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world. Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.

From one of the preeminent poets of the Arabic-speaking world, a brilliant work of creative nonfiction retracing the mysterious life and erasure of Egyptian literature's tragic heroine. "A subtle and universal exploration of identity."--Aida Alami, The New York Times Cairo, 1963: four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. For the next three decades, it's as if Enayat never existed at all. Years later, when celebrated Egyptian poet Iman Mersal stumbles upon Enayat's long-forgotten Love and Silence in a Cairo book stall, she embarks on a journey of reflection and rediscovery that leads her ever closer to the world and work of Enayat al-Zayyat. In this luminous biographical detective story, Mersal retraces Enayat's life and afterlife though interviews with family members and friend, even tracking down the apartments, schools, and sanatoriums where Enayat spent her days. As Mersal maps two simultaneous psychogeographies--from the glamor of golden-age Egyptian cinema to the Cairo of Mersal's own past--a remarkable portrait emerges of two women striving to live on their own terms. With Traces of Enayat, Iman Mersal embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject.

A stunning debut from an award-winning writer, about loss, isolation, folklore, and the joy and dissonance of finding oneself by exploring life outside one's community "Both blunt and exquisite . . . O'Connor's excellent debut . . .  is an example of precisely observed writing that makes a character's specific existence glimmer with verisimilitude."--New York Times Book Review In 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations. The arrival of two English ethnographers who hope to study the island culture, then, feels like a boon to her--both a glimpse of life outside her community and a means of escape. The longer the ethnographers stay, the more she feels herself pulled towards them, reckoning with a sensual awakening inside herself, despite her misgivings that her community is being misconstrued and exoticized. With shimmering prose tempered by sharp wit, Whale Fall tells the story of what happens when one person's ambitions threaten the fabric of a community, and what can happen when they are realized. O'Connor paints a portrait of a community and a woman on the precipice, forced to confront an outside world that seems to be closing in on them.

A New York Times Book Review Editors' Choice A Belletrist Book Club Pick An elegant, razor-sharp debut about women's ambitions and appetites--and the truth about having it all Outside of a childhood nickname she can't shake, Piglet's rather pleased with how her life's turned out. An up-and-coming cookbook editor at a London publishing house, she's got lovely, loyal friends and a handsome fiancé, Kit, whose rarefied family she actually, most of the time, likes, despite their upper-class eccentricities. One of the many, many things Kit loves about Piglet is the delicious, unfathomably elaborate meals she's always cooking. But when Kit confesses a horrible betrayal two weeks before they're set to be married, Piglet finds herself suddenly...hungry. The couple decides to move forward with the wedding as planned, but as it nears and Piglet balances family expectations, pressure at work, and her quest to make the perfect cake, she finds herself increasingly unsettled, behaving in ways even she can't explain. Torn between a life she's always wanted and the ravenousness that comes with not getting what she knows she deserves, Piglet is, by the day of her wedding, undone, but also ready to look beyond the lies we sometimes tell ourselves to get by. A stylish, uncommonly clever novel about the things we want and the things we think we want, Piglet is both an examination of women's often complicated relationship with food and a celebration of the messes life sometimes makes for us.

On a sunny Friday morning in August 1945, a handful of people raised a homemade cotton flag and, on behalf of 68 million compatriots, announced the birth of a new nation. With the fourth largest population in the world, inhabiting islands that span an eighth of the globe, Indonesia became the first country to rid itself of colonial rule after World War II. In this vivid history, renowned scholar and celebrated author of Congo David Van Reybrouck captures a period of extraordinary tumult and chaos to tell the story of Indonesia's momentous revolution, known as the "Revolusi." Encompassing several hundred years of history, he details the formation of the Dutch East Indies, the Japanese invasion that followed, and the young rebels who engaged in armed resistance once the occupation ended. British and Dutch troops were sent to restore order and keep peace, but instead ignited the first modern war of decolonization. America, too, became embroiled with the Indonesians' fierce struggle for freedom. That struggle inspired independence movements in Asia, Africa, and the Arab world, especially in the wake of Indonesia's monumental 1955 Bandung Conference, the first global conference without the West. The whole world had become involved in Revolusi, and the whole world was changed by it. Drawing on hundreds of interviews and eyewitness testimonies, David Van Reybrouck turns this vast and complex story into an utterly gripping narrative, written with remarkable historical clarity and filled with tragedy and passion. A landmark history, Revolusi cements Indonesia's struggle for independence as one of the defining dramas of the twentieth century and entirely reframes our understanding of post-colonialism.

Women are an essential part of the history of the piano--but how many women pianists can you name?   Throughout most of the piano's history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano's keys were designed without consideration of women's typically smaller hands. Yet despite their music being largely confined to the domestic sphere, women continued to play, perform, and compose on their own terms.   Celebrated pianist and author Susan Tomes traces fifty such women across the piano's history. Including now-famous names such as Clara Schumann and Fanny Mendelssohn, Tomes also highlights overlooked women: from Hélène de Montgeroult, whose playing saved her life during the French Revolution, to Leopoldine Wittgenstein, influential Viennese salonnière, and Hazel Scott, the first Black performer in the United States to have a nationally syndicated TV show.   From Maria Szymanowska to Nina Simone, and including interviews with women performing today, this is a much-needed corrective to our understanding of the piano--and a timely testament to women's musical lives.

"Leaving navigates the chasm between responsibility and desire when two long-lost lovers reconnect. This beautiful book will sweep you away." --People Magazine What risks would you be willing to take to fall in love again? "I never thought I'd see you here," Sarah says. Then she adds, "But I never thought I'd see you anywhere." Sarah and Warren's college love story ended in a single moment. Decades later, when a chance meeting brings them together, a passion ignites?threatening the foundations of their lives. Since they parted in college, each has married, raised a family, and made a career. When they meet again, Sarah is divorced and living outside New York, while Warren is still married and living in Boston. Seeing Warren sparks an awakening in Sarah, who feels emotionally alive for the first time in decades. Still, she hesitates to reclaim a chance at love after her painful divorce and years of framing her life around her children and her work. Warren has no such reservations: he wants to leave his marriage but fears how his wife and daughter will react. As their affair intensifies, Sarah and Warren must confront the moral responsibilities of their love for their families and each other. An engrossing exploration of the vows we make to one another, the tensile relationships between parents and their children, and what we owe to others and ourselves, "Leaving is a tour de force--unfailingly clear-eyed, and its final impact shatters." (Washington Post)

"A powerful case for limitarianism--the idea that we should set a maximum on how much resources one individual can appropriate. A must-read!" --Thomas Piketty, bestselling author of Capital in the Twenty-First Century An original, bold, and convincing argument for a cap on wealth by the philosopher who coined the term "limitarianism." How much money is too much? Is it ethical, and democratic, for an individual to amass a limitless amount of wealth, and then spend it however they choose? Many of us feel that the answer to that is no--but what can we do about it? Ingrid Robeyns has long written and argued for the principle she calls "limitarianism"--or the need to limit extreme wealth. This idea is gaining momentum in the mainstream - with calls to "tax the rich" and slogans like "every billionaire is a policy failure"--but what does it mean in practice? Robeyns explains the key reasons to support the case against extreme wealth:  It keeps the poor poor and inequalities growing It's often dirty money It undermines democracy It's one of the leading causes of  climate change Nobody actually deserves to be a millionaire There are better things to do with excess money The rich will benefit, too This will be the first authoritative trade book to unpack the concept of a cap on wealth, where to draw the line, how to collect the excess and what to do with the money. In the process, Robeyns will ignite an urgent debate about wealth, one that calls into question the very forces we live by (capitalism and neoliberalism) and invites us to a radical reimagining of our world.

Washington Territory, 1888. With contacts on the docks and in the railroad, and with a buyers' market funneling product their way, Alma Rosales and her opium-smuggling crew are making a fortune. They spend their days moving product and their nights at the Monte Carlo, the center of Tacoma's queer scene, where skirts and trousers don't signify and everyone's free to suit themselves. Then two local men end up dead, with all signs pointing to the opium trade, and a botched effort to disappear the bodies draws lawmen to town. Alma scrambles to keep them away from her operation but is distracted by the surprise appearance of Bess Spencer--an ex-Pinkerton's agent and Alma's first love--after years of silence. A handsome young stranger comes to town, too, and falls into an affair with one of Alma's crewmen. When he starts asking questions about opium, Alma begins to suspect she's welcomed a spy into her inner circle, and is forced to consider how far she'll go to protect her trade. Katrina Carrasco plunges readers into the vivid, rough-and-tumble world of the late-1800s Pacific Northwest in this genre- and gender-blurring novel. Rough Trade follows Carrasco's critically acclaimed debut The Best Bad Things and reimagines queer communities, the turbulent early days of modern media and medicine, and the pleasures--and price--of satisfying desire.

This remarkable work about women writers in the English Renaissance explodes our notion of the Shakespearean period by drawing us into the lives of four women who were committed to their craft long before anyone ever imagined the possibility of "a room of one's own." In an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the seventeenth century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings those doors open, revealing the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day.

INTERNATIONAL BESTSELLER The cult Japanese bestseller about a female gourmet cook and serial killer, and the journalist intent on cracking her case, inspired by a true story There are two things that I simply cannot tolerate: feminists and margarine. Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen, whom she is said to have seduced with her delicious home cooking. The case has captured the nation's imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can't resist writing back. Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a master class in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii, but it seems that Rika might be the one changing. With each meal she eats, something is awakening in her body. Do she and Kajii have more in common than she once thought? Inspired by the real case of a convicted con woman and serial killer--the "Konkatsu Killer"--Asako Yuzuki's Butter is a vivid, unsettling exploration of misogyny, obsession, romance, and the transgressive pleasures of food in Japan.

NEW YORK TIMES BESTSELLER * From internationally renowned writer and Booker Prize winner Salman Rushdie, a searing, deeply personal account of enduring--and surviving--an attempt on his life thirty years after the fatwa that was ordered against him   On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black--black clothes, black mask--rushed down the aisle toward him, wielding a knife. His first thought: So it's you. Here you are. What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, and in unforgettable detail, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey toward physical recovery and the healing that was made possible by the love and support of his wife, Eliza, his family, his army of doctors and physical therapists, and his community of readers worldwide. Knife is Rushdie at the peak of his powers, writing with urgency, with gravity, with unflinching honesty. It is also a deeply moving reminder of literature's capacity to make sense of the unthinkable, an intimate and life-affirming meditation on life, loss, love, art--and finding the strength to stand up again.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver's insightful stories reverberate into the present day. There's the nightmarish "The Closet on the Top Floor" in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; "Mint Juleps not Served Here" where a couple living deep in a forest with their son go to bloody lengths to protect him; "Spiders Cry without Tears," in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school. These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.

Europeans of the Middle Ages were the first to use travel guides to orient their wanderings, as they moved through a world punctuated with miraculous wonders and beguiling encounters. In this vivid and alluring history, medievalist Anthony Bale invites readers on an odyssey across the medieval world, recounting the advice that circulated among those venturing to the road for pilgrimage, trade, diplomacy, and war. Journeying alongside scholars, spies, and saints, from Western Europe to the Far East, the Antipodes and the ends of the earth, Bale provides indispensable information on the exchange rate between Bohemian ducats and Venetian groats, medieval cures for seasickness, and how to avoid extortionist tour guides and singing sirens. He takes us from the streets of Rome, more ruin than tourist spot, and tours of the Khan's court in Beijing to Mamluk-controlled Jerusalem, where we ride asses across the holy terrain, and bustling bazaars of Tabriz. We also learn of rumored fantastical places, like ones where lambs grow on trees and giant canes grow fruit made of gems. And we are offered a glimpse of what non-European travelers thought of the West on their own travels. Using previously untranslated contemporaneous documents from a colorful range of travelers, and from as far and wide as Turkey, Iceland, North Africa, and Russia, A Travel Guide to the Middle Ages is a witty and unforgettable exploration of how Europeans understood--and often misunderstood--the larger world.

NATIONAL BESTSELLER * In the long-awaited first novel from short story virtuoso and Pulitzer Prize finalist Kelly Link, three teenagers become pawns in a supernatural power struggle. "A dreamlike, profoundly beautiful novel [that] pushes our understanding of what a fantasy novel can be."--Amal El-Mohtar, The New York Times Book Review (Editors' Choice) "Imagine a ring of David Mitchell and Stephen King books dancing around a fire until something new, brave, and wonderful rose up from the flames."--Isaac Fitzgerald, Today (Spring Pick!) The Book of Love showcases Kelly Link at the height of her powers, channeling potent magic and attuned to all varieties of love--from friendship to romance to abiding family ties--with her trademark compassion, wit, and literary derring-do. Readers will find joy (and a little terror) and an affirmation that love goes on, even when we cannot. Late one night, Laura, Daniel, and Mo find themselves beneath the fluorescent lights of a high school classroom, almost a year after disappearing from their hometown, the small seaside community of Lovesend, Massachusetts, having long been presumed dead. Which, in fact, they are. With them in the room is their previously unremarkable high school music teacher, who seems to know something about their disappearance--and what has brought them back again. Desperate to reclaim their lives, the three agree to the terms of the bargain their music teacher proposes. They will be given a series of magical tasks; while they undertake them, they may return to their families and friends, but they can tell no one where they've been. In the end, there will be winners and there will be losers. But their resurrection has attracted the notice of other supernatural figures, all with their own agendas. As Laura, Daniel, and Mo grapple with the pieces of the lives they left behind, and Laura's sister, Susannah, attempts to reconcile what she remembers with what she fears, these mysterious others begin to arrive, engulfing their community in danger and chaos, and it becomes imperative that the teens solve the mystery of their deaths to avert a looming disaster. Welcome to Kelly Link's incomparable Lovesend, where you'll encounter love and loss, laughter and dread, magic and karaoke, and some really good pizza.

From acclaimed psychoanalyst Adam Phillips, a meditation on what we must give up to feel more alive. To give up or not to give up? The question can feel inescapable but the answer is never simple. Giving up our supposed vices is one thing; giving up on life itself is quite another. One form of self-sacrifice feels positive, something to admire and aspire to, while the other is profoundly unsettling, if not actively undesirable. There are always, it turns out, both good and bad sacrifices, but it is not always clear beforehand which is which. We give something up because we believe we can no longer go on as we are. In this sense, giving up is a critical moment--an attempt to make a different future. In On Giving Up, the acclaimed psychoanalyst Adam Phillips illuminates both the gaps and the connections between the many ways of giving up and helps us to address the central question: What must we give up in order to feel more alive?

A Washington Post "Most Anticipated" Book of the Year * A New York Times "Must Read" For readers of My Dark Places and The Fact of a Body, a beautiful, brutal memoir documenting one woman's search for identity alongside her family's decades-long quest to identify the two men who abducted--and murdered--her mother "Melding true crime with memoir, Ervin reminds us of what happens when we conflate people with the transgressions committed against them--the collateral damage we inflict when we turn human beings into moral allegory . . . A powerful treatise on love and loss, on mothers and daughters, but it is also a warning to all of us who consume true crime." --The New York Times Book Review Kristine S. Ervin was just eight years old when her mother, Kathy Sue Engle, was abducted from an Oklahoma mall parking lot and violently murdered in an oil field. First, there was grief. Then the desire to know: what happened to her, what she felt in her last terrible moments, and all she was before these acts of violence defined her life. In her mother's absence, Ervin tries to reconstruct a woman she can never fully grasp--from her own memory, from letters she uncovers, and from the stories of other family members. As more information about her mother's death comes to light, Ervin's drive to know her mother only intensifies, winding into her own fraught adolescence. She reckons with contradictions of what a woman is allowed to be--a self beyond the roles of wife, mother, daughter, victim--what a "true" victim is supposed to look like, and, finally, how complicated and elusive justice can be. Told fearlessly and poetically, Rabbit Heart weaves together themes of power, gender, and justice into a manifesto of grief and reclamation: our stories do not need to be simple to be true, and there is power in the telling.

"An incredibly moving and gripping novel . . . so sure-footed, clear, vibrating, like chiffon or a cigarette." -- Olga Ravn An incandescent debut about young adults learning how to care for themselves -- from within the limits of the psychiatric system Perfect for fans of Tove Ditlevsen and devotees of Sylvia Plath In honest, crackling investigations of the psychiatric system and the young people trying to find their way, Gråbøl's soaring debut offers a critique of institutionalization and an urgent recalibrating of the language and conceptions of care. "I'm not inarticulate, but I leave language to the room around me," says Fine Gråbøl's nameless narrator as she dreams of furniture flickering to life in the room she occupies at a temporary psychiatric care unit for young adults. A chair that greets you, or shiny tiles of floor that follow a peculiar grammar of their own. Our narrator is obsessed with the way items rise up out of their thingness, assuming personalities and private motives. She also cannot sleep, and practices her daily routines with the urgency of survival - peeling a carrot, drinking prune juice - all an acutely calibrated exploration into having a home. Structured as a series of intimate vignettes like those of Olga Ravn, What Kingdom thrums with the swirling voices of this shared home. Hector blares Michael Jackson from the recreation room and recalls a past in Peru when his psychoses were treated with exorcism. The town would shake the devil out of his small, teenage body before he was relocated to Denmark. Or Marie, who has lived in the temporary unit since she was eighteen, has no idea that her mother lives just four floors below in a permanent care unit. Echoing the aching writings of Janet Frame on electroconvulsive therapy, or Linda Boström Knausgård's mythical meditations on silence and mental health, Fine Gråbøl renders a delicate and deep uncoupling from the world.

Chosen as a Most Anticipated Book of 2024 by Oprah's Book Club, Elle, Reader's Digest, The Rumpus, Kirkus Reviews, The Millions, Lit Hub, and more "An inventive ode to self-determination and also a surrealistic vision of Black life as forged within the crucible of American history . . . [written in] lush, ornamental prose." --New Yorker "Fans of The Underground Railroad, The Water Dancer, and Let Us Descend will devour this lyrical and surreal saga." --Oprah Daily From a writer of singular voice and vision, a mesmerizing epic that reimagines the past to explore the true nature of freedom In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint's grand experiment--a truly secluded community where her people may flourish--takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint's creation are exposed, some begin to wonder whether the community's safety might be yet another form of bondage. Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

#1 Most Important Political Book of 2023, Sueddeutsche Zeitung (Germany) A Best Book of 2023, The Telegraph (Great Britain) A gripping and nuanced history of the German people from World War II to the war in Ukraine, including revealing new primary source material on Germany's transformation In 1945, Germany lay in ruins, morally and materially. Its citizens stood condemned by history, responsible for a horrifying genocide and war of extermination. But by the end of Angela Merkel's tenure as chancellor in 2021, Germany looked like the moral voice of Europe, welcoming more than one million refugees, holding together the tenuous threads of the European Union, and making military restraint the center of its foreign policy. At the same time, Germany's rigid fiscal discipline and energy deals with Vladimir Putin have cast a shadow over the present. Innumerable scholars have asked how Germany could have degenerated from a nation of scientists, poets, and philosophers into one responsible for genocide. This book raises another vital question: How did a nation whose past has been marked by mass murder, a people who cheered Adolf Hitler, reinvent themselves, and how much? Trentmann tells this dramatic story of the German people from the middle of World War II through the Cold War and the division into East and West to the fall of the Berlin Wall and the struggle to find a place in the world today. This journey is marked by a series of extraordinary moral conflicts: admissions of guilt and shame vying with immediate economic concerns; restitution for some but not others; tolerance versus racism; compassion versus complicity. Through a range of voices--German soldiers and German Jews; displaced persons in limbo; East German women and shopkeepers angry about energy shortages; opponents and supporters of nuclear power; volunteers helping migrants and refugees, and right-wing populists attacking them--Trentmann paints a remarkable and surprising portrait spanning eighty years of the conflicted people at the center of Europe, showing how the Germans became who they are today.

A Zibby Mag "Most Anticipated Book" * A San Francisco Chronicle "New Book to Cozy Up With" * A Publishers Weekly "Memoirs & Biographies: Top 10" * The Millions "Most Anticipated" * An Electric Lit "Books By Women of Color to Read" "We have more Native stories now, but we have not heard one like this. Whiskey Tender is unexpected and propulsive, indeed tender, but also bold, and beautifully told, like a drink you didn't know you were thirsty for. This book, never anything less than mesmerizing, is full of family stories and vital Native history. It pulses and it aches, and it lifts, consistently. It threads together so much truth by the time we are done, what has been woven together equals a kind of completeness from brokenness, and a hope from knowing love and loss and love again by naming it so."  -- Tommy Orange, National Bestselling Author of There There  Reminiscent of the works of Mary Karr and Terese Marie Mailhot, a memoir of family and survival, coming-of-age on and off the reservation, and of the frictions between mainstream American culture and Native inheritance; assimilation and reverence for tradition. Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents--citizens of the Quechan Nation and Laguna Pueblo tribe--were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the "American Dream." Whiskey Tender traces how a mixed tribe native girl--born on the California Yuma reservation and raised in Navajo territory in New Mexico--comes to her own interpretation of identity, despite her parent's desires for her to transcend the class and "Indian" status of her birth through education, and despite the Quechan tribe's particular traditions and beliefs regarding oral and recorded histories. Taffa's childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation. Taffa offers a sharp and thought-provoking historical analysis laced with humor and heart. As she reflects on her past and present--the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations--she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the "melting pot" of America, revealing all that is sacrificed for the promise of acceptance.

Named a Most Anticipated Book of 2024 by Nylon, The Millions, and Debutiful! Frances Ha meets No One Is Talking About This in a debut that follows two siblings-turned-roommates navigating an absurd world on the verge of calamity--a Seinfeldian novel of existentialism and sisterhood. It's March of 2019, and twenty-eight-year-old Jules Gold--anxious, artistically frustrated, and internet-obsessed--has been living alone in the apartment she once shared with the man she thought she'd marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that've plagued Poppy since childhood flare up. Jules's uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls' mother, a newly devout Messianic Jew, starts falling for the same deep-state conspiracy theories as Jules's online mommies. Jules, halfheartedly struggling to scrape her way to the source of her ennui, slowly and cruelly comes to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. And Amy Klobuchar might have rabies. As the year shambles on and a new decade looms near, a disastrous trip home to Florida forces Jules and Poppy--comrades, competitors, constant fixtures in each other's lives--to ask themselves what they want their futures to look like, and whether they'll spend them together or apart. Deadpan, dark, and brutally funny, Worry is a sharp portrait of two sisters enduring a dread-filled American moment from a nervy new voice in contemporary fiction.

An illuminating biography reconstructing the life and legacy of a unique king in world history and the most famous emperor in South Asian history   "Mr. Olivelle has produced an outstanding monument of scholarship and sound judgment."--Maxwell Carter, Wall Street Journal   There are few historical figures more integral to South Asian history than Emperor Ashoka, a third-century BCE king who ruled over a larger area of the Indian subcontinent than anyone else before British colonial rule. Ashoka sought not only to rule his territory but also to give it a unity of purpose and aspiration, to unify the people of his vastly heterogeneous empire not by a cult of personality but by the cult of an idea--"dharma"--which served as the linchpin of a new moral order. He aspired to forge a new moral philosophy that would be internalized not only by the people of his empire but also by rulers and subjects of other countries, and would form the foundation for his theory of international relations, in which practicing dharma would bring international conflicts to an end.   His fame spread far and wide both in India and in other parts of Asia, and it prompted diverse reimaginations of the king and his significance. In this deeply researched book, Patrick Olivelle draws on Ashoka's inscriptions and on the art and architecture he pioneered to craft a detailed picture of Ashoka as a ruler, a Buddhist, a moral philosopher, and an ecumenist who governed a vast multiethnic, multilinguistic, and multireligious empire.

An electrifying debut novel about art, solitude, family, and faith in a world without it In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother. In a library archive, she comes across a photo of Marta Becket and decides to write her a letter. Soon Marta magically appears in her home. Gia hopes Marta Becket will guide her out of her despair. But is Marta--the example of her single-minded, solitary life--enough? Through precise, vivid vignettes, Bitter Water Opera follows Gia as she resists the urge to escape into herself and struggles to form a lasting connection to the world. Her search has her reckoning with a set of terrifying charcoal drawings on her garage walls, a corpse in the middle of a pond, a crooked pear sapling, and other mysterious entities before bringing her to Marta's theater, the Amargosa Opera House. There in the desert, Gia finds one answer. In this brief, astonishing novel, Nicolette Polek describes an individual awakening to faith while exploring our deepest existential questions. How do we look beyond ourselves? Where do words go? What is art for?

An "enchanting" (Caroline Kepnes, author of You) New York City fairy tale about two sisters that fall under the spell of an underworld cabaret troupe that might be a dangerous cult--but one that makes the materialist world left in its wake feel like a sinister cult itself. Rose has come a long way. Raised--and often neglected--by a wayward mother in New York City's chaotic bohemia, Rose has finally built the life she's always wanted: a good job at a self-help startup, a clean apartment, an engagement to a stable if self-satisfied tech CEO who shares her faith in human potential, hard work, and the sacrifice of childish dreams. Rose's sister Cecilia, on the other hand, never grew up. Irresponsible and impetuous, prone to jetting off to a European monastery one month and a falcon rescue the next, Cecilia has spent her life in pursuit of fairy-tale narratives of transcendence and true love--grand ideas Rose knows never work out in the real world. When Cecilia declares she's come home to New York for good, following the ending of a whirlwind marriage, Rose hopes Cecilia might finally be ready to face adulthood: compromises and all. But then Cecilia gets involved with the Avalon: a cultish-sounding cabaret troupe--one that appears only at night, on a mysterious red boat that travels New York's waterways--and soon vanishes: one of a growing number of suspicious disappearances among the city's lost and loneliest souls. The only way Rose can find Cecilia is by tracking down the Avalon herself. But as Rose gets closer to solving the mystery of what happened to her sister, the Avalon works its magic on her, too. And the deeper she goes into the Avalon's underworld, she more she begins to question everything she knows about her own life, and whether she's willing to leave the real world behind.

The forgotten history of the liberal radicals, socialist internationalists, feminists, and Christians who envisioned free trade as the necessary prerequisite for anti-imperialism and peace Today, free trade is often associated with right-wing free marketeers. In Pax Economica, historian Marc-William Palen shows that free trade and globalisation in fact have roots in nineteenth-century left-wing politics. In this counterhistory of an idea, Palen explores how, beginning in the 1840s, left-wing globalists became the leaders of the peace and anti-imperialist movements of their age. By the early twentieth century, an unlikely alliance of liberal radicals, socialist internationalists, feminists, and Christians envisioned free trade as essential for a prosperous and peaceful world order. Of course, this vision was at odds with the era's strong predilections for nationalism, protectionism, geopolitical conflict, and colonial expansion. Palen reveals how, for some of its most radical left-wing adherents, free trade represented a hard-nosed critique of imperialism, militarism, and war. Palen shows that the anti-imperial component of free trade was a phenomenon that came to encompass the political left wing within the British, American, Spanish, German, Dutch, Belgian, Italian, Russian, French, and Japanese empires. The left-wing vision of a "pax economica" evolved to include supranational regulation to maintain a peaceful free-trading system--which paved the way for a more liberal economic order after World War II and such institutions as the United Nations, the European Union, and the World Trade Organization. Palen's findings upend how we think about globalisation, free trade, anti-imperialism, and peace. Rediscovering the left-wing history of globalism offers timely lessons for our own era of economic nationalism and geopolitical conflict.

A New York Times Book Review Editors' Choice A Kirkus Reviews Best Book of the Month "Deborah Jowitt chronicles a life passionately, artfully lived. An essential read about a true legend." --Mikhail Baryshnikov "A study in balance and grace." --The New York Times Book Review From the legendary dance critic Deborah Jowitt, Errand into the Maze is the definitive biography of the visionary dancer and choreographer Martha Graham. In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique--primal, dynamic, and rooted in the emotional life of the body--that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career, she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces. And along the way, she engaged with the major debates, events, and ideas of the twentieth century, creating works that cut to the core of the human experience. Time magazine's "Dancer of the Century," and the first dancer and choreographer to be awarded the Presidential Medal of Freedom, Graham was a visionary artistic force and an international cultural figure: hers was the iconic face of what came to be known as modern dance. From the renowned dance writer and former longtime critic for The Village Voice Deborah Jowitt, Errand into the Maze draws on more than a decade of firsthand research to deliver the definitive portrait of this titan. Beginning with Graham's childhood in Allegheny, Pennsylvania, and her early studies at the Denishawn School; weaving in her offstage adventures, including her relationship with her dancer and muse Erick Hawkins; and chronicling her retirement from dancing at age seventy-five and her remarkably productive final years, this elegant, empathetic biography portrays the artist in all her passionate complexity. Most important, Jowitt places Graham's creations at the heart of her story. Her works, brimming with raw intensity, are intimately linked with their creator, who played the heroine in almost all that she choreographed: Joan of Arc, Jocasta, Clytemnestra, and Judith, among others. In this volume, Graham is centerstage once more, and Jowitt casts a brilliant spotlight on her life and work.

"This stunning meditation on nostalgia, heritage, and compassion asks us to dismantle the stories we've been told--and told ourselves--in order to naturalize the forms of injustice we've come to understand as order." --Leslie Jamison, author of The Empathy Exams   When and how did migration become a crime? Why does ancient Greece remain so important to the West's idea of itself? How does nostalgia fuel the exclusion and demonization of migrants today?      In 2021, Lauren Markham went to Greece, in search of her own Greek heritage and to cover the aftermath of a fire that burned down the largest refugee camp in Europe. Almost no one had wanted the camp--not activists, not the country's growing neo-fascist movement, not even the government. But almost immediately, on scant evidence, six young Afghan refugees were arrested for the crime. Markham soon saw that she was tracing a broader narrative, rooted not only in centuries of global history but also in myth. A mesmerizing, trailblazing synthesis of reporting, history, memoir, and essay, A Map of Future Ruins helps us see that the stories we tell about migration don't just explain what happened. They are oracles: they predict the future.

From the New York Times best-selling author of The Flight of Gemma Hardy, a novel about a young woman whose gift of second sight complicates her coming of age in late-nineteenth-century Scotland "Bewitching and seductive." -Rebecca Makkai, author of I Have Some Questions for You . "A treasure- a writer who understands the magic and mysteries of the human soul." -Chris Bohjalian, author of Hour of the Witch . "This book is a cold, clear, perfect lake." -Lauren Groff, author of The Vaster Wilds Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small child that she can see into the future. But her gift is selective-she doesn't, for instance, see that she has an older sister who will come to join the family. As her "pictures" foretell various incidents and accidents, she begins to realize a painful truth- she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her. Why have the adults around her not revealed that the touch of a hand can change everything? After following Louis to Glasgow, though, she learns the limits of his devotion. Faced with a seemingly impossible choice, she makes a terrible mistake. But her second sight may allow her a second chance. Luminous and transporting, The Road from Belhaven once again displays "the marvelous control of a writer who conjures equally well the tangible, sensory world . . . and the mysteries, stranger and wilder, that flicker at the border of that world." -The Boston Globe

The riotous, raucous and deeply resonant debut novel from "one of the best story writers in the English language today" (Financial Times) Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry With his acclaimed and award-winning collections Young Skins and Homesickness Colin Barrett cemented his reputation as one of contemporary Irish literature's most daring stylists. Praised by the Oprah Daily as "a doyen of the sentence," and by the Los Angeles Times as a writer of "unique genius," Barrett now expands his canvas with a debut novel that contains as much grit, plot, and linguistic energy as any of his celebrated short stories. As Ballina prepares for its biggest weekend of the year, introspective loner Dev answers his door on Friday night to find Doll English-- younger brother of small-time local dealer Cillian English--bruised and in the clutches of Gabe and Sketch Ferdia, County Mayo's fraternal enforcers and Dev's cousins. Dev's quiet homelife is upturned as he is quickly and unwillingly drawn headlong into the Ferdias' frenetic revenge plot against Cillian. Meanwhile, Doll's girlfriend, seventeen-year-old Nicky, reeling from a fractious Friday and plagued by ghosts and tragedy of her own, sets out on a feverish mission to save Doll, even as she questions her future in Ballina. Set against Barrett's trademark depictions of small town Irish life, Wild Houses is thrillingly-told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence.

LONGLISTED FOR THE 2023 BOOKER PRIZE An astonishing novel about a young microbiologistinvestigating an unfathomable deep vent in the ocean floor, leading her on ajourney that will encompass the full trajectory of the cosmos and the passageof a single human life Leigh grew up in Rotterdam, drawn to the waterfront as anescape from her unhappy home life and volatile father. Enchanted by theundersea world of her childhood, she excels in marine biology, travelling theglobe to study ancient organisms. When a trench is discovered in the Atlanticocean, Leigh joins the exploration team, hoping to find evidence of the earth'sfirst life forms - what she instead finds calls into question everything weknow about our own beginnings. Her discovery leads Leigh to the Mojave desert and an ambitious new spaceagency. Drawn deeper into the agency's work, she learns that the Atlantictrench is only one of several related phenomena from across the world, eachpiece linking up to suggest a pattern beyond human understanding. Leigh knowsthat to continue working with the agency will mean leaving behind her decliningmother and her younger sister, and faces an impossible choice: to remain withher family, or to embark on a journey across the breadth of the cosmos. Exploring the natural world with the wonder and reverence we usually reservefor the stars, In Ascension is a compassionate, deeply inquisitiveepic that reaches outward to confront the greatest questions of existence,looks inward to illuminate the smallest details of the human heart, and showshow - no matter how far away we might be and how much we have lost hope - wewill always attempt to return to the people and places we call home.

NEW YORK TIMES BESTSELLER * A MOST ANTICIPATED BOOK * A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction. "Kaveh Akbar is one of my favorite writers. Ever." --Tommy Orange, Pulitzer Prize-nominated author of There There "The best novel you'll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness." --Lauren Groff, best-selling author of Matrix and Fates and Furies Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father's life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past--toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Kaveh Akbar's Martyr! is a paean to how we spend our lives seeking meaning--in faith, art, ourselves, others.

A landmark new history of the peasant experience, exploring a now neglected way of life that once encompassed most of humanity but is vanishing in our time. "What the skeleton is to anatomy, the peasant is to history, its essential hidden support." For over the past century and a half, and still more rapidly in the last seventy years, the world has become increasingly urban, and the peasant way of life--the dominant way of life for humanity since agriculture began well over 6,000 years ago--is disappearing. In this new history of peasantry, social historian Patrick Joyce aims to tell the story of this lost world and its people, and how we can commemorate their way of life. In one sense, this is a global history, ambitious in scope, taking us from the urbanization of the early 19th century to the present day. But more specifically, Joyce's focus is the demise of the European peasantry and of their rites, traditions, and beliefs. Alongside this he brings in stories of individuals as well as places, including his own family, and looks at how peasants and their ways of life have been memorialized in photographs, literature, and in museums. Joyce explores a people whose voice is vastly underrepresented in human history and is usually mediated through others. And now peasants are vanishing in one of the greatest historical transformations of our time. Written with the skill and authority of a great historian, Remembering Peasants is a landmark work, a richly complex and passionate history written with exquisite care. It is also deeply resonant, as Joyce shines a light on people whose knowledge of the land is being irretrievably lost during our critical time of climate crisis and the rise of industrial agriculture. Enlightening, timely, and vitally important, this book commemorates an extraordinary culture whose impact on history--and the future--remains profoundly relevant.

Named a Most Anticipated Book of 2024 by Foreign Policy, Literary Hub, and The Millions Ghosh unravels the impact of the opium trade on global history and in his own family―the climax of a yearslong project. When Amitav Ghosh began the research for his monumental cycle of novels the Ibis Trilogy, he was startled to learn how the lives of the nineteenth-century sailors and soldiers he wrote about were dictated not only by the currents of the Indian Ocean but also by the precious commodity carried in enormous quantities on those currents: opium. Most surprising of all, however, was the discovery that his own identity and family history were swept up in the story. Smoke and Ashes is at once a travelogue, a memoir, and an essay in history, drawing on decades of archival research. In it, Ghosh traces the transformative effect the opium trade had on Britain, India, and China, as well as the world at large. The trade was engineered by the British Empire, which exported Indian opium to sell to China to redress their great trade imbalance, and its revenues were essential to the empire's financial survival. Following the profits further, Ghosh finds opium central to the origins of some of the world's biggest corporations, of America's most powerful families and prestigious institutions (from the Astors and Coolidges to the Ivy League), and of contemporary globalism itself. Moving deftly between horticultural history, the mythologies of capitalism, and the social and cultural repercussions of colonialism, in Smoke and Ashes Ghosh reveals the role that one small plant has had in making our world, now teetering on the edge of catastrophe.

An enthralling novel about the corruption of power and the power of corruption from one of our greatest writers, the award-winning, bestselling author of THE INNOCENTS (Extraordinary"--Wall Street Journal) "A FLAWLESSLY CRAFTED NARRATIVE" --Wall Street Journal "MASTERPIECE" --Publisher's Weekly (Starred Review) "CEASELESSLY ENTERTAINING" --Kirkus (Starred Review) "ONE OF OUR BEST WRITERS" --Booklist (Starred Review) In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos. That ruthless act of sabotage is the opening salvo in a battle between the man and woman who own Mockbeggar's largest mercantile firms, each fighting for the scarce resources of the north Atlantic fishery, each seeking a measure of revenge on the person they despise most in the world. As their unshakeable animosity spirals further each year into vendettas and violence, the community is increasingly divided and even the innocents in Mockbeggar find themselves forced to take sides, with devastating consequences.  Through merciless seasons of uncertainty and want, through predatory storms and pandemics and marauding privateers, it is the human heart that reveals itself to be the most formidable and unpredictable adversary for each person drawn, inevitably and helplessly, into that endless feud.  Compulsively readable and uncompromising, The Adversary is a masterful evocation of a lost time, and a shadowed mirror to our modern politics of grievance and retribution.

A revelatory look at the tumultuous life of a jazz legend and American cultural icon In the first biography of Billie Holiday in more than two decades, Paul Alexander--author of heralded lives of Sylvia Plath and J. D. Salinger--gives us an unconventional portrait of arguably America's most eminent jazz singer. He shrewdly focuses on the last year of her life--with relevant flashbacks to provide context--to evoke and examine the persistent magnificence of Holiday's artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law. During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop--a reference to the last two words of Strange Fruit, her moving song about lynching--limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.

In her seventh collection, Dorianne Laux once again offers poems that move us, include us, and appreciate us fully as the flawed humans we are. Life on Earth is a book of praise for our planet and ourselves, delivered with Laux's trademark vitality, frank observation, and earthy wisdom. With odes to the unlikely and elemental-salt, snow, crows, cups, Bisquick, a shovel and rake, the ubiquitous can of WD-40, "the way / it releases the caught cogs / of the world"-Life on Earth urges us all to find extraordinary magic in the mess of ordinary life. "One of our most daring contemporary poets" (Diana Whitney, San Francisco Chronicle), Laux balances wonder at the night sky and the taste of a ripe peach with recognition of the sharp knife of mortality. The volume includes powerful homages to the poet's mother and her carpenter's spirit, reflections on loss and aging, and encounters with the fleeting beauty of the natural world. Transcending life's inevitable moments of pain and uncertainty, Life on Earth instructs us in our own endless possibilities and the astonishing riches of the world around us.

NATIONAL BESTSELLER * "A riveting feat of science writing that recasts that most familiar of celestial objects into something eerily extraordinary, pivotal to our history, and awesome in the original sense of the word."--Ed Yong, New York Times bestselling author of An Immense World A New York Times Book Review Editors' Choice Many of us know that the Moon pulls on our oceans, driving the tides, but did you know that it smells like gunpowder? Or that it was essential to the development of science and religion? Acclaimed journalist Rebecca Boyle takes readers on a dazzling tour to reveal the intimate role that our 4.51-billion-year-old companion has played in our biological and cultural evolution.  Our Moon's gravity stabilized Earth's orbit--and its climate. It drew nutrients to the surface of the primordial ocean, where they fostered the evolution of complex life. The Moon continues to influence animal migration and reproduction, plants' movements, and, possibly, the flow of the very blood in our veins.  While the Sun helped prehistoric hunters and gatherers mark daily time, early civilizations used the phases of the Moon to count months and years, allowing them to plan farther ahead. Mesopotamian priests recorded the Moon's position in order to make predictions, and, in the process, created the earliest known empirical, scientific observations. In Our Moon, Boyle introduces us to ancient astronomers and major figures of the scientific revolution, including Johannes Kepler and his influential lunar science fiction. Our relationship to the Moon changed when Apollo astronauts landed on it in 1969, and it's about to change again. As governments and billionaires aim to turn a profit from its resources, Rebecca Boyle shows us that the Moon belongs to everybody, and nobody at all.

A thrilling confessional from the award-winning, beloved author of Pure Colour. Sheila Heti kept a record of her thoughts over a ten-year period, then arranged the sentences from A to Z. Passionate and reflective, joyful and despairing, these are her alphabetical diaries.

The first full-length biography of civil rights hero and congressman John Lewis   "The perfect book, at the right time."--Michael Henry Adams, The Guardian   For six decades John Robert Lewis (1940-2020) was a towering figure in the U.S. struggle for civil rights. As an activist and progressive congressman, he was renowned for his unshakable integrity, indomitable courage, and determination to get into "good trouble."   In this first book-length biography of Lewis, Raymond Arsenault traces Lewis's upbringing in rural Alabama, his activism as a Freedom Rider and leader of the Student Nonviolent Coordinating Committee, his championing of voting rights and anti-poverty initiatives, and his decades of service as the "conscience of Congress."   Both in the streets and in Congress, Lewis promoted a philosophy of nonviolence to bring about change. He helped the Reverend Martin Luther King Jr. and other civil rights leaders plan the 1963 March on Washington, where he spoke at the Lincoln Memorial. Lewis's activism led to repeated arrests and beatings, most notably when he suffered a skull fracture in Selma, Alabama, during the 1965 police attack later known as Bloody Sunday. He was instrumental in the passage of the Voting Rights Act of 1965, and in Congress he advocated for racial and economic justice, immigration reform, LGBTQ rights, and national health care.   Arsenault recounts Lewis's lifetime of work toward one overarching goal: realizing the "beloved community," an ideal society based in equity and inclusion. Lewis never wavered in this pursuit, and even in death his influence endures, inspiring mobilization and resistance in the fight for social justice.

Rozycki collects moments of illumination - a cat dashing out of a window and 'feral sun' streaking in, a body planting itself in the ground like rhubarb and flowering. He collects and collects, opens a crack, and clutches a shrapnel of epiphany. Tomasz Rozycki's To the Letter follows Lieutenant Anielewicz on the hunt for any clues that might lead 21st century human beings out of a sense of despair. With authoritarianism rising across Eastern Europe, the Lieutenant longs for a secret hero. At first, he suspects some hidden mechanism afoot: fruit tutors him in the ways of colour, he drifts out to sea to study the grammar of tides, or he gazes at the sun as it thrums away like a timepiece. In one poem, he admits 'this is the story of my confusion,' and in the next the Lieutenant is back on the trail. 'This lunacy needs a full investigation,' he jibes. He wants to get to the bottom of it all, but he's often bewitched by letters and the trickery of language. Diacritics on Polish words form

The peak of the hot season, 1942: The wars in Europe and Asia and the Japanese occupation have upset the uneasy balance of French Indochina. In the Vietnamese fishing village of Phan Thiet, Tuyet ekes out a living at a small storefront with her aunt Coi, her cousin Ha, and her two-year-old daughter, Anh. She can hardly remember her luxurious life in the city of Saigon, which she left just two years ago. The day Tuyet meets Japanese major Yamazaki Takeshi is inauspicious and stifling, with no relief from the sand-stirring wind. But to her surprise, she feels not fear or wariness, but a strange kinship. Tuyet is guarded, knowing how the townspeople might whisper, yet is drawn to Takeshi's warmth all the same. A wounded veteran with a good heart, Takeshi grows to resent the Empire for what it has taken-and the promises it has failed to keep. As the Viet Minh begin to battle the French and Takeshi risks his life for the Resistance, Tuyet and her family are drawn into the conflict, with devastating consequences. A lushly panoramic novel, by turns gritty and profoundly moving, Twilight Territory is at once a war story and a love story that offers a fascinating perspective on Vietnam's struggles to break free of its French colonial past. At its heart is one woman's struggle for independence and her country's liberation.

To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to understand the essence of the local culture, the intrepid young scholar scurries around restlessly on his moped to interview residents. But what David doesn't yet know is that here, in this seemingly ordinary place, once the stage for wars and revolutions, Death leads a dance: when one thing perishes, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human, or wild animal, sometimes in the past, sometimes in the future. And once a year, Death and the living observe a temporary truce during a gargantuan three-day feast where gravediggers gorge themselves on food, drink, and language. Brimming with Mathias Énard's characteristic wit and encyclopedic brilliance, The Annual Banquet of the Gravediggers' Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess.  

"Behind You Is the Sea fearlessly confronts stereotypes about Palestinian culture, weaving a remarkable portrait of life's intricate moments, from joyous weddings to heart-wrenching funerals, from shattered hearts to hidden truths--I wept and grew alongside this family. This is a story that challenges perceptions, offering a heartfelt glimpse into the interior lives of those who call this community home. A must read novel with unforgettable characters and an unwavering, fresh voice--I couldn't put it down until the very last page! Darraj delivers an instant, necessary, and authentic classic to the cannon of Arab-American literature."--Etaf Rum, author of Evil Eye and A Woman Is No Man An exciting debut novel that gives voice to the diverse residents of a Palestinian American community in Baltimore--from young activists in conflict with their traditional parents to the poor who clean for the rich--lives which intersect across divides of class, generation, and religion. Funny and touching, Behind You Is the Sea brings us into the homes and lives of three main families--the Baladis, the Salamehs, and the Ammars--Palestinian immigrants who've all found a different welcome in America. Their various fates and struggles cause their community dynamic to sizzle and sometimes explode: The wealthy Ammar family employs young Maysoon Baladi, whose own family struggles financially, to clean up after their spoiled teenagers. Meanwhile, Marcus Salameh confronts his father in an effort to protect his younger sister for "dishonoring" their name. Only a trip to Palestine, where Marcus experiences an unexpected and dramatic transformation, can bridge this seemingly unbridgeable divide between the two generations. Behind You Is the Sea faces stereotypes about Palestinian culture head-on and, shifting perspectives to weave a complex social fabric replete with weddings, funerals, broken hearts, and devastating secrets.

* THE INSTANT NEW YORK TIMES BESTSELLER * Scientific American's #1 Book for 2023 * A New York Times Book Review Editors' Choice * A Times Best Science and Environment Book of 2023 * A Tor.com Best Book of 2023 * "Exceptional. . . Forceful, engaging and funny . . . This book will make you happy to live on this planet -- a good thing, because you're not leaving anytime soon." --New York Times Book Review From the bestselling authors of Soonish, a brilliant and hilarious off-world investigation into space settlement Earth is not well. The promise of starting life anew somewhere far, far away--no climate change, no war, no Twitter--beckons, and settling the stars finally seems within our grasp. Or is it? Critically acclaimed, bestselling authors Kelly and Zach Weinersmith set out to write the essential guide to a glorious future of space settlements, but after years of research, they aren't so sure it's a good idea. Space technologies and space business are progressing fast, but we lack the knowledge needed to have space kids, build space farms, and create space nations in a way that doesn't spark conflict back home. In a world hurtling toward human expansion into space, A City on Mars investigates whether the dream of new worlds won't create nightmares, both for settlers and the people they leave behind. In the process, the Weinersmiths answer every question about space you've ever wondered about, and many you've never considered: Can you make babies in space? Should corporations govern space settlements? What about space war? Are we headed for a housing crisis on the Moon's Peaks of Eternal Light--and what happens if you're left in the Craters of Eternal Darkness? Why do astronauts love taco sauce? Speaking of meals, what's the legal status of space cannibalism? With deep expertise, a winning sense of humor, and art from the beloved creator of Saturday Morning Breakfast Cereal, the Weinersmiths investigate perhaps the biggest questions humanity will ever ask itself--whether and how to become multiplanetary. Get in, we're going to Mars.

A New York Times Book Review Editors' Choice A groundbreaking account of the coming of the French Revolution from a historian of worldwide acclaim. When a Parisian crowd stormed the Bastille in July 1789, it triggered an event of global consequence: the overthrow of the monarchy and the birth of a new society. Most historians account for the French Revolution by viewing it in retrospect as the outcome of underlying conditions such as a faltering economy, social tensions, or the influence of Enlightenment thought. But what did Parisians themselves think they were doing--how did they understand their world? What were the motivations and aspirations that guided their actions? In this dazzling history, Robert Darnton addresses these questions by drawing on decades of close study to conjure a past as vivid as today's news. He explores eighteenth-century Paris as an information society much like our own, its news circuits centered in cafés, on park benches, and under the Palais-Royal's Tree of Cracow. Through pamphlets, gossip, underground newsletters, and public performances, the events of some forty years--from disastrous treaties, official corruption, and royal debauchery to thrilling hot-air balloon ascents and new understandings of the nation--all entered the churning collective consciousness of ordinary Parisians. As public trust in royal authority eroded and new horizons opened for them, Parisians prepared themselves for revolution. Darnton's authority and sure judgment enable readers to confidently navigate the passions and complexities of controversies over court politics, Church doctrine, and the economy. And his compact, luminous prose creates an immersive reading experience. Here is a riveting narrative that succeeds in making the past a living presence.

An Indie Next Pick A LibraryReads Pick From the celebrated New York Times bestselling author of Such a Fun Age comes a fresh and provocative story about a residential assistant and her messy entanglement with a professor and three unruly students. It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue. A fresh and intimate portrait of desire, consumption, and reckless abandon, Come and Get It is a tension-filled story about money, indiscretion, and bad behavior--and the highly anticipated new novel by acclaimed and award-winning author Kiley Reid.

"Astonishingly important." --Alex Kotlowitz, The Atlantic Through the stories of five American families, a masterful and timely exploration of how hope, history, and racial denial collide in the suburbs and their schools Outside Atlanta, a middle-class Black family faces off with a school system seemingly bent on punishing their teenage son. North of Dallas, a conservative white family relocates to an affluent suburban enclave, but can't escape the changes sweeping the country. On Chicago's North Shore, a multiracial mom joins an ultraprogressive challenge to the town's liberal status quo. In Compton, California, whose suburban roots are now barely recognizable, undocumented Hispanic parents place their gifted son's future in the hands of educators at a remarkable elementary school. And outside Pittsburgh, a Black mother moves to the same street where author Benjamin Herold grew up, then confronts the destructive legacy left behind by white families like his. Disillusioned braids these human stories together with penetrating local and national history to reveal a vicious cycle undermining the dreams upon which American suburbia was built. For generations, upwardly mobile white families have extracted opportunity from the nation's heavily subsidized suburbs, then moved on before the bills for maintenance and repair came due, leaving the mostly Black and Brown families who followed to clean up the ensuing mess. But now, sweeping demographic shifts and the dawning realization that endless expansion is no longer feasible are disrupting this pattern, forcing everyday families to confront a truth their communities were designed to avoid: The suburban lifestyle dream is a Ponzi scheme whose unraveling threatens us all. How do we come to terms with this troubled history? How do we build a future in which all children can thrive?  Drawing upon his decorated career as an education journalist, Herold explores these pressing debates with expertise and perspective. Then, alongside Bethany Smith--the mother from his old neighborhood, who contributes a powerful epilogue to the book--he offers a hopeful path toward renewal. The result is nothing short of a journalistic masterpiece.

This is definitely not a ghost story. But for a while after you're gone, I see you everywhere. Every ragged young person sitting huddled on a pavement, every stretched-out body under cardboard in a shop doorway. Two parents stand by powerlessly as their only child seems intent on destroying herself. As the mother--a novelist--attempts to understand her daughter, she finds herself revisiting her own uneasy, unresolved relationship with her mother. Weaving between childhoods past and present, laced with temptation and betrayal, Nonfiction: A Novel is an unflinching account of a mother, daughter, wife, and author reckoning with the world around her. But can a writer ever be trusted with the truth of her own story? Clear-eyed, lacerating, and fearless, Julie Myerson's Nonfiction: A Novel explores maternal love as an emotional foundation to both crave and fear. A hauntingly beautiful and deeply moving love letter from a mother to a daughter, this is a tale of damage and addiction, recovery and creativity, compassion and love.

A wondrous, tender novel about a young girl grappling with her role in a tragic loss--and attempting to reshape the narrative of her life--from PEN/Faulkner Award nominee Claire Oshetsky Margaret Murphy is a weaver of fantastic tales, growing up in a world where the truth is too much for one little girl to endure. Her first memory is of the day her friend Agnes died. No one blames Margaret. Not in so many words. Her mother insists to everyone who will listen that her daughter never even left the house that day. Left alone to make sense of tragedy, Margaret wills herself to forget these unbearable memories, replacing them with imagined stories full of faith and magic--that always end happily. Enter Poor Deer: a strange and formidable creature who winds her way uninvited into Margaret's made-up tales. Poor Deer will not rest until Margaret faces the truth about her past and atones for her role in Agnes's death. Heartrending, hopeful, and boldly imagined, Poor Deer explores the journey toward understanding the children we once were and the stories we tell ourselves to make sense of life's most difficult moments.

A taut yet expansive novel of love, memory, and grief from Paul Auster, best-selling, award-winning author and "one of the great American prose stylists of our time"  - New York Times Paul Auster's brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner -- phenomenologist, noted author, and soon-to-be retired philosophy professor - has just forgotten on the stove. Baumgartner's life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner's youth in Newark and his Polish-born father's life as a dress-shop owner and failed revolutionary. Rich with compassion, wit, and Auster's keen eye for beauty in the smallest, most transient moments of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others? In one of his most luminous works and his first novel since the Booker-shortlisted tour-de-force 4 3 2 1, Paul Auster captures several lifetimes.

An award-winning novel from one of Ukraine's most prolific contemporary authors, Forgottenness tells a spellbinding story of belonging and uprootedness, as understood by two exiles across time. An exceedingly anxious narrator grapples with a host of conditions, from obsessive-compulsive disorder to a creeping sense of agoraphobia. As her symptoms deepen, she finds unexpected solace researching Viacheslav Lypynskyi (1882-1931), a social and political activist of Polish descent who played a pivotal role in the struggle for Ukrainian independence--and who nursed his own comorbidities. In this long-deceased ideologue the narrator finally finds companionship, mining her country's history in pursuit of a better grasp over her own. Brilliantly translated by Zenia Tompkins, Forgottenness movingly illuminates the intricacies of the Ukrainian experience and announces Tanja Maljartschuk as an essential voice in contemporary world literature.

A vibrant portrait of an age when Arabic enlightenment anticipated and inspired the European Renaissance, illuminated by its guiding figures and rivals, Ibn Sina and Biruni.In The Genius of their Age, S. Frederick Starr follows up his acclaimed Lost Enlightenment: Central Asia's Golden Age with a portrait of the Arab enlightenment and its key figures--Abu-Ali al-Husayn ibn-'Abdallah Ibn-Sina and Abu al-Rayhan Muhammad ibn Ahmad al-Biruni. A thousand years ago, these two intellectual giants--known as Ibn Sina and Biruni for short--achieved stunning breakthroughs in fields as diverse as medicine, astronomy, mathematics, philosophy, geography, and physics. Biruni measured the earth more precisely than anyone else down to the sixteenth century, pondered a heliocentric universe, and hypothesized the existence of North and South America as inhabited continents. Ibn Sina's writing on philosophy and metaphysics enriched the writings of countless European thinkers, including St. Thomas Aquinas, while Sina's grand synthesis of medical knowledge became the standard for the next six hundred years in Europe, the Middle East, and India. They both also commented extensively on the works of ancient Greeks and earlier Muslim thinkers, whose works they aspired to synthesize--and to transcend. Contemporaries, Ibn Sina and Biruni were born within the borders of what is now Uzbekistan and spent their lives in Central Asia. They also became rivals, launching a correspondence and commentary that galvanized them despite sometimes bitter disagreement. Centuries before the West caught up with them, Ibn Sina and Biruni reflected their age's feats and its intellectual high point, persisting with their inquiries and their independence amid turmoil and rapid change. Though scholars have long dissected the works of Ibn Sina and Biruni, S. Frederick Starr focuses also on their lives and the times in which they lived. By contextualizing their work and by making the age palpable to the reader, S. Frederick Starr gives the achievements of Ibn Sina and Biruni a holistic and unforgettably human dimension.

A powerful, timely memoir of a young Air Force linguist coming-of-age in a war that is lost. When Ian Fritz joined the Air Force at eighteen, he did so out of necessity. He hadn't been accepted into college thanks to an indifferent high school career. He'd too often slept through his classes as he worked long hours at a Chinese restaurant to help pay the bills for his trailer-dwelling family in Lake City, Florida. But the Air Force recognizes his potential and sends him to the elite Defense Language Institute in Monterey, California, to learn Dari and Pashto, the main languages of Afghanistan. By 2011, Fritz was an airborne cryptologic linguist and one of only a tiny number of people in the world trained to do this job on low-flying gunships. He monitors communications on the ground and determines in real time which Afghans are Taliban and which are innocent civilians. This eavesdropping is critical to supporting Special Forces units on the ground, but there is no training to counter the emotional complexity that develops as you listen to people's most intimate conversations. Over the course of two tours, Fritz listens to the Taliban for hundreds of hours, all over the country night and day, in moments of peace and in the middle of battle. What he hears teaches him about the people of Afghanistan--Taliban and otherwise--the war, and himself. Fritz's fluency is his greatest asset to the military, yet it becomes the greatest liability to his own commitment to the cause. Both proud of his service and in despair that he is instrumental in destroying the voices that he hears, What the Taliban Told Me is a brilliant, intimate coming-of-age memoir and a reckoning with our twenty years of war in Afghanistan.

The first major history of Mormonism in a decade, drawing on newly available sources to reveal a profoundly divided faith that has nevertheless shaped the nation. The Church of Jesus Christ of Latter-day Saints was founded by Joseph Smith in 1830 in the so-called "burned-over district" of upstate New York, which was producing seers and prophets daily. Most of the new creeds flamed out; Smith's would endure, becoming the most significant homegrown religion in American history. How Mormonism succeeded is the story told by historian Benjamin E. Park in American Zion. Drawing on sources that have become available only in the last two decades, Park presents a fresh, sweeping account of the Latter-day Saints: from the flight to Utah Territory in 1847 to the public renunciation of polygamy in 1890; from the Mormon leadership's forging of an alliance with the Republican Party in the wake of the New Deal to the "Mormon moment" of 2012, which saw the premiere of The Book of Mormon musical and the presidential candidacy of Mitt Romney; and beyond. In the twentieth century, Park shows, Mormons began to move ever closer to the center of American life, shaping culture, politics, and law along the way. But Park's epic isn't rooted in triumphalism. It turns out that the image of complete obedience to a single, earthly prophet--an image spread by Mormons and non-Mormons alike--is misleading. In fact, Mormonism has always been defined by internal conflict. Joseph Smith's wife, Emma, inaugurated a legacy of feminist agitation over gender roles. Black believers petitioned for belonging even after a racial policy was instituted in the 1850s that barred them from priesthood ordination and temple ordinances (a restriction that remained in place until 1978). Indigenous and Hispanic saints--the latter represent a large portion of new converts today--have likewise labored to exist within a community that long called them "Lamanites," a term that reflected White-centered theologies. Today, battles over sexuality and gender have riven the Church anew, as gay and trans saints have launched their own fight for acceptance. A definitive, character-driven work of history, American Zion is essential to any understanding of the Mormon past, present, and future. But its lessons extend beyond the faith: as Park puts it, the Mormon story is the American story.

A debut novel of female friendship and coming-of-age from Jazmina Barrera, acclaimed author of Linea Nigra and On Lighthouses, translated by Christina MacSweeney. It was meant to be the trip of a lifetime. Mila, Citlali, and Dalia, childhood friends now college aged, leave Mexico City for the London of The Clash and the Paris of Courbet. They anticipate the cafés and crushes, but not the early signs that they are each steadily, inevitably changing.  That feels like forever ago. Mila, now a writer and a new mother, has just published a book on needlecraft--an art form so long dismissed as "women's work." But after learning Citlali has drowned, Mila begins to sift through her old scrapbooks, reflecting on their shared youth for the first time as a new wife and mother. What has come of all the nights the three friends spent embroidering together in silence? Did she miss the signs that Citlali needed help?

With an introduction by Jeff VanderMeer that makes an ardent case for its relevance to today's world, this rediscovered classic of Scandinavian fiction is still shockingly relevant more than fifty years after it was first published. Sven Holm's Termush is a searing and prophetic study of humanity forced into a moral bind through its own doing. Termush caters to every need of its wealthy patrons--first among them, a coveted spot at this exclusive seaside getaway, a resort designed for the end of the world. Everyone within its walls has been promised full protection from the aftereffects of "the disaster." The staff work behind the scenes to create a calming and frictionless mood; they pipe soothing music into the halls and quickly remove the dead birds that fall out of the sky. But the specter of death remains. Recon teams come and go in protective gear. Fear of contamination spreads as the hotel cautiously welcomes survivors only to then censor news of their arrival. As the days pass, the veneer of control begins to crack, and it becomes clear that the residents of Termush can insulate themselves from neither the physical effects of the cataclysm nor the moral fallout of using their wealth to separate themselves from the fate of those trapped outside.

The definitive takedown of fatphobia, drawing on personal experience as well as rigorous research to expose how size discrimination harms everyone, and how to combat it--from the acclaimed author of Down Girl and Entitled "An elegant, fierce, and profound argument for fighting fat oppression in ourselves, our communities, and our culture."--Roxane Gay, author of Hunger For as long as she can remember, Kate Manne has wanted to be smaller. She can tell you what she weighed on any significant occasion: her wedding day, the day she became a professor, the day her daughter was born. She's been bullied and belittled for her size, leading to extreme dieting. As a feminist philosopher, she wanted to believe that she was exempt from the cultural gaslighting that compels so many of us to ignore our hunger. But she was not. Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except one: body size. Manne examines how anti-fatness operates--how it leads us to make devastating assumptions about a person's attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression. Fatphobia is responsible for wage gaps, medical neglect, and poor educational outcomes; it is a straitjacket, restricting our freedom, our movement, our potential. In this urgent call to action, Manne proposes a new politics of "body reflexivity"--a radical reevaluation of who our bodies exist in the world for: ourselves and no one else. When it comes to fatphobia, the solution is not to love our bodies more. Instead, we must dismantle the forces that control and constrain us, and remake the world to accommodate people of every size.

With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. Edward L. Ayers's rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd "Is it not possible that an individual may be right and a government wrong?" Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.

A disquieting vision of ecological dystopia in a collection by a major Korean writer. An artist is plagued by desire for her mysterious double as disease spreads through an uncanny suburban landscape. An elderly woman suspects the old man who lifts weights in her neighborhood playground of being responsible for a spate of murders. While elsewhere, a woman who believes she's been exposed to radioactive radiation inherits a warehouse where those fleeing the city can store their possessions. Beneath the calm surface of the stories collected here, Kang Young-sook offers a disquieting vision of a society grappling with ecological catastrophe and unplaceable forms of loss. 

Named a Most Anticipated Title by: Associated Press, Los Angeles Times, and the Washington Post! A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr. In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman's Narrative, was first published in 2002 to great acclaim, but the author's identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author's name and, in The Life and Times of Hannah Crafts, he finally tells her story. In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond "Crafts." She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity--as Hannah Crafts--to make sense of a life fractured by slavery. Hecimovich establishes the case for authorship of The Bondwoman's Narrative by examining the lives of Hannah Crafts's friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history. At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America's slide into Civil War.

NATIONAL BESTSELLER  NAMED A BEST BOOK OF THE YEAR BY NPR, HARPER'S BAZAAR, VOGUE AND KIRKUS REVIEWS The New York Times-bestselling, National Book Award-winning author of The Friend and What Are You Going Through brings her singular voice to a story about modern life and connection "I am committed, until one of us dies, to Nunez's novels. I find them ideal. They are short, wise, provocative, funny -- good and strong company." --Dwight Garner, The New York Times "With the intimacy and humor of a great conversation, this novel makes you feel smarter and more alive." --People Magazine "An ode to our basic need to connect with other beings, be they human or animal, even in a global crisis that told us to stay apart." --NPR Elegy plus comedy is the only way to express how we live in the world today, says a character in Sigrid Nunez's ninth novel. The Vulnerables offers a meditation on our contemporary era, as a solitary female narrator asks what it means to be alive at this complex moment in history and considers how our present reality affects the way a person looks back on her past. Humor, to be sure, is a priceless refuge. Equally vital is connection with others, who here include an adrift member of Gen Z and a spirited parrot named Eureka. The Vulnerables reveals what happens when strangers are willing to open their hearts to each other and how far even small acts of caring can go to ease another's distress. A search for understanding about some of the most critical matters of our time, Nunez's new novel is also an inquiry into the nature and purpose of writing itself.

A moving story about love, AIDS, grief, and memory by one of the most adventurous writers to come out of San Francisco's LGBTQ+ scene. Bob Glück met Ed Aulerich-Sugai in 1970. Ed was an aspiring artist; Bob wanted to write. They were young men in San Francisco at the high tide of sexual liberation and soon, and for eight years, they were lovers, after which they were friends. Ed was an explorer in the realms of sex. He was beautiful, fragile, exasperating, serious, unassuaged. In 1994 he died of HIV. His dream notebooks became a touchstone for this book, which Glück has been working on for some two decades, while also making  his name as a proponent of New Narrative writing and as one of America's most unusual, venturesome, and lyrical authors. About Ed is about Ed, who remains, as our dead do, both familiar and unknowable, faraway and close. It is about Bob too. The book is a hybrid, at once fiction and fact, like memory, and it takes in many things through tales of political activism and domestic comedy and fury to questions of art and love and experiences of  longing and horror. The book also shifts in register, from the delicate  to the analytic, to funny and explicit and heartbroken. It begins in the  San Francisco of the early 1980s, when Ed and Bob have been broken up for a while. aIds is spreading, but Ed has yet to receive his diagnosis.  It follows him backward through his life with Bob in the 1970s and forward through the harrowing particulars of death. It holds on to him and explores his art. It ends in his dreams.

Longlisted for the 2023 Booker Prize * Shortlisted for the 2023 An Post Irish Book Awards Novel of the Year * One of the Globe and Mail's "Sixty-Two Books to Read This Fall" * One of the Globe 100's Best Books of 2023 Jamie O'Neill loves the colour red. He also loves tall trees, patterns, rain that comes with wind, the curvature of certain objects, books with dust jackets, rivers, cats, and Edgar Allan Poe. At age thirteen, there are two things he wants most in life: to build a Perpetual Motion Machine, and to connect with his mother, Noelle, who died when he was born. In his mind, these things are intimately linked, and at his new school, despite the daily barrage of bullies and cathedral bells, he meets two teachers who might be able to help him, though each struggles against inertias of their own. How to Build a Boat is the story of how one boy's irrepressible dream finds expression through a community propelled by love out of grief. Lyrical and compassionate, it's a novel about the courage of conviction and the power of the imagination to transform--and how sometimes the best way to break free of old walls is to build something beautiful within them.

The New York Times Book Review Editors' Choice * The incredible saga of the German-Jewish immigrants--with now familiar names like Goldman and Sachs, Kuhn and Loeb, Warburg and Schiff, Lehman and Seligman--who profoundly influenced the rise of modern finance (and so much more), from the New York Times best-selling author of Sons of Wichita Joseph Seligman arrived in the United States in 1837, with the equivalent of $100 sewn into the lining of his pants. Then came the Lehman brothers, who would open a general store in Montgomery, Alabama. Not far behind were Solomon Loeb and Marcus Goldman, among the "Forty-Eighters" fleeing a Germany that had relegated Jews to an underclass. These industrious immigrants would soon go from peddling trinkets and buying up shopkeepers' IOUs to forming what would become some of the largest investment banks in the world--Goldman Sachs, Kuhn Loeb, Lehman Brothers, J. & W. Seligman & Co. They would clash and collaborate with J. P. Morgan, E. H. Harriman, Jay Gould, and other famed tycoons of the era. And their firms would help to transform the United States from a debtor nation into a financial superpower, capitalizing American industry and underwriting some of the twentieth century's quintessential companies, like General Motors, Macy's, and Sears. Along the way, they would shape the destiny not just of American finance but of the millions of Eastern European Jews who spilled off steamships in New York Harbor in the early 1900s, including Daniel Schulman's paternal grandparents.   In The Money Kings, Schulman unspools a sweeping narrative that traces the interconnected origin stories of these financial dynasties. He chronicles their paths to Wall Street dominance, as they navigated the deeply antisemitic upper class of the Gilded Age, and the complexities of the Civil War, World War I, and the Zionist movement that tested both their burgeoning empires and their identities as Americans, Germans, and Jews.

WINNER OF THE BOOKER PRIZE 2023 * NATIONAL BESTSELLER On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find two officers from Ireland's newly formed secret police on her step. They have arrived to interrogate her husband, a trade unionist. Ireland is falling apart, caught in the grip of a government turning towards tyranny. As the life she knows and the ones she loves disappear before her eyes, Eilish must contend with the dystopian logic of her new, unraveling country. How far will she go to save her family? And what--or who--is she willing to leave behind? The winner of the Booker Prize 2023, Prophet Song presents a terrifying and shocking vision of a country sliding into authoritarianism and a deeply human portrait of a mother's fight to hold her family together.

2023 Barnes & Noble Discover Prize Winner Carnegie Medal for Excellence in Fiction Finalist A four-year-old Mi'kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years "A stunning debut about love, race, brutality, and the balm of forgiveness." --People, A Best New Book July 1962. A Mi'kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family's youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister's disappearance for years to come.  In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren't telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.  For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time. "A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can't help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi'kmaw ancestors." --The New York Times Book Review

The United States, a single country, locks up a quarter of the world's incarcerated population. More than 850,000 Americans are currently on parole. Yet the parole system is opaque, a confounding process riddled with inequities. Few understand parole as the extraordinary pivot point it is--both in the country's changing conceptions of justice and in the cycle of mass incarceration. Through its portraits of two men, imprisoned for murder, and the parole board that holds their freedom in the balance, Correction offers a behind-the-curtain look at the process of parole. Austen's engaging storytelling forces a reckoning with some of the most profound questions underlying the country's values around crime and punishment: What must someone who commits a terrible act do to get a second chance? What does incarceration seek to accomplish? An illuminating work of narrative nonfiction, Correction challenges us to consider for ourselves why and who we punish--and how we might find a way out of an era of mass imprisonment.

* A New York Times Book Review Editors' Choice * The acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of history The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. However, we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence. This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years: a monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America--all of them members of what Christopher de Hamel calls the Manuscripts Club. This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion that crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been. In 1850 (or thereabouts) John Ruskin bought his first manuscript "at a bookseller's in a back alley." This was his reaction: "The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold--as many of them were--cannot be told." The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style and a lifetime's experience.

Shortlisted for the 2022 Booker Prize An extraordinary, "playful, moving, and wholly remarkable" (The Guardian) coming-of-age novel filled with myth and magic from one of England's greatest living writers. An introspective young boy, Joseph Coppock is trying to make sense of the world. Living alone in an old house, he spends his time reading comic books, collecting birds' eggs, and playing with marbles. When one day a rag-and-bone man called Treacle Walker appears on a horse and cart, offering a cure-all medicine, a mysterious friendship develops and the young boy is introduced to a world beyond his wildest imagination. Luminous, evocative, and sparely told, Treacle Walker is a stunning fusion of myth, folklore, and the stories we tell ourselves.

Named a Most Anticipated Book by: New York Times * Boston Globe * CrimeReads From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood. "A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime 'time'? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this." -- Colum McCann, author of Apeirogon and Let the Great World Spin On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget. Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, "one of America's greatest storytellers" (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.

Sasha Frere-Jones's evolution as a writer and musician with the deceptively casual intelligence that marks all of his work. Shuttling between his first year of life (1967) and the year he wrote the book (2020), Earlier is a glorious sequence of moments, a record of the experiences that set the shape of a life. Frere-Jones's prose floats between clinically precise fragments and emotional impressions of revelations, pleasures, and accidents. It's a book about how lives happen and sensibilities form. As fellow music critic Alex Ross observes, "It is weird to write a book about yourself, as this book is well aware. Gazing in the mirror is not mass entertainment. Sasha Frere-Jones, a writer of nonchalant, rope-a-dope power, drops the illusion of self-knowledge and instead offers up a kaleidoscope of memory shards, faithful to the chaos of inner and outer worlds. Earlier is funny, cool, raw, wise, and secretly sublime." Begun in 2010, Earlier was completed at the request of Deborah Holmes, to whom the book is dedicated. Holmes is the mother of Frere-Jones's two boys, Sam and Jonah. Diagnosed with pancreatic cancer in July of 2020, Holmes died in January of 2021. Earlier is the last book she read. Frere-Jones says, "Deborah was the most enthusiastic reader I've ever met. She read when she wasn't doing something else, and that never changed. She asked me to write this when we met, in 1990. I am sorry I made her wait so long."

A stunning history of the first national anti-terrorist campaign waged on American soil--when Ulysses S. Grant wielded the power of the federal government to dismantle the KKK The Ku Klux Klan, which celebrated historian Fergus Bordewich defines as "the first organized terrorist movement in American history," rose from the ashes of the Civil War. At its peak in the early 1870s, the Klan boasted many tens of thousands of members, no small number of them landowners, lawmen, doctors, journalists, and churchmen, as well as future governors and congressmen. And their mission was to obliterate the muscular democratic power of newly emancipated Black Americans and their white allies, often by the most horrifying means imaginable. To repel the virulent tidal wave of violence, President Ulysses S. Grant waged a two-term battle against both armed Southern enemies of Reconstruction and Northern politicians seduced by visions of postwar conciliation, testing the limits of the federal government in determining the extent of states' rights. In this book, Bordewich transports us to the front lines, in the hamlets of the former Confederate States and in the marble corridors of Congress, reviving an unsung generation of grassroots Black leaders and key figures such as crusading Missouri senator Carl Schurz, who sacrificed the rights of Black Americans in the name of political "reform," and the ruthless former slave trader and Klan leader Nathan Bedford Forrest. Klan War is a bold and bracing record of America's past that reveals the bloody, Reconstruction-era roots of present-day battles to protect the ballot box and stamp out resurgent white supremacist ideologies.

WINNER OF THE 2023 NOBEL PRIZE IN LITERATURE A New Yorker Best Book of 2023 A man starts driving without knowing where he is going. He alternates between turning right and left, and ultimately finds himself stuck at the end of a forest road. It soon grows dark and begins to snow. But instead of searching for help, he ventures, foolishly, into the dark forest. Inevitably, the man gets lost, and as he grows cold and tired, he encounters a glowing being amid the obscurity. Strange, haunting and dreamlike, A Shining is the latest work of fiction by National Book Award-finalist Jon Fosse, "the Beckett of the twenty-first century" (Le Monde).

AN INTERNATIONAL BESTSELLER * From the ashes of the Second World War to the fall of the Berlin Wall, the definitive history of East Germany, "a fascinating, sparkling book, filled with insights" (Peter Frankopan)   In 1990, a country disappeared. When the Iron Curtain fell, East Germany ceased to be. For over forty years, from the ruin of the Second World War to the cusp of a new millennium, the German Democratic Republic presented a radically different Germany than what had come before and what exists today. Socialist solidarity, secret police, central planning, barbed wire: this was a Germany forged on the fault lines of ideology and geopolitics.     In Beyond the Wall, acclaimed historian Katja Hoyer sets aside the usual Cold War caricatures of the GDR to offer a kaleidoscopic new vision of this vanished country, revealing the rich political, social, and cultural landscape that existed amid oppression and hardship. Drawing on a vast array of never-before-seen interviews and documents, this is the definitive history of the other Germany, beyond the Wall. 

A riveting true story of a mother who fought back against the drug cartels in Mexico, pursuing her own brand of justice to avenge the kidnapping and murder of her daughter--from a global investigative correspondent for The New York Times "Azam Ahmed has written a page-turning mystery but also a stunning, color-saturated portrait of the collapse of formal justice in one Mexican town."--Steve Coll, Pulitzer Prize-winning author of Directorate S A CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam's quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice. Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic, and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she decided that "fear is just a word," and began a crusade to track down Karen's killers and to help other victimized families in their search for justice. What do people do when their country and the peaceful town where they have grown up become unrecognizable, suddenly places of violence and fear? Azam Ahmed takes us into the grieving of a country and a family to tell the mesmerizing story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear Is Just a Word is an unforgettable and moving portrait of a woman, a town, and a country, and of what can happen when violent forces leave people to seek justice on their own.

OPRAH'S BOOK CLUB PICK * Instant New York Times Bestseller * Shortlisted for the 2024 Carnegie Medal for Excellence From Jesmyn Ward--the two-time National Book Award winner, youngest winner of the Library of Congress Prize for American Fiction, and MacArthur Fellow--comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War. "'Let us descend,' the poet now began, 'and enter this blind world.'" --Inferno, Dante Alighieri   Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.   Annis, sold south by the white enslaver who fathered her, is the reader's guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.   From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land--the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward's most magnificent novel yet, a masterwork for the ages.  

In the suburbs of Rio de Janeiro, one summer in the 1970s, a family--a husband and wife, their daughter, and their crippled teenage son Camilo--take in an orphan named Cosme. The boys unexpectedly fall in love, but an act of violence shatters their intimate world and changes their lives forever. Decades later, when Camilo returns to his hometown, he is haunted by his first love and the long shadow of Brazil's military dictatorship. At once an incisive and unforgiving study of Brazilian society and a fluid, queer coming-of-age story, Victor Heringer's exhilarating and moving novel is worthy of Machado de Assis.

LONGLISTED FOR THE NATIONAL BOOK AWARD The long-awaited, profoundly moving, and unforgettable new novel from PEN Award-winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day. From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried.... Sissy, born 1961: Sissy's relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy's ear, and in one especially terrifying moment, maybe even saves Sissy's life. Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an "Indian school" far from their home, Blanche refuses to be cowed by the school's abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.   Cora, born 1888: Though she was born into the brutal legacy of the "Indian Wars," Cora isn't afraid of the white men who remove her to a school across the country to be "civilized." When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost... A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

A Publishers Weekly Top 10 Book of the Year A riveting account of the extraordinary abolitionist, liberator, and writer Thomas Smallwood, who bought his own freedom, led hundreds out of slavery, and named the underground railroad, from Pulitzer Prize-winning author and journalist, Scott Shane. Flee North tells the story for the first time of an American hero all but lost to history. Born into slavery, by the 1840s Thomas Smallwood was free, self-educated, and working as a shoemaker a short walk from the U.S. Capitol. He recruited a young white activist, Charles Torrey, and together they began to organize mass escapes from Washington, Baltimore, and surrounding counties to freedom in the north. They were racing against an implacable enemy: men like Hope Slatter, the region's leading slave trader, part of a lucrative industry that would tear one million enslaved people from their families and sell them to the brutal cotton and sugar plantations of the deep south. Men, women, and children in imminent danger of being sold south turned to Smallwood, who risked his own freedom to battle what he called "the most inhuman system that ever blackened the pages of history." And he documented the escapes in satirical newspaper columns, mocking the slaveholders, the slave traders and the police who worked for them. At a time when Americans are rediscovering a tragic and cruel history and struggling anew with the legacy of white supremacy, this Flee North -- the first to tell the extraordinary story of Smallwood -- offers complicated heroes, genuine villains, and a powerful narrative set in cities still plagued by shocking racial inequity today.

"Elegant and forceful - I couldn't put it down."  - Catherine Lacey, author of Biography of X A pioneering, revelatory masterpiece of modern literature that conjures the life of 16-year-old girl living on the Argentine pampas -- now in English for the very first time With echoes of Edith Wharton's Summer, this radical feminist novel broke the silence around abortion to reshape the way women's bodies and rights were perceived in 20th-century Argentina Perfect for readers of Tove Ditlevsen, Annie Ernaux's Happening, and Claudia Piñeiro's Elena Knows In the sweltering Argentine pampas, all things bow to Nefer. Reeds nod when she digs her heels into her horse, unripe peaches snap and fall as she gallops past. Sickly-sweet air bends, churns in Nefer's throat.  Nefer measures the distance between her body and the table, and feels something filling her up, turning against her. Her belly swells. Desperate, Nefer visits a local medicine woman who is known to perform abortions but Nefer becomes too afraid to explain why she is truly there. She attends confession at church but cannot confide in the priest. During a fierce argument with her mother, she finally blurts out her secret.  A radical feminist text, January was the first Argentine novel to represent rape from the survivor's perspective and to explore the life-threatening risks pregnancy posed, in a society where abortion was both outlawed and taboo. With a narcotic musicality and voice scorched through with honesty, Gallardo hangs before us an experience that has been lived and ignored a thousand times over. Nefer closes her eyes. We careen to her and we see.

NEW YORK TIMES EDITOR'S CHOICE SELECTION "A propulsive, utterly engrossing history... None of it is simple and all of it is captivating."--The New York Times "Mapping the Darkness offers two narratives at once: a sweeping journey of discovery about dreams, sleep and the terra incognita of unconsciousness; and a wake-up call about the dangers of chronic exhaustion. It's time, Mr. Miller tells us, to take our sleep back."--The Wall Street Journal From award-winning journalist Kenneth Miller comes the definitive story of the scientists who set out to answer two questions: "Why do we sleep?" and "How can we sleep better?" A century ago, sleep was considered a state of nothingness--even a primitive habit that we could learn to overcome. Then, an immigrant scientist and his assistant spent a month in the depths of a Kentucky cave, making nationwide headlines and thrusting sleep science to the forefront of our consciousness. In the 1920s, Nathaniel Kleitman founded the world's first dedicated sleep lab at the University of Chicago, where he subjected research participants (including himself) to a dizzying array of tests and tortures. But the tipping point came in 1938, when his cave experiment awakened the general public to the unknown--and vital--world of sleep. Kleitman went on to mentor the talented but troubled Eugene Aserinsky, whose discovery of REM sleep revealed the astonishing activity of the dreaming brain, and William Dement, a jazz-bass playing revolutionary who became known as the father of sleep medicine. Dement, in turn, mentored the brilliant maverick Mary Carskadon, who uncovered an epidemic of sleep deprivation among teenagers, and launched a global movement to fight it. Award-winning journalist Kenneth Miller weaves together science and history to tell the story of four outsider scientists who took sleep science from fringe discipline to mainstream obsession through spectacular experiments, technological innovation, and single-minded commitment. Readers will walk away with a comprehensive understanding of sleep and why it affects so much of our lives.

A New York Times Editors' Choice * Named a Fall 2023 Must-Read by Outside, Sierra, and Kirkus Reviews * A Boston Globe Book We're Excited to Read This Fall An eye-opening account of the global ecological transformations wrought by roads, from the award-winning author of Eager. Some 40 million miles of roadways encircle the earth, yet we tend to regard them only as infrastructure for human convenience. While roads are so ubiquitous they're practically invisible to us, wild animals experience them as entirely alien forces of death and disruption. In Crossings, environmental journalist Ben Goldfarb travels throughout the United States and around the world to investigate how roads have transformed our planet. A million animals are killed by cars each day in the U.S. alone, but as the new science of road ecology shows, the harms of highways extend far beyond roadkill. Creatures from antelope to salmon are losing their ability to migrate in search of food and mates; invasive plants hitch rides in tire treads; road salt contaminates lakes and rivers; and the very noise of traffic chases songbirds from vast swaths of habitat. Yet road ecologists are also seeking to blunt the destruction through innovative solutions. Goldfarb meets with conservationists building bridges for California's mountain lions and tunnels for English toads, engineers deconstructing the labyrinth of logging roads that web national forests, animal rehabbers caring for Tasmania's car-orphaned wallabies, and community organizers working to undo the havoc highways have wreaked upon American cities. Today, as our planet's road network continues to grow exponentially, the science of road ecology has become increasingly vital. Written with passion and curiosity, Crossings is a sweeping, spirited, and timely investigation into how humans have altered the natural world--and how we can create a better future for all living beings.

A virtuoso journey into networks of power, our embroilment with new technologies, and the dangers of corruption, by an electrifying debut novelist.When the investigative reporter Quentin Jones?s story about covert military interrogation practices in the Desert War is buried, he is spurred to dig deeper, and he unravels a trail that leads to VIRTUE: cutting-edge technology that simulates reality during interrogation.As the shadowy labyrinths of governmental corruption unfurl and tighten around him, unnerving links to his protégé Bruce - who, like Joseph Conrad?s Kurtz, disappeared into the war several years earlier - keep emerging.Greg Jackson's The Dimensions of a Cave is a virtuoso journey into networks of power, our embroilment with new technologies, and the dangers of corruption. It explores our drive toward war, violence, and venality, placing humanity and idealism under the spotlight.

A long-awaited memoir from an award-winning novelist--a candid, riveting account of her complicated, bohemian childhood and her return home to care for her ailing mother. In March 2020, Martha McPhee, her husband, and their two almost-grown children set out for her childhood home in New Jersey, where she finds herself grappling simultaneously with a mother slipping into severe dementia and a house that's been neglected of late. As Martha works to manage her mother's care and the sprawling, ramshackle property--a broken septic system, invasive bamboo, dying ash trees--she is pulled back into her childhood, almost against her will. Martha grew up at Omega Farm with her four sisters, five stepsiblings, mother, and stepfather, in a house filled with art, people, and the kind of chaos that was sometimes benevolent, sometimes more sinister. Caring for her mother and her children, struggling to mend the forest, the past relentlessly asserts itself--even as Martha's mother, the person she might share her memories with or even try to hold to account, no longer knows who Martha is. A masterful exploration of a complicated family legacy and a powerful story of environmental and personal repair, Omega Farm is a testament to hope in the face of suffering, and a courageous tale about how returning home can offer a new way to understand the past.

Named Best Foreign Book of 2021 in France Finalist for the Prix Médicis 2021 Longlisted for the European Literature Prize 2021 The longest river in Europe, the Volga, divides the continent in two. On one side, mighty mountains, large Russian cities with white stone churches, translucent blue lakes of icy water, a cold wind blowing from the North Sea, and, in the early years of the twentieth century, the winds of momentous change blowing even harder, bringing with them revolution and ideologies that will shape the next two centuries of human history. On the other side, a world that belongs to the past, that is shored up by the vast Western Steppe, where small villages dot vast farmlands and life is perfumed by a hot, fragrant breeze that has its source in the Turkmen desert and the salty Caspian Sea. Two worlds that could not be further apart. Two worlds that will be brought together when Jakob Bach is hired by Udo Grimm to give lessons to Grimm's daughter, Klara. The love that grows between Jakob and Klara has unimaginable consequences. Expelled from Gnadenthal when their affair is discovered, they settle in a secluded hamlet hidden deep in the woods to live their lives in peace. But following a tragic episode, Jacob, psychically scarred, is forced to raise his daughter Anche alone. The fairy tales he invents and puts to paper in an effort to forge a bond with his daughter become widely known and slowly life in the German colonies along Volga begins to resemble the stories created by Bach. In the 18th century, the Russian empress Catherine the Great invited Europeans to immigrate and become Russian citizens and farm Russian lands while maintaining their language and culture. The settlers came mainly from Germany, and following the Russian Revolution, the Volga German Soviet Republic was founded, lasting until 1941, when it was abolished after the Germans invaded the region. In September 1941 all Volga Germans were deported. Over half a million were sent into exile in Siberia and Kazakhstan. Jacob Bach's life reflects and foreshadows that of his native colony, Gnadenthal, in this sweeping epic set in the dying years of the 19th century through to the mid-twentieth century of personal tragedy and resilience. In telling a stirring family story, Yakhina also recounts the story of a people, a republic, a nation, a tale that begins in quietude, flows and grows mighty, crosses space and time, like the Volga River itself.

A new novel from National Book Award nominee Daniel Gumbiner about a California grape-grower, his family, and the climate disaster that upends their quiet lives. Since his release from prison after serving an eighteen-month sentence for growing cannabis, Ben Hecht's life has settled into a familiar routine. On his farm in the foothills of California, he stays busy cultivating a dozen acres of grapes and tending to a flock of mistrustful sheep. Meanwhile, from her desk in their old redwood barn, his novelist wife, Ada, continues to work on what may be her most important book yet. When their only son, Yoel, comes home from Los Angeles for a rare visit, Ben is forced to confront their long troubled relationship, which has continued to degrade in recent years. But before the two of them can truly address their past, a wildfire sweeps through the region, forcing the Hecht family to flee to the coast, and setting into motion a chain of events that will transform them all.  This is a story about grape growing and wine, financial and familial struggles, and the peculiar characters and unlikely heroes one will always find in small-town California. Through the experiences of the Hechts and the escalating challenges that face their community, Fire in the Canyon is an intimate look at the lives of those already living through the climate crisis.

A NEW YORK TIMES EDITORS' CHOICE A suspenseful new psychological thriller from the Women's Prize for Fiction longlisted and Dublin Literary Award shortlisted author of Remote Sympathy, Catherine Chidgey. Like every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher and longs to be her pet. However, when a thief begins to target the school, Justine's sense that something isn't quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Justine must decide where her loyalties lie. Set in New Zealand in the 1980s and probing themes of racism, misogyny and the oppressive reaches of Catholicism, Pet will take a rightful place next to other classic portraits of childhood betrayal and psychological suspense: Peter Jackson's Heavenly Creatures, Peter Weir's Picnic at Hanging Rock, and Marilynne Robinson's Housekeeping among them. "Refreshing, compelling and surprising."--Ann Morgan, author of Beside Myself and Reading the World

New York Times Book Review Editors' Choice * From the bestselling author of The Sleepwalkers comes an epic history of the 1848 revolutions that swept Europe, and the charismatic figures who propelled them forward   "Refreshingly original . . . Familiar characters are given vibrancy and previously unknown players emerge from the shadows."--The Times (UK) As history, the uprisings of 1848 have long been overshadowed by the French Revolution of 1789 and the Russian revolutions of the early twentieth century. And yet in 1848 nearly all of Europe was aflame with conflict. Parallel political tumults spread like brush fire across the entire continent, leading to significant changes that continue to shape our world today. These battles for the future were fought with one eye kept squarely on the past: The men and women of 1848 saw the urgent challenges of their world as shaped profoundly by the past, and saw themselves as inheritors of a revolutionary tradition. Celebrated Cambridge historian Christopher Clark describes 1848 as "the particle collision chamber at the center of the European nineteenth century," a moment when political movements and ideas--from socialism and democratic radicalism to liberalism, nationalism, corporatism, and conservatism--were tested and transformed. The insurgents asked questions that sound modern to our ears: What happens when demands for political or economic liberty conflict with demands for social rights? How do we reconcile representative and direct forms of democracy? How is capitalism connected to social inequality? The revolutions of 1848 were short-lived, but their impact on public life and political thought throughout Europe and beyond has been profound. Meticulously researched, elegantly written, and filled with a cast of charismatic figures, including the social theorist Alexis de Tocqueville, the writer George Sand, and the troubled priest Félicité de Lamennais, who struggled to reconcile his faith with politics, Revolutionary Spring offers a new understanding of 1848 that suggests chilling parallels to our present moment. "Looking back at the revolutions from the end of the first quarter of the twenty-first century, it is impossible not to be struck by the resonances," Clark writes. "If a revolution is coming for us, it may look something like 1848."

Garner gathers a literary chorus to capture the joys of reading and eating in this comic, personal classic. Reading and eating, like Krazy and Ignatz, Sturm und Drang, prosciutto and melon, Simon and Schuster, and radishes and butter, have always, for me, simply gone together. The book you're holding is a product of these combined gluttonies. Dwight Garner, the beloved New York Times critic and the author of Garner's Quotations, serves up the intertwined pleasures of books and food. The product of a lifetime of obsessively reading, eating, and every combination therein, The Upstairs Delicatessen: On Eating, Reading, Reading About Eating, and Eating While Reading is a charming, emotional memoir, one that only Garner could write. In it, he records the voices of great writers and the stories from his life that fill his mind as he moves through the sections of the day and of this book: breakfast, lunch, shopping, the occasional nap, drinking, and dinner. Through his lifelong infatuation with these twin joys, we meet the man behind the pages and the plates, and a portrait of Garner, eager and insatiable, emerges. He writes with tenderness and humor about his mayonnaise-laden childhood in West Virginia and Naples, Florida (and about his father's famous peanut butter and pickle sandwich), his mind-opening marriage to a chef from a foodie family ("Cree grew up taking leftover frog legs to school in her lunch box"), and the words and dishes closest to his heart. This is a book to be savored, though it may just whet your appetite for more.

"sorrowful, tender...beautiful." - The New York Times Book Review "...arresting and memorable....Masud both finds a way to comprehend her own story and establishes a strong voice that confirms her as a significant chronicler of personal and national experience." - Financial Times "Sharply, subtly, and very movingly, Masud thinks with places, seeking as she does to find a way back into, and then out of, the traumas of her early life." - Robert Macfarlane, author of Underland: A Deep Time Journey A surprising and lyrical journey--part memoir, part nature book--meditating on the meaning of "flatness" and its literary tradition to find ways to understand ourselves and our trauma in one of nature's most undervalued wonders. For readers of Dr. Gabor Maté's The Myth of Normal, Robert Macfarlane, G. Sebald's Rings of Saturn, Amy Liptrot's The Outrun, and Richard Mabey's Nature Cure Does the concept of "flat" have an undeservedly bad rap? There are centuries' worth of adoration for rolling hills and dramatic, mountainous landscapes. In contrast, flat landscapes are forgettable and seemingly unworthy of poetic or artistic attention.  Noreen Masud suffers from complex post-traumatic stress disorder: the product of a profoundly disrupted and unstable childhood. It flattens her emotions, blanks out parts of her memory, and colours her world with anxiety. Undertaking a pilgrimage around Britain's flatlands, seeking solace and belonging, she weaves her impressions of the natural world with poetry, folklore and history, and with recollections of her own early life. Masud's British-Pakistani heritage makes her a partial outsider in these landscapes: both coloniser and colonised, inheritor and dispossessed. Here violence lies beneath the fantasy of pastoral innocence, and histories of harm are interwoven with nature's power to heal. Here, as in her own family history, are many stories that resist the telling. She pursues these paradoxes fearlessly across the flat, haunted spaces she loves, offering a startlingly strange, vivid and intimate account of the land beneath her feet. Masud combines memoir, nature writing, and literary reflection to explore what can be drawn from these powerful places, and to understand her own experience of complex trauma and post-traumatic stress, as well as grief and loss. A Flat Place is a book that drives to the heart of what it means to experience place -- bodily and psychologically -- and the healing properties of literature and landscape.

An indelible portrait of three children struggling to survive in the poorest neighborhood of the poorest large city in America Kensington, Philadelphia, is distinguished only by its poverty. It is home to Ryan, Giancarlos, and Emmanuel, three Puerto Rican children who live among the most marginalized families in the United States. This is the story of their coming-of-age, which is beset by violence--the violence of homelessness, hunger, incarceration, stray bullets, sexual and physical assault, the hypermasculine logic of the streets, and the drug trade. In Kensington, eighteenth birthdays are not rites of passage but statistical miracles. One mistake drives Ryan out of middle school and into the juvenile justice pipeline. For Emmanuel, his queerness means his mother's rejection and sleeping in shelters. School closures and budget cuts inspire Giancarlos to lead walkouts, which get him kicked out of the system. Although all three are high school dropouts, they are on a quest to defy their fate and their neighborhood and get high school diplomas. In a triumph of empathy and drawing on nearly a decade of reporting, sociologist and policymaker Nikhil Goyal follows Ryan, Giancarlos, and Emmanuel on their mission, plunging deep into their lives as they strive to resist their designated place in the social hierarchy. In the process, Live to See the Day confronts a new age of American poverty, after the end of "welfare as we know it," after "zero tolerance" in schools criminalized a generation of students, after the odds of making it out are ever slighter.

Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel's orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather's poetry seems to guide her home. Nell's mother, Carmel McDaragh, knows the magic of her Daddo's poetry too well--the kind of magic that makes women in their nighties slip outside for a kiss and then elope, as her mother Terry had done. In his poems to Carmel, Phil envisions his daughter as a bright-eyed wren ascending in escape from his hand. But it is Phil who departs, abandoning his wife and two young daughters. Carmel struggles to reconcile "the poet" with the father whose desertion scars her life, along with that of her fiercely dutiful sister and their gentle, cancer-ridden mother. To distance herself from this betrayal, Carmel turns inward, raising Nell, her daughter, and one trusted love, alone. The Wren, the Wren brings to life three generations of McDaragh women who must contend with inheritances--of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home. Their other, stronger inheritance is a sustaining love that is "more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood." In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.

Immersive and gripping, an intimate story of a deadly accident outside Jerusalem that unravels a tangle of lives, loves, enmities, and histories over the course of one revealing, heartbreaking day. Five-year-old Milad Salama is excited for a school trip to a theme park on the outskirts of Jerusalem. On the way, his bus collides with a semitrailer. His father, Abed, gets word of the crash and rushes to the site. The scene is chaos--the children have been taken to different hospitals in Jerusalem and the West Bank; some are missing, others cannot be identified. Abed sets off on an odyssey to learn Milad's fate. It is every parent's worst nightmare, but for Abed it is compounded by the maze of physical, emotional, and bureaucratic obstacles he must navigate because he is Palestinian. He is on the wrong side of the separation wall, holds the wrong ID to pass the military checkpoints, and has the wrong papers to enter the city of Jerusalem. Abed's quest to find Milad is interwoven with the stories of a cast of Jewish and Palestinian characters whose lives and histories unexpectedly converge. In A Day in the Life of Abed Salama Nathan Thrall--hailed for his "severe allergy to conventional wisdom" (Time)--offers an indelibly human portrait of the struggle over Israel/Palestine and a new understanding of the tragic history and reality of one of the most contested places on earth.

The instant New York Times bestseller. From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story--and who gets to be believed It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper--and cousin by marriage--of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems. Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story. The "Tichborne Trial"--wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title--captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . . Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of "other people."

A poet, a physicist, and a philosopher explored the greatest enigmas in the universe-the nature of free will, the strange fabric of the cosmos, the true limits of the mind-and each in their own way uncovered a revelatory truth about our place in the world Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth-that love is necessarily imbued with loss, that the one doesn't exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm's absurdity when he had his own epiphany-that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system-that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps. Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality "out there" and reality as we experience it. Out of this profound truth comes a multitude of galvanizing ideas- the notion of selfhood, free will, and purpose in human life; the roots of morality, aesthetics, and reason; and the origins and nature of the cosmos itself. As each of these thinkers shows, every one of us has a fundamentally incomplete picture of the world. But this is to be expected. Only as mortal, finite beings are we able to experience the world in all its richness and breathtaking majesty. We are stranded in a gulf of vast extremes, between the astronomical and the quantum, an abyss of freedom and absolute determinism, and it is in that center where we must make our home. A soaring and lucid reflection on the lives and work of Borges, Heisenberg, and Kant, The Rigor of Angels movingly demonstrates that the mysteries of our place in the world may always loom over us-not as a threat, but as a reminder of our humble humanity.

Told against the backdrop of the Korean War as a small Appalachian town sends its sons to battle, The Caretaker by award-winning author Ron Rash ("One of the great American authors at work today" --The New York Times) is a breathtaking love story and a searing examination of the acts we seek to justify in the name of duty, family, honor, and love. It's 1951 in Blowing Rock, North Carolina. Blackburn Gant, his life irrevocably altered by a childhood case of polio, seems condemned to spend his life among the dead as the sole caretaker of a hilltop cemetery. It suits his withdrawn personality, and the inexplicable occurrences that happen from time to time rattle him less than interaction with the living. But when his best and only friend, the kind but impulsive Jacob Hampton, is conscripted to serve overseas, Blackburn is charged with caring for Jacob's wife, Naomi, as well. Sixteen-year-old Naomi Clarke is an outcast in Blowing Rock, an outsider, poor and uneducated, who works as a seasonal maid in the town's most elegant hotel. When Naomi eloped with Jacob a few months after her arrival, the marriage scandalized the community, most of all his wealthy parents who disinherited him. Shunned by the townsfolk for their differences and equally fearful that Jacob may never come home, Blackburn and Naomi grow closer and closer until a shattering development derails numerous lives. A tender examination of male friendship and rivalry as well as a riveting, page-turning novel of familial devotion, The Caretaker brilliantly depicts the human capacity for delusion and destruction all too often justified as acts of love.

"The first comprehensive biography of this hipster magus . . . [John Szwed] allows different sides of Smith's personality to catch blades of sun. He brings the right mixture of reverence and comic incredulity to his task." --Dwight Garner, The New York Times Grammy Award-winning music scholar and celebrated biographer John Szwed presents the first biography of Harry Smith, the brilliant eccentric who transformed twentieth century art and culture. He was an anthropologist, filmmaker, painter, folklorist, mystic, and walking encyclopedia. He taught Patti Smith and Robert Mapplethorpe about the occult, swapped drugs with Timothy Leary, had a front-row seat to a young Thelonious Monk, lived with (and tortured) Allen Ginsberg, was admired by Susan Sontag, and was one of the first artists funded by Guggenheim Foundation. He was always broke, generally intoxicated, compulsively irascible, and unimpeachably authentic. Harry Smith was, in the words of Robert Frank, "the only person I met in my life that transcended everything." In Cosmic Scholar, the Grammy Award-winning music scholar and celebrated biographer John Szwed patches together, for the first time, the life of one of the twentieth century's most overlooked cultural figures. From his time recording the customs of Native American tribes in the Pacific Northwest and Florida to his life in Greenwich Village in its heyday, Smith was consumed by an unceasing desire to create a unified theory of culture. He was an insatiable creator and collector, responsible for the influential Anthology of American Folk Music and several pioneering experimental films, but was also an insufferable and destructive eccentric who was unable to survive in regular society, or keep himself healthy or sober. Exhaustively researched, energetically told, and complete with a trove of images, Cosmic Scholar is a feat of biographical restoration and the long overdue canonization of an American icon. Includes black-and-white and color images

A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager. In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life--as well as the guilt that stalks those who survive them. Emergency roams from European cities to scorched California towns, drug-smeared motel rooms to polished dinner parties, taking taut, surprising portraits of addiction, love, misogyny, and sexual power. Confronting the hidden perils of class ascension, the women in these stories try to pay down the psychic debts of their old lives as they search for a new happiness they can afford.

NEW YORK TIMES BESTSELLER * "Simmons's evocative account of her remarkable trajectory from Jim Crow Texas, where she was the youngest of twelve children in a sharecropping family, to the presidencies of Smith College and Brown University shines with tenderness and dignity."--The New York Times Book Review (Editors' Choice) "A riveting work of literature, destined to take its place in the canon of great African American autobiographies."--Henry Louis Gates, Jr., Harvard University I was born at a crossroads: a crossroads in history, a crossroads in culture, and a geographical crossroad in North Houston County in East Texas. Born in 1945, Ruth J. Simmons grew up the twelfth child of sharecroppers. Her first home had no running water, no electricity, no books to read. Yet despite this--or, in her words, because of it--Simmons would become the first Black president of an Ivy League university. The former president of Smith College, Brown University, and Prairie View A&M, Texas's oldest HBCU, Simmons has inspired generations of students as she herself made history. In Up Home, Simmons takes us back to Grapeland to show how the people who love us when we are young shape who we become. We meet her caring, tireless mother who managed to feed her large family with an often empty pantry; her father, who refused to let racial and economic injustice crush his youngest daughter's dreams; the doting brothers and sisters; and the attentive teachers who welcomed Ruth into the classroom, guiding her to a future she could hardly imagine as a child. From the farmland of East Texas to Houston's Fifth Ward to New Orleans at the dawn of the civil rights movement, Simmons depicts an era long gone but whose legacies of inequality we still live with today. Written in clear and timeless prose, Up Home is both an origin story set in the segregated South and the uplifting chronicle of a girl whose intellect, grace, and curiosity guide her as she creates a place for herself in the world.

How cable television upended American political life in the pursuit of profits and influence As television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment--frequently at the expense of fostering responsible citizenship. In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today's rampant polarization and scandal politics--the intentional restructuring of television as a political institution is. She describes how cable innovations--from C-SPAN coverage of congressional debates in the 1980s to MTV's foray into presidential politics in the 1990s--took on network broadcasting using market forces, giving rise to a more decentralized media world. Brownell shows how cable became an unstoppable medium for political communication that prioritized cult followings and loyalty to individual brands, fundamentally reshaped party politics, and, in the process, sowed the seeds of democratic upheaval. 24/7 Politics reveals how cable TV created new possibilities for antiestablishment voices and opened a pathway to political prominence for seemingly unlikely figures like Donald Trump by playing to narrow audiences and cultivating division instead of common ground.

"The literal fever that begins the book mirrors the feverish beginnings and endings of these relationships, as well as the fever of reading -- how it forces the reader inward, then leaves an invisible imprint in its wake. Genberg's marvelous prose is also a kind of fever, mesmerizing and hot to the touch." -The New York Times Book Review An acclaimed Swedish author makes her English language debut with this intoxicating novel in the vein of Rachel Cusk and Sheila Heti, about a woman in the throes of a fever remembering the important people in her past, her memories laid bare in vivid detail as her body temperature rises. A woman lies bedridden from a high fever. Suddenly she is struck with an urge to revisit a novel from her past. Inside the book is an inscription: a get-well-soon message from Johanna, an ex-girlfriend who is now a famous television host. As she flips through the book, pages from the woman's own past begin to come alive, scenes of events and people she cannot forget. There are moments with Johanna, and Niki, the friend who disappeared years ago without a phone number or an address and with no online footprint. There is Alejandro, who appears like a storm in precisely the right moment. And Brigitte, whose elusive qualities mask a painful secret. The Details is a novel built around four portraits; the small details that, pieced together, comprise a life. Can a loved one really disappear? Who is the real subject of the portrait, the person being painted or the one holding the brush? Do we fully become ourselves through our connections to others? This exhilarating, provocative tale raises profound questions about the nature of relationships, and how we tell our stories. The result is an intimate and illuminating study of what it means to be human.

A poignant memoir of love, trauma, and recovery after a life-changing stroke, twinned to a powerful account of his father's experience in World War II, by a winner of the National Book Critics Circle Award. "A beautiful, compelling memoir...Raban's final work is a gorgeous achievement." --Ian McEwan, New York Times best-selling author of Lessons  In June 2011, just days before his sixty-ninth birthday, Jonathan Raban was sitting down to dinner with his daughter when he found he couldn't move his knife to his plate. Later that night, at the hospital, doctors confirmed what all had suspected: that he had suffered a massive hemorrhagic stroke, paralyzing the right side of his body. Once he became stable, Raban embarked on an extended stay at a rehabilitation center, where he became acquainted with, and struggled to accept, the limitations of his new body--learning again how to walk and climb stairs, attempting to bathe and dress himself, and rethinking how to write and even read. Woven into these pages is an account of a second battle, one that his own father faced in the trenches during World War II. With intimate letters that his parents exchanged at the time, Raban places the budding love of two young people within the tumultuous landscape of the war's various fronts, from the munition-strewn beaches of Dunkirk to blood-soaked streets of Anzio. Moving between narratives, his and theirs, Raban artfully explores the human capacity to adapt to trauma, as well as the warmth, strength, and humor that persist despite it. The result is Father and Son, a powerful story of mourning, but also one of resilience.

A Must-Read at The New York Times, NPR, Los Angeles Times, Vulture, The Boston Globe, Shondaland, St. Louis Post-Dispatch, Chicago Review of Books, Essence, Literary Hub, The Millions, The Root "Exhilarating . . . Brinkley is a writer whose versatility knows no boundaries . . . A gift of the highest quality." --Mateo Askaripour, The New York Times Book Review From National Book Award finalist Jamel Brinkley, Witness is an elegant, insistent narrative of actions taken and not taken. What does it mean to really see the world around you--to bear witness? And what does it cost us, both to see and not to see? In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters--from children to grandmothers to ghosts--live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city. In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust--doctors, employers, siblings--too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon. With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant? Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.

"In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us"-- Provided by publisher

A BELLETRIST BOOK CLUB PICK In this suspenseful and darkly funny debut novel, a sophisticated French woman spends her life obsessing over her perfect husband--but can their marriage survive her passionate love? Winner of France's First Novel Prize * Named a Best Book of the Summer by Vogue * theSkimm * Oprah Daily * The Millions At forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband, whose wealthy background allows her to transcend her own social class. After fifteen years together, she is still besotted with him. But she's never quite sure that her passion is reciprocated. Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, testing him to make sure that he still loves her just as much as he did when they first met. Until one day she realizes she may have gone too far . . . "Fans of Caroline Kepnes' You or Gillian Flynn will find My Husband to be a new, satisfying, and unnerving take on the relationship-suspense genre." --Booklist (starred review)

A compelling biography of Mark Weiser, a pioneering innovator whose legacy looms over the tech industry's quest to connect everything--and who hoped for something better. When developers and critics trace the roots of today's Internet of Things--our smart gadgets and smart cities--they may single out the same creative source: Mark Weiser (1952-99), the first chief technology officer at Xerox PARC and the so-called "father of ubiquitous computing." But Weiser, who died young at age 46 in 1999, would be heartbroken if he had lived to see the ways we use technology today. As John Tinnell shows in this thought-provoking narrative, Weiser was an outlier in Silicon Valley. A computer scientist whose first love was philosophy, he relished debates about the machine's ultimate purpose. Good technology, Weiser argued, should not mine our experiences for saleable data or demand our attention; rather, it should quietly boost our intuition as we move through the world.   Informed by deep archival research and interviews with Weiser's family and colleagues, The Philosopher of Palo Alto chronicles Weiser's struggle to initiate a new era of computing. Working in the shadows of the dot-com boom, Weiser and his collaborators made Xerox PARC headquarters the site of a grand experiment. Throughout the building, they embedded software into all sorts of objects--coffeepots, pens, energy systems, ID badges--imbuing them with interactive features. Their push to integrate the digital and the physical soon caught on. Microsoft's Bill Gates flagged Weiser's Scientific American article "The Computer for the 21st Century" as a must-read. Yet, as more tech leaders warmed to his vision, Weiser grew alarmed about where they wished to take it.    In this fascinating story of an innovator and a big idea, Tinnell crafts a poignant and critical history of today's Internet of Things. At the heart of the narrative is Weiser's desire for deeper connection, which animated his life and inspired his notion of what technology at its best could be.  

In the summer of 1938, botanists Elzada Clover and Lois Jotter set off to run the Colorado River, accompanied by an ambitious and entrepreneurial expedition leader, a zoologist, and two amateur boatmen. With its churning waters and treacherous boulders, the Colorado was famed as the most dangerous river in the world. Journalists and veteran river runners boldly proclaimed that the motley crew would never make it out alive. But for Clover and Jotter, the expedition held a tantalizing appeal: no one had yet surveyed the plant life of the Grand Canyon, and they were determined to be the first. Through the vibrant letters and diaries of the two women, science journalist Melissa L. Sevigny traces their daring forty-three-day journey down the river, during which they meticulously cataloged the thorny plants that thrived in the Grand Canyon's secret nooks and crannies. Along the way, they chased a runaway boat, ran the river's most fearsome rapids, and turned the harshest critic of female river runners into an ally. Clover and Jotter's plant list, including four new cactus species, would one day become vital for efforts to protect and restore the river ecosystem. Brave the Wild River is a spellbinding adventure of two women who risked their lives to make an unprecedented botanical survey of a defining landscape in the American West, at a time when human influences had begun to change it forever.

During the Arab Spring, an American spy's final mission goes dangerously awry in this explosive and "remarkable debut" (Joseph Kanon, New York Times bestselling author) from a former CIA officer that is perfect for fans of John LeCarre, Viet Thanh Nguyen, and Alan Furst. Shane Collins, a world-weary CIA spy, is ready to come in from the cold. Stationed in Bahrain off the coast of Saudi Arabia for his final tour, he's anxious to dispense with his mission--uncovering Iranian support for the insurgency against the monarchy. But then he meets Almaisa, a beautiful and enigmatic artist, and his eyes are opened to a side of Bahrain most expats never experience, to questions he never thought to ask. When his trusted informant becomes embroiled in a murder, Collins finds himself drawn deep into the conflict and his growing romance with Almaisa upended. In an instant, he's caught in the crosshairs of a revolution. Drawing on all his skills as a spymaster, he must navigate a bloody uprising, win Almaisa's love, and uncover the murky border where Bahrain's secrets end and America's begin. "A breathless tour-de-force, the perfect spy tale" (Ian Caldwell, author of The Fifth Gospel) and dripping with authenticity, The Peacock and the Sparrow is a timely story of the elusiveness of truth, the power of love and belief, and the universal desire to be part of a cause greater than oneself.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the "Procrustean bed" of tradition. Defying his critics--among them the Nazis, who described his music as "degenerate"--he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music.

A groundbreaking debut collection portraying the lived experiences of Black Muslims grappling with faith, family, and freedom in America. In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born. In "Due North," an obedient daughter struggles to understand why she's haunted by the spirit of her recently deceased father. In "Who's Down?" a father, after a brief affair with vegetarianism, conspires with his daughter to order him a double cheeseburger. In "Candy for Hanif" a mother's routine trip to the store for her disabled son takes an unlikely turn when she reflects on a near-death experience. In "Woman in Niqab," a daughter's suspicion of her father's infidelity prompts her to wear her hair in public. In "New Mexico," a federal agent tasked with spying on a high-ranking member of the Nation of Islam grapples with his responsibilities closer to home. With an unflinching eye for the contradictions between what these characters profess to believe and what they do, Temple Folk accomplishes the rare feat of presenting moral failures with compassion, nuance, and humor to remind us that while perfection is what many of us strive for, it's the errors that make us human.

The first authoritative biography of August Wilson, the most important and successful American playwright of the late 20th century, by a theater critic who knew him. August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey's Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson's death in 2005, Jitney earned a Tony Award for Best Revival of a Play. Through his brilliant use of vernacular speech, Wilson developed unforgettable characters who epitomized the trials and triumphs of the African American experience. He said that he didn't research his plays but wrote from "the blood's memory," a sense of racial history that he believed African Americans shared. Author and theater critic Patti Hartigan traced his ancestry back to slavery, and his plays echo with uncanny similarities to the history of his ancestors. She interviewed Wilson many times before his death and traces his life from his childhood in Pittsburgh (where nine of the plays take place) to Broadway. She also interviewed scores of friends, theater colleagues and family members, and conducted extensive research to tell the story of a writer who left an indelible imprint on American theater and opened the door for future playwrights of color.

Crackling with energy and intelligence, this debut is the "smart, subversive, funny, heartbreaking" (Kamila Shamsie) story of an exceptional teenager coming of age in the shadow of colonialism and communal violence in Nigeria. Andrew Aziza is an unusually smart fifteen-year-old in Kontagora, Nigeria. He lives with his fiercely protective mother, Gloria, and fantasizes obsessively about white girls-especially blondes. When he's not in church, at school, or hanging about town with his droogs wishing to become one of "Africa's first superheroes," he's contemplating the larger questions with his teacher Zahrah and his equally brilliant friend Fatima, a Hausa-Fulani girl who has feelings for him. Together they discuss mathematical theorems, Black power, and what Andy has deemed the Curse of Africa. Sure enough, the reluctantly nicknamed Andy Africa soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on: Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man there claims, despite his mother's denials, to be Andy's father, and an anti-Christian mob has gathered, headed for the church. In the ensuing havoc and its aftermath, Andy is forced to reckon with his identity and desires and determine how to live on the so-called Cursed Continent. The Five Sorrowful Mysteries of Andy Africa announces a dazzlingly unique literary voice. Crackling with energy, this tragicomic novel provides a stunning lens into contemporary African life, the complicity of the West, and the impossible challenges of growing up in a turbulent world.

A stunning, ambitious novel that follows an unusual protagonist--a beech marten, a kind of weasel, who learns to read and write, discovers God and time, and develops a keen sense of self that makes him seem almost human. My Stupid Intentions is the autobiography of a beech marten named Archy. Born into poverty, maimed by an accident, he is sold into servitude by his mother and taught to read and write by Solomon--a pawnbroking fox whose knowledge derives from a Bible that fell on his head while he was busy feeding on a hanged man. Even as Archy's life is transformed by his discovery of the written word and his grappling with the entity called God, he longs for an existence guided by instinct. He longs to be "a real animal." But there is no way of unlearning what he has learned. Caught between his natural urges and his acquired knowledge, he seeks the meaning of his story by writing it. This debut novel by the young Italian author Bernardo Zannoni is set in a primordial landscape where animals talk and tend their hearths but are never free from the struggle for survival. A picaresque fable, it has drawn comparisons to Pinocchio and Watership Down, The Wind in the Willows and The Stranger.

From "one of Russia's smartest and best-sourced young journalists" (The New York Times) comes the first work by a Russian author to reveal his country's history of oppressing Ukraine and provide an unprecedented overview of the war for Ukrainian independence that affects us all. As soon as the Russian invasion of Ukraine began, prominent independent Russian journalist Mikhail Zygar circulated a Facebook petition signed first by hundreds of his cultural and journalistic contacts and then by thousands of others. That act led to a new law in Russia criminalizing criticism of the war, and Zygar fled Russia. In his time as a journalist, Zygar has interviewed President Zelensky and had access to many of the major players--from politicians to oligarchs. As an expert on Putin's moods and behavior, he has spent years studying the Kremlin's plan regarding Ukraine, and here, in clear, chronological order he explains how we got here. In 1996 to 2004, Ukraine became an independent post-Soviet country where everyone was connected to the former empire at all levels, financially, culturally, psychologically. However, the elite anticipated that the empire would be back and punish them. From 2004 to 2018, there were many states inside one state, each with its own rulers/oligarchs and its own interests--some of them directly connected with Russia. In 2018, a new generation of Ukrainians arrive, and having grown in an independent country, they do not consider themselves to be part of Russia--and that was the moment when the war began, as Putin could not tolerate losing Ukraine forever. Authoritative, timely, and vitally important, this is an unprecedented overview of the war that affects us all and continues to threaten the future of the entire world as we know it.

An Amazon Editors' Pick for Best Mystery, Thriller & Suspense "The most fascinating debut I've read in years--enigmatic, biting, absurd, and right when you think you've got it figured out, utterly horrifying." --Daniel Kraus, New York Times bestselling author of Whalefall and The Shape of Water (with Guillermo del Toro) "A gripping, surreal mystery about language, identity, and greed." --Peng Shepherd, bestselling author of The Cartographers "The Centre draws you in with a gentle hand until it throws the mallet down." --Chelsea G. Summers, author of A Certain Hunger "The Centre is as haunting as it is tempting; this book devoured me back." --Sarah Gailey, author of Just Like Home and Eat the Rich In this "dazzling" speculative debut, a London-based Pakistani translator furthers her stalled career by attending a mysterious language school that boasts near-instant fluency--but at a secret, sinister cost (Gillian Flynn) Anisa Ellahi dreams of being a translator of "great works of literature," but mostly spends her days subtitling Bollywood movies and living off her parents' generous allowance. Adding to her growing sense of inadequacy, her mediocre white boyfriend, Adam, has successfully leveraged his savant-level aptitude for languages into an enviable career. But when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret.  Adam begrudgingly tells her about The Centre, an elite, invite-only program that guarantees complete fluency in any language, in just ten days. This sounds, to Anisa, like a step toward the life she's always wanted. Stripped of her belongings and all contact with the outside world, she enrolls and undergoes The Centre's strange and rigorous processes. But as Anisa enmeshes herself further within the organization, seduced by all that it's made possible, she soon realizes the hidden cost of its services. By turns darkly comic and surreal, and with twists as page-turning as they are shocking, The Centre journeys through Karachi, London, and New Delhi, interrogating the sticky politics of language, translation, and appropriation along the way. Through Anisa's addictive tale of striving and self-actualization, Ayesha Manazir Siddiqi ultimately asks the reader: What is the real price we pay in our scramble to the center?

A NEW YORK TIMES EDITORS' CHOICE "Riotous. . . . Hilarious . . . impeccably written . . . . Intelligent, bighearted, spew-your-gefilte-fish-funny." --The New York Times Book Review "A writer with this much talent can take his readers anywhere." --The Washington Post "Painfully funny. . . . This rivals Taffy Brodesser-Akner's Fleishman is in Trouble in its pitch-perfect portrayal of Jewish American life." --Publishers Weekly (starred review) "A comedy of (bad) manners. . . . Engaging." --The Boston Globe A hilarious and heartfelt novel about a seemingly perfect family in an era of waning American optimism, from the acclaimed author of The Altruists The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps.They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope.

Born in rural Mexico, Eduardo "Lalo" García Guzmán and his family left for the United States when he was a child, picking fruits and vegetables on the migrant route from Florida to Michigan. He worked in Atlanta restaurants as a teenager before being convicted of a robbery, incarcerated, and eventually deported. Lalo landed in Mexico City as a new generation of chefs was questioning the hierarchies that had historically privileged European cuisine in elite spaces. At his acclaimed restaurant, Máximo Bistrot, he began to craft food that narrated his memories and hopes. Mexico City-based journalist Laura Tillman spent five years immersively reporting on Lalo's story: from Máximo's kitchen to the onion fields of Vidalia, Georgia, to Dubai's first high-end Mexican restaurant, to Lalo's hometown of San José de las Pilas. What emerges is a moving portrait of Lalo's struggle to find authenticity in an industry built on the very inequalities that drove his family to leave their home, and of the artistic process as Lalo calls on the experiences of his life to create transcendent cuisine. The Migrant Chef offers an unforgettable window into a family's border-eclipsing dreams, Mexico's culinary heritage, and the making of a chef.

In 1956, the New York Times prophesied that once global warming really kicked in, we could see parrots in the Antarctic. In 2010, when science deniers had control of the climate story, Senator James Inhofe and his family built an igloo on the Washington Mall and plunked a sign on top: AL GORE'S NEW HOME: HONK IF YOU LOVE CLIMATE CHANGE. In The Parrot and the Igloo, best-selling author David Lipsky tells the astonishing story of how we moved from one extreme (the correct one) to the other. With narrative sweep and a superb eye for character, Lipsky unfolds the dramatic narrative of the long, strange march of climate science. The story begins with a tale of three inventors--Thomas Edison, George Westinghouse, and Nikola Tesla--who made our technological world, not knowing what they had set into motion. Then there are the scientists who sounded the alarm once they identified carbon dioxide as the culprit of our warming planet. And we meet the hucksters, zealots, and crackpots who lied about that science and misled the public in ever more outrageous ways. Lipsky masterfully traces the evolution of climate denial, exposing how it grew out of early efforts to build a network of untruth about products like aspirin and cigarettes. Featuring an indelible cast of heroes and villains, mavericks and swindlers, The Parrot and the Igloo delivers a real-life tragicomedy--one that captures the extraordinary dance of science, money, and the American character.

Named one of the Best LGBTQ+ Books of 2023 by Vogue * Named a Best Book of 2023 (So Far) by Cosmopolitan * Named a Best Book of Spring 2023 by Esquire * Named a Most Anticipated LGBTQ+ Book of 2023 by Buzzfeed, Electric Lit, and Them An addictive, absurd, and darkly hilarious debut novel about a young woman who embarks on a ten-day getaway with her partner and two other queer couples Sasha and Jesse are professionally creative, erotically adventurous, and passionately dysfunctional twentysomethings making a life together in Brooklyn. When a pair of older, richer lesbians--prominent news host Jules Todd and her psychotherapist partner, Miranda--invites Sasha and Jesse to their country home for the holidays, they're quick to accept. Even if the trip includes a third couple--Jesse's best friend, Lou, and their cool-girl flame, Darcy--whose It-queer clout Sasha ridicules yet desperately wants. As the late December afternoons blur together in a haze of debaucherous homecooked feasts and sweaty sauna confessions, so too do the guests' secret and shifting motivations. When Jesse and Darcy collaborate an ill-fated livestream performance, a complex web of infatuation and jealousy emerges, sending Sasha down a spiral of destructive rage that threatens each couple's future. Unfolding over ten heady days, Dykette is an unforgettable love story at the crossroads of queer nonconformity and seductive normativity. With propulsive plotting and sexy, wickedly entertaining prose, Jenny Fran Davis captures the vagaries of desire and the many devastating places in which we seek recognition.

The uniquely inspiring story of a beloved neighborhood bar that united the communities it served. Coogan's Bar and Restaurant opened in New York City's Washington Heights in 1985 and closed its doors for good in the pandemic spring of 2020. Sometimes called Uptown City Hall, it became a staple of neighborhood life during its 35 years in operation--a place of safety and a bulwark against prejudice in a multi-ethnic, majority-immigrant community undergoing rapid change. Last Call at Coogan's by Jon Michaud tells the story of this beloved saloon, from the challenging years of the late 80's and early 90's, when Washington Heights suffered from the highest crime rate in the city, to the 2010's, when gentrification pushed out longtime residents and nearly closed Coogan's itself; only a massive community mobilization including local politicians and Lin-Manuel Miranda kept the doors open. This book touches on many serious issues facing the country today: race relations, policing, gentrification, and the COVID-19 pandemic. Along the way, readers will meet the bar's owners and an array of its most colorful regulars, such as an aspiring actor from Kentucky who dreams of bringing a theater company to Washington Heights, a television reporter who loves karaoke, and a Puerto Rican community board manager who falls in love with an Irish cop from the local precinct. At its core, this is the story of one small business, the people who worked there, the customers they served, and the community they all called home.

An epic yet intimate novel about a Colombian man caught up in the sweep of global historical and ideological revolutions. The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.  Growing up in Colombia as the children of famous actors, Sergio and Marianella were privileged and artistic, until their parents became disillusioned with bourgeois conventions and moved the entire family to China. Mao's Cultural Revolution was underway and the family lived in an entirely ex-pat hotel where they learned Chinese and joined the revolution, became members of the Red Guard, and trained as guerilla fighters. When they returned to Colombia to support the revolution there, they were sent into the countryside to join the guerilla force, were shot at and nearly died. Out of these lives molded by ideology and zealotry, came an artistic second life for Sergio as he escaped the movement and became his country's most celebrated film director. From the Spanish Civil War to the exile of his family to Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Colombia, Sergio and his family's experience is extraordinary by any standards. Equal parts family saga and epic historical novel, Retrospective reveals the story of one man and his family -- based on real people and events -- and a devastating portrait of the forces that shaped their lives, and for half a century turned the world upside down.

The first comprehensive biography of the Swing Era's pioneering virtuoso drummer and bandleaderWilliam Henry "Chick" Webb (1905-39) was one of the first virtuoso drummers in jazz and an innovative bandleader dubbed the "Savoy King," who reigned at Harlem's world-famous Savoy Ballroom. Along with the likes of Duke Ellington, Fletcher Henderson, and Cab Calloway, Webb helped create the populardance and music culture, known as Swing, that swept the United States during and after the Great Depression and left an indelible impact on American culture. Having moved to Harlem from Baltimore during the Harlem Renaissance, Webb's creativity, charisma and persistence enabled him to navigate theharsh realities of racism and show business, lifting not only himself to stardom but also bringing other future legends-namely vocalist extraordinaire Ella Fitzgerald and RandB trailblazer Louis Jordan-along with him. But at the peak of his fame, at just 34 years of age, his life was cut short bythe chronic spinal tuberculosis that had left him four feet tall with a hump on his back.In this first comprehensive biography of Webb, author Stephanie Stein Crease traces his story in full, showing how his skills and innovations as a bandleader helped catalyze the music of the Swing Era and the growing big band industry, allowing Webb to become one of the most influential musicians injazz history. Crease explores Webb's personal and professional struggles as he rose to the top of the increasingly competitive world of big band jazz.Complete with rare photographs, posters, news clippings, and a discography, this biography will be a gift to jazz aficionados and scholars.

New York Times bestselling author and art critic Laura Cumming reveals the fascinating, little-known story of the Thunderclap--the massive explosion at a gunpowder store in Holland that killed Carel Fabritius, renowned painter of The Goldfinch and nearly killed Johannes Vermeer, painter of Girl with a Pearl Earring--two of the greatest artists of the 17th century. As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th century Holland, Cumming illuminates one of the most celebrated periods in art history. In 1654, an enormous explosion at a gunpowder store devasted the city of Delft, killing hundreds of people and injuring thousands more. Among those killed was the extraordinary painter Carel Fabritius, renowned for his paintings The Goldfinch and his haunting masterpiece A View of Delft, which depicts the very streets through which the victims would be carried to their graves. Fabritius's contemporary and rival Vermeer, painter of the iconic portrait Girl with a Pearl Earring, narrowly escaped death. Framing the story around Fabritius's life, Cumming deftly weaves a sequence of observations about paintings and how they relate to everyday life. Like Dutch art itself, the story gradually links country, city, town, street, house, interior--all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our views, and understanding of the world is the heart of this book and Cumming has brought her unique eye to her most compelling subject yet. Featuring beautiful full-color images of Dutch paintings throughout, this is a stunningly rich book about one of the most vibrant periods in European art and life.

A longtime American foreign policy insider's penetrating and definitive reckoning with this country's involvement in the Middle East--and its bitter end The culmination of almost forty years at the highest levels of policymaking and scholarship, Grand Delusion is Steven Simon's tour de force, offering a comprehensive and deeply informed account of U.S. engagement in the Middle East. Simon begins with the Reagan administration, when American perception of the Middle East shifted from a cluster of faraway and frequently skirmishing nations to a shining, urgent opportunity for America to (in Reagan's words) "serve the cause of world peace and the future of mankind." Reagan fired the starting gun on decades of deepening American involvement, but as the global economy grew, bringing an increasing reliance on oil, U.S. diplomatic and military energies were ever more fatefully absorbed by the Middle East until the Obama administration and its successors finally sought to disentangle America from the region. Grand Delusion explores the motivations, strategies, and shortcomings of each presidential administration from Reagan to today, exposing a web of intertwined events--from Lebanese civil conflict to shifting Iranian domestic politics, Cold War rivalries, and Saudi Arabia's quest for security to 9/11 and the war on terror--managed by a Washington policy process frequently ruled by wishful thinking and partisan politics. Simon's sharp sense of irony and incisive writing bring a complex history to life. He questions the motives behind America's commitment to Israel; explodes the popular narrative of Desert Storm as a "good war"; and calls out the devastating consequences of our mistakes, particularly for people of the region trapped by the onslaught of American military action and pitiless economic sanctions. Grand Delusion reveals that this story, while episodically impressive, was too often tragic and at times dishonorable. As we enter a new era in foreign policy, this is an essential book, a cautionary history that illuminates American's propensity for self-deception and misadventure at a moment when the nation is redefining its engagement with a world in crisis.

FINALIST FOR THE WOMEN'S PRIZE Named a Most Anticipated Book by The Washington Post, Bustle, The Millions, and The Chicago Review of Books "[A] powerful debut." --The Washington Post "An exceptional and stunningly original novel by a major new writer." --Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, Other Set amid the Jamaican diaspora in London at the dawn of 1980s, a mesmerizing story of love, loss, and self-discovery that vibrates with the liberating power of music Yamaye lives for the weekend, when she goes raving with her friends, the "Tombstone Estate gyals," at The Crypt, an underground dub reggae club in their industrial town on the outskirts of London. Raised by her distant father after her mother's disappearance when she was a girl, Yamaye craves the oblivion of sound - a chance to escape into the rhythms of those smoke-filled nights, to discover who she really is in the dance-hall darkness. When Yamaye meets Moose, a soulful carpenter who shares her Jamaican heritage, a path toward a different kind of future seems to open. But then, Babylon rushes in. In a devastating cascade of violence that pits state power against her loved ones and her community, Yamaye loses everything. Friendless and adrift, she embarks on a dramatic journey of transformation that takes her to the Bristol underworld and, finally, to Jamaica, where past and present collide with explosive consequences. The unforgettable story of one young woman's search for home, animated by a ferocity of vision, electrifying music, and the Jamaican spiritual imagination, Fire Rush is a blazing achievement from a brilliant voice in contemporary fiction.

Ninth Building is a fascinating collection of vignettes drawn from Zou Jingzhi's experiencegrowing up during the Cultural Revolution, first as a boy in Beijing and then as a teenager exiledto the countryside. Zou poetically captures a side of the Cultural Revolution that is less talkedabout--the sheer tedium and waste of young life, as well as the gallows humor thataccompanies such desperate situations. Jeremy Tiang's enthralling translation of this importantwork of fiction was awarded a PEN/Heim Grant.

Named a MOST ANTICIPATED Book by Nylon and The Millions From multi-award-winning author Yan Ge, a shimmering, genre-bending English-language debut that announces the next phase in a major literary career. "As haunting, dreamlike, and addictive as a melatonin-induced slumber." --Nylon "With wry humor and occasional earthy surrealism, Yan Ge...delicately renders both the linguistic and physical manifestations of longing." --The New Yorker In twenty years, Yan Ge has authored thirteen books written in Chinese, working across an impressive range of genres and subjects. Now, Yan Ge transposes her dynamic storytelling onto another linguistic landscape. The result is a collection humming with her trademark wit and style--and with the electricity of a seasoned artist flexing her virtuosity with a new medium. A young woman bonds with an encampment of poets after a devastating earthquake. Against her better judgment, a college student begins to fall for an acquaintance who might be dead. And a Confucian disciple returns to the Master bearing a jar full of grisly remains. Weaving between reality and dreamy surreality, these nine stories wend toward elsewhere, a comforting, frustrating, just-out-of-reach place familiar to anyone who has ever experienced longing. Through it all Yan Ge's protagonists peer thoughtfully at their own feelings of displacement--physical or emotional, the result of travel, emigration, or exile. Brilliant and irresistibly readable, Elsewhere explores the utility (or not) of art in the face of lonesomeness, quotidian, and spectacular. This highly anticipated collection is further proof that Yan Ge is a generational literary talent, to be watched closely for decades to come.

The acclaimed author of An Unquiet Mind considers the age-old quest for relief from psychological pain and the role of the exceptional healer in the journey back to health. "To treat, even to cure, is not always to heal." In this expansive cultural history of the treatment and healing of mental suffering, Kay Jamison writes about psychotherapy, what makes a great healer, and the role of imagination and memory in regenerating the mind. From the trauma of the battlefields of the twentieth century, to those who are grieving, depressed, or with otherwise unquiet minds, to her own experience with bipolar illness, Jamison demonstrates how remarkable psychotherapy and other treatments can be when done well. She argues that not only patients but doctors must be healed. She draws on the example of W.H.R. Rivers, the renowned psychiatrist who treated poet Siegfried Sassoon and other World War I soldiers, and discusses the long history of physical treatments for mental illness, as well as the ancient and modern importance of religion, ritual, and myth in healing the mind. She looks at the vital role of artists and writers, as well as exemplary figures, such as Paul Robeson, who have helped to heal us as a people. Fires in the Dark is a beautiful meditation on the quest and adventure of healing the mind, on the power of accompaniment, and the necessity for knowledge.

The untold saga of John Randolph's 383 slaves, freed in his much-contested will of 1821, finally comes to light. Few legal cases in American history are as riveting as the controversy surrounding the will of Virginia Senator John Randolph (1773-1833), which--almost inexplicably--freed all 383 of his slaves in one of the largest and most publicized manumissions in American history. So famous is the case that Ta-Nehisi Coates has used it to condemn Randolph's cousin, Thomas Jefferson, for failing to free his own slaves. With this groundbreaking investigation, historian Gregory May now reveals a more surprising story, showing how madness and scandal shaped John Randolph's wildly shifting attitudes toward his slaves--and how endemic prejudice in the North ultimately deprived the freedmen of the land Randolph had promised them. Sweeping from the legal spectacle of the contested will through the freedmen's dramatic flight and horrific reception in Ohio, A Madman's Will is an extraordinary saga about the alluring promise of freedom and its tragic limitations.

From the Giller Prize-winning author comes a novel, witty and wise, about thwarted ambition, unrealized dreams, the enduring bonds of female friendship, and love's capacity to surprise us at any age. In the winter of 2008, as snow falls without interruption, an actor in a Beckett play blanks on her lines. Fleeing the theatre, she beats a retreat into her past and arrives at Snow Road Station, a barely discernible dot on the map of Ontario. The actor is Lulu Blake, in her sixties now, a sexy, seemingly unfooled woman well-versed in taking risks. Out of work, humiliated, she enters the last act of her life wondering what she can make of her diminished self. In Snow Road Station she decides she is through with drama, but drama, it turns out, isn't through with her. She thinks she wants peace. It turns out she wants more. Looming in the background is that autumn's global financial meltdown, while in the foreground family and friends animate a round of weddings, sap harvests, love affairs, and personal turmoil. At the centre of it all is the lifelong friendship between Lulu and Nan. As the two women contemplate growing old, they surrender certain hard-held dreams and confront the limits of the choices they've made and the messy feelings that kept them apart for decades.

What if everything they've told us about the Garden of Eden was wrong? Faced with what appears to be an apocryphal manuscript containing ten books and 91 chapters, Eve decides to tell her version of the story of Genesis: she was not created from Adam's rib, nor is it correct that she was expelled for taking the apple from the serpent; the story of Abel and Cain isn't true, neither are those of the Flood and the Tower of Babel... In brilliant prose, Carmen Boullosa offers a twist on the Book of Genesis that dismantles patriarchy and rebuilds our understanding of the world--from the origin of gastronomy, to the domestication of animals, to the cultivation of land and pleasure--all through the feminine gaze. Based on this exploration, at times both joyful and painful, The Book of Eve takes a tour through the stories we've been told since childhood, which have helped to foster (and cement) the absurd idea that woman is the companion, complement, and even accessory to man, opening the door to criminal violence against women. Boullosa refutes this entrenched, dangerous perspective in her foundational and brazen feminist novel.

This epic, sweeping historical novel full of "wondrous complexity" spans continents and a century, and reveals how one act of survival can reverberate through generations (Rachel Khong, author of Goodbye, Vitamin). ​ "Remarkable....a haunting, symphonic tale"-- New York Times Book Review In 1898, Pirbhai, a teenage boy looking for work, is taken from his village in India to labor for the British on the East African Railway. Far from home, Pirbhai commits a brutal act in the name of survival that will haunt him and his family for years to come. So begins Janika Oza's masterful, richly told epic, where the embers of this desperate act are fanned into flame over four generations, four continents, throughout the twentieth century. Pirbhai's children are born in Uganda during the waning days of British colonial rule, and as the country moves toward independence, his granddaughters, three sisters, come of age in a divided nation. Latika is an aspiring journalist, who will put everything on the line for what she believes in; Mayuri's ambitions will take her farther away from home than she ever imagined; and fearless Kiya will have to carry the weight of her family's silence and secrets. In 1972, the entire family is forced to flee under Idi Amin's military dictatorship. Pirbhai's grandchildren are now scattered across the world, struggling to find their way back to each other. One day a letter arrives with news that makes each generation question how far they are willing to go, and who they are willing to defy, to secure their own place in the world. A History of Burning is an unforgettable tour de force, an intimate family saga of complicity and resistance, about the stories we share, the ones that remain unspoken, and the eternal search for home.

From the award-winning journalist Bob Woodward calls "one of the truly great reporters working today," a searing, no-holds-barred account of two linked and tragic deaths stemming from the 2020 George Floyd protests that explores the complex political and racial mistrust and division of today's America. "A monumental study of violence and grief...one of the most superb testaments about the confusion, despair, and--hopefully--humility that frames our century that one could ever hope to read." --Hilton Als On May 30, 2020, in Omaha, Nebraska, amid the protests that rocked our nation after George Floyd's death at the hands of police, thirty-eight-year-old white bar owner and Marine veteran Jake Gardner fatally shot James Scurlock, a twenty-two-year-old Black protestor and young father. What followed were two investigations of Scurlock's death, one conducted by the white district attorney Don Kleine, who concluded that Gardner had legally acted in self-defense and released him without a trial, and a second grand jury inquiry conducted by African American special prosecutor Fred Franklin that indicted Gardner for manslaughter and demanded he face trial. Days after the indictment, Gardner killed himself with a single bullet to the head. The deaths of both Scurlock and Gardner gave rise to a toxic brew of misinformation, false claims, and competing political agendas. The two men, each with their own complicated backgrounds, were turned into grotesque caricatures. The twin tragedies amounted to an ugly and heartbreaking reflection of a painfully divided country. Here, Joe Sexton masterfully unpacks the whole twisting, nearly unbelievable chronicle into a meticulously reported and nuanced account of the two deaths, explaining which claims were true and which distorted or simply false. The Lost Sons of Omaha involves some of the most pressing issues facing America today, including our country's dire need for gun control and mental health reform; the dangerous spread of fake news, particularly on social media; and the urgent call to band together in the collective pursuit of truth, fairness, and healing. "A bracing, rigorously reported story--told with grace and nuance--that takes readers deep into the fault lines of today's America." --Andrea Elliott, Pulitzer Prize-winning author of Invisible Child

A brand-new perspective on early modern art and its relationship with nature as reflected in this moving account of overlooked artistic genius Adam Elsheimer, by an outstanding writer and critic. Seventeenth-century Europe swirled with conjectures and debates over what was real and what constituted "nature," currents that would soon gather force to form modern science. Natural Light deliberates on the era's uncertainties, as distilled in the work of long underappreciated artist Adam Elsheimer (1578-1610), a native of Frankfurt who settled in Rome and whose diminutive and mysterious narrative compositions related figures to landscape in new ways, projecting unfamiliar visions of space at a time when Caravaggio was polarizing audiences with his radical altarpieces and early modern scientists were starting to turn to the new "world system" of Galileo. His visual inventions influenced many famous artists--including Rembrandt van Rijn, Claude Lorrain, and Nicolas Poussin. Julian Bell guides the reader through key Elsheimer artworks, examining the contexts behind them before exploring the new imaginative thoughts that opened up in their wake. He also explores the experiences of Elsheimer and other Northern artists in the literary, artistic, and scientific culture of 1600s Rome. Although his life was tragically short, Elsheimer's legacy endured and prints of his work were widely spread throughout Europe, with his influence extending as far as the Indian subcontinent.

From one of South Africa's foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela's relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage. "Powerful, intimate." --The Washington Post One of the most celebrated political leaders of a century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie Madikizela-Mandela. During his years in prison, Nelson grew ever more in love with an idealized version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband's politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless civil war. Jonny Steinberg tells the tale of this unique marriage--its longings, its obsessions, its deceits--making South African history a page-turning political biography. Winnie and Nelson is a modern epic in which trauma doesn't affect just the couple at its center, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Steinberg reveals, with power and tender emotional insight, how far these forever-entwined leaders would go for each other and where they drew the line. For in the end, both knew theirs was not simply a marriage, but a contest to decide how apartheid should be fought.

An extraordinary account of the women artists and activists whose determination to live--and to create--with courage and conviction took them as far as the Spanish Civil War "Now, as certainly as never before, we are determined or compelled, to take sides." --Nancy Cunard An attempted insurrection, a country divided, a democracy threatened. It was the Spanish Civil War of 1936, surprisingly, that Sarah Watling found herself drawn to when confounded by the tumultuous politics of our present day. This was a conflict that galvanized tens of thousands of volunteers from around the world to join the fight. For them, the choice seemed clear: either you were for fascism or you were against it. Seeking to understand how they knew that the moment to act had arrived, Watling sifts through archives for lost journals, letters, and manifestos, discovering a trove of work by writers and outsiders who had often been relegated to the shadows of famous men like Ernest Hemingway and George Orwell. She encounters the rookie journalist Martha Gellhorn coming into her own in Spain and the radical writer Josephine Herbst questioning her political allegiances. She finds the novelist Sylvia Townsend Warner embracing a freedom in Barcelona that was impossible for queer women back at home in England and, by contrast, Virginia Woolf struggling to keep the war out of her life, honing her intellectual position as she did so. She tracks down the stories of Gerda Taro, a Jewish photographer whose work had long been misattributed, and Salaria Kea, a nurse from Harlem who saw the war as a chance to combat the prejudice she experienced as a woman of color. Here were individuals seizing an opportunity to oppose the forces that frightened them. From a variety of backgrounds and beliefs, these women saw history coming, and they went out to meet it. Yet the reality was far from simple. When does tolerance become apathy? Where is the line between solidarity and appropriation? Is writing about the revolution the same as actively participating in it? With profound, personal insight, Watling reveals that their answers are as relevant today as they were then.

OPRAH'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * SUBJECT OF A SIX-PART SUPER SOUL PODCAST SERIES HOSTED BY OPRAH WINFREY From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret "One of the best books I've read in my entire life. It's epic. It's transportive . . . It was unputdownable!"--Oprah Winfrey, OprahDaily.com The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of the major word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years. Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India's Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning--and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala's long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl--and future matriarch, known as Big Ammachi--will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants. A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

A "wildly entertaining" (NPR), "gripping" (The Washington Post) work of historical fiction about an incendiary tragedy that shocked a young nation and tore apart a community in a single night, from the author of Florence Adler Swims Forever. Richmond, Virginia 1811. It's the height of the winter social season, the General Assembly is in session, and many of Virginia's gentleman planters, along with their wives and children, have made the long and arduous journey to the capital in hopes of whiling away the darkest days of the year. At the city's only theater, the Charleston-based Placide & Green Company puts on two plays a night to meet the demand of a populace that's done looking for enlightenment at the front of a church. On the night after Christmas, the theater is packed with more than six hundred holiday revelers. In the third-floor boxes sits newly widowed Sally Henry Campbell, who is glad for any opportunity to relive the happy times she shared with her husband. One floor away, in the colored gallery, Cecily Patterson doesn't give a whit about the play but is grateful for a four-hour reprieve from a life that has recently gone from bad to worse. Backstage, young stagehand Jack Gibson hopes that, if he can impress the theater's managers, he'll be offered a permanent job with the company. And on the other side of town, blacksmith Gilbert Hunt dreams of one day being able to bring his wife to the theater, but he'll have to buy her freedom first. When the theater goes up in flames in the middle of the performance, Sally, Cecily, Jack, and Gilbert make a series of split-second decisions that will not only affect their own lives but those of countless others. And in the days following the fire, as news of the disaster spreads across the United States, the paths of these four people will become forever intertwined. Based on the true story of Richmond's theater fire, The House Is on Fire is a "stunning" (Jeannette Walls, New York Times bestselling author of The Glass Castle), "all-consuming exploration" (E! News) that offers proof that sometimes, in the midst of great tragedy, we are offered our most precious--and fleeting--chances at redemption.

A family reunion gives way to an unforgettable genealogical quest as relatives reconnect across lines of color, culture, and time, putting the past into urgent conversation with the present. In 1791, Thomas Jefferson hired a Black man to help survey Washington, DC. That man was Benjamin Banneker, an African American mathematician, a writer of almanacs, and one of the greatest astronomers of his generation. Banneker then wrote what would become a famous letter to Jefferson, imploring the new president to examine his hypocrisy, as someone who claimed to love liberty yet was an enslaver. More than two centuries later, Rachel Jamison Webster, an ostensibly white woman, learns that this groundbreaking Black forefather is also her distant relative. Acting as a storyteller, Webster draws on oral history and conversations with her DNA cousins to imagine the lives of their shared ancestors across eleven generations, among them Banneker's grandparents, an interracial couple who broke the law to marry when America was still a conglomerate of colonies under British rule. These stories shed light on the legal construction of race and display the brilliance and resistance of early African Americans in the face of increasingly unjust laws, some of which are still in effect in the present day.

GMA BUZZ PICK * INTERNATIONAL BEST SELLER * A haunting, virtuosic debut novel about two young men who fall in love during World War I * "Dazzling and wrenching, witty and wildly romantic, with echoes of Brideshead Revisited and Atonement." --Lev Grossman, best-selling author of The Magicians "In Memoriam is the story of a great tragedy, but it is also a moving portrait of young love, and there is often a lightness to the book."--The New York Times "A devastating love story...Gaunt and Ellwood will live in your mind long after you've closed the final pages." --Maggie O'Farrell, best-selling author of Hamnet and The Marriage Portrait It's 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next. An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut.

An inspiring look at wildlife species that are defying the odds and teaching important lessons about how to share a planet. The news about wildlife is dire--more than 900 species have been wiped off the planet since industrialization. Against this bleak backdrop, however, there are also glimmers of hope and crucial lessons to be learned from animals that have defied global trends toward extinction. Bear in Italy, bison in North America, whales in the Atlantic. These populations are back from the brink, some of them in numbers unimaginable in a century. How has this happened? What shifts in thinking did it demand? In crisp, transporting prose, Christopher Preston reveals the mysteries and challenges at the heart of these resurgences. Drawing on compelling personal stories from the researchers, Indigenous people, and activists who know the creatures best, Preston weaves together a gripping narrative of how some species are taking back vital, ecological roles. Each section of the book--farms, prairies, rivers, forests, oceans--offers a philosophical shift in how humans ought to think about animals, passionately advocating for the changes in attitude necessary for wildlife recovery. Tenacious Beasts is quintessential nature writing for the Anthropocene, touching on different facets of ecological restoration from Indigenous knowledge to rewilding practices. More important, perhaps, the book offers a road map--and a measure of hope--for a future in which humans and animals can once again coexist.

A stunning account of a colossal wildfire that collided with a city, and a panoramic exploration of the rapidly changing relationship between fire and humankind from the award-winning, best-selling author of The Tiger and The Golden Spruce "Grips like a philosophical thriller, warns like a beacon, and shocks to the core." --Robert Macfarlane, bestselling author of Underland "Riveting, spellbinding, astounding on every page." --David Wallace-Wells, #1 bestselling author of The Uninhabitable Earth In May 2016, Fort McMurray, the hub of Canada's oil industry and America's biggest foreign supplier, was overrun by wildfire. The multi-billion-dollar disaster melted vehicles, turned entire neighborhoods into firebombs, and drove 88,000 people from their homes in a single afternoon. Through the lens of this apocalyptic conflagration--the wildfire equivalent of Hurricane Katrina--John Vaillant warns that this was not a unique event, but a shocking preview of what we must prepare for in a hotter, more flammable world. Fire has been a partner in our evolution for hundreds of millennia, shaping culture, civilization, and, very likely, our brains. Fire has enabled us to cook our food, defend and heat our homes, and power the machines that drive our titanic economy. Yet this volatile energy source has always threatened to elude our control, and in our new age of intensifying climate change, we are seeing its destructive power unleashed in previously unimaginable ways. With masterly prose and a cinematic eye, Vaillant takes us on a riveting journey through the intertwined histories of North America's oil industry and the birth of climate science, to the unprecedented devastation wrought by modern forest fires, and into lives forever changed by these disasters. John Vaillant's urgent work is a book for--and from--our new century of fire, which has only just begun.

"To say Heighton is an immensely talented writer is true enough but insufficient ... As good a writer as Canada has ever produced."--National Post A man recalls his father's advice on how to save a drowning person, but struggles when the time comes to use it. A wife's good deed leaves a couple vulnerable at the moment when they're most in need of security--the birth of their first child. Newly in love, a man preoccupied by accounts of freak accidents is befallen by one himself. In stories about love and fear, idealisms and illusions, failures of muscle and mind and all the ways we try to care for one another, Steven Heighton's Instructions for the Drowning is an indelible last collection by a writer working at the height of his powers.

INSTANT NATIONAL BESTSELLER NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY VOGUE, ELLE, OPRAH DAILY, THE WASHINGTON POST, BUZZFEED AND VULTURE "Erudite, intimate, hilarious, poignant . . . A gorgeously written novel of youth's promise, of the quest to find one's tribe and one's calling." --Leigh Haber, Oprah Daily The Booker Prize finalist and widely acclaimed author of Real Life and Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who "didn't seek sex out so much as it came up to him like an anxious dog in need of affection." These four are buffeted by a cast of artists, landlords, meatpacking workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of the city, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives--a moment of reckoning that leaves each of them irrevocably altered. A novel of friendship and chosen family, The Late Americans asks fresh questions about love and sex, ambition and precarity, and about how human beings can bruise one another while trying to find themselves. It is Brandon Taylor's richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life.

An award-winning journalist's powerful portrait of his native Baghdad, the people of Iraq, and twenty years of war. "An essential insider account of the unravelling of Iraq...Driven by his intimate knowledge and deep personal stakes, Abdul-Ahad...offers an overdue reckoning with a broken history."--Declan Walsh, author of The Nine Lives of Pakistan: Dispatches from a Precarious State "A vital archive of a time and place in history...Impossible to put down."--Omar El Akkad, author of What Strange Paradise The history of reportage has often depended on outsiders--Ryszard Kapuściński witnessing the fall of the shah in Iran, Frances FitzGerald observing the aftermath of the American war in Vietnam. What would happen if a native son was so estranged from his city by war that he could, in essence, view it as an outsider? What kind of portrait of a war-wracked place and people might he present? A Stranger in Your Own City is award-winning writer Ghaith Abdul-Ahad's vivid, shattering response. This is not a book about Iraq's history or an inventory of the many Middle Eastern wars that have consumed the nation over the past several decades. This is the tale of a people who once lived under the rule of a megalomaniacal leader who shaped the state in his own image; a people who watched a foreign army invade, topple that leader, demolish the state, and then invent a new country; who experienced the horror of having their home fragmented into a hundred different cities. When the "Shock and Awe" campaign began in March 2003, Abdul-Ahad was an architect. Within months he would become a translator, then a fixer, then a reporter for The Guardian and elsewhere, chronicling the unbuilding of his centuries-old cosmopolitan city. Beginning at that moment and spanning twenty years, Abdul-Ahad's book decenters the West and in its place focuses on everyday people, soldiers, mercenaries, citizens blown sideways through life by the war, and the proliferation of sectarian battles that continue to this day. Here is their Iraq, seen from the inside: the human cost of violence, the shifting allegiances, the generational change. A Stranger in Your Own City is a rare work of beauty and tragedy whose power and relevance lie in its attempt to return the land to the people to whom it belongs.

From Pulitzer Prize winner Richard Ford: the final novel in the world of Frank Bascombe, one of the most indelible characters in American literature Over the course of four celebrated works of fiction and almost forty years, Richard Ford has crafted an ambitious, incisive, and singular view of American life as lived. Unconstrained, astute, provocative, often laugh-out-loud funny, Frank Bascombe is once more our guide to the great American midway. Now in the twilight of life, a man who has occupied many colorful lives--sportswriter, father, husband, ex-husband, friend, real estate agent--Bascombe finds himself in the most sorrowing role of all: caregiver to his son, Paul, diagnosed with ALS. On a shared winter odyssey to Mount Rushmore, Frank, in typical Bascombe fashion, faces down the mortality that is assured each of us, and in doing so confronts what happiness might signify at the end of days. In this memorable novel, Richard Ford puts on displays the prose, wit, and intelligence that make him one of our most acclaimed living writers. Be Mine is a profound, funny, poignant love letter to our beleaguered world.

A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living. At the height of her career, the piano virtuoso Elsa M. Anderson--former child prodigy, now in her thirties--walks off the stage in Vienna, mid-performance. Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy's August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.

New York Times bestselling historian Craig Nelson reveals how FDR confronted an American public disinterested in going to war in Europe, skillfully won their support, and pushed government and American industry to build the greatest war machine in history, "the arsenal of democracy" that won World War II. As Nazi Germany began to conquer Europe, America's military was unprepared, too small, and poorly supplied. The Nazis were supported by robust German factories that created a seemingly endless flow of arms, trucks, tanks, airplanes, and submarines. The United States, emerging from the Great Depression, was skeptical of American involvement in Europe and not ready to wage war. Hardened isolationists predicted disaster if the country went to war. In this fascinating and deeply researched account, Craig Nelson traces how Franklin D. Roosevelt steadily and sometimes secretively put America on a war footing by convincing America's top industrialists such as Henry Ford Jr. to retool their factories, by diverting the country's supplies of raw materials to the war effort, and above all by convincing the American people to endure shortages, to work in wartime factories, and to send their sons into harm's way. Within a few years, the nation's workers were producing thousands of airplanes and tanks, hundreds of warships and submarines. Under FDR's resolute leadership, victory at land and sea and air across the globe began at home in America--a powerful and essential narrative largely overlooked in conventional histories of the war but which, in Nelson's skilled, authoritative hands, becomes an illuminating and important work destined to become an American history classic.

An autobiography of one of the towering figures of contemporary American music and a powerful meditation on history, race, capitalism, and art. Henry Threadgill has had a singular life in music. At 79, the saxophonist, flautist, and celebrated composer is one of three jazz artists (along with Ornette Coleman and Wynton Marsalis) to have won a Pulitzer Prize. In Easily Slip into Another World, Threadgill recalls his childhood and upbringing in Chicago, his family life and education, and his brilliant career in music. Here are riveting recollections of the music scene in Chicago in the early 1960s, when Threadgill developed his craft among friends and schoolmates who would go on to form the core of the highly influential Association for the Advancement of Creative Musicians (AACM); the year and a half he spent touring with an evangelical preacher in the mid-1960s; his military service in Vietnam-a riveting tale in itself, but also representative of an under-recognized aspect of jazz history, given the number of musicians in Threadgill's generation who served in the armed forces. We appreciate his genius as he travels to the Netherlands, Venezuela, Trinidad, Sicily, and Goa enriching his art; immerses himself in the volatile downtown scene in New York City in the 1970s and 1980s; collaborates with choreographers, writers, and theater directors as well as an astonishing range of musicians, from AACM stalwarts (Muhal Richard Abrams, Roscoe Mitchell, Wadada Leo Smith, and Leroy Jenkins), to Chicago bluesmen, downtown luminaries, and world music innovators; shares his impressions of the recording industry his perspectives on music education and the history of Black music in the United States; and, of course, accounts for his work with the various ensembles he has directed over the past five decades.

ONE OF THE MOST ANTICIPATED BOOKS OF THE YEAR--a masterful and engrossing novel about a single mother's collapse and the fate of her family after she enters a California state hospital in the 1970s. "A sweeping family epic that took me from one American coast to another...Simpson is so attuned to the family heart." --Weike Wang, author of Joan Is Okay When Diane Aziz drives her oldest son, Walter, from Los Angeles to college at UC Berkeley, it will be her last parental act before falling into a deep depression. A single mother who maintains a wishful belief that her children can attain all the things she hasn't, she's worked hard to secure their future in caste-driven 1980s Los Angeles, gaining them illegal entry to an affluent public school. When she enters a state hospital, her closest friend tries to keep the children safe and their mother's dreams for them alive. At Berkeley, Walter discovers a passion for architecture just as he realizes his life as a student may need to end for lack of funds. Back home in LA, his sister, Lina, who works in an ice-cream parlor while her wealthy classmates are preparing for Ivy league schools, wages a high stakes gamble to go there with them. And Donny, the little brother everybody loves, begins to hide in plain sight, coding, gaming, and drifting towards a life on the beach, where he falls into an escalating relationship with drugs. Moving from Berkeley and Los Angeles to New York and back again, this is a story about one family trying to navigate the crisis of their lives, a crisis many know first-hand in their own families or in those of their neighbors. A resonant novel about family and duty and the attendant struggles that come when a parent falls ill, Commitment honors the spirit of fragile, imperfect mothers and the under-chronicled significance of friends, in determining the lives of our children left on their own. With Commitment, Mona Simpson, one of the foremost chroniclers of the American family in our time, has written her most important and unforgettable novel.

From the award-winning author of The Order of the Day, a piercing account of the lesser-known conflict preceding the Vietnam War that dealt a fatal blow to French colonialism. How can a modern army lose to an army of peasants? Delving into the last gasps of the First Indochina War (1946-1954), which saw the communist Việt Minh take control of North Vietnam, Éric Vuillard vividly illustrates the attitudes that both enabled French colonialist abuses and ultimately led to their defeat and withdrawal. From the Michelin rubber plantation, where horrific working conditions sparked an epidemic of suicides, to the battlefield, a sense of superiority over the "yellow men" pervaded European and American forces. And, as with so many conflicts throughout history, there were key actors with a motivation deeper than nationalism or political ideology--greed.    An Honorable Exit not only brings to life scenes from the war, but also looks beyond the visceral reality on the ground to the colder calculations of those who seek to benefit from conflict, whether shrewd bankers, who can turn a military win or loss into financial gain, or intelligence operatives like the CIA, who aim to influence governments across the globe.

A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of conductors like Arturo Toscanini, Serge Koussevitzky, and Leonard Bernstein. Barber's works have since become standard concert repertoire and continue to flourish across high art and popular culture. Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber's life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber's path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music's commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber's encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer's decades-long relationship with the renowned opera composer Gian Carlo Menotti. Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.

The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I--and a new understanding of one of the great twentieth-century writers. When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today.

From the bestselling coauthor of Wittgenstein's Poker, an entertaining and illuminating biography of a brilliant philosopher who tried to rescue morality from nihilism Derek Parfit (1942-2017) is the most famous philosopher most people have never heard of. Widely regarded as one of the greatest moral thinkers of the past hundred years, Parfit was anything but a public intellectual. Yet his ideas have shaped the way philosophers think about things that affect us all: equality, altruism, what we owe to future generations, and even what it means to be a person. In Parfit, David Edmonds presents the first biography of an intriguing, obsessive, and eccentric genius. Believing that we should be less concerned with ourselves and more with the common good, Parfit dedicated himself to the pursuit of philosophical progress to an extraordinary degree. He always wore gray trousers and a white shirt so as not to lose precious time picking out clothes, he varied his diet as little as possible, and he had only one serious non-philosophical interest: taking photos of Oxford, Venice, and St. Petersburg. In the latter half of his life, he single-mindedly devoted himself to a desperate attempt to rescue secular morality--morality without God--by arguing that it has an objective, rational basis. For Parfit, the stakes could scarcely have been higher. If he couldn't demonstrate that there are objective facts about right and wrong, he believed, his life was futile and all our lives were meaningless. Connecting Parfit's work and life and offering a clear introduction to his profound and challenging ideas, Parfit is a powerful portrait of an extraordinary thinker who continues to have a remarkable influence on the world of ideas.

Julia Lee is angry. And she has questions. What does it mean to be Asian in America? What does it look like to be an ally or an accomplice? How can we shatter the structures of white supremacy that fuel racial stratification? When Julia was fifteen, her hometown went up in smoke during the 1992 Los Angeles riots. The daughter of Korean immigrant store owners in a predominantly Black neighborhood, Julia was taught to be grateful for the privilege afforded to her. However, the acquittal of four white police officers in the beating of Rodney King, following the murder of Latasha Harlins by a Korean shopkeeper, forced Julia to question her racial identity and complicity. She was neither Black nor white. So who was she? This question would follow Julia for years to come, resurfacing as she traded in her tumultuous childhood for the white upper echelon of elite academia. It was only when she began a PhD in English that she found answers--not through studying Victorian literature, as Julia had planned, but rather in the brilliant prose of writers like James Baldwin and Toni Morrison. Their works gave Julia the vocabulary and, more important, the permission to critically examine her own tortured position as an Asian American, setting off a powerful journey of racial reckoning, atonement, and self-discovery. With prose by turns scathing and heart-wrenching, Julia lays bare the complex disorientation and shame that stem from this country's imposed racial hierarchy. And she argues that Asian Americans must work toward lasting social change alongside Black and brown communities in order to combat the scarcity culture of white supremacy through abundance and joy. In this passionate, no-holds-barred memoir, Julia interrogates her own experiences of marginality and resistance, and ultimately asks what may be the biggest question of all--what can we do?

"This is a deeply impressive book, and I think an important one. Its intensity, its narrative attack, the fascinations of its era and setting, make it impossible to tear the attention away. Energy and inventiveness distinguish every page." -- Hilary Mantel From an unforgettable new voice in Caribbean literature, a sweeping story of two families colliding in 1940s Trinidad--and a chilling mystery that shows how interconnected their lives truly are  Trinidad in the 1940s, nearing the end of American occupation and British colonialism. On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognizable to those who reside in the farm's shadow. Down below is the Barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops--Hans, Shweta, and their son, Krishna, all three born of the barracks. Theirs are hard lives of backbreaking work, grinding poverty, devotion to faith, and a battle against nature and a social structure designed to keep them where they are. But when Dalton goes missing and Marlee's safety is compromised, farmhand Hans is lured by the promise of a handsome stipend to move to the farm as a watchman. As the mystery of Dalton's disappearance unfolds, the lives of the wealthy couple and those who live in the barracks below become insidiously entwined, their community changed forever and in shocking ways. A searing and singular novel of religion, class, family, and historical violence, and rooted in Trinidad's wild pastoral landscape and inspired by oral storytelling traditions, Hungry Ghosts is deeply resonant of its time and place while evoking the roots and ripple effects of generational trauma and linked histories; the lingering resentments, sacrifices, and longings that alter destinies; and the consequences of powerlessness. Lyrically told and rendered with harrowing beauty, Hungry Ghosts is a stunning piece of storytelling and an affecting mystery, from a blazingly talented writer.  

In Katy Simpson Smith's The Weeds, two women, connected across time, edge toward transgression in pursuit of their desires. A Mississippi woman pushes through the ruin of the Roman Colosseum, searching for plants. She has escaped her life, signed up to catalog all the species growing in this place. Crawling along the stones, she wonders how she has landed here, a reluctant botanist amid a snarl of tourists in comfortable sandals. She hunts for a scientific agenda and a direction of her own. In 1854, a woman pushes through the jungle of the Roman Colosseum, searching for plants. As punishment for her misbehavior, she has been indentured to the English botanist Richard Deakin, for whom she will compile a flora. She is a thief, and she must find new ways to use her hands. If only the woman she loves weren't on a boat, with a husband. But love isn't always possible. She logs 420 species. Through a list of seemingly minor plants and their uses--medical, agricultural, culinary--these women calculate intangible threats: a changing climate, the cost of knowledge, and the ways repeated violence can upend women's lives. They must forge their own small acts of defiance and slip through whatever cracks they find. How can anyone survive? Lush, intoxicating, and teeming with mischief, Katy Simpson Smith's The Weeds is a tense, mesmerizing page-turner about science and survival, the roles women are given and have taken from them, and the lives they make for themselves.

Countless Black Americans descended from slavery are related to the enslavers who bought and sold their ancestors. Among them is Dionne Ford, whose great grandmother was the last of six children born to a Louisiana cotton broker and the enslaved woman he received as a wedding gift. What shapes does this kind of intergenerational trauma take? In these pages, which move between her inner life and deep research, Ford tells us. It manifests as alcoholism and post-traumatic stress; it finds echoes in her own experience of sexual abuse at the hands of a relative, and in the ways in which she builds her own interracial family. To heal, Ford tries a wide range of therapies, lifestyle changes, and recovery meetings. "Anything," she writes, "to keep from going back there." But what she learns is that she needs to go back there, to return to her female ancestors, and unearth what she can about them to start to feel whole.

A novel about womanhood, modern family, and the interior landscape of maternal life, as seen through the life of a young wife and mother on a single day. At night, Maisie Moore dreams that her life is perfect: the looming mortgages and credit card debt have magically vanished, and she can raise her four children, including newborn Esme, on an undulating current of maternal bliss, by turns oceanic and overwhelming, but awash in awe and wonder. Then she jolts awake and, after checking that her husband and baby are asleep beside her, remembers the real-world money problems to be resolved amid the long days of grocery shopping, gymnastics practices, and soccer games. From this moment, Eliza Minot draws readers into the psyche of the perceptive and warmhearted Maisie, who yearns to understand the world around her and overflows with fierce love for her growing family.  Unfolding over the course of a single day in which Maisie and her husband take their children to pick apples, In the Orchard is luminous, masterfully crafted, revelatory--a shining exploration of motherhood, childhood, and love.

"As impeccable as [the] title story is, every entry astonishes" (The New York Times), from the National Jewish Book Award-winning author of A Play for the End of the World "Whether in Brooklyn, Kolkata, upstate New York or elsewhere, these characters captured my heart and endure in my memory like loved ones." --Mia Alvar, author of In the Country In the fourteen masterful stories that make up this collection, Jai Chakrabarti crosses continents and cultures to explore what it means to cultivate a family today, across borders, religions, and race. In the title story, a closeted gay man in 1980s Kolkata seeks to have a child with his lover's wife. An Indian widow, engaged to a Jewish man, struggles to balance her cultural identity with the rituals and traditions of her newfound family. An American musician travels to see his guru for the final time--and makes a promise he cannot keep. A young woman from an Indian village arrives in Brooklyn to care for the toddler of a biracial couple. And a mystical agent is sent by a mother to solve her son's domestic problems. Throughout, the characters' most vulnerable desires shape life-altering decisions as they seek to balance their needs against those of the people they hold closest. The stories in A Small Sacrifice for an Enormous Happiness capture men and women struggling with transformation and familial bonds; they traverse the intersections of countries and cultures to illuminate what it means to love in uncertain times; and they showcase the skill of a storyteller who dazzles with the breadth of his vision.

A Pulitzer Prize-winning reporter's moving narrative of a group of patient advocates who are revolutionizing the way medical research is conducted. For more than half a century, medical advances have been driven by investigators launching experiments inside labs. Science is often conducted in isolation and geared toward the long view. This is the story of a group of people who tried to force the lab doors open- parents whose children had been diagnosed with a rare and fatal genetic condition known as Niemann-Pick disease type C. The disease prevents cells from processing cholesterol, which leads to the progressive loss of the brain's and the body's ability to function. Recognizing that there would never be a treatment in time to save their children if things stayed the same, the parents set up a collaboration with researchers and doctors in search of a cure. Reconciling different views of science took work. The parents, doctors, and researchers didn't always agree-among themselves or with each other. But together they endeavored toaccelerate the development of new drugs. The parents became citizen scientists, identifying promising new treatments and helping devise experiments. They recorded dataaboutthe children and co-authored scientific papers sharing findings. They engaged directly with the FDA at each step of the drug approval process. Along the way, they advanced the radical idea that science must belong to us all. Amy Dockser Marcus shows what happens when a community joins forces with doctors and researchers to try to save children's lives. Their extraordinary social experiment reveals new pathways for treating disease and conducting research. Science may be forever changed.

"Brave and nuanced...an act of tremendous compassion and a literary triumph." - The New York Times "Immensely emotional and unforgettably haunting." - Wall Street Journal Acclaimed author Jonathan Rosen's haunting investigation of the forces that led his closest childhood friend, Michael Laudor, from the heights of brilliant promise to the forensic psychiatric hospital where he has lived since killing the woman he loved. A story about friendship, love, and the price of self-delusion, The Best Minds explores the ways in which we understand--and fail to understand--mental illness. When the Rosens moved to New Rochelle in 1973, Jonathan Rosen and Michael Laudor became inseparable. Both children of college professors, the boys were best friends and keen competitors, and, when they both got into Yale University, seemed set to join the American meritocratic elite. Michael blazed through college in three years, graduating summa cum laude and landing a top-flight consulting job. But all wasn't as it seemed. One day, Jonathan received the call: Michael had suffered a serious psychotic break and was in the locked ward of a psychiatric hospital. Diagnosed with paranoid schizophrenia, Michael was still in the hospital when he learned he'd been accepted to Yale Law School, and still battling delusions when he decided to trade his halfway house for the top law school in the country. He not only managed to graduate, but after his extraordinary story was featured in The New York Times, sold a memoir for a large sum. Ron Howard bought film rights, completing the dream for Michael and his tirelessly supportive girlfriend Carrie. But then Michael, in the grip of an unshakeable paranoid fantasy, stabbed Carrie to death with a kitchen knife and became a front-page story of an entirely different sort. The Best Minds is Jonathan Rosen's brilliant and heartbreaking account of an American tragedy. It is a story about the bonds of family, friendship, and community; the promise of intellectual achievement; and the lure of utopian solutions. Tender, funny, and harrowing by turns, at times almost unbearably sad, The Best Minds is an extreme version of a story that is tragically familiar to all too many. In the hands of a writer of Jonathan Rosen's gifts and dedication, its significance will echo widely.

There was a time when the family Künstler lived in the fairy-tale city of Vienna. Circumstances transformed that fairy tale into a nightmare, and in 1939 the Künstlers found their way out of Vienna and into a new fairy tale: Los Angeles, California, United States of America. For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie's grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian's short visit suddenly has no end in sight. Mamie was only eleven when the Künstlers escaped Vienna in 1939. They made their way, stunned and overwhelmed, to sunny, surreal Los Angeles where they joined a colony of distinguished Jewish musicians, writers and intellectuals also escaping Hitler. Now, faced with months of lockdown and a willing listener, Mamie begins to tell Julian the buried stories of her early years in Los Angeles: her escapades with eminent émigrés like Arnold Schoenberg, Christopher Isherwood, Thomas Mann. Oh, and Greta Garbo. While the pandemic cuts Julian off from the life he knows, Mamie's tales open up a world of lives that came before him. They reveal to him just how much the past holds of the future.

NEW YORK TIMES BESTSELLER * REESE'S BOOK CLUB PICK * A comedy writer thinks she's sworn off love, until a dreamy pop star flips the script on all her assumptions--a "smart, sophisticated, and fun" (Oprah Daily) novel from the author of Eligible, Rodham, and Prep.   "Full of dazzling banter and sizzling chemistry."--People   "If you ever wanted a backstage pass to Saturday Night Live, this is the book for you."--Zibby Owens, Good Morning America Sally Milz is a sketch writer for The Night Owls, a late-night live comedy show that airs every Saturday. With a couple of heartbreaks under her belt, she's long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life. But when Sally's friend and fellow writer Danny Horst begins dating Annabel, a glamorous actress who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show--and in society at large--who've gotten romantically involved with incredibly beautiful and accomplished women. Sally channels her annoyance into a sketch called the Danny Horst Rule, poking fun at this phenomenon while underscoring how unlikely it is that the reverse would ever happen for a woman. Enter Noah Brewster, a pop music sensation with a reputation for dating models, who signed on as both host and musical guest for this week's show. Dazzled by his charms, Sally hits it off with Noah instantly, and as they collaborate on one sketch after another, she begins to wonder if there might actually be sparks flying. But this isn't a romantic comedy--it's real life. And in real life, someone like him would never date someone like her . . . right? With her keen observations and trademark ability to bring complex women to life on the page, Curtis Sittenfeld explores the neurosis-inducing and heart-fluttering wonder of love, while slyly dissecting the social rituals of romance and gender relations in the modern age.

A warm, funny, irresistible memoir that follows an improbable and life-changing college friendship over the course of forty years--from the best-selling author of The End of Your Life Book Club * "A rare view of male friendship."--NPR "Moving...salted with Schwalbe's well-established literary intelligence and a palpable empathy." --The New York Times Book Review By the time Will Schwalbe was a junior at college, he had already met everyone he cared to know: the theater people, writers, visual artists and comp lit majors, and various other quirky characters including the handful of students who shared his own major, Latin and Greek. He also knew exactly who he wanted to avoid: the jocks. The jocks wore baseball caps and moved in packs, filling boisterous tables in the dining hall, and on the whole seemed to be another species entirely, one Will might encounter only at his own peril.  All this changed dramatically when Will collided with Chris Maxey, known to just about everyone as Maxey. Maxey was physically imposing, loud, and a star wrestler who was determined to become a Navy SEAL (where he would later serve for six years). Thanks to the strangely liberating circumstances of a little-known secret society at Yale, the two forged a bond that would become a mainstay of each other's lives as they repeatedly lost and found each other and themselves in the years after graduation.  From New Haven to New York City, from Hong Kong and Panama to a remarkable school on an island in the Bahamas--through marriages and a divorce, triumphs and devastating losses--We Should Not Be Friends tracks an extraordinary friendship over decades of challenge and change. Schwalbe's marvelous new work is, at its heart, a joyful testament to the miracle of human connection--and how if we can just get past our preconceptions, we may find some of our greatest friends.

A riveting look at the story of World War II and the Holocaust through the diaries of Dutch citizens, firsthand accounts of ordinary people living through extraordinary times   Based on select writings from a collection of more than two thousand Dutch diaries written during World War II in order to record this unparalleled time, and maintained by devoted archivists, The Diary Keepers illuminates a part of history we haven't seen in quite this way before, from the stories of a Nazi sympathizing police officer to a Jewish journalist who documented daily activities at a transport camp. Journalist Nina Siegal, who grew up in a family that had survived the Holocaust in Europe, had always wondered about the experience of regular people during World War II. She had heard stories of the war as a child and Anne Frank's diary, but the tales were either crafted as moral lessons -- to never waste food, to be grateful for all you receive, to hide your silver -- or told with a punch line. The details of the past went untold in an effort to make it easier assimilate into American life. When Siegal moved to Amsterdam as an adult, those questions came up again, as did another horrifying one: Why did seventy five percent of the Dutch Jewish community perish in the war, while in other Western European countries the proportions were significantly lower? How did this square with the narratives of Dutch resistance she had heard so much about and in what way did it relate to the famed tolerance people in the Netherlands were always talking about? Perhaps more importantly, how could she raise a Jewish child in this country without knowing these answers? Searching and singular, The Diary Keepers mines the diaries of ordinary citizens to understand the nature of resistance, the workings of memory, and the ways we reflect on, commemorate, and re-envision the past.

"Sonora Jha expertly inhabits the perspective of a man so terrified of the old world slipping away, he can't see the ground shifting beneath his feet. A deliciously sharp, mercilessly perceptive exploration of power, The Laughter explores how 'otherness' is both fetishized and demonized, and what it means to love something--a person, a country--that does not love you back."--Celeste Ng, New York Times-bestselling author of Little Fires Everywhere and Our Missing Hearts A white male college professor develops a dangerous obsession with his new Pakistani colleague in this modern, iconoclastic novel. Dr. Oliver Harding, a tenured professor of English, is long settled into the routines of a divorced, aging academic. But his quiet, staid life is upended by his new colleague, Ruhaba Khan, a dynamic Pakistani Muslim law professor. Ruhaba unexpectedly ignites Oliver's long-dormant passions, a secret desire that quickly tips towards obsession after her teenaged nephew, Adil Alam, arrives from France to stay with her. Drawn to them, Oliver tries to reconcile his discomfort with the worlds from which they come, and to quiet his sense of dismay at the encroaching change they represent--both in background and in Ruhaba's spirited engagement with the student movements on campus. After protests break out demanding diversity across the university, Oliver finds himself and his beliefs under fire, even as his past reveals a picture more complicated than it seems. As Ruhaba seems attainable yet not, and as the women of his past taunt his memory, Oliver reacts in ways shocking and devastating. An explosive, tense, and illuminating work of fiction, The Laughter is a fascinating portrait of privilege, radicalization, class, and modern academia that forces us to confront the assumptions we make, as both readers and as citizens.

A New York Times bestseller | A Good Morning America Book Club Pick "The season's first beach read, a delicious romp of a debut featuring family crises galore."-- The New York Times "A delicious new Gilded Age family drama... a guilty pleasure that also feels like a sociological text." --Vogue A deliciously funny, sharply observed debut of family, love, and class, this zeitgeisty novel follows three women in one wealthy Brooklyn clan Darley, the eldest daughter in the well-connected old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can't have, and must decide what kind of person she wants to be.  Rife with the indulgent pleasures of life among New York's one-percenters, Pineapple Street is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable--if fallible--characters, it's about the peculiar unknowability of someone else's family, the miles between the haves and have-nots, and the insanity of first love--all wrapped in a story that is a sheer delight.

NAMED A MOST ANTICIPATED BOOK OF 2023 BY TIME, THE WASHINGTON POST, OPRAH DAILY, BUSTLE, ELECTRIC LITERATURE AND MORE! "Stunning...epic...impressive...It is a pleasure to simply live alongside these characters."--The New York Times "A beautifully written novel. I loved so much in this book: the richly imagined setting, the complicated love story, and the heartbreaking way history can tear apart a family." --Ann Napolitano, New York Times bestselling author of Hello Beautiful Set against a changing Singapore, a sweeping novel about one boy's unique gifts and the childhood love that will complicate the fate of his community and country Ah Boon is born into a fishing village amid the heat and beauty of twentieth-century coastal Singapore in the waning years of British rule. He is a gentle boy who is not much interested in fishing, preferring to spend his days playing with the neighbor girl, Siok Mei. But when he discovers he has the unique ability to locate bountiful, movable islands that no one else can find, he feels a new sense of obligation and possibility--something to offer the community and impress the spirited girl he has come to love.   By the time they are teens, Ah Boon and Siok Mei are caught in the tragic sweep of history: the Japanese army invades, the resistance rises, grief intrudes, and the future of the fishing village is in jeopardy. As the nation hurtles toward rebirth, the two friends, newly empowered, must decide who they want to be, and what they are willing to give up. An aching love story and powerful coming-of-age that reckons with the legacy of British colonialism, the World War II Japanese occupation, and the pursuit of modernity, The Great Reclamation confronts the wounds of progress, the sacrifices of love, and the difficulty of defining home when nature and nation collide, literally shifting the land beneath people's feet.

"Absorbing [and] astute . . . Cohen-Solal captures a facet of Picasso's character long overlooked." --Hamilton Cain, The Wall Street Journal "A beguiling read, as ingenious as it is ambitious . . . See Picasso and Paris shimmering with new light." --Mark Braude, author of Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris Born from her probing inquiry into Picasso's odyssey in France, which inspired a museum exhibition of the same name, historian Annie-Cohen Solal's Picasso the Foreigner presents a bold new understanding of the artist's career and his relationship with the country he called home. Winner of the 2021 Prix Femina Essai Before Picasso became Picasso--the iconic artist now celebrated as one of France's leading figures--he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services--the first of many entries in what would become an extensive case file. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica as a visceral statement against fascism in 1937 was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma--as a foreigner, a political radical, and an avant-garde artist. Picasso the Foreigner approaches the artist's career and work from an entirely new angle, making extensive use of fascinating and long-understudied archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he enriched and dynamized its culture like few other figures in the country's history. This book, for the first time, explains how. Includes color images

GMA BUZZ PICK * A dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession, and political corruption from the celebrated author of Stay with Me, "in the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie" (The New York Times). Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future. Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician. When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola's lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.

A fascinating history of the art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom.     A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what--and whom--the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

"A profoundly emotional book, and a brave one." --The New Yorker A literary sensation in Brazil, Luiz Schwarcz's brave and tender memoir interrogates his ordeal of bipolar disorder in the context of a family story of murder, dispossession, and silence--the long echo of the Holocaust across generations When Luiz Schwarcz was a child, he was told little about his grandfather and namesake, Láios--"Luiz" in Hungarian. Only later in life did he learn that his grandfather, a devout Hungarian Jew, had defied his country's Nazi occupiers by holding secret religious services in his home. After being put on a train to a German death camp with his son André, Láios ordered André to leap from the train to freedom at a rail crossing, while Láios himself was carried on to his death. What Luiz did know was that his father André, who had emigrated to Brazil, was an unhappy and silent man. Young Luiz assumed responsibility for his parents' comfort, as many children of trauma do, and for a time he seemed to be succeeding: he blossomed into the family prodigy, eventually growing into a groundbreaking literary publisher in São Paulo. He found a home in the family silence--a home that he filled with books and with reading. But then, at a high point of outward success, Luiz was brought low by a devastating mental breakdown. The Absent Moon is the story of his journey to that point and of his journey back from it, as Luiz learned to forge a more honest relationship with his own mind, with his family, and with their shared past. The culmination of that path is this extraordinary book, which is beautiful, tragic, noble, piercingly honest, and ultimately redemptive--the product of a lifetime's reflection, given powerful literary shape in the refiner's fire by a master storyteller.

This magisterial, intimate look at Black womanhood "follows three women whose various traumas haunt them literally and metaphorically, as it explores what it means to be a Black woman in America today" (The New York Times Book Review, Editor's Choice). A middle-aged woman feed slots at a secret back-room parlor. A new mother descends into a devastating postpartum depression, wracked with the fear that she is unable to protect her children. A daughter returns home to join the other women in her family waging spiritual combat with the ghosts of their past. An Autobiography of Skin is a dazzling and masterful portrait of interconnected generations in the South from a singular new voice, offering a raw and tender view into the interior lives of Black women. It is at once a powerful look at how experiences are carried inside the body, inside the flesh and skin, and a joyous testament to how healing can be found within--in love, mercy, gratitude, and freedom.

Nominated for the Women's Prize for Fiction "I'm in love with a grieving misfit driving around with a donkey-shaped piñata in an old van held together by duct tape...the great miracle of McKenzie's writing... is how she manages to transform misery into gentle humor...darkly hilarious." --The Washington Post "An addictive read with an ultimately hopeful core that recalls Haruki Murakami, Sayaka Murata, Richard Brautigan, and Miranda July" - Sanjena Sathian, author of Gold Diggers Penny Rush has problems. Her marriage is over; she's quit her job. Her mother and stepfather went missing in the Australian outback five years ago; her mentally unbalanced father provokes her; her grandmother Dr. Pincer keeps experiments in the refrigerator and something worse in the woodshed. But Penny is a virtuoso at what's possible when all else fails.   Elizabeth McKenzie, the National Book Award-nominated author of The Portable Veblen, follows Penny on her quest for a fresh start. There will be a road trip in the Dog of the North, an old van with gingham curtains, a piñata, and stiff brakes. There will be injury and peril. There will be a dog named Kweecoats and two brothers who may share a toupee. There will be questions: Why is a detective investigating her grandmother, and what is "the scintillator"? And can Penny recognize a good thing when it finally comes her way?   This slyly humorous, thoroughly winsome novel finds the purpose in life's curveballs, insisting that even when we are painfully warped by those we love most, we can be brought closer to our truest selves.

The shocking secret history of twentieth-century orphanages--which for decades hid violence, abuse, and deaths within their walls For much of the twentieth century, a series of terrible events--abuse, both physical and psychological, and even deaths--took places inside orphanages. The survivors have been trying to tell their astonishing stories for a long time, but disbelief, secrecy, and trauma have kept them from breaking through. For ten years, Christine Kenneally has been on a quest to uncover the harrowing truth.   Centering her story on St. Joseph's, a Catholic orphanage in Vermont, Kenneally has written a stunning account of a series of crimes and abuses. But her work is not confined to one place. Following clues that take her into the darkened corners of several institutions across the globe, she finds a trail of terrifying stories and a courageous group of survivors who are seeking justice. Ghosts of the Orphanage is an incredible true crime story and a reckoning with a past that has stayed buried for too long, with tragic consequences.  

Named a Best Book of March by Apple Books and Amazon, and a Most Anticipated Book by The New York Times, Esquire, The Guardian, TIME, Buzzfeed, Electric Literature, Lit Hub and Chicago Review of Books "A major novel, and a notably audacious one." --Dwight Garner, The New York Times "It feels fairly rare for a novel to be hugely intelligent and moving and fun in equal measure, but with Biography of X, Catherine Lacey somehow--magically--makes the nearly impossible look easy." --Lauren Groff From one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist. When X--an iconoclastic artist, writer, and polarizing shape-shifter--falls dead in her office, her widow, wild with grief and refusing everyone's good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X's widow, Biography of X follows a grieving wife seeking to understand the woman who enthralled her. CM traces X's peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. And when she finally understands the scope of X's defining artistic project, CM realizes her wife's deceptions were far crueler than she imagined. Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey, one of our most acclaimed literary innovators, pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

"Powerful and transcendent" --Chigozie Obioma  "Both epic and intimate" --​Margo Jefferson A deeply moving, lyrical journey through the author's homeland of Nigeria, in search of the truth about his disappeared uncle and the history of a war that shaped him, his family, and a nation In inimitable, rhythmic prose, the author and winner of the prestigious Windham-Campbell Prize Emmanuel Iduma tells the story of his return to Nigeria, where he grew up, after years of living in New York. He traveled home with an elusive mission: to learn the fate of his uncle Emmanuel, his namesake, who disappeared in the Nigerian Civil War in the late 1960s. A conflict that left so many families broken, the war remains at the margins of the history books, almost taboo to discuss. To find answers, Iduma stopped in city after city throughout the former Biafra region, reconnecting with relatives dear and distant to probe their memories, prowling university libraries to furtively photocopy illicit books, and visiting half-abandoned monuments along the highway. Perhaps, he realized, if he could understand how his father grieved the loss of a brother in the war, he might learn how to grieve his late father in turn.   His is also the story of countless families across the country and across the world who will never have answers or proper funerals for their loved ones. It's a story about the birth of an artist, about writing itself as an act both healing and political, even dangerous. And it's a story about family history and legacy, and all the questions the dead leave unanswered. How much of the author's identity is wrapped up in this inheritance? And what does it mean to return home, when the people who define it are gone?   Equal parts memoir, national history, and political reckoning, I Am Still With You is a profoundly personal story of collective loss and making peace with the unknowable.

This extraordinary memoir shares an insight into the lives of the Uyghurs, a people and culture being systematically destroyed by China--and a woman who gave up everything to help her people. In February 2018, twenty-four members of Gulchehra Hoja's family disappeared overnight. Her crime - and thus that of her family - was her award-winning investigations on the plight of her people, the Uyghurs, whose existence and culture is being systematically destroyed by the Chinese government. A Stone is Most Precious Where it Belongs is Gulchehra's stunning memoir, taking us into the everyday world of life under Chinese rule in East Turkestan (more formally as the Xinjiang Autonomous Region of China), from her idyllic childhood to its modern nightmare. The grandchild of a renowned musician and the daughter of an esteemed archaeologist, Gulchehra grew up with her people's culture and history running through her veins. She showed her gifts early on as a dancer, actress, and storyteller, putting her on a path to success as a major television star. Slowly though, she began to understand what China was doing to her people, as well as her own complicity as a journalist. As her rising fame and growing political awakening coincided, she made it her mission to expose the crimes Beijing is committing in the far reaches of its nation, no matter the cost. Reveling in the beauty of East Turkestan and its people - its music, its culture, its heritage, and above all its emphasis on community and family - this groundbreaking memoir gives us a glimpse beyond what the Chinese state wants us to see, showcasing a woman who was willing to risk not just her own life, but also that of everyone she loves, to expose her people's story to the world.

Marrying the philosophical absurdities of life, technology, start-up culture, and family, Users is for readers of Ling Ma, Dave Eggers's The Circle, and viewers of the hit Apple TV+ original series Severance Miles, a lead creative at a midsize virtual reality company known for its "original experiences," has engineered a new product called The Ghost Lover. Wildly popular from the outset, the "game" is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats. Typed notes sealed in envelopes with no postage or return address, these persistent threats push Miles into a paranoid panic, blurring his own sense of reality, catalyzing the collapse of his career, his marriage, and his relationship with his children. The once-promising road to success becomes a narrow set of choices for Miles, who, in a last ditch effort to save his job, pitches his masterpiece, a revolutionary device code-named the Egg, which will transform the company. The consequences for Miles seal him inside the walls of his life as what was once anxiety explodes into devastating absoluteness. In a world rife with the unchecked power and ambition of tech, Users investigates--with both humor and creeping dread--how interpersonal experiences and private decisions influence the hasty developments that have the power to permanently alter the landscape of human experience.

AN INSTANT NEW YORK TIMES BESTSELLER A GOOD MORNING AMERICA BOOK CLUB PICK "Dazzling...Finally free from the book's grip, now all I want to do is get others hooked."-- The Washington Post "Cinematic...A luxe thriller...As a storyteller, Kapoor is a natural."-- The New York Times "Sensationally good -- huge, epic, immersive and absorbing ... certain to be a book of the year." --Lee Child This is the age of vice, where money, pleasure, and power are everything, and the family ties that bind can also kill.   New Delhi, 3 a.m. A speeding Mercedes jumps the curb and in the blink of an eye, five people are dead. It's a rich man's car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold. Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic, action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family -- loved by some, loathed by others, feared by all. In the shadow of lavish estates, extravagant parties, predatory business deals and calculated political influence, three lives become dangerously intertwined: Ajay is the watchful servant, born into poverty, who rises through the family's ranks. Sunny is the playboy heir who dreams of outshining his father, whatever the cost. And Neda is the curious journalist caught between morality and desire. Against a sweeping plot fueled by loss, pleasure, greed, yearning, violence and revenge, will these characters' connections become a path to escape, or a trigger of further destruction?  Equal parts crime thriller and family saga, transporting readers from the dusty villages of Uttar Pradesh to the urban energy of New Delhi, Age of Vice is an intoxicating novel of gangsters and lovers, false friendships, forbidden romance, and the consequences of corruption. It is binge-worthy entertainment at its literary best.

National Bestseller A brilliantly original and funny novel about a sex therapist's transcriptionist who falls in love with a client while listening to her sessions. When they accidentally meet in real life, an explosive affair ensues. Greta lives with her friend Sabine in an ancient Dutch farmhouse in Hudson, New York. The house, built in 1737, is unrenovated, uninsulated, and full of bees. Greta spends her days transcribing therapy sessions for a sex coach who calls himself Om. She becomes infatuated with his newest client, a repressed married woman she affectionately refers to as Big Swiss, since she's tall, stoic, and originally from Switzerland. Greta is fascinated by Big Swiss's refreshing attitude toward trauma. They both have dark histories, but Big Swiss chooses to remain unattached to her suffering while Greta continues to be tortured by her past. One day, Greta recognizes Big Swiss's voice at the dog park. In a panic, she introduces herself with a fake name and they quickly become enmeshed. Although Big Swiss is unaware of Greta's true identity, Greta has never been more herself with anyone. Her attraction to Big Swiss overrides her guilt, and she'll do anything to sustain the relationship... Bold, outlandish, and filled with irresistible characters, Big Swiss is both a love story and also a deft examination of infidelity, mental health, sexual stereotypes, and more--from an amazingly talented, one-of-a-kind voice in contemporary fiction.

"The Great Displacement is closely observed, compassionate, and far-sighted." --Elizabeth Kolbert, Pulitzer Prize-winning author of Under a White Sky The untold story of climate migration in the United States--the personal stories of those experiencing displacement, the portraits of communities being torn apart by disaster, and the implications for all of us as we confront a changing future. Even as climate change dominates the headlines, many of us still think about it in the future tense--we imagine that as global warming gets worse over the coming decades, millions of people will scatter around the world fleeing famine and rising seas. What we often don't realize is that the consequences of climate change are already visible, right here in the United States. In communities across the country, climate disasters are pushing thousands of people away from their homes. A human-centered narrative with national scope, The Great Displacement is "a vivid tour of the new human geography just coming into view" (David Wallace-Wells, New York Times bestselling author of The Uninhabitable Earth). From half-drowned Louisiana to fire-scorched California, from the dried-up cotton fields of Arizona to the soaked watersheds of inland North Carolina, people are moving. In the last few decades, the federal government has moved tens of thousands of families away from flood zones, and tens of thousands more have moved of their own accord in the aftermath of natural disasters. Insurance and mortgage markets are already shifting to reflect mounting climate risk, pricing people out of risky areas. Over the next fifty years, millions of Americans will be caught up in this churn of displacement, forced inland and northward in what will be the largest migration in our country's history. The Great Displacement compassionately tells the stories of those who are already experiencing life on the move, while detailing just how radically climate change will transform our lives--erasing historic towns and villages, pushing people toward new areas, and reshaping the geography of the United States.

INSTANT NATIONAL BESTSELLER From "one of the most soulful and perceptive writers of our time" (Brain Pickings): a journey through competing ideas of paradise to see how we can live more peacefully in an ever more divided and distracted world. "Masterful...A book of inner journeys told through extraordinary exteriors...One of his very best." --Washington Post Paradise: that elusive place where the anxieties, struggles, and burdens of life fall away. Most of us dream of it, but each of us has very different ideas about where it is to be found. For some it can be enjoyed only after death; for others, it's in our midst--or just across the ocean--if only we can find eyes to see it.   Traveling from Iran to North Korea, from the Dalai Lama's Himalayas to the ghostly temples of Japan, Pico Iyer brings together a lifetime of explorations to upend our ideas of utopia and ask how we might find peace in the midst of difficulty and suffering. Does religion lead us back to Eden or only into constant contention? Why do so many seeming paradises turn into warzones? And does paradise exist only in the afterworld - or can it be found in the here and now?   For almost fifty years Iyer has been roaming the world, mixing a global soul's delight in observing cultures with a pilgrim's readiness to be transformed. In this culminating work, he brings together the outer world and the inner to offer us a surprising, original, often beautiful exploration of how we might come upon paradise in the midst of our very real lives.

The revelatory New York Times and Publishers Weekly bestseller An unflinching investigation reveals the human rights abuses behind the Congo's cobalt mining operation--and the moral implications that affect us all. Cobalt Red is the searing, first-ever exposé of the immense toll taken on the people and environment of the Democratic Republic of the Congo by cobalt mining, as told through the testimonies of the Congolese people themselves. Activist and researcher Siddharth Kara has traveled deep into cobalt territory to document the testimonies of the people living, working, and dying for cobalt. To uncover the truth about brutal mining practices, Kara investigated militia-controlled mining areas, traced the supply chain of child-mined cobalt from toxic pit to consumer-facing tech giants, and gathered shocking testimonies of people who endure immense suffering and even die mining cobalt. Cobalt is an essential component to every lithium-ion rechargeable battery made today, the batteries that power our smartphones, tablets, laptops, and electric vehicles. Roughly 75 percent of the world's supply of cobalt is mined in the Congo, often by peasants and children in sub-human conditions. Billions of people in the world cannot conduct their daily lives without participating in a human rights and environmental catastrophe in the Congo. In this stark and crucial book, Kara argues that we must all care about what is happening in the Congo--because we are all implicated.

From the acclaimed, award-winning author of Present Tense Machine and Knots, a collection of playfully surreal stories about love, death, and metamorphosis. In Evil Flowers, a precise but madcap collection of short stories, Gunnhild Ã~yehaug extracts the bizarre from the mundane and reveals the strange, startling brilliance of everyday life. Across twenty-five stories, Ã~yehaug renovates the form again and again, confirming Lydia Davis's observation that her every story is "a formal surprise, smart and droll." The stories converse with, contradict, and expand on one another; birds, hagfish, and wild beasts reappear, gnawing at the fringes. A section of a woman's brain slips into the toilet bowl, removing her ability to remember or recognize types of birds (particularly problematic because she is an ornithologist). Medicinal leeches ingest information from fiberoptic cables, and a new museum sinks into the ground. Inspired by Charles Baudelaire, a dreamer and romantic in the era of realism, Ã~yehaug revolts against the ordinary, reaching instead for the wonder to be found in fantasy and absurdity. Brimming with wit, ingenuity, and irrepressible joy, these stories mark another triumph from a dazzling international writer.

From their acclaimed biographer, a final, powerful book about how Emerson, Thoreau, and William James forged resilience from devastating loss, changing the course of American thought In Three Roads Back, Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. For Emerson, it was the death of his young wife and, eleven years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple. Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers' responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy. In reaction to his traumatic loss, Emerson lost his Unitarian faith and found solace in nature. Thoreau, too, leaned on nature and its regenerative power, discovering that "death is the law of new life," an insight that would find expression in Walden. And James, following a period of panic and despair, experienced a redemptive conversion and new ideas that would drive his work as a psychologist and philosopher. As Richardson shows, all three emerged from their grief with a new way of seeing, one shaped by a belief in what Emerson called "the deep remedial force that underlies all facts." An inspiring book about resilience and the new growth and creativity that can stem from devastating loss, Three Roads Back is also an extraordinary account of the hidden wellsprings of American thought.

A taut, enthralling first novel about grief, sisterhood, and a young athlete's struggle to transcend herself. Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot and its echo. But on the court, she is not alone. She is with her pa. She is with Ged, a thirteen-year-old boy with his own formidable talent. She is with the players who have come before her. She is in awe. An indelible coming-of-age story, Chetna Maroo's first novel captures the ordinary and annihilates it with beauty. Western Lane is a valentine to innocence, to the closeness of sisterhood, to the strange ways we come to know ourselves and each other.

The acclaimed author of The Teller of Secrets returns with a gut-wrenching, yet heartwarming, story about a young Ghanaian woman's struggle to make a life in the US, and the challenges she must overcome. Lola is twenty-one, and her life in Senegal couldn't be better. An aspiring writer and university graduate, she has a great job, a nice apartment, a vibrant social life, and a future filled with possibility. But fate disrupts her world when she falls for Armand, an American Marine stationed at the U.S. Embassy. Her mother, a high court judge in Ghana, disapproves of her choice, but nothing will stop Lola from boarding a plane for Armand and America. That fateful flight is only the beginning of an extraordinary journey; she has traded her carefree existence in Senegal for the perilous position of an undocumented immigrant in 1990s America. Lola encounters adversity that would crush a less-determined woman. Her fate hangs on whether or not she'll grow in courage to forge a different life from one she'd imagined, whether she'll succeed in putting herself and family together again. Daughter in Exile is a hope-filled story about mother love, resilience, and unyielding strength.

NEW YORK TIMES EDITORS' CHOICE * An "epic and intimate" (David M. Kennedy) portrait of four generations of the Morgenthau family, a dynasty of power brokers and public officials with an outsize--and previously unmapped--influence extending from daily life in New York City to the shaping of the American Century "Magisterial . . . a vivid retelling of critical domestic and world events over two centuries."--Dr. Fiona Hill After coming to America from Germany in 1866, the Morgenthaus made history in international diplomacy, in domestic politics, and in America's criminal justice system. With unprecedented, exclusive access to family archives, award-winning journalist and biographer Andrew Meier vividly chronicles how the Morgenthaus amassed a fortune in Manhattan real estate, advised presidents, advanced the New Deal, exposed the Armenian genocide, rescued victims of the Holocaust, waged war in the Mediterranean and Pacific, and, from a foundation of private wealth, built a dynasty of public service. In the words of former mayor Ed Koch, they were "the closest we've got to royalty in New York City."  Lazarus Morgenthau arrived in America dreaming of rebuilding the fortune he had lost in his homeland. He ultimately died destitute, but the family would rise again with the ascendance of Henry, who became a wealthy and powerful real estate baron. From there, the Morgenthaus went on to influence the most consequential presidency of the twentieth century, as Henry's son Henry Jr. became FDR's longest-serving aide, his Treasury secretary during the war, and his confidant of thirty years. Finally, there was Robert Morgenthau, a decorated World War II hero who would become the longest-tenured district attorney in the history of New York City. Known as the "DA for life," he oversaw the most consequential and controversial prosecutions in New York of the last fifty years, from the war on the Mafia to the infamous Central Park Jogger case.  The saga of the Morgenthaus has lain half hidden in the shadows for too long. At heart a family history, Morgenthau is also an American epic, as sprawling and surprising as the country itself.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys' descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland. During the tumultuous summer of 1912, Matthew Diamond, a retired, idealistic but prejudiced schoolteacher-turned-missionary, disrupts the community's fragile balance through his efforts to educate its children. His presence attracts the attention of authorities on the mainland who, under the influence of the eugenics-thinking popular among progressives of the day, decide to forcibly evacuate the island, institutionalize its residents, and develop the island as a vacation destination. Beginning with a hurricane flood reminiscent of the story of Noah's Ark, the novel ends with yet another Ark. In prose of breathtaking beauty and power, Paul Harding brings to life an unforgettable cast of characters: Iris and Violet McDermott, sisters raising three orphaned Penobscot children; Theophilus and Candace Larks and their brood of vagabond children; the prophetic Zachary Hand to God Proverbs, a Civil War veteran who lives in a hollow tree; and more. A spellbinding story of resistance and survival, This Other Eden is an enduring testament to the struggle to preserve human dignity in the face of intolerance and injustice.

An "illuminating" (Daily Mail, London) exploration of the second generation of the iconic Bloomsbury Group who inspired their elders to new heights of creativity and passion while also pushing the boundaries of sexual freedom and gender norms in 1920s England. In the years before the First World War, a collection of writers and artists--Virginia Woolf, E.M. Forster, and Lytton Strachey among them--began to make a name for themselves in England and America for their irreverent spirit and provocative works of literature, art, and criticism. They called themselves the Bloomsbury Group and by the 1920s, they were at the height of their influence. Then a new generation stepped forward--creative young people who tantalized their elders with their captivating looks, bold ideas, and subversive energy. Young Bloomsbury introduces us to this colorful cast of characters, including novelist Eddy Sackville-West, who wore elaborate make-up and dressed in satin and black velvet; artist Stephen Tomlin, who sculpted the heads of his male and female lovers; and author Julia Strachey, who wrote a searing tale of blighted love. Talented and productive, these larger-than-life figures had high-achieving professional lives and extremely complicated emotional lives. The group had always celebrated sexual equality and freedom in private, feeling that every person had the right to live and love in the way they chose. But as transgressive self-expression became more public, this younger generation gave Old Bloomsbury a new voice. Revealing an aspect of history not yet explored and with "effervescent detail" (Juliet Nicolson, author of Frostquake), Young Bloomsbury celebrates an open way of living and loving that would not be embraced for another hundred years.

"The first thing we did was change our names. We were going to be Sappho," so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: "I want to make life fuller and fuller." Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past. "This book is splendid: Impish, irate, deep, courageous. . . . Brava!"--Lucy Ellmann, author of Ducks, Newburyport

SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE AND WINNER OF A PEN/HEIM TRANSLATION GRANT "Cool, brilliantly demented K-horror--just the way I like it!" --Ed Park, author of Personal Days  "Like the work of Carmen Maria Machado and Aoko Matsuda, Chung's stories are so wonderfully, blisteringly strange and powerful that it's almost impossible to put Cursed Bunny down." ―Kelly Link, bestselling author of Get In Trouble A stunning, wildly original debut from a rising star of Korean literature--surreal, chilling fables that take on the patriarchy, capitalism, and the reign of big tech with absurdist humor and a (sometimes literal) bite   From an author never before published in the United States, Cursed Bunny is unique and imaginative, blending horror, sci-fi, fairy tales, and speculative fiction into stories that defy categorization. By turns thought-provoking and stomach-turning, here monsters take the shapes of furry woodland creatures and danger lurks in unexpected corners of everyday apartment buildings. But in this unforgettable collection, translated by the acclaimed Anton Hur, Chung's absurd, haunting universe could be our own.   "The Head" follows a woman haunted by her own bodily waste. "The Embodiment" takes us into a dystopian gynecology office where a pregnant woman is told that she must find a father for her baby or face horrific consequences. Another story follows a young monster, forced into underground fight rings without knowing his own power. The titular fable centers on a cursed lamp in the shape of a rabbit, fit for a child's bedroom but for its sinister capabilities.   No two stories are alike, and readers will be torn whether to race through them or savor Chung's wit and frenetic energy on every page. Cursed Bunny is a book that screams to be read late into the night and passed on to the nearest set of hands the very next day.   

A fascinating tour of creatures from the surface to the deepest ocean floor, inviting us to envision wilder, grander, and more abundant possibilities for the way we live. "A miraculous, transcendental book." (Ed Yong, author of An Immense World) One of TIME's 10 Best Nonfiction Books of the Year *  A PEOPLE Best New Book  *  A Barnes & Noble and SHELF AWARENESS Best Book of 2022  *  An Indie Next Pick  *  One of Winter's Most Eagerly Anticipated Books: VANITY FAIR, VULTURE, BOOKRIOT A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature, including: the mother octopus who starves herself while watching over her eggs, the Chinese sturgeon whose migration route has been decimated by pollution and dams, the bizarre, predatory Bobbitt worm (named after Lorena), the common goldfish that flourishes in the wild, and more. Imbler discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a shimmering, otherworldly debut that attunes us to new visions of our world and its miracles.  

New York Times Bestseller The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as "his" slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day--among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again--this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story--one that would challenge the nation's core precepts of life, liberty, and justice for all--one that challenges us even now.

With "a voice as clear, sincere, and wry as any I've read in current American fiction" (Joshua Cohen), Martin Riker's poignant and startlingly original novel asks how to foster a brave mind in anxious times, following a newly jobless academic rehearsing a speech on John Maynard Keynes for a surprising audience In a hotel room in the middle of the night, Abby, a young feminist economist, lies awake next to her sleeping husband and daughter. Anxious that she is grossly underprepared for a talk she is presenting tomorrow on optimism and John Maynard Keynes, she has resolved to practice by using an ancient rhetorical method of assigning parts of her speech to different rooms in her house and has brought along a comforting albeit imaginary companion to keep her on track--Keynes himself. Yet as she wanders with increasing alarm through the rooms of her own consciousness, Abby finds herself straying from her prepared remarks on economic history, utopia, and Keynes's pragmatic optimism. A lapsed optimist herself, she has been struggling under the burden of supporting a family in an increasingly hostile America after being denied tenure at the university where she teaches. Confronting her own future at a time of global darkness, Abby undertakes a quest through her memories to ideas hidden in the corners of her mind--a piecemeal intellectual history from Cicero to Lewis Carroll to Queen Latifah--as she asks what a better world would look like if we told our stories with more honest and more hopeful imaginations. With warm intellect, playful curiosity, and an infectious voice, Martin Riker acutely animates the novel of ideas with a beating heart and turns one woman's midnight crisis into the performance of a lifetime. 

The final posthumous work by the coauthor of the major New York Times bestseller The Dawn of Everything. Pirates have long lived in the realm of romance and fantasy, symbolizing risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies--vibrant, imaginative experiments in self-governance and alternative social formations at the edges of the European empire. In graduate school, David Graeber conducted ethnographic field research in Madagascar for his doctoral thesis on the island's politics and history of slavery and magic. During this time, he encountered the Zana-Malata, an ethnic group of mixed descendants of the many pirates who settled on the island at the beginning of the eighteenth century. Pirate Enlightenment, or the Real Libertalia, Graeber's final posthumous book, is the outgrowth of this early research and the culmination of ideas that he developed in his classic, bestselling works Debt and The Dawn of Everything (written with the archaeologist David Wengrow). In this lively, incisive exploration, Graeber considers how the protodemocratic, even libertarian practices of the Zana-Malata came to shape the Enlightenment project defined for too long as distinctly European. He illuminates the non-European origins of what we consider to be "Western" thought and endeavors to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future.

A rich, discovery-filled history that tells how a forgotten empire transformed the ancient world In the late 8th and early 7th centuries BCE, Scythian warriors conquered and unified most of the vast Eurasian continent, creating an innovative empire that would give birth to the age of philosophy and the Classical age across the ancient world--in the West, the Near East, India, and China. Mobile horse herders who lived with their cats in wheeled felt tents, the Scythians made stunning contributions to world civilization--from capital cities and strikingly elegant dress to political organization and the world-changing ideas of Buddha, Zoroaster, and Laotzu--Scythians all. In The Scythian Empire, Christopher I. Beckwith presents a major new history of a fascinating but often forgotten empire that changed the course of history. At its height, the Scythian Empire stretched west from Mongolia and ancient northeast China to northwest Iran and the Danube River, and in Central Asia reached as far south as the Arabian Sea. The Scythians also ruled Media and Chao, crucial frontier states of ancient Iran and China. By ruling over and marrying the local peoples, the Scythians created new cultures that were creole Scythian in their speech, dress, weaponry, and feudal socio-political structure. As they spread their language, ideas, and culture across the ancient world, the Scythians laid the foundations for the very first Persian, Indian, and Chinese empires. Filled with fresh discoveries, The Scythian Empire presents a remarkable new vision of a little-known but incredibly important empire and its peoples.

An Asian American basketball star walks into a gym. No one recognizes him, but everyone stares anyway. It is the start of a joke but what is the punchline? When Won Lee, the first Asian American in the NBA, stuns the world in a seven-game winning streak, the global media audience dubs it "The Wonder"-much to Won's chagrin. Meanwhile, Won struggles to get attention from his coach, his peers, his fans, and most importantly, his hero, Powerball!, who also happens to be Won's teammate and the captain. Covering it all is sportswriter Robert Sung, who writes about Won's stardom while grappling with his own missed hoops opportunities as well as his place as an Asian American in media. And to witness it all is Carrie Kang, a big studio producer, who juggles a newfound relationship with Won while attempting to bring K-drama to an industry not known to embrace anything new or different. The Sense of Wonder follows Won and Carrie as they chronicle the human and professional tensions exacerbated by injustices and fight to be seen and heard on some of the world's largest stages. An incredibly funny and heart-rending dive into race and our "collective imagination that lays bare our limitations before blasting joyfully past them" (Catherine Chung). This is the work of a gifted storyteller at the top of his game.

"Forbidden Notebook promises a new cohort of readers, appetites whetted by the works of Elena Ferrante, Elsa Morante and Natalia Ginzburg. Translator Ann Goldstein has reinvigorated the text." --Joumana Khatib, The New York Times Book Review "Published in Italy in 1952, this intimate, quietly subversive novel is told through the increasingly frantic secret diary entries of a woman named Valeria."--The New Yorker "Reading Alba de Cespedes was, for me, like breaking into an unknown universe: social class, feelings, atmosphere." --Annie Ernaux, Nobel Prize laureate and author of The Years With a foreword by Jhumpa Lahiri, Quaderno Proibito is a classic domestic novel by the Italian-Cuban feminist writer Alba de Céspedes, whose work inspired contemporary writers like Elena Ferrante. In this modern translation by acclaimed Elena Ferrante translator Ann Goldstein, Forbidden Notebook centers the inner life of a dissatisfied housewife living in postwar Rome. Valeria Cossati never suspected how unhappy she had become with the shabby gentility of her bourgeois life--until she begins to jot down her thoughts and feelings in a little black book she keeps hidden in a closet. This new secret activity leads her to scrutinize herself and her life more closely, and she soon realizes that her individuality is being stifled by her devotion and sense of duty toward her husband, daughter, and son. As the conflicts between parents and children, husband and wife, and friends and lovers intensify, what goes on behind the Cossatis' facade of middle-class respectability gradually comes to light, tearing the family's fragile fabric apart.   An exquisitely crafted portrayal of domestic life, Forbidden Notebook recognizes the universality of human aspirations.

A provocative examination of reproductive technologies that questions our understanding of fertility, motherhood, and the female body Since the world's first test-tube baby was born in 1978, in vitro fertilization has made the unimaginable possible for millions of people, but its revolutionary potential remains unrealized. Today, fertility centers continue to reinforce conservative norms of motherhood and family, and infertility remains a deeply emotional experience many women are reluctant to discuss. In this vivid and incisive personal and cultural history, Jenni Quilter explores what it is like to be one of those women, both the site of a bold experiment and a potential mother caught between fearing and yearning. Quilter observes her own experience with the eye of a critic, recounting the pleasures and pains of objectification how medicine mediates between women and their bodies, how marketing redefines pregnancy and early parenthood as a set of products, how we celebrate the "natural" and denigrate the artificial. With nuance, empathy, and a fierce intellect, Quilterasks urgent questions about what it means to desire a child and how much freedom reproductive technologies actually offer. Her writing embraces the complexities of motherhood and the humanity of IVF the waiting rooms, the message boards, and the genetic permutations of what a thoroughly modern family might mean.

"Christopher de Bellaigue has a magic talent for writing history. It is as if we are there as the era of Suleyman the Magnificent unfolds." --Orhan Pamuk, winner of the Nobel Prize in Literature Narrated through the eyes of the intimates of Suleyman the Magnificent, the sixteenth-century sultan of the Ottoman Empire, The Lion House animates with stunning immediacy the fears and stratagems of those brought into orbit around him: the Greek slave who becomes his Grand Vizier, the Venetian jewel dealer who acts as his go-between, the Russian consort who becomes his most beloved wife. Within a decade and a half, Suleyman held dominion over twenty-five million souls, from Baghdad to the walls of Vienna, and with the help of his brilliant pirate commander, Barbarossa, placed more Christians than ever before or since under Muslim rule. And yet the real drama takes place in close-up: in small rooms and whispered conversations, behind the curtain of power, where the sultan sleeps head-to-toe with his best friend and eats from wooden spoons with his baby boy. In The Lion House, Christopher de Bellaigue tells the story not just of rival superpowers in an existential duel, nor of one of the most consequential lives in human history, but of what it means to live in a time when a few men get to decide the fate of the world.

A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator. This Afterlife: Selected Poems brings together poetry from A. E. Stallings's four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings's earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems. Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat's-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.

One of Publishers Weekly's Best Nonfiction Books of 2022 | A New York Times Book Review Editors' Choice The riveting true story of America's first homegrown Muslim terror attack, the 1977 Hanafi siege of Washington, DC. On March 9, 1977, Washington, DC, came under attack. Seven men stormed the headquarters of B'nai B'rith International, quickly taking control of the venerable Jewish organization's building and holding more than a hundred employees hostage inside. A little over an hour later, three more men entered the Islamic Center of Washington, the country's biggest and most important mosque, and took hostages there. Two others subsequently penetrated the municipal government's District Building, a few hundred yards from the White House. When the gunmen there opened fire, a reporter was killed, and city councilor Marion Barry, later to become the mayor of Washington, DC, was shot in the chest. The deadly standoff brought downtown Washington to a standstill. The attackers belonged to the Hanafi movement, an African American Muslim group based in DC. Their leader was a former jazz drummer named Hamaas Abdul Khaalis, who had risen through the ranks of the Nation of Islam before feuding with the organization's mercurial chief, Elijah Muhammad, and becoming Kareem Abdul-Jabbar's spiritual authority. Like Malcolm X, Khaalis paid a price for his apostasy: in 1973, seven of his family members and followers were killed by Nation supporters in one of the District's most notorious murders. As Khaalis and the hostage takers took control of their DC targets four years later, they vowed to begin killing their hostages unless their demands were met: the federal government must turn over the killers of Khaalis's family, the boxer Muhammad Ali, and Elijah's son Wallace so that they could face true justice. They also demanded that the American premiere of Mohammad: Messenger of God--a Hollywood epic about the life of the prophet Muhammad financed and supported by the Libyan leader Muammar Gaddhafi--be canceled and the film destroyed. Shahan Mufti's American Caliph gives the first full account of the largest-ever hostage taking on American soil and of the tormented man who masterminded it. Informed by extensive archival research and hundreds of declassified FBI files, American Caliph tracks the battle for control of American Islam, the international politics of religion and oil, and the hour-to-hour drama of a city facing a homegrown terror assault. The result is a riveting true-crime story that sheds new light on the disarray of the 1970s and its ongoing reverberations.

Antagony surveys the social history of Barcelona and Catalonia, primarily since the end of the Spanish Civil War in 1939. The work, originally published as a tetralogy and now collected into one volume, follows the youth and education of Raúl Ferrer Gaminde, son of a well-connected, middle-class Catalan family that embraces Franco and Spanish Nationalism. Its potent drama plays out through Goytisolo's crisp, forceful presentation of youth, humor, optimism, rebellion, violence, sexual awakening, indulgence, punishment, and the realization of one's artistic vocation. Alternately modern and historical, Antagony displays intelligent realism, emotional gravity, profane beauty, brute vulgarity, sweeping rhetorical scope, and seamless transitions through long, streaming passages of narrative and introspection.

A fascinating portrait of a radical age through the writers associated with a London publisher and bookseller--from William Wordsworth and Mary Wollstonecraft to Benjamin Franklin Once a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The veal and boiled vegetables may have been unappetising but the company was convivial and the conversation brilliant and unpredictable. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. In this book, Daisy Hay paints a remarkable portrait of a revolutionary age through the connected stories of the men and women who wrote it into being, and whose ideas still influence us today. Johnson's years as a publisher, 1760 to 1809, witnessed profound political, social, cultural and religious changes--from the American and French revolutions to birth of the Romantic age--and many of his dinner guests and authors were at the center of events. The shifting constellation of extraordinary people at Johnson's table included William Blake, William Wordsworth, Samuel Taylor Coleridge, Benjamin Franklin, the scientist Joseph Priestly and the Swiss artist Henry Fuseli, as well as a group of extraordinary women--Mary Wollstonecraft, the novelist Maria Edgeworth, and the poet Anna Barbauld. These figures pioneered revolutions in science and medicine, proclaimed the rights of women and children and charted the evolution of Britain's relationship with America and Europe. As external forces conspired to silence their voices, Johnson made them heard by continuing to publish them, just as his table gave them refuge. A rich work of biography and cultural history, Dinner with Joseph Johnson is an entertaining and enlightening story of a group of people who left an indelible mark on the modern age.

An New York Times Book Review Editor's Choice * An NPR Best Book of the Year * A Padma Lakshmi Book Club Pick For fans of On Earth We're Briefly Gorgeous and A Tree Grows in Brooklyn, an unforgettable story about female friendship and queer love in a Muslim-American community "Stunningly beautiful." --The New York Times Book Review "An unforgettable voice that moves you from the start." --People Magazine Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close-knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing miniskirts, and cutting school to explore the city. When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens. At Stuyvesant, Razia meets Angela and is attracted to her in a way that blossoms into a new understanding. When their relationship is discovered by an Aunty in the community, Razia must choose between her family and her own future. Punctuated by both joy and loss, full of '80s music and beloved novels, Roses, in the Mouth of a Lion is a new classic: a fiercely compassionate coming-of-age story of a girl struggling to reconcile her heritage and faith with her desire to be true to herself.

Humankind discovers intelligent life in an octopus species with its own language and culture, and sets off a high-stakes global competition to dominate the future. Rumors begin to spread of a dangerous species of hyperintelligent octopus that may have developed its own language and culture. The marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. The transnational tech corporation DIANIMA has sealed off the remote Con Dao Archipelago, where the octopuses were discovered, from the rest of world. Dr. Nguyen travels to the islands to join DIANIMA's team: a battle-scarred security agent and the world's first android. The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence. The stakes are high: there are vast fortunes to be made by whoever can take advantage of the octopuses' advancements, and as Dr. Nguyen struggles to communicate with the newly discovered species, forces larger than DIANIMA close in to seize the octopuses for themselves. But no one has yet asked the octopuses what they think. Or what they might do about it. A near-future thriller about the nature of consciousness, Ray Nayler's The Mountain in the Sea is a dazzling literary debut and a mind-blowing dive into the treasure and wreckage of humankind's legacy.

An instant New York Times and Wall Street Journal bestseller from one of the world's leading economists, offering a grand narrative of the century that made us richer than ever, yet left us unsatisfied. "A magisterial history."--​Paul Krugman Before 1870, humanity lived in dire poverty, with a slow crawl of invention offset by a growing population. Then came a great shift: invention sprinted forward, doubling our technological capabilities each generation and utterly transforming the economy again and again. Our ancestors would have presumed we would have used such powers to build utopia. But it was not so. When 1870-2010 ended, the world instead saw global warming; economic depression, uncertainty, and inequality; and broad rejection of the status quo.    Economist Brad DeLong's Slouching Towards Utopia tells the story of how this unprecedented explosion of material wealth occurred, how it transformed the globe, and why it failed to deliver us to utopia. Of remarkable breadth and ambition, it reveals the last century to have been less a march of progress than a slouch in the right direction.

From one of our most admired writers, a beautifully illustrated story of a dynamic artistic partnership between the wars.

Resonant with the emotional urgency of Alice Walker's classic Meridian and the poignant charm of Sue Monk Kidd's The Secret Life of Bees, a gripping debut novel of female power and vulnerability, race, and class that explores the unlikely friendship between a precocious black girl and a mysterious white woman in a small Mississippi town in the early 1980s. Set in 1982, in rural, racially divided Ricksville, Mississippi Wade in the Water tells the story of Ella, a black, unloved, precocious eleven-year-old, and Ms. St. James, a mysterious white woman from Princeton who appears in Ella's community to carry out some research. Soon, Ms. St. James befriends Ella, who is willing to risk everything to keep her new friend in a town that does not want her there. The relationship between Ella and Ms. St. James, at times loving and funny and other times tense and cautious, becomes more fraught and complex as Ella unwittingly pushes at Ms. St. James's carefully constructed boundaries that guard a complicated past, and dangerous secrets that could have devastating consequences.     Told in two voices, Ella's and Ms. St. James's, and set around richly developed characters, this riveting, page turning coming of age story will keep readers entranced until the last shocking revelation.