Book Clubs and Book Suggestions: New Yorker magazine

Chosen as a Most Anticipated Book of 2024 by Oprah's Book Club, Elle, Reader's Digest, The Rumpus, Kirkus Reviews, The Millions, Lit Hub, and more "An inventive ode to self-determination and also a surrealistic vision of Black life as forged within the crucible of American history . . . [written in] lush, ornamental prose." --New Yorker "Fans of The Underground Railroad, The Water Dancer, and Let Us Descend will devour this lyrical and surreal saga." --Oprah Daily From a writer of singular voice and vision, a mesmerizing epic that reimagines the past to explore the true nature of freedom In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint's grand experiment--a truly secluded community where her people may flourish--takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint's creation are exposed, some begin to wonder whether the community's safety might be yet another form of bondage. Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

#1 Most Important Political Book of 2023, Sueddeutsche Zeitung (Germany) A Best Book of 2023, The Telegraph (Great Britain) A gripping and nuanced history of the German people from World War II to the war in Ukraine, including revealing new primary source material on Germany's transformation In 1945, Germany lay in ruins, morally and materially. Its citizens stood condemned by history, responsible for a horrifying genocide and war of extermination. But by the end of Angela Merkel's tenure as chancellor in 2021, Germany looked like the moral voice of Europe, welcoming more than one million refugees, holding together the tenuous threads of the European Union, and making military restraint the center of its foreign policy. At the same time, Germany's rigid fiscal discipline and energy deals with Vladimir Putin have cast a shadow over the present. Innumerable scholars have asked how Germany could have degenerated from a nation of scientists, poets, and philosophers into one responsible for genocide. This book raises another vital question: How did a nation whose past has been marked by mass murder, a people who cheered Adolf Hitler, reinvent themselves, and how much? Trentmann tells this dramatic story of the German people from the middle of World War II through the Cold War and the division into East and West to the fall of the Berlin Wall and the struggle to find a place in the world today. This journey is marked by a series of extraordinary moral conflicts: admissions of guilt and shame vying with immediate economic concerns; restitution for some but not others; tolerance versus racism; compassion versus complicity. Through a range of voices--German soldiers and German Jews; displaced persons in limbo; East German women and shopkeepers angry about energy shortages; opponents and supporters of nuclear power; volunteers helping migrants and refugees, and right-wing populists attacking them--Trentmann paints a remarkable and surprising portrait spanning eighty years of the conflicted people at the center of Europe, showing how the Germans became who they are today.

A Zibby Mag "Most Anticipated Book" * A San Francisco Chronicle "New Book to Cozy Up With" * A Publishers Weekly "Memoirs & Biographies: Top 10" * The Millions "Most Anticipated" * An Electric Lit "Books By Women of Color to Read" "We have more Native stories now, but we have not heard one like this. Whiskey Tender is unexpected and propulsive, indeed tender, but also bold, and beautifully told, like a drink you didn't know you were thirsty for. This book, never anything less than mesmerizing, is full of family stories and vital Native history. It pulses and it aches, and it lifts, consistently. It threads together so much truth by the time we are done, what has been woven together equals a kind of completeness from brokenness, and a hope from knowing love and loss and love again by naming it so."  -- Tommy Orange, National Bestselling Author of There There  Reminiscent of the works of Mary Karr and Terese Marie Mailhot, a memoir of family and survival, coming-of-age on and off the reservation, and of the frictions between mainstream American culture and Native inheritance; assimilation and reverence for tradition. Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents--citizens of the Quechan Nation and Laguna Pueblo tribe--were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the "American Dream." Whiskey Tender traces how a mixed tribe native girl--born on the California Yuma reservation and raised in Navajo territory in New Mexico--comes to her own interpretation of identity, despite her parent's desires for her to transcend the class and "Indian" status of her birth through education, and despite the Quechan tribe's particular traditions and beliefs regarding oral and recorded histories. Taffa's childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation. Taffa offers a sharp and thought-provoking historical analysis laced with humor and heart. As she reflects on her past and present--the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations--she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the "melting pot" of America, revealing all that is sacrificed for the promise of acceptance.

Named a Most Anticipated Book of 2024 by Nylon, The Millions, and Debutiful! Frances Ha meets No One Is Talking About This in a debut that follows two siblings-turned-roommates navigating an absurd world on the verge of calamity--a Seinfeldian novel of existentialism and sisterhood. It's March of 2019, and twenty-eight-year-old Jules Gold--anxious, artistically frustrated, and internet-obsessed--has been living alone in the apartment she once shared with the man she thought she'd marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that've plagued Poppy since childhood flare up. Jules's uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls' mother, a newly devout Messianic Jew, starts falling for the same deep-state conspiracy theories as Jules's online mommies. Jules, halfheartedly struggling to scrape her way to the source of her ennui, slowly and cruelly comes to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. And Amy Klobuchar might have rabies. As the year shambles on and a new decade looms near, a disastrous trip home to Florida forces Jules and Poppy--comrades, competitors, constant fixtures in each other's lives--to ask themselves what they want their futures to look like, and whether they'll spend them together or apart. Deadpan, dark, and brutally funny, Worry is a sharp portrait of two sisters enduring a dread-filled American moment from a nervy new voice in contemporary fiction.

An illuminating biography reconstructing the life and legacy of a unique king in world history and the most famous emperor in South Asian history   "Mr. Olivelle has produced an outstanding monument of scholarship and sound judgment."--Maxwell Carter, Wall Street Journal   There are few historical figures more integral to South Asian history than Emperor Ashoka, a third-century BCE king who ruled over a larger area of the Indian subcontinent than anyone else before British colonial rule. Ashoka sought not only to rule his territory but also to give it a unity of purpose and aspiration, to unify the people of his vastly heterogeneous empire not by a cult of personality but by the cult of an idea--"dharma"--which served as the linchpin of a new moral order. He aspired to forge a new moral philosophy that would be internalized not only by the people of his empire but also by rulers and subjects of other countries, and would form the foundation for his theory of international relations, in which practicing dharma would bring international conflicts to an end.   His fame spread far and wide both in India and in other parts of Asia, and it prompted diverse reimaginations of the king and his significance. In this deeply researched book, Patrick Olivelle draws on Ashoka's inscriptions and on the art and architecture he pioneered to craft a detailed picture of Ashoka as a ruler, a Buddhist, a moral philosopher, and an ecumenist who governed a vast multiethnic, multilinguistic, and multireligious empire.

An electrifying debut novel about art, solitude, family, and faith in a world without it In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother. In a library archive, she comes across a photo of Marta Becket and decides to write her a letter. Soon Marta magically appears in her home. Gia hopes Marta Becket will guide her out of her despair. But is Marta--the example of her single-minded, solitary life--enough? Through precise, vivid vignettes, Bitter Water Opera follows Gia as she resists the urge to escape into herself and struggles to form a lasting connection to the world. Her search has her reckoning with a set of terrifying charcoal drawings on her garage walls, a corpse in the middle of a pond, a crooked pear sapling, and other mysterious entities before bringing her to Marta's theater, the Amargosa Opera House. There in the desert, Gia finds one answer. In this brief, astonishing novel, Nicolette Polek describes an individual awakening to faith while exploring our deepest existential questions. How do we look beyond ourselves? Where do words go? What is art for?

An "enchanting" (Caroline Kepnes, author of You) New York City fairy tale about two sisters that fall under the spell of an underworld cabaret troupe that might be a dangerous cult--but one that makes the materialist world left in its wake feel like a sinister cult itself. Rose has come a long way. Raised--and often neglected--by a wayward mother in New York City's chaotic bohemia, Rose has finally built the life she's always wanted: a good job at a self-help startup, a clean apartment, an engagement to a stable if self-satisfied tech CEO who shares her faith in human potential, hard work, and the sacrifice of childish dreams. Rose's sister Cecilia, on the other hand, never grew up. Irresponsible and impetuous, prone to jetting off to a European monastery one month and a falcon rescue the next, Cecilia has spent her life in pursuit of fairy-tale narratives of transcendence and true love--grand ideas Rose knows never work out in the real world. When Cecilia declares she's come home to New York for good, following the ending of a whirlwind marriage, Rose hopes Cecilia might finally be ready to face adulthood: compromises and all. But then Cecilia gets involved with the Avalon: a cultish-sounding cabaret troupe--one that appears only at night, on a mysterious red boat that travels New York's waterways--and soon vanishes: one of a growing number of suspicious disappearances among the city's lost and loneliest souls. The only way Rose can find Cecilia is by tracking down the Avalon herself. But as Rose gets closer to solving the mystery of what happened to her sister, the Avalon works its magic on her, too. And the deeper she goes into the Avalon's underworld, she more she begins to question everything she knows about her own life, and whether she's willing to leave the real world behind.

The forgotten history of the liberal radicals, socialist internationalists, feminists, and Christians who envisioned free trade as the necessary prerequisite for anti-imperialism and peace Today, free trade is often associated with right-wing free marketeers. In Pax Economica, historian Marc-William Palen shows that free trade and globalisation in fact have roots in nineteenth-century left-wing politics. In this counterhistory of an idea, Palen explores how, beginning in the 1840s, left-wing globalists became the leaders of the peace and anti-imperialist movements of their age. By the early twentieth century, an unlikely alliance of liberal radicals, socialist internationalists, feminists, and Christians envisioned free trade as essential for a prosperous and peaceful world order. Of course, this vision was at odds with the era's strong predilections for nationalism, protectionism, geopolitical conflict, and colonial expansion. Palen reveals how, for some of its most radical left-wing adherents, free trade represented a hard-nosed critique of imperialism, militarism, and war. Palen shows that the anti-imperial component of free trade was a phenomenon that came to encompass the political left wing within the British, American, Spanish, German, Dutch, Belgian, Italian, Russian, French, and Japanese empires. The left-wing vision of a "pax economica" evolved to include supranational regulation to maintain a peaceful free-trading system--which paved the way for a more liberal economic order after World War II and such institutions as the United Nations, the European Union, and the World Trade Organization. Palen's findings upend how we think about globalisation, free trade, anti-imperialism, and peace. Rediscovering the left-wing history of globalism offers timely lessons for our own era of economic nationalism and geopolitical conflict.

A New York Times Book Review Editors' Choice A Kirkus Reviews Best Book of the Month "Deborah Jowitt chronicles a life passionately, artfully lived. An essential read about a true legend." --Mikhail Baryshnikov "A study in balance and grace." --The New York Times Book Review From the legendary dance critic Deborah Jowitt, Errand into the Maze is the definitive biography of the visionary dancer and choreographer Martha Graham. In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique--primal, dynamic, and rooted in the emotional life of the body--that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career, she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces. And along the way, she engaged with the major debates, events, and ideas of the twentieth century, creating works that cut to the core of the human experience. Time magazine's "Dancer of the Century," and the first dancer and choreographer to be awarded the Presidential Medal of Freedom, Graham was a visionary artistic force and an international cultural figure: hers was the iconic face of what came to be known as modern dance. From the renowned dance writer and former longtime critic for The Village Voice Deborah Jowitt, Errand into the Maze draws on more than a decade of firsthand research to deliver the definitive portrait of this titan. Beginning with Graham's childhood in Allegheny, Pennsylvania, and her early studies at the Denishawn School; weaving in her offstage adventures, including her relationship with her dancer and muse Erick Hawkins; and chronicling her retirement from dancing at age seventy-five and her remarkably productive final years, this elegant, empathetic biography portrays the artist in all her passionate complexity. Most important, Jowitt places Graham's creations at the heart of her story. Her works, brimming with raw intensity, are intimately linked with their creator, who played the heroine in almost all that she choreographed: Joan of Arc, Jocasta, Clytemnestra, and Judith, among others. In this volume, Graham is centerstage once more, and Jowitt casts a brilliant spotlight on her life and work.

"This stunning meditation on nostalgia, heritage, and compassion asks us to dismantle the stories we've been told--and told ourselves--in order to naturalize the forms of injustice we've come to understand as order." --Leslie Jamison, author of The Empathy Exams   When and how did migration become a crime? Why does ancient Greece remain so important to the West's idea of itself? How does nostalgia fuel the exclusion and demonization of migrants today?      In 2021, Lauren Markham went to Greece, in search of her own Greek heritage and to cover the aftermath of a fire that burned down the largest refugee camp in Europe. Almost no one had wanted the camp--not activists, not the country's growing neo-fascist movement, not even the government. But almost immediately, on scant evidence, six young Afghan refugees were arrested for the crime. Markham soon saw that she was tracing a broader narrative, rooted not only in centuries of global history but also in myth. A mesmerizing, trailblazing synthesis of reporting, history, memoir, and essay, A Map of Future Ruins helps us see that the stories we tell about migration don't just explain what happened. They are oracles: they predict the future.

From the New York Times best-selling author of The Flight of Gemma Hardy, a novel about a young woman whose gift of second sight complicates her coming of age in late-nineteenth-century Scotland "Bewitching and seductive." -Rebecca Makkai, author of I Have Some Questions for You . "A treasure- a writer who understands the magic and mysteries of the human soul." -Chris Bohjalian, author of Hour of the Witch . "This book is a cold, clear, perfect lake." -Lauren Groff, author of The Vaster Wilds Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small child that she can see into the future. But her gift is selective-she doesn't, for instance, see that she has an older sister who will come to join the family. As her "pictures" foretell various incidents and accidents, she begins to realize a painful truth- she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her. Why have the adults around her not revealed that the touch of a hand can change everything? After following Louis to Glasgow, though, she learns the limits of his devotion. Faced with a seemingly impossible choice, she makes a terrible mistake. But her second sight may allow her a second chance. Luminous and transporting, The Road from Belhaven once again displays "the marvelous control of a writer who conjures equally well the tangible, sensory world . . . and the mysteries, stranger and wilder, that flicker at the border of that world." -The Boston Globe

The riotous, raucous and deeply resonant debut novel from "one of the best story writers in the English language today" (Financial Times) Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry With his acclaimed and award-winning collections Young Skins and Homesickness Colin Barrett cemented his reputation as one of contemporary Irish literature's most daring stylists. Praised by the Oprah Daily as "a doyen of the sentence," and by the Los Angeles Times as a writer of "unique genius," Barrett now expands his canvas with a debut novel that contains as much grit, plot, and linguistic energy as any of his celebrated short stories. As Ballina prepares for its biggest weekend of the year, introspective loner Dev answers his door on Friday night to find Doll English-- younger brother of small-time local dealer Cillian English--bruised and in the clutches of Gabe and Sketch Ferdia, County Mayo's fraternal enforcers and Dev's cousins. Dev's quiet homelife is upturned as he is quickly and unwillingly drawn headlong into the Ferdias' frenetic revenge plot against Cillian. Meanwhile, Doll's girlfriend, seventeen-year-old Nicky, reeling from a fractious Friday and plagued by ghosts and tragedy of her own, sets out on a feverish mission to save Doll, even as she questions her future in Ballina. Set against Barrett's trademark depictions of small town Irish life, Wild Houses is thrillingly-told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence.

LONGLISTED FOR THE 2023 BOOKER PRIZE An astonishing novel about a young microbiologistinvestigating an unfathomable deep vent in the ocean floor, leading her on ajourney that will encompass the full trajectory of the cosmos and the passageof a single human life Leigh grew up in Rotterdam, drawn to the waterfront as anescape from her unhappy home life and volatile father. Enchanted by theundersea world of her childhood, she excels in marine biology, travelling theglobe to study ancient organisms. When a trench is discovered in the Atlanticocean, Leigh joins the exploration team, hoping to find evidence of the earth'sfirst life forms - what she instead finds calls into question everything weknow about our own beginnings. Her discovery leads Leigh to the Mojave desert and an ambitious new spaceagency. Drawn deeper into the agency's work, she learns that the Atlantictrench is only one of several related phenomena from across the world, eachpiece linking up to suggest a pattern beyond human understanding. Leigh knowsthat to continue working with the agency will mean leaving behind her decliningmother and her younger sister, and faces an impossible choice: to remain withher family, or to embark on a journey across the breadth of the cosmos. Exploring the natural world with the wonder and reverence we usually reservefor the stars, In Ascension is a compassionate, deeply inquisitiveepic that reaches outward to confront the greatest questions of existence,looks inward to illuminate the smallest details of the human heart, and showshow - no matter how far away we might be and how much we have lost hope - wewill always attempt to return to the people and places we call home.

NEW YORK TIMES BESTSELLER * A MOST ANTICIPATED BOOK * A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction. "Kaveh Akbar is one of my favorite writers. Ever." --Tommy Orange, Pulitzer Prize-nominated author of There There "The best novel you'll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness." --Lauren Groff, best-selling author of Matrix and Fates and Furies Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father's life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past--toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Kaveh Akbar's Martyr! is a paean to how we spend our lives seeking meaning--in faith, art, ourselves, others.

A landmark new history of the peasant experience, exploring a now neglected way of life that once encompassed most of humanity but is vanishing in our time. "What the skeleton is to anatomy, the peasant is to history, its essential hidden support." For over the past century and a half, and still more rapidly in the last seventy years, the world has become increasingly urban, and the peasant way of life--the dominant way of life for humanity since agriculture began well over 6,000 years ago--is disappearing. In this new history of peasantry, social historian Patrick Joyce aims to tell the story of this lost world and its people, and how we can commemorate their way of life. In one sense, this is a global history, ambitious in scope, taking us from the urbanization of the early 19th century to the present day. But more specifically, Joyce's focus is the demise of the European peasantry and of their rites, traditions, and beliefs. Alongside this he brings in stories of individuals as well as places, including his own family, and looks at how peasants and their ways of life have been memorialized in photographs, literature, and in museums. Joyce explores a people whose voice is vastly underrepresented in human history and is usually mediated through others. And now peasants are vanishing in one of the greatest historical transformations of our time. Written with the skill and authority of a great historian, Remembering Peasants is a landmark work, a richly complex and passionate history written with exquisite care. It is also deeply resonant, as Joyce shines a light on people whose knowledge of the land is being irretrievably lost during our critical time of climate crisis and the rise of industrial agriculture. Enlightening, timely, and vitally important, this book commemorates an extraordinary culture whose impact on history--and the future--remains profoundly relevant.

Named a Most Anticipated Book of 2024 by Foreign Policy, Literary Hub, and The Millions Ghosh unravels the impact of the opium trade on global history and in his own family―the climax of a yearslong project. When Amitav Ghosh began the research for his monumental cycle of novels the Ibis Trilogy, he was startled to learn how the lives of the nineteenth-century sailors and soldiers he wrote about were dictated not only by the currents of the Indian Ocean but also by the precious commodity carried in enormous quantities on those currents: opium. Most surprising of all, however, was the discovery that his own identity and family history were swept up in the story. Smoke and Ashes is at once a travelogue, a memoir, and an essay in history, drawing on decades of archival research. In it, Ghosh traces the transformative effect the opium trade had on Britain, India, and China, as well as the world at large. The trade was engineered by the British Empire, which exported Indian opium to sell to China to redress their great trade imbalance, and its revenues were essential to the empire's financial survival. Following the profits further, Ghosh finds opium central to the origins of some of the world's biggest corporations, of America's most powerful families and prestigious institutions (from the Astors and Coolidges to the Ivy League), and of contemporary globalism itself. Moving deftly between horticultural history, the mythologies of capitalism, and the social and cultural repercussions of colonialism, in Smoke and Ashes Ghosh reveals the role that one small plant has had in making our world, now teetering on the edge of catastrophe.

An enthralling novel about the corruption of power and the power of corruption from one of our greatest writers, the award-winning, bestselling author of THE INNOCENTS (Extraordinary"--Wall Street Journal) "A FLAWLESSLY CRAFTED NARRATIVE" --Wall Street Journal "MASTERPIECE" --Publisher's Weekly (Starred Review) "CEASELESSLY ENTERTAINING" --Kirkus (Starred Review) "ONE OF OUR BEST WRITERS" --Booklist (Starred Review) In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos. That ruthless act of sabotage is the opening salvo in a battle between the man and woman who own Mockbeggar's largest mercantile firms, each fighting for the scarce resources of the north Atlantic fishery, each seeking a measure of revenge on the person they despise most in the world. As their unshakeable animosity spirals further each year into vendettas and violence, the community is increasingly divided and even the innocents in Mockbeggar find themselves forced to take sides, with devastating consequences.  Through merciless seasons of uncertainty and want, through predatory storms and pandemics and marauding privateers, it is the human heart that reveals itself to be the most formidable and unpredictable adversary for each person drawn, inevitably and helplessly, into that endless feud.  Compulsively readable and uncompromising, The Adversary is a masterful evocation of a lost time, and a shadowed mirror to our modern politics of grievance and retribution.

A revelatory look at the tumultuous life of a jazz legend and American cultural icon In the first biography of Billie Holiday in more than two decades, Paul Alexander--author of heralded lives of Sylvia Plath and J. D. Salinger--gives us an unconventional portrait of arguably America's most eminent jazz singer. He shrewdly focuses on the last year of her life--with relevant flashbacks to provide context--to evoke and examine the persistent magnificence of Holiday's artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law. During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop--a reference to the last two words of Strange Fruit, her moving song about lynching--limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.

In her seventh collection, Dorianne Laux once again offers poems that move us, include us, and appreciate us fully as the flawed humans we are. Life on Earth is a book of praise for our planet and ourselves, delivered with Laux's trademark vitality, frank observation, and earthy wisdom. With odes to the unlikely and elemental-salt, snow, crows, cups, Bisquick, a shovel and rake, the ubiquitous can of WD-40, "the way / it releases the caught cogs / of the world"-Life on Earth urges us all to find extraordinary magic in the mess of ordinary life. "One of our most daring contemporary poets" (Diana Whitney, San Francisco Chronicle), Laux balances wonder at the night sky and the taste of a ripe peach with recognition of the sharp knife of mortality. The volume includes powerful homages to the poet's mother and her carpenter's spirit, reflections on loss and aging, and encounters with the fleeting beauty of the natural world. Transcending life's inevitable moments of pain and uncertainty, Life on Earth instructs us in our own endless possibilities and the astonishing riches of the world around us.

NATIONAL BESTSELLER * "A riveting feat of science writing that recasts that most familiar of celestial objects into something eerily extraordinary, pivotal to our history, and awesome in the original sense of the word."--Ed Yong, New York Times bestselling author of An Immense World A New York Times Book Review Editors' Choice Many of us know that the Moon pulls on our oceans, driving the tides, but did you know that it smells like gunpowder? Or that it was essential to the development of science and religion? Acclaimed journalist Rebecca Boyle takes readers on a dazzling tour to reveal the intimate role that our 4.51-billion-year-old companion has played in our biological and cultural evolution.  Our Moon's gravity stabilized Earth's orbit--and its climate. It drew nutrients to the surface of the primordial ocean, where they fostered the evolution of complex life. The Moon continues to influence animal migration and reproduction, plants' movements, and, possibly, the flow of the very blood in our veins.  While the Sun helped prehistoric hunters and gatherers mark daily time, early civilizations used the phases of the Moon to count months and years, allowing them to plan farther ahead. Mesopotamian priests recorded the Moon's position in order to make predictions, and, in the process, created the earliest known empirical, scientific observations. In Our Moon, Boyle introduces us to ancient astronomers and major figures of the scientific revolution, including Johannes Kepler and his influential lunar science fiction. Our relationship to the Moon changed when Apollo astronauts landed on it in 1969, and it's about to change again. As governments and billionaires aim to turn a profit from its resources, Rebecca Boyle shows us that the Moon belongs to everybody, and nobody at all.

A thrilling confessional from the award-winning, beloved author of Pure Colour. Sheila Heti kept a record of her thoughts over a ten-year period, then arranged the sentences from A to Z. Passionate and reflective, joyful and despairing, these are her alphabetical diaries.

The first full-length biography of civil rights hero and congressman John Lewis   "The perfect book, at the right time."--Michael Henry Adams, The Guardian   For six decades John Robert Lewis (1940-2020) was a towering figure in the U.S. struggle for civil rights. As an activist and progressive congressman, he was renowned for his unshakable integrity, indomitable courage, and determination to get into "good trouble."   In this first book-length biography of Lewis, Raymond Arsenault traces Lewis's upbringing in rural Alabama, his activism as a Freedom Rider and leader of the Student Nonviolent Coordinating Committee, his championing of voting rights and anti-poverty initiatives, and his decades of service as the "conscience of Congress."   Both in the streets and in Congress, Lewis promoted a philosophy of nonviolence to bring about change. He helped the Reverend Martin Luther King Jr. and other civil rights leaders plan the 1963 March on Washington, where he spoke at the Lincoln Memorial. Lewis's activism led to repeated arrests and beatings, most notably when he suffered a skull fracture in Selma, Alabama, during the 1965 police attack later known as Bloody Sunday. He was instrumental in the passage of the Voting Rights Act of 1965, and in Congress he advocated for racial and economic justice, immigration reform, LGBTQ rights, and national health care.   Arsenault recounts Lewis's lifetime of work toward one overarching goal: realizing the "beloved community," an ideal society based in equity and inclusion. Lewis never wavered in this pursuit, and even in death his influence endures, inspiring mobilization and resistance in the fight for social justice.

Rozycki collects moments of illumination - a cat dashing out of a window and 'feral sun' streaking in, a body planting itself in the ground like rhubarb and flowering. He collects and collects, opens a crack, and clutches a shrapnel of epiphany. Tomasz Rozycki's To the Letter follows Lieutenant Anielewicz on the hunt for any clues that might lead 21st century human beings out of a sense of despair. With authoritarianism rising across Eastern Europe, the Lieutenant longs for a secret hero. At first, he suspects some hidden mechanism afoot: fruit tutors him in the ways of colour, he drifts out to sea to study the grammar of tides, or he gazes at the sun as it thrums away like a timepiece. In one poem, he admits 'this is the story of my confusion,' and in the next the Lieutenant is back on the trail. 'This lunacy needs a full investigation,' he jibes. He wants to get to the bottom of it all, but he's often bewitched by letters and the trickery of language. Diacritics on Polish words form

The peak of the hot season, 1942: The wars in Europe and Asia and the Japanese occupation have upset the uneasy balance of French Indochina. In the Vietnamese fishing village of Phan Thiet, Tuyet ekes out a living at a small storefront with her aunt Coi, her cousin Ha, and her two-year-old daughter, Anh. She can hardly remember her luxurious life in the city of Saigon, which she left just two years ago. The day Tuyet meets Japanese major Yamazaki Takeshi is inauspicious and stifling, with no relief from the sand-stirring wind. But to her surprise, she feels not fear or wariness, but a strange kinship. Tuyet is guarded, knowing how the townspeople might whisper, yet is drawn to Takeshi's warmth all the same. A wounded veteran with a good heart, Takeshi grows to resent the Empire for what it has taken-and the promises it has failed to keep. As the Viet Minh begin to battle the French and Takeshi risks his life for the Resistance, Tuyet and her family are drawn into the conflict, with devastating consequences. A lushly panoramic novel, by turns gritty and profoundly moving, Twilight Territory is at once a war story and a love story that offers a fascinating perspective on Vietnam's struggles to break free of its French colonial past. At its heart is one woman's struggle for independence and her country's liberation.

To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to understand the essence of the local culture, the intrepid young scholar scurries around restlessly on his moped to interview residents. But what David doesn't yet know is that here, in this seemingly ordinary place, once the stage for wars and revolutions, Death leads a dance: when one thing perishes, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human, or wild animal, sometimes in the past, sometimes in the future. And once a year, Death and the living observe a temporary truce during a gargantuan three-day feast where gravediggers gorge themselves on food, drink, and language. Brimming with Mathias Énard's characteristic wit and encyclopedic brilliance, The Annual Banquet of the Gravediggers' Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess.  

"Behind You Is the Sea fearlessly confronts stereotypes about Palestinian culture, weaving a remarkable portrait of life's intricate moments, from joyous weddings to heart-wrenching funerals, from shattered hearts to hidden truths--I wept and grew alongside this family. This is a story that challenges perceptions, offering a heartfelt glimpse into the interior lives of those who call this community home. A must read novel with unforgettable characters and an unwavering, fresh voice--I couldn't put it down until the very last page! Darraj delivers an instant, necessary, and authentic classic to the cannon of Arab-American literature."--Etaf Rum, author of Evil Eye and A Woman Is No Man An exciting debut novel that gives voice to the diverse residents of a Palestinian American community in Baltimore--from young activists in conflict with their traditional parents to the poor who clean for the rich--lives which intersect across divides of class, generation, and religion. Funny and touching, Behind You Is the Sea brings us into the homes and lives of three main families--the Baladis, the Salamehs, and the Ammars--Palestinian immigrants who've all found a different welcome in America. Their various fates and struggles cause their community dynamic to sizzle and sometimes explode: The wealthy Ammar family employs young Maysoon Baladi, whose own family struggles financially, to clean up after their spoiled teenagers. Meanwhile, Marcus Salameh confronts his father in an effort to protect his younger sister for "dishonoring" their name. Only a trip to Palestine, where Marcus experiences an unexpected and dramatic transformation, can bridge this seemingly unbridgeable divide between the two generations. Behind You Is the Sea faces stereotypes about Palestinian culture head-on and, shifting perspectives to weave a complex social fabric replete with weddings, funerals, broken hearts, and devastating secrets.

* THE INSTANT NEW YORK TIMES BESTSELLER * Scientific American's #1 Book for 2023 * A New York Times Book Review Editors' Choice * A Times Best Science and Environment Book of 2023 * A Tor.com Best Book of 2023 * "Exceptional. . . Forceful, engaging and funny . . . This book will make you happy to live on this planet -- a good thing, because you're not leaving anytime soon." --New York Times Book Review From the bestselling authors of Soonish, a brilliant and hilarious off-world investigation into space settlement Earth is not well. The promise of starting life anew somewhere far, far away--no climate change, no war, no Twitter--beckons, and settling the stars finally seems within our grasp. Or is it? Critically acclaimed, bestselling authors Kelly and Zach Weinersmith set out to write the essential guide to a glorious future of space settlements, but after years of research, they aren't so sure it's a good idea. Space technologies and space business are progressing fast, but we lack the knowledge needed to have space kids, build space farms, and create space nations in a way that doesn't spark conflict back home. In a world hurtling toward human expansion into space, A City on Mars investigates whether the dream of new worlds won't create nightmares, both for settlers and the people they leave behind. In the process, the Weinersmiths answer every question about space you've ever wondered about, and many you've never considered: Can you make babies in space? Should corporations govern space settlements? What about space war? Are we headed for a housing crisis on the Moon's Peaks of Eternal Light--and what happens if you're left in the Craters of Eternal Darkness? Why do astronauts love taco sauce? Speaking of meals, what's the legal status of space cannibalism? With deep expertise, a winning sense of humor, and art from the beloved creator of Saturday Morning Breakfast Cereal, the Weinersmiths investigate perhaps the biggest questions humanity will ever ask itself--whether and how to become multiplanetary. Get in, we're going to Mars.

A New York Times Book Review Editors' Choice A groundbreaking account of the coming of the French Revolution from a historian of worldwide acclaim. When a Parisian crowd stormed the Bastille in July 1789, it triggered an event of global consequence: the overthrow of the monarchy and the birth of a new society. Most historians account for the French Revolution by viewing it in retrospect as the outcome of underlying conditions such as a faltering economy, social tensions, or the influence of Enlightenment thought. But what did Parisians themselves think they were doing--how did they understand their world? What were the motivations and aspirations that guided their actions? In this dazzling history, Robert Darnton addresses these questions by drawing on decades of close study to conjure a past as vivid as today's news. He explores eighteenth-century Paris as an information society much like our own, its news circuits centered in cafés, on park benches, and under the Palais-Royal's Tree of Cracow. Through pamphlets, gossip, underground newsletters, and public performances, the events of some forty years--from disastrous treaties, official corruption, and royal debauchery to thrilling hot-air balloon ascents and new understandings of the nation--all entered the churning collective consciousness of ordinary Parisians. As public trust in royal authority eroded and new horizons opened for them, Parisians prepared themselves for revolution. Darnton's authority and sure judgment enable readers to confidently navigate the passions and complexities of controversies over court politics, Church doctrine, and the economy. And his compact, luminous prose creates an immersive reading experience. Here is a riveting narrative that succeeds in making the past a living presence.

An Indie Next Pick A LibraryReads Pick From the celebrated New York Times bestselling author of Such a Fun Age comes a fresh and provocative story about a residential assistant and her messy entanglement with a professor and three unruly students. It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue. A fresh and intimate portrait of desire, consumption, and reckless abandon, Come and Get It is a tension-filled story about money, indiscretion, and bad behavior--and the highly anticipated new novel by acclaimed and award-winning author Kiley Reid.

"Astonishingly important." --Alex Kotlowitz, The Atlantic Through the stories of five American families, a masterful and timely exploration of how hope, history, and racial denial collide in the suburbs and their schools Outside Atlanta, a middle-class Black family faces off with a school system seemingly bent on punishing their teenage son. North of Dallas, a conservative white family relocates to an affluent suburban enclave, but can't escape the changes sweeping the country. On Chicago's North Shore, a multiracial mom joins an ultraprogressive challenge to the town's liberal status quo. In Compton, California, whose suburban roots are now barely recognizable, undocumented Hispanic parents place their gifted son's future in the hands of educators at a remarkable elementary school. And outside Pittsburgh, a Black mother moves to the same street where author Benjamin Herold grew up, then confronts the destructive legacy left behind by white families like his. Disillusioned braids these human stories together with penetrating local and national history to reveal a vicious cycle undermining the dreams upon which American suburbia was built. For generations, upwardly mobile white families have extracted opportunity from the nation's heavily subsidized suburbs, then moved on before the bills for maintenance and repair came due, leaving the mostly Black and Brown families who followed to clean up the ensuing mess. But now, sweeping demographic shifts and the dawning realization that endless expansion is no longer feasible are disrupting this pattern, forcing everyday families to confront a truth their communities were designed to avoid: The suburban lifestyle dream is a Ponzi scheme whose unraveling threatens us all. How do we come to terms with this troubled history? How do we build a future in which all children can thrive?  Drawing upon his decorated career as an education journalist, Herold explores these pressing debates with expertise and perspective. Then, alongside Bethany Smith--the mother from his old neighborhood, who contributes a powerful epilogue to the book--he offers a hopeful path toward renewal. The result is nothing short of a journalistic masterpiece.

This is definitely not a ghost story. But for a while after you're gone, I see you everywhere. Every ragged young person sitting huddled on a pavement, every stretched-out body under cardboard in a shop doorway. Two parents stand by powerlessly as their only child seems intent on destroying herself. As the mother--a novelist--attempts to understand her daughter, she finds herself revisiting her own uneasy, unresolved relationship with her mother. Weaving between childhoods past and present, laced with temptation and betrayal, Nonfiction: A Novel is an unflinching account of a mother, daughter, wife, and author reckoning with the world around her. But can a writer ever be trusted with the truth of her own story? Clear-eyed, lacerating, and fearless, Julie Myerson's Nonfiction: A Novel explores maternal love as an emotional foundation to both crave and fear. A hauntingly beautiful and deeply moving love letter from a mother to a daughter, this is a tale of damage and addiction, recovery and creativity, compassion and love.

A wondrous, tender novel about a young girl grappling with her role in a tragic loss--and attempting to reshape the narrative of her life--from PEN/Faulkner Award nominee Claire Oshetsky Margaret Murphy is a weaver of fantastic tales, growing up in a world where the truth is too much for one little girl to endure. Her first memory is of the day her friend Agnes died. No one blames Margaret. Not in so many words. Her mother insists to everyone who will listen that her daughter never even left the house that day. Left alone to make sense of tragedy, Margaret wills herself to forget these unbearable memories, replacing them with imagined stories full of faith and magic--that always end happily. Enter Poor Deer: a strange and formidable creature who winds her way uninvited into Margaret's made-up tales. Poor Deer will not rest until Margaret faces the truth about her past and atones for her role in Agnes's death. Heartrending, hopeful, and boldly imagined, Poor Deer explores the journey toward understanding the children we once were and the stories we tell ourselves to make sense of life's most difficult moments.

A taut yet expansive novel of love, memory, and grief from Paul Auster, best-selling, award-winning author and "one of the great American prose stylists of our time"  - New York Times Paul Auster's brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner -- phenomenologist, noted author, and soon-to-be retired philosophy professor - has just forgotten on the stove. Baumgartner's life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner's youth in Newark and his Polish-born father's life as a dress-shop owner and failed revolutionary. Rich with compassion, wit, and Auster's keen eye for beauty in the smallest, most transient moments of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others? In one of his most luminous works and his first novel since the Booker-shortlisted tour-de-force 4 3 2 1, Paul Auster captures several lifetimes.

An award-winning novel from one of Ukraine's most prolific contemporary authors, Forgottenness tells a spellbinding story of belonging and uprootedness, as understood by two exiles across time. An exceedingly anxious narrator grapples with a host of conditions, from obsessive-compulsive disorder to a creeping sense of agoraphobia. As her symptoms deepen, she finds unexpected solace researching Viacheslav Lypynskyi (1882-1931), a social and political activist of Polish descent who played a pivotal role in the struggle for Ukrainian independence--and who nursed his own comorbidities. In this long-deceased ideologue the narrator finally finds companionship, mining her country's history in pursuit of a better grasp over her own. Brilliantly translated by Zenia Tompkins, Forgottenness movingly illuminates the intricacies of the Ukrainian experience and announces Tanja Maljartschuk as an essential voice in contemporary world literature.

A vibrant portrait of an age when Arabic enlightenment anticipated and inspired the European Renaissance, illuminated by its guiding figures and rivals, Ibn Sina and Biruni.In The Genius of their Age, S. Frederick Starr follows up his acclaimed Lost Enlightenment: Central Asia's Golden Age with a portrait of the Arab enlightenment and its key figures--Abu-Ali al-Husayn ibn-'Abdallah Ibn-Sina and Abu al-Rayhan Muhammad ibn Ahmad al-Biruni. A thousand years ago, these two intellectual giants--known as Ibn Sina and Biruni for short--achieved stunning breakthroughs in fields as diverse as medicine, astronomy, mathematics, philosophy, geography, and physics. Biruni measured the earth more precisely than anyone else down to the sixteenth century, pondered a heliocentric universe, and hypothesized the existence of North and South America as inhabited continents. Ibn Sina's writing on philosophy and metaphysics enriched the writings of countless European thinkers, including St. Thomas Aquinas, while Sina's grand synthesis of medical knowledge became the standard for the next six hundred years in Europe, the Middle East, and India. They both also commented extensively on the works of ancient Greeks and earlier Muslim thinkers, whose works they aspired to synthesize--and to transcend. Contemporaries, Ibn Sina and Biruni were born within the borders of what is now Uzbekistan and spent their lives in Central Asia. They also became rivals, launching a correspondence and commentary that galvanized them despite sometimes bitter disagreement. Centuries before the West caught up with them, Ibn Sina and Biruni reflected their age's feats and its intellectual high point, persisting with their inquiries and their independence amid turmoil and rapid change. Though scholars have long dissected the works of Ibn Sina and Biruni, S. Frederick Starr focuses also on their lives and the times in which they lived. By contextualizing their work and by making the age palpable to the reader, S. Frederick Starr gives the achievements of Ibn Sina and Biruni a holistic and unforgettably human dimension.

A powerful, timely memoir of a young Air Force linguist coming-of-age in a war that is lost. When Ian Fritz joined the Air Force at eighteen, he did so out of necessity. He hadn't been accepted into college thanks to an indifferent high school career. He'd too often slept through his classes as he worked long hours at a Chinese restaurant to help pay the bills for his trailer-dwelling family in Lake City, Florida. But the Air Force recognizes his potential and sends him to the elite Defense Language Institute in Monterey, California, to learn Dari and Pashto, the main languages of Afghanistan. By 2011, Fritz was an airborne cryptologic linguist and one of only a tiny number of people in the world trained to do this job on low-flying gunships. He monitors communications on the ground and determines in real time which Afghans are Taliban and which are innocent civilians. This eavesdropping is critical to supporting Special Forces units on the ground, but there is no training to counter the emotional complexity that develops as you listen to people's most intimate conversations. Over the course of two tours, Fritz listens to the Taliban for hundreds of hours, all over the country night and day, in moments of peace and in the middle of battle. What he hears teaches him about the people of Afghanistan--Taliban and otherwise--the war, and himself. Fritz's fluency is his greatest asset to the military, yet it becomes the greatest liability to his own commitment to the cause. Both proud of his service and in despair that he is instrumental in destroying the voices that he hears, What the Taliban Told Me is a brilliant, intimate coming-of-age memoir and a reckoning with our twenty years of war in Afghanistan.

The first major history of Mormonism in a decade, drawing on newly available sources to reveal a profoundly divided faith that has nevertheless shaped the nation. The Church of Jesus Christ of Latter-day Saints was founded by Joseph Smith in 1830 in the so-called "burned-over district" of upstate New York, which was producing seers and prophets daily. Most of the new creeds flamed out; Smith's would endure, becoming the most significant homegrown religion in American history. How Mormonism succeeded is the story told by historian Benjamin E. Park in American Zion. Drawing on sources that have become available only in the last two decades, Park presents a fresh, sweeping account of the Latter-day Saints: from the flight to Utah Territory in 1847 to the public renunciation of polygamy in 1890; from the Mormon leadership's forging of an alliance with the Republican Party in the wake of the New Deal to the "Mormon moment" of 2012, which saw the premiere of The Book of Mormon musical and the presidential candidacy of Mitt Romney; and beyond. In the twentieth century, Park shows, Mormons began to move ever closer to the center of American life, shaping culture, politics, and law along the way. But Park's epic isn't rooted in triumphalism. It turns out that the image of complete obedience to a single, earthly prophet--an image spread by Mormons and non-Mormons alike--is misleading. In fact, Mormonism has always been defined by internal conflict. Joseph Smith's wife, Emma, inaugurated a legacy of feminist agitation over gender roles. Black believers petitioned for belonging even after a racial policy was instituted in the 1850s that barred them from priesthood ordination and temple ordinances (a restriction that remained in place until 1978). Indigenous and Hispanic saints--the latter represent a large portion of new converts today--have likewise labored to exist within a community that long called them "Lamanites," a term that reflected White-centered theologies. Today, battles over sexuality and gender have riven the Church anew, as gay and trans saints have launched their own fight for acceptance. A definitive, character-driven work of history, American Zion is essential to any understanding of the Mormon past, present, and future. But its lessons extend beyond the faith: as Park puts it, the Mormon story is the American story.

A debut novel of female friendship and coming-of-age from Jazmina Barrera, acclaimed author of Linea Nigra and On Lighthouses, translated by Christina MacSweeney. It was meant to be the trip of a lifetime. Mila, Citlali, and Dalia, childhood friends now college aged, leave Mexico City for the London of The Clash and the Paris of Courbet. They anticipate the cafés and crushes, but not the early signs that they are each steadily, inevitably changing.  That feels like forever ago. Mila, now a writer and a new mother, has just published a book on needlecraft--an art form so long dismissed as "women's work." But after learning Citlali has drowned, Mila begins to sift through her old scrapbooks, reflecting on their shared youth for the first time as a new wife and mother. What has come of all the nights the three friends spent embroidering together in silence? Did she miss the signs that Citlali needed help?

With an introduction by Jeff VanderMeer that makes an ardent case for its relevance to today's world, this rediscovered classic of Scandinavian fiction is still shockingly relevant more than fifty years after it was first published. Sven Holm's Termush is a searing and prophetic study of humanity forced into a moral bind through its own doing. Termush caters to every need of its wealthy patrons--first among them, a coveted spot at this exclusive seaside getaway, a resort designed for the end of the world. Everyone within its walls has been promised full protection from the aftereffects of "the disaster." The staff work behind the scenes to create a calming and frictionless mood; they pipe soothing music into the halls and quickly remove the dead birds that fall out of the sky. But the specter of death remains. Recon teams come and go in protective gear. Fear of contamination spreads as the hotel cautiously welcomes survivors only to then censor news of their arrival. As the days pass, the veneer of control begins to crack, and it becomes clear that the residents of Termush can insulate themselves from neither the physical effects of the cataclysm nor the moral fallout of using their wealth to separate themselves from the fate of those trapped outside.

The definitive takedown of fatphobia, drawing on personal experience as well as rigorous research to expose how size discrimination harms everyone, and how to combat it--from the acclaimed author of Down Girl and Entitled "An elegant, fierce, and profound argument for fighting fat oppression in ourselves, our communities, and our culture."--Roxane Gay, author of Hunger For as long as she can remember, Kate Manne has wanted to be smaller. She can tell you what she weighed on any significant occasion: her wedding day, the day she became a professor, the day her daughter was born. She's been bullied and belittled for her size, leading to extreme dieting. As a feminist philosopher, she wanted to believe that she was exempt from the cultural gaslighting that compels so many of us to ignore our hunger. But she was not. Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except one: body size. Manne examines how anti-fatness operates--how it leads us to make devastating assumptions about a person's attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression. Fatphobia is responsible for wage gaps, medical neglect, and poor educational outcomes; it is a straitjacket, restricting our freedom, our movement, our potential. In this urgent call to action, Manne proposes a new politics of "body reflexivity"--a radical reevaluation of who our bodies exist in the world for: ourselves and no one else. When it comes to fatphobia, the solution is not to love our bodies more. Instead, we must dismantle the forces that control and constrain us, and remake the world to accommodate people of every size.

With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. Edward L. Ayers's rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd "Is it not possible that an individual may be right and a government wrong?" Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.

A disquieting vision of ecological dystopia in a collection by a major Korean writer. An artist is plagued by desire for her mysterious double as disease spreads through an uncanny suburban landscape. An elderly woman suspects the old man who lifts weights in her neighborhood playground of being responsible for a spate of murders. While elsewhere, a woman who believes she's been exposed to radioactive radiation inherits a warehouse where those fleeing the city can store their possessions. Beneath the calm surface of the stories collected here, Kang Young-sook offers a disquieting vision of a society grappling with ecological catastrophe and unplaceable forms of loss. 

Named a Most Anticipated Title by: Associated Press, Los Angeles Times, and the Washington Post! A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr. In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman's Narrative, was first published in 2002 to great acclaim, but the author's identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author's name and, in The Life and Times of Hannah Crafts, he finally tells her story. In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond "Crafts." She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity--as Hannah Crafts--to make sense of a life fractured by slavery. Hecimovich establishes the case for authorship of The Bondwoman's Narrative by examining the lives of Hannah Crafts's friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history. At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America's slide into Civil War.

NATIONAL BESTSELLER  NAMED A BEST BOOK OF THE YEAR BY NPR, HARPER'S BAZAAR, VOGUE AND KIRKUS REVIEWS The New York Times-bestselling, National Book Award-winning author of The Friend and What Are You Going Through brings her singular voice to a story about modern life and connection "I am committed, until one of us dies, to Nunez's novels. I find them ideal. They are short, wise, provocative, funny -- good and strong company." --Dwight Garner, The New York Times "With the intimacy and humor of a great conversation, this novel makes you feel smarter and more alive." --People Magazine "An ode to our basic need to connect with other beings, be they human or animal, even in a global crisis that told us to stay apart." --NPR Elegy plus comedy is the only way to express how we live in the world today, says a character in Sigrid Nunez's ninth novel. The Vulnerables offers a meditation on our contemporary era, as a solitary female narrator asks what it means to be alive at this complex moment in history and considers how our present reality affects the way a person looks back on her past. Humor, to be sure, is a priceless refuge. Equally vital is connection with others, who here include an adrift member of Gen Z and a spirited parrot named Eureka. The Vulnerables reveals what happens when strangers are willing to open their hearts to each other and how far even small acts of caring can go to ease another's distress. A search for understanding about some of the most critical matters of our time, Nunez's new novel is also an inquiry into the nature and purpose of writing itself.

A moving story about love, AIDS, grief, and memory by one of the most adventurous writers to come out of San Francisco's LGBTQ+ scene. Bob Glück met Ed Aulerich-Sugai in 1970. Ed was an aspiring artist; Bob wanted to write. They were young men in San Francisco at the high tide of sexual liberation and soon, and for eight years, they were lovers, after which they were friends. Ed was an explorer in the realms of sex. He was beautiful, fragile, exasperating, serious, unassuaged. In 1994 he died of HIV. His dream notebooks became a touchstone for this book, which Glück has been working on for some two decades, while also making  his name as a proponent of New Narrative writing and as one of America's most unusual, venturesome, and lyrical authors. About Ed is about Ed, who remains, as our dead do, both familiar and unknowable, faraway and close. It is about Bob too. The book is a hybrid, at once fiction and fact, like memory, and it takes in many things through tales of political activism and domestic comedy and fury to questions of art and love and experiences of  longing and horror. The book also shifts in register, from the delicate  to the analytic, to funny and explicit and heartbroken. It begins in the  San Francisco of the early 1980s, when Ed and Bob have been broken up for a while. aIds is spreading, but Ed has yet to receive his diagnosis.  It follows him backward through his life with Bob in the 1970s and forward through the harrowing particulars of death. It holds on to him and explores his art. It ends in his dreams.

Longlisted for the 2023 Booker Prize * Shortlisted for the 2023 An Post Irish Book Awards Novel of the Year * One of the Globe and Mail's "Sixty-Two Books to Read This Fall" * One of the Globe 100's Best Books of 2023 Jamie O'Neill loves the colour red. He also loves tall trees, patterns, rain that comes with wind, the curvature of certain objects, books with dust jackets, rivers, cats, and Edgar Allan Poe. At age thirteen, there are two things he wants most in life: to build a Perpetual Motion Machine, and to connect with his mother, Noelle, who died when he was born. In his mind, these things are intimately linked, and at his new school, despite the daily barrage of bullies and cathedral bells, he meets two teachers who might be able to help him, though each struggles against inertias of their own. How to Build a Boat is the story of how one boy's irrepressible dream finds expression through a community propelled by love out of grief. Lyrical and compassionate, it's a novel about the courage of conviction and the power of the imagination to transform--and how sometimes the best way to break free of old walls is to build something beautiful within them.

The New York Times Book Review Editors' Choice * The incredible saga of the German-Jewish immigrants--with now familiar names like Goldman and Sachs, Kuhn and Loeb, Warburg and Schiff, Lehman and Seligman--who profoundly influenced the rise of modern finance (and so much more), from the New York Times best-selling author of Sons of Wichita Joseph Seligman arrived in the United States in 1837, with the equivalent of $100 sewn into the lining of his pants. Then came the Lehman brothers, who would open a general store in Montgomery, Alabama. Not far behind were Solomon Loeb and Marcus Goldman, among the "Forty-Eighters" fleeing a Germany that had relegated Jews to an underclass. These industrious immigrants would soon go from peddling trinkets and buying up shopkeepers' IOUs to forming what would become some of the largest investment banks in the world--Goldman Sachs, Kuhn Loeb, Lehman Brothers, J. & W. Seligman & Co. They would clash and collaborate with J. P. Morgan, E. H. Harriman, Jay Gould, and other famed tycoons of the era. And their firms would help to transform the United States from a debtor nation into a financial superpower, capitalizing American industry and underwriting some of the twentieth century's quintessential companies, like General Motors, Macy's, and Sears. Along the way, they would shape the destiny not just of American finance but of the millions of Eastern European Jews who spilled off steamships in New York Harbor in the early 1900s, including Daniel Schulman's paternal grandparents.   In The Money Kings, Schulman unspools a sweeping narrative that traces the interconnected origin stories of these financial dynasties. He chronicles their paths to Wall Street dominance, as they navigated the deeply antisemitic upper class of the Gilded Age, and the complexities of the Civil War, World War I, and the Zionist movement that tested both their burgeoning empires and their identities as Americans, Germans, and Jews.

WINNER OF THE BOOKER PRIZE 2023 * NATIONAL BESTSELLER On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find two officers from Ireland's newly formed secret police on her step. They have arrived to interrogate her husband, a trade unionist. Ireland is falling apart, caught in the grip of a government turning towards tyranny. As the life she knows and the ones she loves disappear before her eyes, Eilish must contend with the dystopian logic of her new, unraveling country. How far will she go to save her family? And what--or who--is she willing to leave behind? The winner of the Booker Prize 2023, Prophet Song presents a terrifying and shocking vision of a country sliding into authoritarianism and a deeply human portrait of a mother's fight to hold her family together.

2023 Barnes & Noble Discover Prize Winner Carnegie Medal for Excellence in Fiction Finalist A four-year-old Mi'kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years "A stunning debut about love, race, brutality, and the balm of forgiveness." --People, A Best New Book July 1962. A Mi'kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family's youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister's disappearance for years to come.  In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren't telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.  For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time. "A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can't help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi'kmaw ancestors." --The New York Times Book Review

The United States, a single country, locks up a quarter of the world's incarcerated population. More than 850,000 Americans are currently on parole. Yet the parole system is opaque, a confounding process riddled with inequities. Few understand parole as the extraordinary pivot point it is--both in the country's changing conceptions of justice and in the cycle of mass incarceration. Through its portraits of two men, imprisoned for murder, and the parole board that holds their freedom in the balance, Correction offers a behind-the-curtain look at the process of parole. Austen's engaging storytelling forces a reckoning with some of the most profound questions underlying the country's values around crime and punishment: What must someone who commits a terrible act do to get a second chance? What does incarceration seek to accomplish? An illuminating work of narrative nonfiction, Correction challenges us to consider for ourselves why and who we punish--and how we might find a way out of an era of mass imprisonment.

* A New York Times Book Review Editors' Choice * The acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of history The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. However, we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence. This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years: a monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America--all of them members of what Christopher de Hamel calls the Manuscripts Club. This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion that crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been. In 1850 (or thereabouts) John Ruskin bought his first manuscript "at a bookseller's in a back alley." This was his reaction: "The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold--as many of them were--cannot be told." The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style and a lifetime's experience.

Shortlisted for the 2022 Booker Prize An extraordinary, "playful, moving, and wholly remarkable" (The Guardian) coming-of-age novel filled with myth and magic from one of England's greatest living writers. An introspective young boy, Joseph Coppock is trying to make sense of the world. Living alone in an old house, he spends his time reading comic books, collecting birds' eggs, and playing with marbles. When one day a rag-and-bone man called Treacle Walker appears on a horse and cart, offering a cure-all medicine, a mysterious friendship develops and the young boy is introduced to a world beyond his wildest imagination. Luminous, evocative, and sparely told, Treacle Walker is a stunning fusion of myth, folklore, and the stories we tell ourselves.

Named a Most Anticipated Book by: New York Times * Boston Globe * CrimeReads From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood. "A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime 'time'? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this." -- Colum McCann, author of Apeirogon and Let the Great World Spin On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget. Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, "one of America's greatest storytellers" (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.

Sasha Frere-Jones's evolution as a writer and musician with the deceptively casual intelligence that marks all of his work. Shuttling between his first year of life (1967) and the year he wrote the book (2020), Earlier is a glorious sequence of moments, a record of the experiences that set the shape of a life. Frere-Jones's prose floats between clinically precise fragments and emotional impressions of revelations, pleasures, and accidents. It's a book about how lives happen and sensibilities form. As fellow music critic Alex Ross observes, "It is weird to write a book about yourself, as this book is well aware. Gazing in the mirror is not mass entertainment. Sasha Frere-Jones, a writer of nonchalant, rope-a-dope power, drops the illusion of self-knowledge and instead offers up a kaleidoscope of memory shards, faithful to the chaos of inner and outer worlds. Earlier is funny, cool, raw, wise, and secretly sublime." Begun in 2010, Earlier was completed at the request of Deborah Holmes, to whom the book is dedicated. Holmes is the mother of Frere-Jones's two boys, Sam and Jonah. Diagnosed with pancreatic cancer in July of 2020, Holmes died in January of 2021. Earlier is the last book she read. Frere-Jones says, "Deborah was the most enthusiastic reader I've ever met. She read when she wasn't doing something else, and that never changed. She asked me to write this when we met, in 1990. I am sorry I made her wait so long."

A stunning history of the first national anti-terrorist campaign waged on American soil--when Ulysses S. Grant wielded the power of the federal government to dismantle the KKK The Ku Klux Klan, which celebrated historian Fergus Bordewich defines as "the first organized terrorist movement in American history," rose from the ashes of the Civil War. At its peak in the early 1870s, the Klan boasted many tens of thousands of members, no small number of them landowners, lawmen, doctors, journalists, and churchmen, as well as future governors and congressmen. And their mission was to obliterate the muscular democratic power of newly emancipated Black Americans and their white allies, often by the most horrifying means imaginable. To repel the virulent tidal wave of violence, President Ulysses S. Grant waged a two-term battle against both armed Southern enemies of Reconstruction and Northern politicians seduced by visions of postwar conciliation, testing the limits of the federal government in determining the extent of states' rights. In this book, Bordewich transports us to the front lines, in the hamlets of the former Confederate States and in the marble corridors of Congress, reviving an unsung generation of grassroots Black leaders and key figures such as crusading Missouri senator Carl Schurz, who sacrificed the rights of Black Americans in the name of political "reform," and the ruthless former slave trader and Klan leader Nathan Bedford Forrest. Klan War is a bold and bracing record of America's past that reveals the bloody, Reconstruction-era roots of present-day battles to protect the ballot box and stamp out resurgent white supremacist ideologies.

WINNER OF THE 2023 NOBEL PRIZE IN LITERATURE A New Yorker Best Book of 2023 A man starts driving without knowing where he is going. He alternates between turning right and left, and ultimately finds himself stuck at the end of a forest road. It soon grows dark and begins to snow. But instead of searching for help, he ventures, foolishly, into the dark forest. Inevitably, the man gets lost, and as he grows cold and tired, he encounters a glowing being amid the obscurity. Strange, haunting and dreamlike, A Shining is the latest work of fiction by National Book Award-finalist Jon Fosse, "the Beckett of the twenty-first century" (Le Monde).

AN INTERNATIONAL BESTSELLER * From the ashes of the Second World War to the fall of the Berlin Wall, the definitive history of East Germany, "a fascinating, sparkling book, filled with insights" (Peter Frankopan)   In 1990, a country disappeared. When the Iron Curtain fell, East Germany ceased to be. For over forty years, from the ruin of the Second World War to the cusp of a new millennium, the German Democratic Republic presented a radically different Germany than what had come before and what exists today. Socialist solidarity, secret police, central planning, barbed wire: this was a Germany forged on the fault lines of ideology and geopolitics.     In Beyond the Wall, acclaimed historian Katja Hoyer sets aside the usual Cold War caricatures of the GDR to offer a kaleidoscopic new vision of this vanished country, revealing the rich political, social, and cultural landscape that existed amid oppression and hardship. Drawing on a vast array of never-before-seen interviews and documents, this is the definitive history of the other Germany, beyond the Wall. 

A riveting true story of a mother who fought back against the drug cartels in Mexico, pursuing her own brand of justice to avenge the kidnapping and murder of her daughter--from a global investigative correspondent for The New York Times "Azam Ahmed has written a page-turning mystery but also a stunning, color-saturated portrait of the collapse of formal justice in one Mexican town."--Steve Coll, Pulitzer Prize-winning author of Directorate S A CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam's quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice. Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic, and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she decided that "fear is just a word," and began a crusade to track down Karen's killers and to help other victimized families in their search for justice. What do people do when their country and the peaceful town where they have grown up become unrecognizable, suddenly places of violence and fear? Azam Ahmed takes us into the grieving of a country and a family to tell the mesmerizing story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear Is Just a Word is an unforgettable and moving portrait of a woman, a town, and a country, and of what can happen when violent forces leave people to seek justice on their own.

OPRAH'S BOOK CLUB PICK * Instant New York Times Bestseller * Shortlisted for the 2024 Carnegie Medal for Excellence From Jesmyn Ward--the two-time National Book Award winner, youngest winner of the Library of Congress Prize for American Fiction, and MacArthur Fellow--comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War. "'Let us descend,' the poet now began, 'and enter this blind world.'" --Inferno, Dante Alighieri   Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.   Annis, sold south by the white enslaver who fathered her, is the reader's guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.   From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land--the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward's most magnificent novel yet, a masterwork for the ages.  

In the suburbs of Rio de Janeiro, one summer in the 1970s, a family--a husband and wife, their daughter, and their crippled teenage son Camilo--take in an orphan named Cosme. The boys unexpectedly fall in love, but an act of violence shatters their intimate world and changes their lives forever. Decades later, when Camilo returns to his hometown, he is haunted by his first love and the long shadow of Brazil's military dictatorship. At once an incisive and unforgiving study of Brazilian society and a fluid, queer coming-of-age story, Victor Heringer's exhilarating and moving novel is worthy of Machado de Assis.

LONGLISTED FOR THE NATIONAL BOOK AWARD The long-awaited, profoundly moving, and unforgettable new novel from PEN Award-winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day. From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried.... Sissy, born 1961: Sissy's relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy's ear, and in one especially terrifying moment, maybe even saves Sissy's life. Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an "Indian school" far from their home, Blanche refuses to be cowed by the school's abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.   Cora, born 1888: Though she was born into the brutal legacy of the "Indian Wars," Cora isn't afraid of the white men who remove her to a school across the country to be "civilized." When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost... A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

A Publishers Weekly Top 10 Book of the Year A riveting account of the extraordinary abolitionist, liberator, and writer Thomas Smallwood, who bought his own freedom, led hundreds out of slavery, and named the underground railroad, from Pulitzer Prize-winning author and journalist, Scott Shane. Flee North tells the story for the first time of an American hero all but lost to history. Born into slavery, by the 1840s Thomas Smallwood was free, self-educated, and working as a shoemaker a short walk from the U.S. Capitol. He recruited a young white activist, Charles Torrey, and together they began to organize mass escapes from Washington, Baltimore, and surrounding counties to freedom in the north. They were racing against an implacable enemy: men like Hope Slatter, the region's leading slave trader, part of a lucrative industry that would tear one million enslaved people from their families and sell them to the brutal cotton and sugar plantations of the deep south. Men, women, and children in imminent danger of being sold south turned to Smallwood, who risked his own freedom to battle what he called "the most inhuman system that ever blackened the pages of history." And he documented the escapes in satirical newspaper columns, mocking the slaveholders, the slave traders and the police who worked for them. At a time when Americans are rediscovering a tragic and cruel history and struggling anew with the legacy of white supremacy, this Flee North -- the first to tell the extraordinary story of Smallwood -- offers complicated heroes, genuine villains, and a powerful narrative set in cities still plagued by shocking racial inequity today.

"Elegant and forceful - I couldn't put it down."  - Catherine Lacey, author of Biography of X A pioneering, revelatory masterpiece of modern literature that conjures the life of 16-year-old girl living on the Argentine pampas -- now in English for the very first time With echoes of Edith Wharton's Summer, this radical feminist novel broke the silence around abortion to reshape the way women's bodies and rights were perceived in 20th-century Argentina Perfect for readers of Tove Ditlevsen, Annie Ernaux's Happening, and Claudia Piñeiro's Elena Knows In the sweltering Argentine pampas, all things bow to Nefer. Reeds nod when she digs her heels into her horse, unripe peaches snap and fall as she gallops past. Sickly-sweet air bends, churns in Nefer's throat.  Nefer measures the distance between her body and the table, and feels something filling her up, turning against her. Her belly swells. Desperate, Nefer visits a local medicine woman who is known to perform abortions but Nefer becomes too afraid to explain why she is truly there. She attends confession at church but cannot confide in the priest. During a fierce argument with her mother, she finally blurts out her secret.  A radical feminist text, January was the first Argentine novel to represent rape from the survivor's perspective and to explore the life-threatening risks pregnancy posed, in a society where abortion was both outlawed and taboo. With a narcotic musicality and voice scorched through with honesty, Gallardo hangs before us an experience that has been lived and ignored a thousand times over. Nefer closes her eyes. We careen to her and we see.

NEW YORK TIMES EDITOR'S CHOICE SELECTION "A propulsive, utterly engrossing history... None of it is simple and all of it is captivating."--The New York Times "Mapping the Darkness offers two narratives at once: a sweeping journey of discovery about dreams, sleep and the terra incognita of unconsciousness; and a wake-up call about the dangers of chronic exhaustion. It's time, Mr. Miller tells us, to take our sleep back."--The Wall Street Journal From award-winning journalist Kenneth Miller comes the definitive story of the scientists who set out to answer two questions: "Why do we sleep?" and "How can we sleep better?" A century ago, sleep was considered a state of nothingness--even a primitive habit that we could learn to overcome. Then, an immigrant scientist and his assistant spent a month in the depths of a Kentucky cave, making nationwide headlines and thrusting sleep science to the forefront of our consciousness. In the 1920s, Nathaniel Kleitman founded the world's first dedicated sleep lab at the University of Chicago, where he subjected research participants (including himself) to a dizzying array of tests and tortures. But the tipping point came in 1938, when his cave experiment awakened the general public to the unknown--and vital--world of sleep. Kleitman went on to mentor the talented but troubled Eugene Aserinsky, whose discovery of REM sleep revealed the astonishing activity of the dreaming brain, and William Dement, a jazz-bass playing revolutionary who became known as the father of sleep medicine. Dement, in turn, mentored the brilliant maverick Mary Carskadon, who uncovered an epidemic of sleep deprivation among teenagers, and launched a global movement to fight it. Award-winning journalist Kenneth Miller weaves together science and history to tell the story of four outsider scientists who took sleep science from fringe discipline to mainstream obsession through spectacular experiments, technological innovation, and single-minded commitment. Readers will walk away with a comprehensive understanding of sleep and why it affects so much of our lives.

A New York Times Editors' Choice * Named a Fall 2023 Must-Read by Outside, Sierra, and Kirkus Reviews * A Boston Globe Book We're Excited to Read This Fall An eye-opening account of the global ecological transformations wrought by roads, from the award-winning author of Eager. Some 40 million miles of roadways encircle the earth, yet we tend to regard them only as infrastructure for human convenience. While roads are so ubiquitous they're practically invisible to us, wild animals experience them as entirely alien forces of death and disruption. In Crossings, environmental journalist Ben Goldfarb travels throughout the United States and around the world to investigate how roads have transformed our planet. A million animals are killed by cars each day in the U.S. alone, but as the new science of road ecology shows, the harms of highways extend far beyond roadkill. Creatures from antelope to salmon are losing their ability to migrate in search of food and mates; invasive plants hitch rides in tire treads; road salt contaminates lakes and rivers; and the very noise of traffic chases songbirds from vast swaths of habitat. Yet road ecologists are also seeking to blunt the destruction through innovative solutions. Goldfarb meets with conservationists building bridges for California's mountain lions and tunnels for English toads, engineers deconstructing the labyrinth of logging roads that web national forests, animal rehabbers caring for Tasmania's car-orphaned wallabies, and community organizers working to undo the havoc highways have wreaked upon American cities. Today, as our planet's road network continues to grow exponentially, the science of road ecology has become increasingly vital. Written with passion and curiosity, Crossings is a sweeping, spirited, and timely investigation into how humans have altered the natural world--and how we can create a better future for all living beings.

A virtuoso journey into networks of power, our embroilment with new technologies, and the dangers of corruption, by an electrifying debut novelist.When the investigative reporter Quentin Jones?s story about covert military interrogation practices in the Desert War is buried, he is spurred to dig deeper, and he unravels a trail that leads to VIRTUE: cutting-edge technology that simulates reality during interrogation.As the shadowy labyrinths of governmental corruption unfurl and tighten around him, unnerving links to his protégé Bruce - who, like Joseph Conrad?s Kurtz, disappeared into the war several years earlier - keep emerging.Greg Jackson's The Dimensions of a Cave is a virtuoso journey into networks of power, our embroilment with new technologies, and the dangers of corruption. It explores our drive toward war, violence, and venality, placing humanity and idealism under the spotlight.

A long-awaited memoir from an award-winning novelist--a candid, riveting account of her complicated, bohemian childhood and her return home to care for her ailing mother. In March 2020, Martha McPhee, her husband, and their two almost-grown children set out for her childhood home in New Jersey, where she finds herself grappling simultaneously with a mother slipping into severe dementia and a house that's been neglected of late. As Martha works to manage her mother's care and the sprawling, ramshackle property--a broken septic system, invasive bamboo, dying ash trees--she is pulled back into her childhood, almost against her will. Martha grew up at Omega Farm with her four sisters, five stepsiblings, mother, and stepfather, in a house filled with art, people, and the kind of chaos that was sometimes benevolent, sometimes more sinister. Caring for her mother and her children, struggling to mend the forest, the past relentlessly asserts itself--even as Martha's mother, the person she might share her memories with or even try to hold to account, no longer knows who Martha is. A masterful exploration of a complicated family legacy and a powerful story of environmental and personal repair, Omega Farm is a testament to hope in the face of suffering, and a courageous tale about how returning home can offer a new way to understand the past.

Named Best Foreign Book of 2021 in France Finalist for the Prix Médicis 2021 Longlisted for the European Literature Prize 2021 The longest river in Europe, the Volga, divides the continent in two. On one side, mighty mountains, large Russian cities with white stone churches, translucent blue lakes of icy water, a cold wind blowing from the North Sea, and, in the early years of the twentieth century, the winds of momentous change blowing even harder, bringing with them revolution and ideologies that will shape the next two centuries of human history. On the other side, a world that belongs to the past, that is shored up by the vast Western Steppe, where small villages dot vast farmlands and life is perfumed by a hot, fragrant breeze that has its source in the Turkmen desert and the salty Caspian Sea. Two worlds that could not be further apart. Two worlds that will be brought together when Jakob Bach is hired by Udo Grimm to give lessons to Grimm's daughter, Klara. The love that grows between Jakob and Klara has unimaginable consequences. Expelled from Gnadenthal when their affair is discovered, they settle in a secluded hamlet hidden deep in the woods to live their lives in peace. But following a tragic episode, Jacob, psychically scarred, is forced to raise his daughter Anche alone. The fairy tales he invents and puts to paper in an effort to forge a bond with his daughter become widely known and slowly life in the German colonies along Volga begins to resemble the stories created by Bach. In the 18th century, the Russian empress Catherine the Great invited Europeans to immigrate and become Russian citizens and farm Russian lands while maintaining their language and culture. The settlers came mainly from Germany, and following the Russian Revolution, the Volga German Soviet Republic was founded, lasting until 1941, when it was abolished after the Germans invaded the region. In September 1941 all Volga Germans were deported. Over half a million were sent into exile in Siberia and Kazakhstan. Jacob Bach's life reflects and foreshadows that of his native colony, Gnadenthal, in this sweeping epic set in the dying years of the 19th century through to the mid-twentieth century of personal tragedy and resilience. In telling a stirring family story, Yakhina also recounts the story of a people, a republic, a nation, a tale that begins in quietude, flows and grows mighty, crosses space and time, like the Volga River itself.

A new novel from National Book Award nominee Daniel Gumbiner about a California grape-grower, his family, and the climate disaster that upends their quiet lives. Since his release from prison after serving an eighteen-month sentence for growing cannabis, Ben Hecht's life has settled into a familiar routine. On his farm in the foothills of California, he stays busy cultivating a dozen acres of grapes and tending to a flock of mistrustful sheep. Meanwhile, from her desk in their old redwood barn, his novelist wife, Ada, continues to work on what may be her most important book yet. When their only son, Yoel, comes home from Los Angeles for a rare visit, Ben is forced to confront their long troubled relationship, which has continued to degrade in recent years. But before the two of them can truly address their past, a wildfire sweeps through the region, forcing the Hecht family to flee to the coast, and setting into motion a chain of events that will transform them all.  This is a story about grape growing and wine, financial and familial struggles, and the peculiar characters and unlikely heroes one will always find in small-town California. Through the experiences of the Hechts and the escalating challenges that face their community, Fire in the Canyon is an intimate look at the lives of those already living through the climate crisis.

A NEW YORK TIMES EDITORS' CHOICE A suspenseful new psychological thriller from the Women's Prize for Fiction longlisted and Dublin Literary Award shortlisted author of Remote Sympathy, Catherine Chidgey. Like every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher and longs to be her pet. However, when a thief begins to target the school, Justine's sense that something isn't quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Justine must decide where her loyalties lie. Set in New Zealand in the 1980s and probing themes of racism, misogyny and the oppressive reaches of Catholicism, Pet will take a rightful place next to other classic portraits of childhood betrayal and psychological suspense: Peter Jackson's Heavenly Creatures, Peter Weir's Picnic at Hanging Rock, and Marilynne Robinson's Housekeeping among them. "Refreshing, compelling and surprising."--Ann Morgan, author of Beside Myself and Reading the World

New York Times Book Review Editors' Choice * From the bestselling author of The Sleepwalkers comes an epic history of the 1848 revolutions that swept Europe, and the charismatic figures who propelled them forward   "Refreshingly original . . . Familiar characters are given vibrancy and previously unknown players emerge from the shadows."--The Times (UK) As history, the uprisings of 1848 have long been overshadowed by the French Revolution of 1789 and the Russian revolutions of the early twentieth century. And yet in 1848 nearly all of Europe was aflame with conflict. Parallel political tumults spread like brush fire across the entire continent, leading to significant changes that continue to shape our world today. These battles for the future were fought with one eye kept squarely on the past: The men and women of 1848 saw the urgent challenges of their world as shaped profoundly by the past, and saw themselves as inheritors of a revolutionary tradition. Celebrated Cambridge historian Christopher Clark describes 1848 as "the particle collision chamber at the center of the European nineteenth century," a moment when political movements and ideas--from socialism and democratic radicalism to liberalism, nationalism, corporatism, and conservatism--were tested and transformed. The insurgents asked questions that sound modern to our ears: What happens when demands for political or economic liberty conflict with demands for social rights? How do we reconcile representative and direct forms of democracy? How is capitalism connected to social inequality? The revolutions of 1848 were short-lived, but their impact on public life and political thought throughout Europe and beyond has been profound. Meticulously researched, elegantly written, and filled with a cast of charismatic figures, including the social theorist Alexis de Tocqueville, the writer George Sand, and the troubled priest Félicité de Lamennais, who struggled to reconcile his faith with politics, Revolutionary Spring offers a new understanding of 1848 that suggests chilling parallels to our present moment. "Looking back at the revolutions from the end of the first quarter of the twenty-first century, it is impossible not to be struck by the resonances," Clark writes. "If a revolution is coming for us, it may look something like 1848."

Garner gathers a literary chorus to capture the joys of reading and eating in this comic, personal classic. Reading and eating, like Krazy and Ignatz, Sturm und Drang, prosciutto and melon, Simon and Schuster, and radishes and butter, have always, for me, simply gone together. The book you're holding is a product of these combined gluttonies. Dwight Garner, the beloved New York Times critic and the author of Garner's Quotations, serves up the intertwined pleasures of books and food. The product of a lifetime of obsessively reading, eating, and every combination therein, The Upstairs Delicatessen: On Eating, Reading, Reading About Eating, and Eating While Reading is a charming, emotional memoir, one that only Garner could write. In it, he records the voices of great writers and the stories from his life that fill his mind as he moves through the sections of the day and of this book: breakfast, lunch, shopping, the occasional nap, drinking, and dinner. Through his lifelong infatuation with these twin joys, we meet the man behind the pages and the plates, and a portrait of Garner, eager and insatiable, emerges. He writes with tenderness and humor about his mayonnaise-laden childhood in West Virginia and Naples, Florida (and about his father's famous peanut butter and pickle sandwich), his mind-opening marriage to a chef from a foodie family ("Cree grew up taking leftover frog legs to school in her lunch box"), and the words and dishes closest to his heart. This is a book to be savored, though it may just whet your appetite for more.

"sorrowful, tender...beautiful." - The New York Times Book Review "...arresting and memorable....Masud both finds a way to comprehend her own story and establishes a strong voice that confirms her as a significant chronicler of personal and national experience." - Financial Times "Sharply, subtly, and very movingly, Masud thinks with places, seeking as she does to find a way back into, and then out of, the traumas of her early life." - Robert Macfarlane, author of Underland: A Deep Time Journey A surprising and lyrical journey--part memoir, part nature book--meditating on the meaning of "flatness" and its literary tradition to find ways to understand ourselves and our trauma in one of nature's most undervalued wonders. For readers of Dr. Gabor Maté's The Myth of Normal, Robert Macfarlane, G. Sebald's Rings of Saturn, Amy Liptrot's The Outrun, and Richard Mabey's Nature Cure Does the concept of "flat" have an undeservedly bad rap? There are centuries' worth of adoration for rolling hills and dramatic, mountainous landscapes. In contrast, flat landscapes are forgettable and seemingly unworthy of poetic or artistic attention.  Noreen Masud suffers from complex post-traumatic stress disorder: the product of a profoundly disrupted and unstable childhood. It flattens her emotions, blanks out parts of her memory, and colours her world with anxiety. Undertaking a pilgrimage around Britain's flatlands, seeking solace and belonging, she weaves her impressions of the natural world with poetry, folklore and history, and with recollections of her own early life. Masud's British-Pakistani heritage makes her a partial outsider in these landscapes: both coloniser and colonised, inheritor and dispossessed. Here violence lies beneath the fantasy of pastoral innocence, and histories of harm are interwoven with nature's power to heal. Here, as in her own family history, are many stories that resist the telling. She pursues these paradoxes fearlessly across the flat, haunted spaces she loves, offering a startlingly strange, vivid and intimate account of the land beneath her feet. Masud combines memoir, nature writing, and literary reflection to explore what can be drawn from these powerful places, and to understand her own experience of complex trauma and post-traumatic stress, as well as grief and loss. A Flat Place is a book that drives to the heart of what it means to experience place -- bodily and psychologically -- and the healing properties of literature and landscape.

An indelible portrait of three children struggling to survive in the poorest neighborhood of the poorest large city in America Kensington, Philadelphia, is distinguished only by its poverty. It is home to Ryan, Giancarlos, and Emmanuel, three Puerto Rican children who live among the most marginalized families in the United States. This is the story of their coming-of-age, which is beset by violence--the violence of homelessness, hunger, incarceration, stray bullets, sexual and physical assault, the hypermasculine logic of the streets, and the drug trade. In Kensington, eighteenth birthdays are not rites of passage but statistical miracles. One mistake drives Ryan out of middle school and into the juvenile justice pipeline. For Emmanuel, his queerness means his mother's rejection and sleeping in shelters. School closures and budget cuts inspire Giancarlos to lead walkouts, which get him kicked out of the system. Although all three are high school dropouts, they are on a quest to defy their fate and their neighborhood and get high school diplomas. In a triumph of empathy and drawing on nearly a decade of reporting, sociologist and policymaker Nikhil Goyal follows Ryan, Giancarlos, and Emmanuel on their mission, plunging deep into their lives as they strive to resist their designated place in the social hierarchy. In the process, Live to See the Day confronts a new age of American poverty, after the end of "welfare as we know it," after "zero tolerance" in schools criminalized a generation of students, after the odds of making it out are ever slighter.

Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel's orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather's poetry seems to guide her home. Nell's mother, Carmel McDaragh, knows the magic of her Daddo's poetry too well--the kind of magic that makes women in their nighties slip outside for a kiss and then elope, as her mother Terry had done. In his poems to Carmel, Phil envisions his daughter as a bright-eyed wren ascending in escape from his hand. But it is Phil who departs, abandoning his wife and two young daughters. Carmel struggles to reconcile "the poet" with the father whose desertion scars her life, along with that of her fiercely dutiful sister and their gentle, cancer-ridden mother. To distance herself from this betrayal, Carmel turns inward, raising Nell, her daughter, and one trusted love, alone. The Wren, the Wren brings to life three generations of McDaragh women who must contend with inheritances--of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home. Their other, stronger inheritance is a sustaining love that is "more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood." In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.

Immersive and gripping, an intimate story of a deadly accident outside Jerusalem that unravels a tangle of lives, loves, enmities, and histories over the course of one revealing, heartbreaking day. Five-year-old Milad Salama is excited for a school trip to a theme park on the outskirts of Jerusalem. On the way, his bus collides with a semitrailer. His father, Abed, gets word of the crash and rushes to the site. The scene is chaos--the children have been taken to different hospitals in Jerusalem and the West Bank; some are missing, others cannot be identified. Abed sets off on an odyssey to learn Milad's fate. It is every parent's worst nightmare, but for Abed it is compounded by the maze of physical, emotional, and bureaucratic obstacles he must navigate because he is Palestinian. He is on the wrong side of the separation wall, holds the wrong ID to pass the military checkpoints, and has the wrong papers to enter the city of Jerusalem. Abed's quest to find Milad is interwoven with the stories of a cast of Jewish and Palestinian characters whose lives and histories unexpectedly converge. In A Day in the Life of Abed Salama Nathan Thrall--hailed for his "severe allergy to conventional wisdom" (Time)--offers an indelibly human portrait of the struggle over Israel/Palestine and a new understanding of the tragic history and reality of one of the most contested places on earth.

The instant New York Times bestseller. From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story--and who gets to be believed It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper--and cousin by marriage--of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems. Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story. The "Tichborne Trial"--wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title--captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . . Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of "other people."

A poet, a physicist, and a philosopher explored the greatest enigmas in the universe-the nature of free will, the strange fabric of the cosmos, the true limits of the mind-and each in their own way uncovered a revelatory truth about our place in the world Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth-that love is necessarily imbued with loss, that the one doesn't exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm's absurdity when he had his own epiphany-that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system-that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps. Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality "out there" and reality as we experience it. Out of this profound truth comes a multitude of galvanizing ideas- the notion of selfhood, free will, and purpose in human life; the roots of morality, aesthetics, and reason; and the origins and nature of the cosmos itself. As each of these thinkers shows, every one of us has a fundamentally incomplete picture of the world. But this is to be expected. Only as mortal, finite beings are we able to experience the world in all its richness and breathtaking majesty. We are stranded in a gulf of vast extremes, between the astronomical and the quantum, an abyss of freedom and absolute determinism, and it is in that center where we must make our home. A soaring and lucid reflection on the lives and work of Borges, Heisenberg, and Kant, The Rigor of Angels movingly demonstrates that the mysteries of our place in the world may always loom over us-not as a threat, but as a reminder of our humble humanity.

Told against the backdrop of the Korean War as a small Appalachian town sends its sons to battle, The Caretaker by award-winning author Ron Rash ("One of the great American authors at work today" --The New York Times) is a breathtaking love story and a searing examination of the acts we seek to justify in the name of duty, family, honor, and love. It's 1951 in Blowing Rock, North Carolina. Blackburn Gant, his life irrevocably altered by a childhood case of polio, seems condemned to spend his life among the dead as the sole caretaker of a hilltop cemetery. It suits his withdrawn personality, and the inexplicable occurrences that happen from time to time rattle him less than interaction with the living. But when his best and only friend, the kind but impulsive Jacob Hampton, is conscripted to serve overseas, Blackburn is charged with caring for Jacob's wife, Naomi, as well. Sixteen-year-old Naomi Clarke is an outcast in Blowing Rock, an outsider, poor and uneducated, who works as a seasonal maid in the town's most elegant hotel. When Naomi eloped with Jacob a few months after her arrival, the marriage scandalized the community, most of all his wealthy parents who disinherited him. Shunned by the townsfolk for their differences and equally fearful that Jacob may never come home, Blackburn and Naomi grow closer and closer until a shattering development derails numerous lives. A tender examination of male friendship and rivalry as well as a riveting, page-turning novel of familial devotion, The Caretaker brilliantly depicts the human capacity for delusion and destruction all too often justified as acts of love.

"The first comprehensive biography of this hipster magus . . . [John Szwed] allows different sides of Smith's personality to catch blades of sun. He brings the right mixture of reverence and comic incredulity to his task." --Dwight Garner, The New York Times Grammy Award-winning music scholar and celebrated biographer John Szwed presents the first biography of Harry Smith, the brilliant eccentric who transformed twentieth century art and culture. He was an anthropologist, filmmaker, painter, folklorist, mystic, and walking encyclopedia. He taught Patti Smith and Robert Mapplethorpe about the occult, swapped drugs with Timothy Leary, had a front-row seat to a young Thelonious Monk, lived with (and tortured) Allen Ginsberg, was admired by Susan Sontag, and was one of the first artists funded by Guggenheim Foundation. He was always broke, generally intoxicated, compulsively irascible, and unimpeachably authentic. Harry Smith was, in the words of Robert Frank, "the only person I met in my life that transcended everything." In Cosmic Scholar, the Grammy Award-winning music scholar and celebrated biographer John Szwed patches together, for the first time, the life of one of the twentieth century's most overlooked cultural figures. From his time recording the customs of Native American tribes in the Pacific Northwest and Florida to his life in Greenwich Village in its heyday, Smith was consumed by an unceasing desire to create a unified theory of culture. He was an insatiable creator and collector, responsible for the influential Anthology of American Folk Music and several pioneering experimental films, but was also an insufferable and destructive eccentric who was unable to survive in regular society, or keep himself healthy or sober. Exhaustively researched, energetically told, and complete with a trove of images, Cosmic Scholar is a feat of biographical restoration and the long overdue canonization of an American icon. Includes black-and-white and color images

A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager. In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life--as well as the guilt that stalks those who survive them. Emergency roams from European cities to scorched California towns, drug-smeared motel rooms to polished dinner parties, taking taut, surprising portraits of addiction, love, misogyny, and sexual power. Confronting the hidden perils of class ascension, the women in these stories try to pay down the psychic debts of their old lives as they search for a new happiness they can afford.

NEW YORK TIMES BESTSELLER * "Simmons's evocative account of her remarkable trajectory from Jim Crow Texas, where she was the youngest of twelve children in a sharecropping family, to the presidencies of Smith College and Brown University shines with tenderness and dignity."--The New York Times Book Review (Editors' Choice) "A riveting work of literature, destined to take its place in the canon of great African American autobiographies."--Henry Louis Gates, Jr., Harvard University I was born at a crossroads: a crossroads in history, a crossroads in culture, and a geographical crossroad in North Houston County in East Texas. Born in 1945, Ruth J. Simmons grew up the twelfth child of sharecroppers. Her first home had no running water, no electricity, no books to read. Yet despite this--or, in her words, because of it--Simmons would become the first Black president of an Ivy League university. The former president of Smith College, Brown University, and Prairie View A&M, Texas's oldest HBCU, Simmons has inspired generations of students as she herself made history. In Up Home, Simmons takes us back to Grapeland to show how the people who love us when we are young shape who we become. We meet her caring, tireless mother who managed to feed her large family with an often empty pantry; her father, who refused to let racial and economic injustice crush his youngest daughter's dreams; the doting brothers and sisters; and the attentive teachers who welcomed Ruth into the classroom, guiding her to a future she could hardly imagine as a child. From the farmland of East Texas to Houston's Fifth Ward to New Orleans at the dawn of the civil rights movement, Simmons depicts an era long gone but whose legacies of inequality we still live with today. Written in clear and timeless prose, Up Home is both an origin story set in the segregated South and the uplifting chronicle of a girl whose intellect, grace, and curiosity guide her as she creates a place for herself in the world.

How cable television upended American political life in the pursuit of profits and influence As television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment--frequently at the expense of fostering responsible citizenship. In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today's rampant polarization and scandal politics--the intentional restructuring of television as a political institution is. She describes how cable innovations--from C-SPAN coverage of congressional debates in the 1980s to MTV's foray into presidential politics in the 1990s--took on network broadcasting using market forces, giving rise to a more decentralized media world. Brownell shows how cable became an unstoppable medium for political communication that prioritized cult followings and loyalty to individual brands, fundamentally reshaped party politics, and, in the process, sowed the seeds of democratic upheaval. 24/7 Politics reveals how cable TV created new possibilities for antiestablishment voices and opened a pathway to political prominence for seemingly unlikely figures like Donald Trump by playing to narrow audiences and cultivating division instead of common ground.

"The literal fever that begins the book mirrors the feverish beginnings and endings of these relationships, as well as the fever of reading -- how it forces the reader inward, then leaves an invisible imprint in its wake. Genberg's marvelous prose is also a kind of fever, mesmerizing and hot to the touch." -The New York Times Book Review An acclaimed Swedish author makes her English language debut with this intoxicating novel in the vein of Rachel Cusk and Sheila Heti, about a woman in the throes of a fever remembering the important people in her past, her memories laid bare in vivid detail as her body temperature rises. A woman lies bedridden from a high fever. Suddenly she is struck with an urge to revisit a novel from her past. Inside the book is an inscription: a get-well-soon message from Johanna, an ex-girlfriend who is now a famous television host. As she flips through the book, pages from the woman's own past begin to come alive, scenes of events and people she cannot forget. There are moments with Johanna, and Niki, the friend who disappeared years ago without a phone number or an address and with no online footprint. There is Alejandro, who appears like a storm in precisely the right moment. And Brigitte, whose elusive qualities mask a painful secret. The Details is a novel built around four portraits; the small details that, pieced together, comprise a life. Can a loved one really disappear? Who is the real subject of the portrait, the person being painted or the one holding the brush? Do we fully become ourselves through our connections to others? This exhilarating, provocative tale raises profound questions about the nature of relationships, and how we tell our stories. The result is an intimate and illuminating study of what it means to be human.

A poignant memoir of love, trauma, and recovery after a life-changing stroke, twinned to a powerful account of his father's experience in World War II, by a winner of the National Book Critics Circle Award. "A beautiful, compelling memoir...Raban's final work is a gorgeous achievement." --Ian McEwan, New York Times best-selling author of Lessons  In June 2011, just days before his sixty-ninth birthday, Jonathan Raban was sitting down to dinner with his daughter when he found he couldn't move his knife to his plate. Later that night, at the hospital, doctors confirmed what all had suspected: that he had suffered a massive hemorrhagic stroke, paralyzing the right side of his body. Once he became stable, Raban embarked on an extended stay at a rehabilitation center, where he became acquainted with, and struggled to accept, the limitations of his new body--learning again how to walk and climb stairs, attempting to bathe and dress himself, and rethinking how to write and even read. Woven into these pages is an account of a second battle, one that his own father faced in the trenches during World War II. With intimate letters that his parents exchanged at the time, Raban places the budding love of two young people within the tumultuous landscape of the war's various fronts, from the munition-strewn beaches of Dunkirk to blood-soaked streets of Anzio. Moving between narratives, his and theirs, Raban artfully explores the human capacity to adapt to trauma, as well as the warmth, strength, and humor that persist despite it. The result is Father and Son, a powerful story of mourning, but also one of resilience.

A Must-Read at The New York Times, NPR, Los Angeles Times, Vulture, The Boston Globe, Shondaland, St. Louis Post-Dispatch, Chicago Review of Books, Essence, Literary Hub, The Millions, The Root "Exhilarating . . . Brinkley is a writer whose versatility knows no boundaries . . . A gift of the highest quality." --Mateo Askaripour, The New York Times Book Review From National Book Award finalist Jamel Brinkley, Witness is an elegant, insistent narrative of actions taken and not taken. What does it mean to really see the world around you--to bear witness? And what does it cost us, both to see and not to see? In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters--from children to grandmothers to ghosts--live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city. In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust--doctors, employers, siblings--too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon. With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant? Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.

"In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us"-- Provided by publisher

A BELLETRIST BOOK CLUB PICK In this suspenseful and darkly funny debut novel, a sophisticated French woman spends her life obsessing over her perfect husband--but can their marriage survive her passionate love? Winner of France's First Novel Prize * Named a Best Book of the Summer by Vogue * theSkimm * Oprah Daily * The Millions At forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband, whose wealthy background allows her to transcend her own social class. After fifteen years together, she is still besotted with him. But she's never quite sure that her passion is reciprocated. Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, testing him to make sure that he still loves her just as much as he did when they first met. Until one day she realizes she may have gone too far . . . "Fans of Caroline Kepnes' You or Gillian Flynn will find My Husband to be a new, satisfying, and unnerving take on the relationship-suspense genre." --Booklist (starred review)

A compelling biography of Mark Weiser, a pioneering innovator whose legacy looms over the tech industry's quest to connect everything--and who hoped for something better. When developers and critics trace the roots of today's Internet of Things--our smart gadgets and smart cities--they may single out the same creative source: Mark Weiser (1952-99), the first chief technology officer at Xerox PARC and the so-called "father of ubiquitous computing." But Weiser, who died young at age 46 in 1999, would be heartbroken if he had lived to see the ways we use technology today. As John Tinnell shows in this thought-provoking narrative, Weiser was an outlier in Silicon Valley. A computer scientist whose first love was philosophy, he relished debates about the machine's ultimate purpose. Good technology, Weiser argued, should not mine our experiences for saleable data or demand our attention; rather, it should quietly boost our intuition as we move through the world.   Informed by deep archival research and interviews with Weiser's family and colleagues, The Philosopher of Palo Alto chronicles Weiser's struggle to initiate a new era of computing. Working in the shadows of the dot-com boom, Weiser and his collaborators made Xerox PARC headquarters the site of a grand experiment. Throughout the building, they embedded software into all sorts of objects--coffeepots, pens, energy systems, ID badges--imbuing them with interactive features. Their push to integrate the digital and the physical soon caught on. Microsoft's Bill Gates flagged Weiser's Scientific American article "The Computer for the 21st Century" as a must-read. Yet, as more tech leaders warmed to his vision, Weiser grew alarmed about where they wished to take it.    In this fascinating story of an innovator and a big idea, Tinnell crafts a poignant and critical history of today's Internet of Things. At the heart of the narrative is Weiser's desire for deeper connection, which animated his life and inspired his notion of what technology at its best could be.  

In the summer of 1938, botanists Elzada Clover and Lois Jotter set off to run the Colorado River, accompanied by an ambitious and entrepreneurial expedition leader, a zoologist, and two amateur boatmen. With its churning waters and treacherous boulders, the Colorado was famed as the most dangerous river in the world. Journalists and veteran river runners boldly proclaimed that the motley crew would never make it out alive. But for Clover and Jotter, the expedition held a tantalizing appeal: no one had yet surveyed the plant life of the Grand Canyon, and they were determined to be the first. Through the vibrant letters and diaries of the two women, science journalist Melissa L. Sevigny traces their daring forty-three-day journey down the river, during which they meticulously cataloged the thorny plants that thrived in the Grand Canyon's secret nooks and crannies. Along the way, they chased a runaway boat, ran the river's most fearsome rapids, and turned the harshest critic of female river runners into an ally. Clover and Jotter's plant list, including four new cactus species, would one day become vital for efforts to protect and restore the river ecosystem. Brave the Wild River is a spellbinding adventure of two women who risked their lives to make an unprecedented botanical survey of a defining landscape in the American West, at a time when human influences had begun to change it forever.

During the Arab Spring, an American spy's final mission goes dangerously awry in this explosive and "remarkable debut" (Joseph Kanon, New York Times bestselling author) from a former CIA officer that is perfect for fans of John LeCarre, Viet Thanh Nguyen, and Alan Furst. Shane Collins, a world-weary CIA spy, is ready to come in from the cold. Stationed in Bahrain off the coast of Saudi Arabia for his final tour, he's anxious to dispense with his mission--uncovering Iranian support for the insurgency against the monarchy. But then he meets Almaisa, a beautiful and enigmatic artist, and his eyes are opened to a side of Bahrain most expats never experience, to questions he never thought to ask. When his trusted informant becomes embroiled in a murder, Collins finds himself drawn deep into the conflict and his growing romance with Almaisa upended. In an instant, he's caught in the crosshairs of a revolution. Drawing on all his skills as a spymaster, he must navigate a bloody uprising, win Almaisa's love, and uncover the murky border where Bahrain's secrets end and America's begin. "A breathless tour-de-force, the perfect spy tale" (Ian Caldwell, author of The Fifth Gospel) and dripping with authenticity, The Peacock and the Sparrow is a timely story of the elusiveness of truth, the power of love and belief, and the universal desire to be part of a cause greater than oneself.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the "Procrustean bed" of tradition. Defying his critics--among them the Nazis, who described his music as "degenerate"--he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music.

A groundbreaking debut collection portraying the lived experiences of Black Muslims grappling with faith, family, and freedom in America. In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born. In "Due North," an obedient daughter struggles to understand why she's haunted by the spirit of her recently deceased father. In "Who's Down?" a father, after a brief affair with vegetarianism, conspires with his daughter to order him a double cheeseburger. In "Candy for Hanif" a mother's routine trip to the store for her disabled son takes an unlikely turn when she reflects on a near-death experience. In "Woman in Niqab," a daughter's suspicion of her father's infidelity prompts her to wear her hair in public. In "New Mexico," a federal agent tasked with spying on a high-ranking member of the Nation of Islam grapples with his responsibilities closer to home. With an unflinching eye for the contradictions between what these characters profess to believe and what they do, Temple Folk accomplishes the rare feat of presenting moral failures with compassion, nuance, and humor to remind us that while perfection is what many of us strive for, it's the errors that make us human.

The first authoritative biography of August Wilson, the most important and successful American playwright of the late 20th century, by a theater critic who knew him. August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey's Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson's death in 2005, Jitney earned a Tony Award for Best Revival of a Play. Through his brilliant use of vernacular speech, Wilson developed unforgettable characters who epitomized the trials and triumphs of the African American experience. He said that he didn't research his plays but wrote from "the blood's memory," a sense of racial history that he believed African Americans shared. Author and theater critic Patti Hartigan traced his ancestry back to slavery, and his plays echo with uncanny similarities to the history of his ancestors. She interviewed Wilson many times before his death and traces his life from his childhood in Pittsburgh (where nine of the plays take place) to Broadway. She also interviewed scores of friends, theater colleagues and family members, and conducted extensive research to tell the story of a writer who left an indelible imprint on American theater and opened the door for future playwrights of color.

Crackling with energy and intelligence, this debut is the "smart, subversive, funny, heartbreaking" (Kamila Shamsie) story of an exceptional teenager coming of age in the shadow of colonialism and communal violence in Nigeria. Andrew Aziza is an unusually smart fifteen-year-old in Kontagora, Nigeria. He lives with his fiercely protective mother, Gloria, and fantasizes obsessively about white girls-especially blondes. When he's not in church, at school, or hanging about town with his droogs wishing to become one of "Africa's first superheroes," he's contemplating the larger questions with his teacher Zahrah and his equally brilliant friend Fatima, a Hausa-Fulani girl who has feelings for him. Together they discuss mathematical theorems, Black power, and what Andy has deemed the Curse of Africa. Sure enough, the reluctantly nicknamed Andy Africa soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on: Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man there claims, despite his mother's denials, to be Andy's father, and an anti-Christian mob has gathered, headed for the church. In the ensuing havoc and its aftermath, Andy is forced to reckon with his identity and desires and determine how to live on the so-called Cursed Continent. The Five Sorrowful Mysteries of Andy Africa announces a dazzlingly unique literary voice. Crackling with energy, this tragicomic novel provides a stunning lens into contemporary African life, the complicity of the West, and the impossible challenges of growing up in a turbulent world.

A stunning, ambitious novel that follows an unusual protagonist--a beech marten, a kind of weasel, who learns to read and write, discovers God and time, and develops a keen sense of self that makes him seem almost human. My Stupid Intentions is the autobiography of a beech marten named Archy. Born into poverty, maimed by an accident, he is sold into servitude by his mother and taught to read and write by Solomon--a pawnbroking fox whose knowledge derives from a Bible that fell on his head while he was busy feeding on a hanged man. Even as Archy's life is transformed by his discovery of the written word and his grappling with the entity called God, he longs for an existence guided by instinct. He longs to be "a real animal." But there is no way of unlearning what he has learned. Caught between his natural urges and his acquired knowledge, he seeks the meaning of his story by writing it. This debut novel by the young Italian author Bernardo Zannoni is set in a primordial landscape where animals talk and tend their hearths but are never free from the struggle for survival. A picaresque fable, it has drawn comparisons to Pinocchio and Watership Down, The Wind in the Willows and The Stranger.

From "one of Russia's smartest and best-sourced young journalists" (The New York Times) comes the first work by a Russian author to reveal his country's history of oppressing Ukraine and provide an unprecedented overview of the war for Ukrainian independence that affects us all. As soon as the Russian invasion of Ukraine began, prominent independent Russian journalist Mikhail Zygar circulated a Facebook petition signed first by hundreds of his cultural and journalistic contacts and then by thousands of others. That act led to a new law in Russia criminalizing criticism of the war, and Zygar fled Russia. In his time as a journalist, Zygar has interviewed President Zelensky and had access to many of the major players--from politicians to oligarchs. As an expert on Putin's moods and behavior, he has spent years studying the Kremlin's plan regarding Ukraine, and here, in clear, chronological order he explains how we got here. In 1996 to 2004, Ukraine became an independent post-Soviet country where everyone was connected to the former empire at all levels, financially, culturally, psychologically. However, the elite anticipated that the empire would be back and punish them. From 2004 to 2018, there were many states inside one state, each with its own rulers/oligarchs and its own interests--some of them directly connected with Russia. In 2018, a new generation of Ukrainians arrive, and having grown in an independent country, they do not consider themselves to be part of Russia--and that was the moment when the war began, as Putin could not tolerate losing Ukraine forever. Authoritative, timely, and vitally important, this is an unprecedented overview of the war that affects us all and continues to threaten the future of the entire world as we know it.

An Amazon Editors' Pick for Best Mystery, Thriller & Suspense "The most fascinating debut I've read in years--enigmatic, biting, absurd, and right when you think you've got it figured out, utterly horrifying." --Daniel Kraus, New York Times bestselling author of Whalefall and The Shape of Water (with Guillermo del Toro) "A gripping, surreal mystery about language, identity, and greed." --Peng Shepherd, bestselling author of The Cartographers "The Centre draws you in with a gentle hand until it throws the mallet down." --Chelsea G. Summers, author of A Certain Hunger "The Centre is as haunting as it is tempting; this book devoured me back." --Sarah Gailey, author of Just Like Home and Eat the Rich In this "dazzling" speculative debut, a London-based Pakistani translator furthers her stalled career by attending a mysterious language school that boasts near-instant fluency--but at a secret, sinister cost (Gillian Flynn) Anisa Ellahi dreams of being a translator of "great works of literature," but mostly spends her days subtitling Bollywood movies and living off her parents' generous allowance. Adding to her growing sense of inadequacy, her mediocre white boyfriend, Adam, has successfully leveraged his savant-level aptitude for languages into an enviable career. But when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret.  Adam begrudgingly tells her about The Centre, an elite, invite-only program that guarantees complete fluency in any language, in just ten days. This sounds, to Anisa, like a step toward the life she's always wanted. Stripped of her belongings and all contact with the outside world, she enrolls and undergoes The Centre's strange and rigorous processes. But as Anisa enmeshes herself further within the organization, seduced by all that it's made possible, she soon realizes the hidden cost of its services. By turns darkly comic and surreal, and with twists as page-turning as they are shocking, The Centre journeys through Karachi, London, and New Delhi, interrogating the sticky politics of language, translation, and appropriation along the way. Through Anisa's addictive tale of striving and self-actualization, Ayesha Manazir Siddiqi ultimately asks the reader: What is the real price we pay in our scramble to the center?

A NEW YORK TIMES EDITORS' CHOICE "Riotous. . . . Hilarious . . . impeccably written . . . . Intelligent, bighearted, spew-your-gefilte-fish-funny." --The New York Times Book Review "A writer with this much talent can take his readers anywhere." --The Washington Post "Painfully funny. . . . This rivals Taffy Brodesser-Akner's Fleishman is in Trouble in its pitch-perfect portrayal of Jewish American life." --Publishers Weekly (starred review) "A comedy of (bad) manners. . . . Engaging." --The Boston Globe A hilarious and heartfelt novel about a seemingly perfect family in an era of waning American optimism, from the acclaimed author of The Altruists The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps.They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope.

Born in rural Mexico, Eduardo "Lalo" García Guzmán and his family left for the United States when he was a child, picking fruits and vegetables on the migrant route from Florida to Michigan. He worked in Atlanta restaurants as a teenager before being convicted of a robbery, incarcerated, and eventually deported. Lalo landed in Mexico City as a new generation of chefs was questioning the hierarchies that had historically privileged European cuisine in elite spaces. At his acclaimed restaurant, Máximo Bistrot, he began to craft food that narrated his memories and hopes. Mexico City-based journalist Laura Tillman spent five years immersively reporting on Lalo's story: from Máximo's kitchen to the onion fields of Vidalia, Georgia, to Dubai's first high-end Mexican restaurant, to Lalo's hometown of San José de las Pilas. What emerges is a moving portrait of Lalo's struggle to find authenticity in an industry built on the very inequalities that drove his family to leave their home, and of the artistic process as Lalo calls on the experiences of his life to create transcendent cuisine. The Migrant Chef offers an unforgettable window into a family's border-eclipsing dreams, Mexico's culinary heritage, and the making of a chef.

In 1956, the New York Times prophesied that once global warming really kicked in, we could see parrots in the Antarctic. In 2010, when science deniers had control of the climate story, Senator James Inhofe and his family built an igloo on the Washington Mall and plunked a sign on top: AL GORE'S NEW HOME: HONK IF YOU LOVE CLIMATE CHANGE. In The Parrot and the Igloo, best-selling author David Lipsky tells the astonishing story of how we moved from one extreme (the correct one) to the other. With narrative sweep and a superb eye for character, Lipsky unfolds the dramatic narrative of the long, strange march of climate science. The story begins with a tale of three inventors--Thomas Edison, George Westinghouse, and Nikola Tesla--who made our technological world, not knowing what they had set into motion. Then there are the scientists who sounded the alarm once they identified carbon dioxide as the culprit of our warming planet. And we meet the hucksters, zealots, and crackpots who lied about that science and misled the public in ever more outrageous ways. Lipsky masterfully traces the evolution of climate denial, exposing how it grew out of early efforts to build a network of untruth about products like aspirin and cigarettes. Featuring an indelible cast of heroes and villains, mavericks and swindlers, The Parrot and the Igloo delivers a real-life tragicomedy--one that captures the extraordinary dance of science, money, and the American character.

Named one of the Best LGBTQ+ Books of 2023 by Vogue * Named a Best Book of 2023 (So Far) by Cosmopolitan * Named a Best Book of Spring 2023 by Esquire * Named a Most Anticipated LGBTQ+ Book of 2023 by Buzzfeed, Electric Lit, and Them An addictive, absurd, and darkly hilarious debut novel about a young woman who embarks on a ten-day getaway with her partner and two other queer couples Sasha and Jesse are professionally creative, erotically adventurous, and passionately dysfunctional twentysomethings making a life together in Brooklyn. When a pair of older, richer lesbians--prominent news host Jules Todd and her psychotherapist partner, Miranda--invites Sasha and Jesse to their country home for the holidays, they're quick to accept. Even if the trip includes a third couple--Jesse's best friend, Lou, and their cool-girl flame, Darcy--whose It-queer clout Sasha ridicules yet desperately wants. As the late December afternoons blur together in a haze of debaucherous homecooked feasts and sweaty sauna confessions, so too do the guests' secret and shifting motivations. When Jesse and Darcy collaborate an ill-fated livestream performance, a complex web of infatuation and jealousy emerges, sending Sasha down a spiral of destructive rage that threatens each couple's future. Unfolding over ten heady days, Dykette is an unforgettable love story at the crossroads of queer nonconformity and seductive normativity. With propulsive plotting and sexy, wickedly entertaining prose, Jenny Fran Davis captures the vagaries of desire and the many devastating places in which we seek recognition.

The uniquely inspiring story of a beloved neighborhood bar that united the communities it served. Coogan's Bar and Restaurant opened in New York City's Washington Heights in 1985 and closed its doors for good in the pandemic spring of 2020. Sometimes called Uptown City Hall, it became a staple of neighborhood life during its 35 years in operation--a place of safety and a bulwark against prejudice in a multi-ethnic, majority-immigrant community undergoing rapid change. Last Call at Coogan's by Jon Michaud tells the story of this beloved saloon, from the challenging years of the late 80's and early 90's, when Washington Heights suffered from the highest crime rate in the city, to the 2010's, when gentrification pushed out longtime residents and nearly closed Coogan's itself; only a massive community mobilization including local politicians and Lin-Manuel Miranda kept the doors open. This book touches on many serious issues facing the country today: race relations, policing, gentrification, and the COVID-19 pandemic. Along the way, readers will meet the bar's owners and an array of its most colorful regulars, such as an aspiring actor from Kentucky who dreams of bringing a theater company to Washington Heights, a television reporter who loves karaoke, and a Puerto Rican community board manager who falls in love with an Irish cop from the local precinct. At its core, this is the story of one small business, the people who worked there, the customers they served, and the community they all called home.

An epic yet intimate novel about a Colombian man caught up in the sweep of global historical and ideological revolutions. The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.  Growing up in Colombia as the children of famous actors, Sergio and Marianella were privileged and artistic, until their parents became disillusioned with bourgeois conventions and moved the entire family to China. Mao's Cultural Revolution was underway and the family lived in an entirely ex-pat hotel where they learned Chinese and joined the revolution, became members of the Red Guard, and trained as guerilla fighters. When they returned to Colombia to support the revolution there, they were sent into the countryside to join the guerilla force, were shot at and nearly died. Out of these lives molded by ideology and zealotry, came an artistic second life for Sergio as he escaped the movement and became his country's most celebrated film director. From the Spanish Civil War to the exile of his family to Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Colombia, Sergio and his family's experience is extraordinary by any standards. Equal parts family saga and epic historical novel, Retrospective reveals the story of one man and his family -- based on real people and events -- and a devastating portrait of the forces that shaped their lives, and for half a century turned the world upside down.

The first comprehensive biography of the Swing Era's pioneering virtuoso drummer and bandleaderWilliam Henry "Chick" Webb (1905-39) was one of the first virtuoso drummers in jazz and an innovative bandleader dubbed the "Savoy King," who reigned at Harlem's world-famous Savoy Ballroom. Along with the likes of Duke Ellington, Fletcher Henderson, and Cab Calloway, Webb helped create the populardance and music culture, known as Swing, that swept the United States during and after the Great Depression and left an indelible impact on American culture. Having moved to Harlem from Baltimore during the Harlem Renaissance, Webb's creativity, charisma and persistence enabled him to navigate theharsh realities of racism and show business, lifting not only himself to stardom but also bringing other future legends-namely vocalist extraordinaire Ella Fitzgerald and RandB trailblazer Louis Jordan-along with him. But at the peak of his fame, at just 34 years of age, his life was cut short bythe chronic spinal tuberculosis that had left him four feet tall with a hump on his back.In this first comprehensive biography of Webb, author Stephanie Stein Crease traces his story in full, showing how his skills and innovations as a bandleader helped catalyze the music of the Swing Era and the growing big band industry, allowing Webb to become one of the most influential musicians injazz history. Crease explores Webb's personal and professional struggles as he rose to the top of the increasingly competitive world of big band jazz.Complete with rare photographs, posters, news clippings, and a discography, this biography will be a gift to jazz aficionados and scholars.

New York Times bestselling author and art critic Laura Cumming reveals the fascinating, little-known story of the Thunderclap--the massive explosion at a gunpowder store in Holland that killed Carel Fabritius, renowned painter of The Goldfinch and nearly killed Johannes Vermeer, painter of Girl with a Pearl Earring--two of the greatest artists of the 17th century. As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th century Holland, Cumming illuminates one of the most celebrated periods in art history. In 1654, an enormous explosion at a gunpowder store devasted the city of Delft, killing hundreds of people and injuring thousands more. Among those killed was the extraordinary painter Carel Fabritius, renowned for his paintings The Goldfinch and his haunting masterpiece A View of Delft, which depicts the very streets through which the victims would be carried to their graves. Fabritius's contemporary and rival Vermeer, painter of the iconic portrait Girl with a Pearl Earring, narrowly escaped death. Framing the story around Fabritius's life, Cumming deftly weaves a sequence of observations about paintings and how they relate to everyday life. Like Dutch art itself, the story gradually links country, city, town, street, house, interior--all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our views, and understanding of the world is the heart of this book and Cumming has brought her unique eye to her most compelling subject yet. Featuring beautiful full-color images of Dutch paintings throughout, this is a stunningly rich book about one of the most vibrant periods in European art and life.

A longtime American foreign policy insider's penetrating and definitive reckoning with this country's involvement in the Middle East--and its bitter end The culmination of almost forty years at the highest levels of policymaking and scholarship, Grand Delusion is Steven Simon's tour de force, offering a comprehensive and deeply informed account of U.S. engagement in the Middle East. Simon begins with the Reagan administration, when American perception of the Middle East shifted from a cluster of faraway and frequently skirmishing nations to a shining, urgent opportunity for America to (in Reagan's words) "serve the cause of world peace and the future of mankind." Reagan fired the starting gun on decades of deepening American involvement, but as the global economy grew, bringing an increasing reliance on oil, U.S. diplomatic and military energies were ever more fatefully absorbed by the Middle East until the Obama administration and its successors finally sought to disentangle America from the region. Grand Delusion explores the motivations, strategies, and shortcomings of each presidential administration from Reagan to today, exposing a web of intertwined events--from Lebanese civil conflict to shifting Iranian domestic politics, Cold War rivalries, and Saudi Arabia's quest for security to 9/11 and the war on terror--managed by a Washington policy process frequently ruled by wishful thinking and partisan politics. Simon's sharp sense of irony and incisive writing bring a complex history to life. He questions the motives behind America's commitment to Israel; explodes the popular narrative of Desert Storm as a "good war"; and calls out the devastating consequences of our mistakes, particularly for people of the region trapped by the onslaught of American military action and pitiless economic sanctions. Grand Delusion reveals that this story, while episodically impressive, was too often tragic and at times dishonorable. As we enter a new era in foreign policy, this is an essential book, a cautionary history that illuminates American's propensity for self-deception and misadventure at a moment when the nation is redefining its engagement with a world in crisis.

FINALIST FOR THE WOMEN'S PRIZE Named a Most Anticipated Book by The Washington Post, Bustle, The Millions, and The Chicago Review of Books "[A] powerful debut." --The Washington Post "An exceptional and stunningly original novel by a major new writer." --Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, Other Set amid the Jamaican diaspora in London at the dawn of 1980s, a mesmerizing story of love, loss, and self-discovery that vibrates with the liberating power of music Yamaye lives for the weekend, when she goes raving with her friends, the "Tombstone Estate gyals," at The Crypt, an underground dub reggae club in their industrial town on the outskirts of London. Raised by her distant father after her mother's disappearance when she was a girl, Yamaye craves the oblivion of sound - a chance to escape into the rhythms of those smoke-filled nights, to discover who she really is in the dance-hall darkness. When Yamaye meets Moose, a soulful carpenter who shares her Jamaican heritage, a path toward a different kind of future seems to open. But then, Babylon rushes in. In a devastating cascade of violence that pits state power against her loved ones and her community, Yamaye loses everything. Friendless and adrift, she embarks on a dramatic journey of transformation that takes her to the Bristol underworld and, finally, to Jamaica, where past and present collide with explosive consequences. The unforgettable story of one young woman's search for home, animated by a ferocity of vision, electrifying music, and the Jamaican spiritual imagination, Fire Rush is a blazing achievement from a brilliant voice in contemporary fiction.

Ninth Building is a fascinating collection of vignettes drawn from Zou Jingzhi's experiencegrowing up during the Cultural Revolution, first as a boy in Beijing and then as a teenager exiledto the countryside. Zou poetically captures a side of the Cultural Revolution that is less talkedabout--the sheer tedium and waste of young life, as well as the gallows humor thataccompanies such desperate situations. Jeremy Tiang's enthralling translation of this importantwork of fiction was awarded a PEN/Heim Grant.

Named a MOST ANTICIPATED Book by Nylon and The Millions From multi-award-winning author Yan Ge, a shimmering, genre-bending English-language debut that announces the next phase in a major literary career. "As haunting, dreamlike, and addictive as a melatonin-induced slumber." --Nylon "With wry humor and occasional earthy surrealism, Yan Ge...delicately renders both the linguistic and physical manifestations of longing." --The New Yorker In twenty years, Yan Ge has authored thirteen books written in Chinese, working across an impressive range of genres and subjects. Now, Yan Ge transposes her dynamic storytelling onto another linguistic landscape. The result is a collection humming with her trademark wit and style--and with the electricity of a seasoned artist flexing her virtuosity with a new medium. A young woman bonds with an encampment of poets after a devastating earthquake. Against her better judgment, a college student begins to fall for an acquaintance who might be dead. And a Confucian disciple returns to the Master bearing a jar full of grisly remains. Weaving between reality and dreamy surreality, these nine stories wend toward elsewhere, a comforting, frustrating, just-out-of-reach place familiar to anyone who has ever experienced longing. Through it all Yan Ge's protagonists peer thoughtfully at their own feelings of displacement--physical or emotional, the result of travel, emigration, or exile. Brilliant and irresistibly readable, Elsewhere explores the utility (or not) of art in the face of lonesomeness, quotidian, and spectacular. This highly anticipated collection is further proof that Yan Ge is a generational literary talent, to be watched closely for decades to come.

The acclaimed author of An Unquiet Mind considers the age-old quest for relief from psychological pain and the role of the exceptional healer in the journey back to health. "To treat, even to cure, is not always to heal." In this expansive cultural history of the treatment and healing of mental suffering, Kay Jamison writes about psychotherapy, what makes a great healer, and the role of imagination and memory in regenerating the mind. From the trauma of the battlefields of the twentieth century, to those who are grieving, depressed, or with otherwise unquiet minds, to her own experience with bipolar illness, Jamison demonstrates how remarkable psychotherapy and other treatments can be when done well. She argues that not only patients but doctors must be healed. She draws on the example of W.H.R. Rivers, the renowned psychiatrist who treated poet Siegfried Sassoon and other World War I soldiers, and discusses the long history of physical treatments for mental illness, as well as the ancient and modern importance of religion, ritual, and myth in healing the mind. She looks at the vital role of artists and writers, as well as exemplary figures, such as Paul Robeson, who have helped to heal us as a people. Fires in the Dark is a beautiful meditation on the quest and adventure of healing the mind, on the power of accompaniment, and the necessity for knowledge.

The untold saga of John Randolph's 383 slaves, freed in his much-contested will of 1821, finally comes to light. Few legal cases in American history are as riveting as the controversy surrounding the will of Virginia Senator John Randolph (1773-1833), which--almost inexplicably--freed all 383 of his slaves in one of the largest and most publicized manumissions in American history. So famous is the case that Ta-Nehisi Coates has used it to condemn Randolph's cousin, Thomas Jefferson, for failing to free his own slaves. With this groundbreaking investigation, historian Gregory May now reveals a more surprising story, showing how madness and scandal shaped John Randolph's wildly shifting attitudes toward his slaves--and how endemic prejudice in the North ultimately deprived the freedmen of the land Randolph had promised them. Sweeping from the legal spectacle of the contested will through the freedmen's dramatic flight and horrific reception in Ohio, A Madman's Will is an extraordinary saga about the alluring promise of freedom and its tragic limitations.

From the Giller Prize-winning author comes a novel, witty and wise, about thwarted ambition, unrealized dreams, the enduring bonds of female friendship, and love's capacity to surprise us at any age. In the winter of 2008, as snow falls without interruption, an actor in a Beckett play blanks on her lines. Fleeing the theatre, she beats a retreat into her past and arrives at Snow Road Station, a barely discernible dot on the map of Ontario. The actor is Lulu Blake, in her sixties now, a sexy, seemingly unfooled woman well-versed in taking risks. Out of work, humiliated, she enters the last act of her life wondering what she can make of her diminished self. In Snow Road Station she decides she is through with drama, but drama, it turns out, isn't through with her. She thinks she wants peace. It turns out she wants more. Looming in the background is that autumn's global financial meltdown, while in the foreground family and friends animate a round of weddings, sap harvests, love affairs, and personal turmoil. At the centre of it all is the lifelong friendship between Lulu and Nan. As the two women contemplate growing old, they surrender certain hard-held dreams and confront the limits of the choices they've made and the messy feelings that kept them apart for decades.

What if everything they've told us about the Garden of Eden was wrong? Faced with what appears to be an apocryphal manuscript containing ten books and 91 chapters, Eve decides to tell her version of the story of Genesis: she was not created from Adam's rib, nor is it correct that she was expelled for taking the apple from the serpent; the story of Abel and Cain isn't true, neither are those of the Flood and the Tower of Babel... In brilliant prose, Carmen Boullosa offers a twist on the Book of Genesis that dismantles patriarchy and rebuilds our understanding of the world--from the origin of gastronomy, to the domestication of animals, to the cultivation of land and pleasure--all through the feminine gaze. Based on this exploration, at times both joyful and painful, The Book of Eve takes a tour through the stories we've been told since childhood, which have helped to foster (and cement) the absurd idea that woman is the companion, complement, and even accessory to man, opening the door to criminal violence against women. Boullosa refutes this entrenched, dangerous perspective in her foundational and brazen feminist novel.

This epic, sweeping historical novel full of "wondrous complexity" spans continents and a century, and reveals how one act of survival can reverberate through generations (Rachel Khong, author of Goodbye, Vitamin). ​ "Remarkable....a haunting, symphonic tale"-- New York Times Book Review In 1898, Pirbhai, a teenage boy looking for work, is taken from his village in India to labor for the British on the East African Railway. Far from home, Pirbhai commits a brutal act in the name of survival that will haunt him and his family for years to come. So begins Janika Oza's masterful, richly told epic, where the embers of this desperate act are fanned into flame over four generations, four continents, throughout the twentieth century. Pirbhai's children are born in Uganda during the waning days of British colonial rule, and as the country moves toward independence, his granddaughters, three sisters, come of age in a divided nation. Latika is an aspiring journalist, who will put everything on the line for what she believes in; Mayuri's ambitions will take her farther away from home than she ever imagined; and fearless Kiya will have to carry the weight of her family's silence and secrets. In 1972, the entire family is forced to flee under Idi Amin's military dictatorship. Pirbhai's grandchildren are now scattered across the world, struggling to find their way back to each other. One day a letter arrives with news that makes each generation question how far they are willing to go, and who they are willing to defy, to secure their own place in the world. A History of Burning is an unforgettable tour de force, an intimate family saga of complicity and resistance, about the stories we share, the ones that remain unspoken, and the eternal search for home.

From the award-winning journalist Bob Woodward calls "one of the truly great reporters working today," a searing, no-holds-barred account of two linked and tragic deaths stemming from the 2020 George Floyd protests that explores the complex political and racial mistrust and division of today's America. "A monumental study of violence and grief...one of the most superb testaments about the confusion, despair, and--hopefully--humility that frames our century that one could ever hope to read." --Hilton Als On May 30, 2020, in Omaha, Nebraska, amid the protests that rocked our nation after George Floyd's death at the hands of police, thirty-eight-year-old white bar owner and Marine veteran Jake Gardner fatally shot James Scurlock, a twenty-two-year-old Black protestor and young father. What followed were two investigations of Scurlock's death, one conducted by the white district attorney Don Kleine, who concluded that Gardner had legally acted in self-defense and released him without a trial, and a second grand jury inquiry conducted by African American special prosecutor Fred Franklin that indicted Gardner for manslaughter and demanded he face trial. Days after the indictment, Gardner killed himself with a single bullet to the head. The deaths of both Scurlock and Gardner gave rise to a toxic brew of misinformation, false claims, and competing political agendas. The two men, each with their own complicated backgrounds, were turned into grotesque caricatures. The twin tragedies amounted to an ugly and heartbreaking reflection of a painfully divided country. Here, Joe Sexton masterfully unpacks the whole twisting, nearly unbelievable chronicle into a meticulously reported and nuanced account of the two deaths, explaining which claims were true and which distorted or simply false. The Lost Sons of Omaha involves some of the most pressing issues facing America today, including our country's dire need for gun control and mental health reform; the dangerous spread of fake news, particularly on social media; and the urgent call to band together in the collective pursuit of truth, fairness, and healing. "A bracing, rigorously reported story--told with grace and nuance--that takes readers deep into the fault lines of today's America." --Andrea Elliott, Pulitzer Prize-winning author of Invisible Child

A brand-new perspective on early modern art and its relationship with nature as reflected in this moving account of overlooked artistic genius Adam Elsheimer, by an outstanding writer and critic. Seventeenth-century Europe swirled with conjectures and debates over what was real and what constituted "nature," currents that would soon gather force to form modern science. Natural Light deliberates on the era's uncertainties, as distilled in the work of long underappreciated artist Adam Elsheimer (1578-1610), a native of Frankfurt who settled in Rome and whose diminutive and mysterious narrative compositions related figures to landscape in new ways, projecting unfamiliar visions of space at a time when Caravaggio was polarizing audiences with his radical altarpieces and early modern scientists were starting to turn to the new "world system" of Galileo. His visual inventions influenced many famous artists--including Rembrandt van Rijn, Claude Lorrain, and Nicolas Poussin. Julian Bell guides the reader through key Elsheimer artworks, examining the contexts behind them before exploring the new imaginative thoughts that opened up in their wake. He also explores the experiences of Elsheimer and other Northern artists in the literary, artistic, and scientific culture of 1600s Rome. Although his life was tragically short, Elsheimer's legacy endured and prints of his work were widely spread throughout Europe, with his influence extending as far as the Indian subcontinent.

From one of South Africa's foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela's relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage. "Powerful, intimate." --The Washington Post One of the most celebrated political leaders of a century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie Madikizela-Mandela. During his years in prison, Nelson grew ever more in love with an idealized version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband's politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless civil war. Jonny Steinberg tells the tale of this unique marriage--its longings, its obsessions, its deceits--making South African history a page-turning political biography. Winnie and Nelson is a modern epic in which trauma doesn't affect just the couple at its center, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Steinberg reveals, with power and tender emotional insight, how far these forever-entwined leaders would go for each other and where they drew the line. For in the end, both knew theirs was not simply a marriage, but a contest to decide how apartheid should be fought.

An extraordinary account of the women artists and activists whose determination to live--and to create--with courage and conviction took them as far as the Spanish Civil War "Now, as certainly as never before, we are determined or compelled, to take sides." --Nancy Cunard An attempted insurrection, a country divided, a democracy threatened. It was the Spanish Civil War of 1936, surprisingly, that Sarah Watling found herself drawn to when confounded by the tumultuous politics of our present day. This was a conflict that galvanized tens of thousands of volunteers from around the world to join the fight. For them, the choice seemed clear: either you were for fascism or you were against it. Seeking to understand how they knew that the moment to act had arrived, Watling sifts through archives for lost journals, letters, and manifestos, discovering a trove of work by writers and outsiders who had often been relegated to the shadows of famous men like Ernest Hemingway and George Orwell. She encounters the rookie journalist Martha Gellhorn coming into her own in Spain and the radical writer Josephine Herbst questioning her political allegiances. She finds the novelist Sylvia Townsend Warner embracing a freedom in Barcelona that was impossible for queer women back at home in England and, by contrast, Virginia Woolf struggling to keep the war out of her life, honing her intellectual position as she did so. She tracks down the stories of Gerda Taro, a Jewish photographer whose work had long been misattributed, and Salaria Kea, a nurse from Harlem who saw the war as a chance to combat the prejudice she experienced as a woman of color. Here were individuals seizing an opportunity to oppose the forces that frightened them. From a variety of backgrounds and beliefs, these women saw history coming, and they went out to meet it. Yet the reality was far from simple. When does tolerance become apathy? Where is the line between solidarity and appropriation? Is writing about the revolution the same as actively participating in it? With profound, personal insight, Watling reveals that their answers are as relevant today as they were then.

OPRAH'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * SUBJECT OF A SIX-PART SUPER SOUL PODCAST SERIES HOSTED BY OPRAH WINFREY From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret "One of the best books I've read in my entire life. It's epic. It's transportive . . . It was unputdownable!"--Oprah Winfrey, OprahDaily.com The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of the major word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years. Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India's Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning--and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala's long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl--and future matriarch, known as Big Ammachi--will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants. A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

A "wildly entertaining" (NPR), "gripping" (The Washington Post) work of historical fiction about an incendiary tragedy that shocked a young nation and tore apart a community in a single night, from the author of Florence Adler Swims Forever. Richmond, Virginia 1811. It's the height of the winter social season, the General Assembly is in session, and many of Virginia's gentleman planters, along with their wives and children, have made the long and arduous journey to the capital in hopes of whiling away the darkest days of the year. At the city's only theater, the Charleston-based Placide & Green Company puts on two plays a night to meet the demand of a populace that's done looking for enlightenment at the front of a church. On the night after Christmas, the theater is packed with more than six hundred holiday revelers. In the third-floor boxes sits newly widowed Sally Henry Campbell, who is glad for any opportunity to relive the happy times she shared with her husband. One floor away, in the colored gallery, Cecily Patterson doesn't give a whit about the play but is grateful for a four-hour reprieve from a life that has recently gone from bad to worse. Backstage, young stagehand Jack Gibson hopes that, if he can impress the theater's managers, he'll be offered a permanent job with the company. And on the other side of town, blacksmith Gilbert Hunt dreams of one day being able to bring his wife to the theater, but he'll have to buy her freedom first. When the theater goes up in flames in the middle of the performance, Sally, Cecily, Jack, and Gilbert make a series of split-second decisions that will not only affect their own lives but those of countless others. And in the days following the fire, as news of the disaster spreads across the United States, the paths of these four people will become forever intertwined. Based on the true story of Richmond's theater fire, The House Is on Fire is a "stunning" (Jeannette Walls, New York Times bestselling author of The Glass Castle), "all-consuming exploration" (E! News) that offers proof that sometimes, in the midst of great tragedy, we are offered our most precious--and fleeting--chances at redemption.

A family reunion gives way to an unforgettable genealogical quest as relatives reconnect across lines of color, culture, and time, putting the past into urgent conversation with the present. In 1791, Thomas Jefferson hired a Black man to help survey Washington, DC. That man was Benjamin Banneker, an African American mathematician, a writer of almanacs, and one of the greatest astronomers of his generation. Banneker then wrote what would become a famous letter to Jefferson, imploring the new president to examine his hypocrisy, as someone who claimed to love liberty yet was an enslaver. More than two centuries later, Rachel Jamison Webster, an ostensibly white woman, learns that this groundbreaking Black forefather is also her distant relative. Acting as a storyteller, Webster draws on oral history and conversations with her DNA cousins to imagine the lives of their shared ancestors across eleven generations, among them Banneker's grandparents, an interracial couple who broke the law to marry when America was still a conglomerate of colonies under British rule. These stories shed light on the legal construction of race and display the brilliance and resistance of early African Americans in the face of increasingly unjust laws, some of which are still in effect in the present day.

GMA BUZZ PICK * INTERNATIONAL BEST SELLER * A haunting, virtuosic debut novel about two young men who fall in love during World War I * "Dazzling and wrenching, witty and wildly romantic, with echoes of Brideshead Revisited and Atonement." --Lev Grossman, best-selling author of The Magicians "In Memoriam is the story of a great tragedy, but it is also a moving portrait of young love, and there is often a lightness to the book."--The New York Times "A devastating love story...Gaunt and Ellwood will live in your mind long after you've closed the final pages." --Maggie O'Farrell, best-selling author of Hamnet and The Marriage Portrait It's 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next. An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut.

An inspiring look at wildlife species that are defying the odds and teaching important lessons about how to share a planet. The news about wildlife is dire--more than 900 species have been wiped off the planet since industrialization. Against this bleak backdrop, however, there are also glimmers of hope and crucial lessons to be learned from animals that have defied global trends toward extinction. Bear in Italy, bison in North America, whales in the Atlantic. These populations are back from the brink, some of them in numbers unimaginable in a century. How has this happened? What shifts in thinking did it demand? In crisp, transporting prose, Christopher Preston reveals the mysteries and challenges at the heart of these resurgences. Drawing on compelling personal stories from the researchers, Indigenous people, and activists who know the creatures best, Preston weaves together a gripping narrative of how some species are taking back vital, ecological roles. Each section of the book--farms, prairies, rivers, forests, oceans--offers a philosophical shift in how humans ought to think about animals, passionately advocating for the changes in attitude necessary for wildlife recovery. Tenacious Beasts is quintessential nature writing for the Anthropocene, touching on different facets of ecological restoration from Indigenous knowledge to rewilding practices. More important, perhaps, the book offers a road map--and a measure of hope--for a future in which humans and animals can once again coexist.

A stunning account of a colossal wildfire that collided with a city, and a panoramic exploration of the rapidly changing relationship between fire and humankind from the award-winning, best-selling author of The Tiger and The Golden Spruce "Grips like a philosophical thriller, warns like a beacon, and shocks to the core." --Robert Macfarlane, bestselling author of Underland "Riveting, spellbinding, astounding on every page." --David Wallace-Wells, #1 bestselling author of The Uninhabitable Earth In May 2016, Fort McMurray, the hub of Canada's oil industry and America's biggest foreign supplier, was overrun by wildfire. The multi-billion-dollar disaster melted vehicles, turned entire neighborhoods into firebombs, and drove 88,000 people from their homes in a single afternoon. Through the lens of this apocalyptic conflagration--the wildfire equivalent of Hurricane Katrina--John Vaillant warns that this was not a unique event, but a shocking preview of what we must prepare for in a hotter, more flammable world. Fire has been a partner in our evolution for hundreds of millennia, shaping culture, civilization, and, very likely, our brains. Fire has enabled us to cook our food, defend and heat our homes, and power the machines that drive our titanic economy. Yet this volatile energy source has always threatened to elude our control, and in our new age of intensifying climate change, we are seeing its destructive power unleashed in previously unimaginable ways. With masterly prose and a cinematic eye, Vaillant takes us on a riveting journey through the intertwined histories of North America's oil industry and the birth of climate science, to the unprecedented devastation wrought by modern forest fires, and into lives forever changed by these disasters. John Vaillant's urgent work is a book for--and from--our new century of fire, which has only just begun.

"To say Heighton is an immensely talented writer is true enough but insufficient ... As good a writer as Canada has ever produced."--National Post A man recalls his father's advice on how to save a drowning person, but struggles when the time comes to use it. A wife's good deed leaves a couple vulnerable at the moment when they're most in need of security--the birth of their first child. Newly in love, a man preoccupied by accounts of freak accidents is befallen by one himself. In stories about love and fear, idealisms and illusions, failures of muscle and mind and all the ways we try to care for one another, Steven Heighton's Instructions for the Drowning is an indelible last collection by a writer working at the height of his powers.

INSTANT NATIONAL BESTSELLER NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY VOGUE, ELLE, OPRAH DAILY, THE WASHINGTON POST, BUZZFEED AND VULTURE "Erudite, intimate, hilarious, poignant . . . A gorgeously written novel of youth's promise, of the quest to find one's tribe and one's calling." --Leigh Haber, Oprah Daily The Booker Prize finalist and widely acclaimed author of Real Life and Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who "didn't seek sex out so much as it came up to him like an anxious dog in need of affection." These four are buffeted by a cast of artists, landlords, meatpacking workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of the city, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives--a moment of reckoning that leaves each of them irrevocably altered. A novel of friendship and chosen family, The Late Americans asks fresh questions about love and sex, ambition and precarity, and about how human beings can bruise one another while trying to find themselves. It is Brandon Taylor's richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life.

An award-winning journalist's powerful portrait of his native Baghdad, the people of Iraq, and twenty years of war. "An essential insider account of the unravelling of Iraq...Driven by his intimate knowledge and deep personal stakes, Abdul-Ahad...offers an overdue reckoning with a broken history."--Declan Walsh, author of The Nine Lives of Pakistan: Dispatches from a Precarious State "A vital archive of a time and place in history...Impossible to put down."--Omar El Akkad, author of What Strange Paradise The history of reportage has often depended on outsiders--Ryszard Kapuściński witnessing the fall of the shah in Iran, Frances FitzGerald observing the aftermath of the American war in Vietnam. What would happen if a native son was so estranged from his city by war that he could, in essence, view it as an outsider? What kind of portrait of a war-wracked place and people might he present? A Stranger in Your Own City is award-winning writer Ghaith Abdul-Ahad's vivid, shattering response. This is not a book about Iraq's history or an inventory of the many Middle Eastern wars that have consumed the nation over the past several decades. This is the tale of a people who once lived under the rule of a megalomaniacal leader who shaped the state in his own image; a people who watched a foreign army invade, topple that leader, demolish the state, and then invent a new country; who experienced the horror of having their home fragmented into a hundred different cities. When the "Shock and Awe" campaign began in March 2003, Abdul-Ahad was an architect. Within months he would become a translator, then a fixer, then a reporter for The Guardian and elsewhere, chronicling the unbuilding of his centuries-old cosmopolitan city. Beginning at that moment and spanning twenty years, Abdul-Ahad's book decenters the West and in its place focuses on everyday people, soldiers, mercenaries, citizens blown sideways through life by the war, and the proliferation of sectarian battles that continue to this day. Here is their Iraq, seen from the inside: the human cost of violence, the shifting allegiances, the generational change. A Stranger in Your Own City is a rare work of beauty and tragedy whose power and relevance lie in its attempt to return the land to the people to whom it belongs.

From Pulitzer Prize winner Richard Ford: the final novel in the world of Frank Bascombe, one of the most indelible characters in American literature Over the course of four celebrated works of fiction and almost forty years, Richard Ford has crafted an ambitious, incisive, and singular view of American life as lived. Unconstrained, astute, provocative, often laugh-out-loud funny, Frank Bascombe is once more our guide to the great American midway. Now in the twilight of life, a man who has occupied many colorful lives--sportswriter, father, husband, ex-husband, friend, real estate agent--Bascombe finds himself in the most sorrowing role of all: caregiver to his son, Paul, diagnosed with ALS. On a shared winter odyssey to Mount Rushmore, Frank, in typical Bascombe fashion, faces down the mortality that is assured each of us, and in doing so confronts what happiness might signify at the end of days. In this memorable novel, Richard Ford puts on displays the prose, wit, and intelligence that make him one of our most acclaimed living writers. Be Mine is a profound, funny, poignant love letter to our beleaguered world.

A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living. At the height of her career, the piano virtuoso Elsa M. Anderson--former child prodigy, now in her thirties--walks off the stage in Vienna, mid-performance. Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy's August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.

New York Times bestselling historian Craig Nelson reveals how FDR confronted an American public disinterested in going to war in Europe, skillfully won their support, and pushed government and American industry to build the greatest war machine in history, "the arsenal of democracy" that won World War II. As Nazi Germany began to conquer Europe, America's military was unprepared, too small, and poorly supplied. The Nazis were supported by robust German factories that created a seemingly endless flow of arms, trucks, tanks, airplanes, and submarines. The United States, emerging from the Great Depression, was skeptical of American involvement in Europe and not ready to wage war. Hardened isolationists predicted disaster if the country went to war. In this fascinating and deeply researched account, Craig Nelson traces how Franklin D. Roosevelt steadily and sometimes secretively put America on a war footing by convincing America's top industrialists such as Henry Ford Jr. to retool their factories, by diverting the country's supplies of raw materials to the war effort, and above all by convincing the American people to endure shortages, to work in wartime factories, and to send their sons into harm's way. Within a few years, the nation's workers were producing thousands of airplanes and tanks, hundreds of warships and submarines. Under FDR's resolute leadership, victory at land and sea and air across the globe began at home in America--a powerful and essential narrative largely overlooked in conventional histories of the war but which, in Nelson's skilled, authoritative hands, becomes an illuminating and important work destined to become an American history classic.

An autobiography of one of the towering figures of contemporary American music and a powerful meditation on history, race, capitalism, and art. Henry Threadgill has had a singular life in music. At 79, the saxophonist, flautist, and celebrated composer is one of three jazz artists (along with Ornette Coleman and Wynton Marsalis) to have won a Pulitzer Prize. In Easily Slip into Another World, Threadgill recalls his childhood and upbringing in Chicago, his family life and education, and his brilliant career in music. Here are riveting recollections of the music scene in Chicago in the early 1960s, when Threadgill developed his craft among friends and schoolmates who would go on to form the core of the highly influential Association for the Advancement of Creative Musicians (AACM); the year and a half he spent touring with an evangelical preacher in the mid-1960s; his military service in Vietnam-a riveting tale in itself, but also representative of an under-recognized aspect of jazz history, given the number of musicians in Threadgill's generation who served in the armed forces. We appreciate his genius as he travels to the Netherlands, Venezuela, Trinidad, Sicily, and Goa enriching his art; immerses himself in the volatile downtown scene in New York City in the 1970s and 1980s; collaborates with choreographers, writers, and theater directors as well as an astonishing range of musicians, from AACM stalwarts (Muhal Richard Abrams, Roscoe Mitchell, Wadada Leo Smith, and Leroy Jenkins), to Chicago bluesmen, downtown luminaries, and world music innovators; shares his impressions of the recording industry his perspectives on music education and the history of Black music in the United States; and, of course, accounts for his work with the various ensembles he has directed over the past five decades.

ONE OF THE MOST ANTICIPATED BOOKS OF THE YEAR--a masterful and engrossing novel about a single mother's collapse and the fate of her family after she enters a California state hospital in the 1970s. "A sweeping family epic that took me from one American coast to another...Simpson is so attuned to the family heart." --Weike Wang, author of Joan Is Okay When Diane Aziz drives her oldest son, Walter, from Los Angeles to college at UC Berkeley, it will be her last parental act before falling into a deep depression. A single mother who maintains a wishful belief that her children can attain all the things she hasn't, she's worked hard to secure their future in caste-driven 1980s Los Angeles, gaining them illegal entry to an affluent public school. When she enters a state hospital, her closest friend tries to keep the children safe and their mother's dreams for them alive. At Berkeley, Walter discovers a passion for architecture just as he realizes his life as a student may need to end for lack of funds. Back home in LA, his sister, Lina, who works in an ice-cream parlor while her wealthy classmates are preparing for Ivy league schools, wages a high stakes gamble to go there with them. And Donny, the little brother everybody loves, begins to hide in plain sight, coding, gaming, and drifting towards a life on the beach, where he falls into an escalating relationship with drugs. Moving from Berkeley and Los Angeles to New York and back again, this is a story about one family trying to navigate the crisis of their lives, a crisis many know first-hand in their own families or in those of their neighbors. A resonant novel about family and duty and the attendant struggles that come when a parent falls ill, Commitment honors the spirit of fragile, imperfect mothers and the under-chronicled significance of friends, in determining the lives of our children left on their own. With Commitment, Mona Simpson, one of the foremost chroniclers of the American family in our time, has written her most important and unforgettable novel.

From the award-winning author of The Order of the Day, a piercing account of the lesser-known conflict preceding the Vietnam War that dealt a fatal blow to French colonialism. How can a modern army lose to an army of peasants? Delving into the last gasps of the First Indochina War (1946-1954), which saw the communist Việt Minh take control of North Vietnam, Éric Vuillard vividly illustrates the attitudes that both enabled French colonialist abuses and ultimately led to their defeat and withdrawal. From the Michelin rubber plantation, where horrific working conditions sparked an epidemic of suicides, to the battlefield, a sense of superiority over the "yellow men" pervaded European and American forces. And, as with so many conflicts throughout history, there were key actors with a motivation deeper than nationalism or political ideology--greed.    An Honorable Exit not only brings to life scenes from the war, but also looks beyond the visceral reality on the ground to the colder calculations of those who seek to benefit from conflict, whether shrewd bankers, who can turn a military win or loss into financial gain, or intelligence operatives like the CIA, who aim to influence governments across the globe.

A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of conductors like Arturo Toscanini, Serge Koussevitzky, and Leonard Bernstein. Barber's works have since become standard concert repertoire and continue to flourish across high art and popular culture. Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber's life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber's path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music's commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber's encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer's decades-long relationship with the renowned opera composer Gian Carlo Menotti. Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.

The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I--and a new understanding of one of the great twentieth-century writers. When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today.

From the bestselling coauthor of Wittgenstein's Poker, an entertaining and illuminating biography of a brilliant philosopher who tried to rescue morality from nihilism Derek Parfit (1942-2017) is the most famous philosopher most people have never heard of. Widely regarded as one of the greatest moral thinkers of the past hundred years, Parfit was anything but a public intellectual. Yet his ideas have shaped the way philosophers think about things that affect us all: equality, altruism, what we owe to future generations, and even what it means to be a person. In Parfit, David Edmonds presents the first biography of an intriguing, obsessive, and eccentric genius. Believing that we should be less concerned with ourselves and more with the common good, Parfit dedicated himself to the pursuit of philosophical progress to an extraordinary degree. He always wore gray trousers and a white shirt so as not to lose precious time picking out clothes, he varied his diet as little as possible, and he had only one serious non-philosophical interest: taking photos of Oxford, Venice, and St. Petersburg. In the latter half of his life, he single-mindedly devoted himself to a desperate attempt to rescue secular morality--morality without God--by arguing that it has an objective, rational basis. For Parfit, the stakes could scarcely have been higher. If he couldn't demonstrate that there are objective facts about right and wrong, he believed, his life was futile and all our lives were meaningless. Connecting Parfit's work and life and offering a clear introduction to his profound and challenging ideas, Parfit is a powerful portrait of an extraordinary thinker who continues to have a remarkable influence on the world of ideas.

Julia Lee is angry. And she has questions. What does it mean to be Asian in America? What does it look like to be an ally or an accomplice? How can we shatter the structures of white supremacy that fuel racial stratification? When Julia was fifteen, her hometown went up in smoke during the 1992 Los Angeles riots. The daughter of Korean immigrant store owners in a predominantly Black neighborhood, Julia was taught to be grateful for the privilege afforded to her. However, the acquittal of four white police officers in the beating of Rodney King, following the murder of Latasha Harlins by a Korean shopkeeper, forced Julia to question her racial identity and complicity. She was neither Black nor white. So who was she? This question would follow Julia for years to come, resurfacing as she traded in her tumultuous childhood for the white upper echelon of elite academia. It was only when she began a PhD in English that she found answers--not through studying Victorian literature, as Julia had planned, but rather in the brilliant prose of writers like James Baldwin and Toni Morrison. Their works gave Julia the vocabulary and, more important, the permission to critically examine her own tortured position as an Asian American, setting off a powerful journey of racial reckoning, atonement, and self-discovery. With prose by turns scathing and heart-wrenching, Julia lays bare the complex disorientation and shame that stem from this country's imposed racial hierarchy. And she argues that Asian Americans must work toward lasting social change alongside Black and brown communities in order to combat the scarcity culture of white supremacy through abundance and joy. In this passionate, no-holds-barred memoir, Julia interrogates her own experiences of marginality and resistance, and ultimately asks what may be the biggest question of all--what can we do?

"This is a deeply impressive book, and I think an important one. Its intensity, its narrative attack, the fascinations of its era and setting, make it impossible to tear the attention away. Energy and inventiveness distinguish every page." -- Hilary Mantel From an unforgettable new voice in Caribbean literature, a sweeping story of two families colliding in 1940s Trinidad--and a chilling mystery that shows how interconnected their lives truly are  Trinidad in the 1940s, nearing the end of American occupation and British colonialism. On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognizable to those who reside in the farm's shadow. Down below is the Barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops--Hans, Shweta, and their son, Krishna, all three born of the barracks. Theirs are hard lives of backbreaking work, grinding poverty, devotion to faith, and a battle against nature and a social structure designed to keep them where they are. But when Dalton goes missing and Marlee's safety is compromised, farmhand Hans is lured by the promise of a handsome stipend to move to the farm as a watchman. As the mystery of Dalton's disappearance unfolds, the lives of the wealthy couple and those who live in the barracks below become insidiously entwined, their community changed forever and in shocking ways. A searing and singular novel of religion, class, family, and historical violence, and rooted in Trinidad's wild pastoral landscape and inspired by oral storytelling traditions, Hungry Ghosts is deeply resonant of its time and place while evoking the roots and ripple effects of generational trauma and linked histories; the lingering resentments, sacrifices, and longings that alter destinies; and the consequences of powerlessness. Lyrically told and rendered with harrowing beauty, Hungry Ghosts is a stunning piece of storytelling and an affecting mystery, from a blazingly talented writer.  

In Katy Simpson Smith's The Weeds, two women, connected across time, edge toward transgression in pursuit of their desires. A Mississippi woman pushes through the ruin of the Roman Colosseum, searching for plants. She has escaped her life, signed up to catalog all the species growing in this place. Crawling along the stones, she wonders how she has landed here, a reluctant botanist amid a snarl of tourists in comfortable sandals. She hunts for a scientific agenda and a direction of her own. In 1854, a woman pushes through the jungle of the Roman Colosseum, searching for plants. As punishment for her misbehavior, she has been indentured to the English botanist Richard Deakin, for whom she will compile a flora. She is a thief, and she must find new ways to use her hands. If only the woman she loves weren't on a boat, with a husband. But love isn't always possible. She logs 420 species. Through a list of seemingly minor plants and their uses--medical, agricultural, culinary--these women calculate intangible threats: a changing climate, the cost of knowledge, and the ways repeated violence can upend women's lives. They must forge their own small acts of defiance and slip through whatever cracks they find. How can anyone survive? Lush, intoxicating, and teeming with mischief, Katy Simpson Smith's The Weeds is a tense, mesmerizing page-turner about science and survival, the roles women are given and have taken from them, and the lives they make for themselves.

Countless Black Americans descended from slavery are related to the enslavers who bought and sold their ancestors. Among them is Dionne Ford, whose great grandmother was the last of six children born to a Louisiana cotton broker and the enslaved woman he received as a wedding gift. What shapes does this kind of intergenerational trauma take? In these pages, which move between her inner life and deep research, Ford tells us. It manifests as alcoholism and post-traumatic stress; it finds echoes in her own experience of sexual abuse at the hands of a relative, and in the ways in which she builds her own interracial family. To heal, Ford tries a wide range of therapies, lifestyle changes, and recovery meetings. "Anything," she writes, "to keep from going back there." But what she learns is that she needs to go back there, to return to her female ancestors, and unearth what she can about them to start to feel whole.

A novel about womanhood, modern family, and the interior landscape of maternal life, as seen through the life of a young wife and mother on a single day. At night, Maisie Moore dreams that her life is perfect: the looming mortgages and credit card debt have magically vanished, and she can raise her four children, including newborn Esme, on an undulating current of maternal bliss, by turns oceanic and overwhelming, but awash in awe and wonder. Then she jolts awake and, after checking that her husband and baby are asleep beside her, remembers the real-world money problems to be resolved amid the long days of grocery shopping, gymnastics practices, and soccer games. From this moment, Eliza Minot draws readers into the psyche of the perceptive and warmhearted Maisie, who yearns to understand the world around her and overflows with fierce love for her growing family.  Unfolding over the course of a single day in which Maisie and her husband take their children to pick apples, In the Orchard is luminous, masterfully crafted, revelatory--a shining exploration of motherhood, childhood, and love.

"As impeccable as [the] title story is, every entry astonishes" (The New York Times), from the National Jewish Book Award-winning author of A Play for the End of the World "Whether in Brooklyn, Kolkata, upstate New York or elsewhere, these characters captured my heart and endure in my memory like loved ones." --Mia Alvar, author of In the Country In the fourteen masterful stories that make up this collection, Jai Chakrabarti crosses continents and cultures to explore what it means to cultivate a family today, across borders, religions, and race. In the title story, a closeted gay man in 1980s Kolkata seeks to have a child with his lover's wife. An Indian widow, engaged to a Jewish man, struggles to balance her cultural identity with the rituals and traditions of her newfound family. An American musician travels to see his guru for the final time--and makes a promise he cannot keep. A young woman from an Indian village arrives in Brooklyn to care for the toddler of a biracial couple. And a mystical agent is sent by a mother to solve her son's domestic problems. Throughout, the characters' most vulnerable desires shape life-altering decisions as they seek to balance their needs against those of the people they hold closest. The stories in A Small Sacrifice for an Enormous Happiness capture men and women struggling with transformation and familial bonds; they traverse the intersections of countries and cultures to illuminate what it means to love in uncertain times; and they showcase the skill of a storyteller who dazzles with the breadth of his vision.

A Pulitzer Prize-winning reporter's moving narrative of a group of patient advocates who are revolutionizing the way medical research is conducted. For more than half a century, medical advances have been driven by investigators launching experiments inside labs. Science is often conducted in isolation and geared toward the long view. This is the story of a group of people who tried to force the lab doors open- parents whose children had been diagnosed with a rare and fatal genetic condition known as Niemann-Pick disease type C. The disease prevents cells from processing cholesterol, which leads to the progressive loss of the brain's and the body's ability to function. Recognizing that there would never be a treatment in time to save their children if things stayed the same, the parents set up a collaboration with researchers and doctors in search of a cure. Reconciling different views of science took work. The parents, doctors, and researchers didn't always agree-among themselves or with each other. But together they endeavored toaccelerate the development of new drugs. The parents became citizen scientists, identifying promising new treatments and helping devise experiments. They recorded dataaboutthe children and co-authored scientific papers sharing findings. They engaged directly with the FDA at each step of the drug approval process. Along the way, they advanced the radical idea that science must belong to us all. Amy Dockser Marcus shows what happens when a community joins forces with doctors and researchers to try to save children's lives. Their extraordinary social experiment reveals new pathways for treating disease and conducting research. Science may be forever changed.

"Brave and nuanced...an act of tremendous compassion and a literary triumph." - The New York Times "Immensely emotional and unforgettably haunting." - Wall Street Journal Acclaimed author Jonathan Rosen's haunting investigation of the forces that led his closest childhood friend, Michael Laudor, from the heights of brilliant promise to the forensic psychiatric hospital where he has lived since killing the woman he loved. A story about friendship, love, and the price of self-delusion, The Best Minds explores the ways in which we understand--and fail to understand--mental illness. When the Rosens moved to New Rochelle in 1973, Jonathan Rosen and Michael Laudor became inseparable. Both children of college professors, the boys were best friends and keen competitors, and, when they both got into Yale University, seemed set to join the American meritocratic elite. Michael blazed through college in three years, graduating summa cum laude and landing a top-flight consulting job. But all wasn't as it seemed. One day, Jonathan received the call: Michael had suffered a serious psychotic break and was in the locked ward of a psychiatric hospital. Diagnosed with paranoid schizophrenia, Michael was still in the hospital when he learned he'd been accepted to Yale Law School, and still battling delusions when he decided to trade his halfway house for the top law school in the country. He not only managed to graduate, but after his extraordinary story was featured in The New York Times, sold a memoir for a large sum. Ron Howard bought film rights, completing the dream for Michael and his tirelessly supportive girlfriend Carrie. But then Michael, in the grip of an unshakeable paranoid fantasy, stabbed Carrie to death with a kitchen knife and became a front-page story of an entirely different sort. The Best Minds is Jonathan Rosen's brilliant and heartbreaking account of an American tragedy. It is a story about the bonds of family, friendship, and community; the promise of intellectual achievement; and the lure of utopian solutions. Tender, funny, and harrowing by turns, at times almost unbearably sad, The Best Minds is an extreme version of a story that is tragically familiar to all too many. In the hands of a writer of Jonathan Rosen's gifts and dedication, its significance will echo widely.

There was a time when the family Künstler lived in the fairy-tale city of Vienna. Circumstances transformed that fairy tale into a nightmare, and in 1939 the Künstlers found their way out of Vienna and into a new fairy tale: Los Angeles, California, United States of America. For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie's grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian's short visit suddenly has no end in sight. Mamie was only eleven when the Künstlers escaped Vienna in 1939. They made their way, stunned and overwhelmed, to sunny, surreal Los Angeles where they joined a colony of distinguished Jewish musicians, writers and intellectuals also escaping Hitler. Now, faced with months of lockdown and a willing listener, Mamie begins to tell Julian the buried stories of her early years in Los Angeles: her escapades with eminent émigrés like Arnold Schoenberg, Christopher Isherwood, Thomas Mann. Oh, and Greta Garbo. While the pandemic cuts Julian off from the life he knows, Mamie's tales open up a world of lives that came before him. They reveal to him just how much the past holds of the future.

NEW YORK TIMES BESTSELLER * REESE'S BOOK CLUB PICK * A comedy writer thinks she's sworn off love, until a dreamy pop star flips the script on all her assumptions--a "smart, sophisticated, and fun" (Oprah Daily) novel from the author of Eligible, Rodham, and Prep.   "Full of dazzling banter and sizzling chemistry."--People   "If you ever wanted a backstage pass to Saturday Night Live, this is the book for you."--Zibby Owens, Good Morning America Sally Milz is a sketch writer for The Night Owls, a late-night live comedy show that airs every Saturday. With a couple of heartbreaks under her belt, she's long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life. But when Sally's friend and fellow writer Danny Horst begins dating Annabel, a glamorous actress who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show--and in society at large--who've gotten romantically involved with incredibly beautiful and accomplished women. Sally channels her annoyance into a sketch called the Danny Horst Rule, poking fun at this phenomenon while underscoring how unlikely it is that the reverse would ever happen for a woman. Enter Noah Brewster, a pop music sensation with a reputation for dating models, who signed on as both host and musical guest for this week's show. Dazzled by his charms, Sally hits it off with Noah instantly, and as they collaborate on one sketch after another, she begins to wonder if there might actually be sparks flying. But this isn't a romantic comedy--it's real life. And in real life, someone like him would never date someone like her . . . right? With her keen observations and trademark ability to bring complex women to life on the page, Curtis Sittenfeld explores the neurosis-inducing and heart-fluttering wonder of love, while slyly dissecting the social rituals of romance and gender relations in the modern age.

A warm, funny, irresistible memoir that follows an improbable and life-changing college friendship over the course of forty years--from the best-selling author of The End of Your Life Book Club * "A rare view of male friendship."--NPR "Moving...salted with Schwalbe's well-established literary intelligence and a palpable empathy." --The New York Times Book Review By the time Will Schwalbe was a junior at college, he had already met everyone he cared to know: the theater people, writers, visual artists and comp lit majors, and various other quirky characters including the handful of students who shared his own major, Latin and Greek. He also knew exactly who he wanted to avoid: the jocks. The jocks wore baseball caps and moved in packs, filling boisterous tables in the dining hall, and on the whole seemed to be another species entirely, one Will might encounter only at his own peril.  All this changed dramatically when Will collided with Chris Maxey, known to just about everyone as Maxey. Maxey was physically imposing, loud, and a star wrestler who was determined to become a Navy SEAL (where he would later serve for six years). Thanks to the strangely liberating circumstances of a little-known secret society at Yale, the two forged a bond that would become a mainstay of each other's lives as they repeatedly lost and found each other and themselves in the years after graduation.  From New Haven to New York City, from Hong Kong and Panama to a remarkable school on an island in the Bahamas--through marriages and a divorce, triumphs and devastating losses--We Should Not Be Friends tracks an extraordinary friendship over decades of challenge and change. Schwalbe's marvelous new work is, at its heart, a joyful testament to the miracle of human connection--and how if we can just get past our preconceptions, we may find some of our greatest friends.

A riveting look at the story of World War II and the Holocaust through the diaries of Dutch citizens, firsthand accounts of ordinary people living through extraordinary times   Based on select writings from a collection of more than two thousand Dutch diaries written during World War II in order to record this unparalleled time, and maintained by devoted archivists, The Diary Keepers illuminates a part of history we haven't seen in quite this way before, from the stories of a Nazi sympathizing police officer to a Jewish journalist who documented daily activities at a transport camp. Journalist Nina Siegal, who grew up in a family that had survived the Holocaust in Europe, had always wondered about the experience of regular people during World War II. She had heard stories of the war as a child and Anne Frank's diary, but the tales were either crafted as moral lessons -- to never waste food, to be grateful for all you receive, to hide your silver -- or told with a punch line. The details of the past went untold in an effort to make it easier assimilate into American life. When Siegal moved to Amsterdam as an adult, those questions came up again, as did another horrifying one: Why did seventy five percent of the Dutch Jewish community perish in the war, while in other Western European countries the proportions were significantly lower? How did this square with the narratives of Dutch resistance she had heard so much about and in what way did it relate to the famed tolerance people in the Netherlands were always talking about? Perhaps more importantly, how could she raise a Jewish child in this country without knowing these answers? Searching and singular, The Diary Keepers mines the diaries of ordinary citizens to understand the nature of resistance, the workings of memory, and the ways we reflect on, commemorate, and re-envision the past.

"Sonora Jha expertly inhabits the perspective of a man so terrified of the old world slipping away, he can't see the ground shifting beneath his feet. A deliciously sharp, mercilessly perceptive exploration of power, The Laughter explores how 'otherness' is both fetishized and demonized, and what it means to love something--a person, a country--that does not love you back."--Celeste Ng, New York Times-bestselling author of Little Fires Everywhere and Our Missing Hearts A white male college professor develops a dangerous obsession with his new Pakistani colleague in this modern, iconoclastic novel. Dr. Oliver Harding, a tenured professor of English, is long settled into the routines of a divorced, aging academic. But his quiet, staid life is upended by his new colleague, Ruhaba Khan, a dynamic Pakistani Muslim law professor. Ruhaba unexpectedly ignites Oliver's long-dormant passions, a secret desire that quickly tips towards obsession after her teenaged nephew, Adil Alam, arrives from France to stay with her. Drawn to them, Oliver tries to reconcile his discomfort with the worlds from which they come, and to quiet his sense of dismay at the encroaching change they represent--both in background and in Ruhaba's spirited engagement with the student movements on campus. After protests break out demanding diversity across the university, Oliver finds himself and his beliefs under fire, even as his past reveals a picture more complicated than it seems. As Ruhaba seems attainable yet not, and as the women of his past taunt his memory, Oliver reacts in ways shocking and devastating. An explosive, tense, and illuminating work of fiction, The Laughter is a fascinating portrait of privilege, radicalization, class, and modern academia that forces us to confront the assumptions we make, as both readers and as citizens.

A New York Times bestseller | A Good Morning America Book Club Pick "The season's first beach read, a delicious romp of a debut featuring family crises galore."-- The New York Times "A delicious new Gilded Age family drama... a guilty pleasure that also feels like a sociological text." --Vogue A deliciously funny, sharply observed debut of family, love, and class, this zeitgeisty novel follows three women in one wealthy Brooklyn clan Darley, the eldest daughter in the well-connected old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can't have, and must decide what kind of person she wants to be.  Rife with the indulgent pleasures of life among New York's one-percenters, Pineapple Street is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable--if fallible--characters, it's about the peculiar unknowability of someone else's family, the miles between the haves and have-nots, and the insanity of first love--all wrapped in a story that is a sheer delight.

NAMED A MOST ANTICIPATED BOOK OF 2023 BY TIME, THE WASHINGTON POST, OPRAH DAILY, BUSTLE, ELECTRIC LITERATURE AND MORE! "Stunning...epic...impressive...It is a pleasure to simply live alongside these characters."--The New York Times "A beautifully written novel. I loved so much in this book: the richly imagined setting, the complicated love story, and the heartbreaking way history can tear apart a family." --Ann Napolitano, New York Times bestselling author of Hello Beautiful Set against a changing Singapore, a sweeping novel about one boy's unique gifts and the childhood love that will complicate the fate of his community and country Ah Boon is born into a fishing village amid the heat and beauty of twentieth-century coastal Singapore in the waning years of British rule. He is a gentle boy who is not much interested in fishing, preferring to spend his days playing with the neighbor girl, Siok Mei. But when he discovers he has the unique ability to locate bountiful, movable islands that no one else can find, he feels a new sense of obligation and possibility--something to offer the community and impress the spirited girl he has come to love.   By the time they are teens, Ah Boon and Siok Mei are caught in the tragic sweep of history: the Japanese army invades, the resistance rises, grief intrudes, and the future of the fishing village is in jeopardy. As the nation hurtles toward rebirth, the two friends, newly empowered, must decide who they want to be, and what they are willing to give up. An aching love story and powerful coming-of-age that reckons with the legacy of British colonialism, the World War II Japanese occupation, and the pursuit of modernity, The Great Reclamation confronts the wounds of progress, the sacrifices of love, and the difficulty of defining home when nature and nation collide, literally shifting the land beneath people's feet.

"Absorbing [and] astute . . . Cohen-Solal captures a facet of Picasso's character long overlooked." --Hamilton Cain, The Wall Street Journal "A beguiling read, as ingenious as it is ambitious . . . See Picasso and Paris shimmering with new light." --Mark Braude, author of Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris Born from her probing inquiry into Picasso's odyssey in France, which inspired a museum exhibition of the same name, historian Annie-Cohen Solal's Picasso the Foreigner presents a bold new understanding of the artist's career and his relationship with the country he called home. Winner of the 2021 Prix Femina Essai Before Picasso became Picasso--the iconic artist now celebrated as one of France's leading figures--he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services--the first of many entries in what would become an extensive case file. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica as a visceral statement against fascism in 1937 was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma--as a foreigner, a political radical, and an avant-garde artist. Picasso the Foreigner approaches the artist's career and work from an entirely new angle, making extensive use of fascinating and long-understudied archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he enriched and dynamized its culture like few other figures in the country's history. This book, for the first time, explains how. Includes color images

GMA BUZZ PICK * A dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession, and political corruption from the celebrated author of Stay with Me, "in the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie" (The New York Times). Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future. Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician. When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola's lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.

A fascinating history of the art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom.     A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what--and whom--the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

"A profoundly emotional book, and a brave one." --The New Yorker A literary sensation in Brazil, Luiz Schwarcz's brave and tender memoir interrogates his ordeal of bipolar disorder in the context of a family story of murder, dispossession, and silence--the long echo of the Holocaust across generations When Luiz Schwarcz was a child, he was told little about his grandfather and namesake, Láios--"Luiz" in Hungarian. Only later in life did he learn that his grandfather, a devout Hungarian Jew, had defied his country's Nazi occupiers by holding secret religious services in his home. After being put on a train to a German death camp with his son André, Láios ordered André to leap from the train to freedom at a rail crossing, while Láios himself was carried on to his death. What Luiz did know was that his father André, who had emigrated to Brazil, was an unhappy and silent man. Young Luiz assumed responsibility for his parents' comfort, as many children of trauma do, and for a time he seemed to be succeeding: he blossomed into the family prodigy, eventually growing into a groundbreaking literary publisher in São Paulo. He found a home in the family silence--a home that he filled with books and with reading. But then, at a high point of outward success, Luiz was brought low by a devastating mental breakdown. The Absent Moon is the story of his journey to that point and of his journey back from it, as Luiz learned to forge a more honest relationship with his own mind, with his family, and with their shared past. The culmination of that path is this extraordinary book, which is beautiful, tragic, noble, piercingly honest, and ultimately redemptive--the product of a lifetime's reflection, given powerful literary shape in the refiner's fire by a master storyteller.

This magisterial, intimate look at Black womanhood "follows three women whose various traumas haunt them literally and metaphorically, as it explores what it means to be a Black woman in America today" (The New York Times Book Review, Editor's Choice). A middle-aged woman feed slots at a secret back-room parlor. A new mother descends into a devastating postpartum depression, wracked with the fear that she is unable to protect her children. A daughter returns home to join the other women in her family waging spiritual combat with the ghosts of their past. An Autobiography of Skin is a dazzling and masterful portrait of interconnected generations in the South from a singular new voice, offering a raw and tender view into the interior lives of Black women. It is at once a powerful look at how experiences are carried inside the body, inside the flesh and skin, and a joyous testament to how healing can be found within--in love, mercy, gratitude, and freedom.

Nominated for the Women's Prize for Fiction "I'm in love with a grieving misfit driving around with a donkey-shaped piñata in an old van held together by duct tape...the great miracle of McKenzie's writing... is how she manages to transform misery into gentle humor...darkly hilarious." --The Washington Post "An addictive read with an ultimately hopeful core that recalls Haruki Murakami, Sayaka Murata, Richard Brautigan, and Miranda July" - Sanjena Sathian, author of Gold Diggers Penny Rush has problems. Her marriage is over; she's quit her job. Her mother and stepfather went missing in the Australian outback five years ago; her mentally unbalanced father provokes her; her grandmother Dr. Pincer keeps experiments in the refrigerator and something worse in the woodshed. But Penny is a virtuoso at what's possible when all else fails.   Elizabeth McKenzie, the National Book Award-nominated author of The Portable Veblen, follows Penny on her quest for a fresh start. There will be a road trip in the Dog of the North, an old van with gingham curtains, a piñata, and stiff brakes. There will be injury and peril. There will be a dog named Kweecoats and two brothers who may share a toupee. There will be questions: Why is a detective investigating her grandmother, and what is "the scintillator"? And can Penny recognize a good thing when it finally comes her way?   This slyly humorous, thoroughly winsome novel finds the purpose in life's curveballs, insisting that even when we are painfully warped by those we love most, we can be brought closer to our truest selves.

The shocking secret history of twentieth-century orphanages--which for decades hid violence, abuse, and deaths within their walls For much of the twentieth century, a series of terrible events--abuse, both physical and psychological, and even deaths--took places inside orphanages. The survivors have been trying to tell their astonishing stories for a long time, but disbelief, secrecy, and trauma have kept them from breaking through. For ten years, Christine Kenneally has been on a quest to uncover the harrowing truth.   Centering her story on St. Joseph's, a Catholic orphanage in Vermont, Kenneally has written a stunning account of a series of crimes and abuses. But her work is not confined to one place. Following clues that take her into the darkened corners of several institutions across the globe, she finds a trail of terrifying stories and a courageous group of survivors who are seeking justice. Ghosts of the Orphanage is an incredible true crime story and a reckoning with a past that has stayed buried for too long, with tragic consequences.  

Named a Best Book of March by Apple Books and Amazon, and a Most Anticipated Book by The New York Times, Esquire, The Guardian, TIME, Buzzfeed, Electric Literature, Lit Hub and Chicago Review of Books "A major novel, and a notably audacious one." --Dwight Garner, The New York Times "It feels fairly rare for a novel to be hugely intelligent and moving and fun in equal measure, but with Biography of X, Catherine Lacey somehow--magically--makes the nearly impossible look easy." --Lauren Groff From one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist. When X--an iconoclastic artist, writer, and polarizing shape-shifter--falls dead in her office, her widow, wild with grief and refusing everyone's good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X's widow, Biography of X follows a grieving wife seeking to understand the woman who enthralled her. CM traces X's peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. And when she finally understands the scope of X's defining artistic project, CM realizes her wife's deceptions were far crueler than she imagined. Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey, one of our most acclaimed literary innovators, pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

"Powerful and transcendent" --Chigozie Obioma  "Both epic and intimate" --​Margo Jefferson A deeply moving, lyrical journey through the author's homeland of Nigeria, in search of the truth about his disappeared uncle and the history of a war that shaped him, his family, and a nation In inimitable, rhythmic prose, the author and winner of the prestigious Windham-Campbell Prize Emmanuel Iduma tells the story of his return to Nigeria, where he grew up, after years of living in New York. He traveled home with an elusive mission: to learn the fate of his uncle Emmanuel, his namesake, who disappeared in the Nigerian Civil War in the late 1960s. A conflict that left so many families broken, the war remains at the margins of the history books, almost taboo to discuss. To find answers, Iduma stopped in city after city throughout the former Biafra region, reconnecting with relatives dear and distant to probe their memories, prowling university libraries to furtively photocopy illicit books, and visiting half-abandoned monuments along the highway. Perhaps, he realized, if he could understand how his father grieved the loss of a brother in the war, he might learn how to grieve his late father in turn.   His is also the story of countless families across the country and across the world who will never have answers or proper funerals for their loved ones. It's a story about the birth of an artist, about writing itself as an act both healing and political, even dangerous. And it's a story about family history and legacy, and all the questions the dead leave unanswered. How much of the author's identity is wrapped up in this inheritance? And what does it mean to return home, when the people who define it are gone?   Equal parts memoir, national history, and political reckoning, I Am Still With You is a profoundly personal story of collective loss and making peace with the unknowable.

This extraordinary memoir shares an insight into the lives of the Uyghurs, a people and culture being systematically destroyed by China--and a woman who gave up everything to help her people. In February 2018, twenty-four members of Gulchehra Hoja's family disappeared overnight. Her crime - and thus that of her family - was her award-winning investigations on the plight of her people, the Uyghurs, whose existence and culture is being systematically destroyed by the Chinese government. A Stone is Most Precious Where it Belongs is Gulchehra's stunning memoir, taking us into the everyday world of life under Chinese rule in East Turkestan (more formally as the Xinjiang Autonomous Region of China), from her idyllic childhood to its modern nightmare. The grandchild of a renowned musician and the daughter of an esteemed archaeologist, Gulchehra grew up with her people's culture and history running through her veins. She showed her gifts early on as a dancer, actress, and storyteller, putting her on a path to success as a major television star. Slowly though, she began to understand what China was doing to her people, as well as her own complicity as a journalist. As her rising fame and growing political awakening coincided, she made it her mission to expose the crimes Beijing is committing in the far reaches of its nation, no matter the cost. Reveling in the beauty of East Turkestan and its people - its music, its culture, its heritage, and above all its emphasis on community and family - this groundbreaking memoir gives us a glimpse beyond what the Chinese state wants us to see, showcasing a woman who was willing to risk not just her own life, but also that of everyone she loves, to expose her people's story to the world.

Marrying the philosophical absurdities of life, technology, start-up culture, and family, Users is for readers of Ling Ma, Dave Eggers's The Circle, and viewers of the hit Apple TV+ original series Severance Miles, a lead creative at a midsize virtual reality company known for its "original experiences," has engineered a new product called The Ghost Lover. Wildly popular from the outset, the "game" is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats. Typed notes sealed in envelopes with no postage or return address, these persistent threats push Miles into a paranoid panic, blurring his own sense of reality, catalyzing the collapse of his career, his marriage, and his relationship with his children. The once-promising road to success becomes a narrow set of choices for Miles, who, in a last ditch effort to save his job, pitches his masterpiece, a revolutionary device code-named the Egg, which will transform the company. The consequences for Miles seal him inside the walls of his life as what was once anxiety explodes into devastating absoluteness. In a world rife with the unchecked power and ambition of tech, Users investigates--with both humor and creeping dread--how interpersonal experiences and private decisions influence the hasty developments that have the power to permanently alter the landscape of human experience.

AN INSTANT NEW YORK TIMES BESTSELLER A GOOD MORNING AMERICA BOOK CLUB PICK "Dazzling...Finally free from the book's grip, now all I want to do is get others hooked."-- The Washington Post "Cinematic...A luxe thriller...As a storyteller, Kapoor is a natural."-- The New York Times "Sensationally good -- huge, epic, immersive and absorbing ... certain to be a book of the year." --Lee Child This is the age of vice, where money, pleasure, and power are everything, and the family ties that bind can also kill.   New Delhi, 3 a.m. A speeding Mercedes jumps the curb and in the blink of an eye, five people are dead. It's a rich man's car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold. Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic, action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family -- loved by some, loathed by others, feared by all. In the shadow of lavish estates, extravagant parties, predatory business deals and calculated political influence, three lives become dangerously intertwined: Ajay is the watchful servant, born into poverty, who rises through the family's ranks. Sunny is the playboy heir who dreams of outshining his father, whatever the cost. And Neda is the curious journalist caught between morality and desire. Against a sweeping plot fueled by loss, pleasure, greed, yearning, violence and revenge, will these characters' connections become a path to escape, or a trigger of further destruction?  Equal parts crime thriller and family saga, transporting readers from the dusty villages of Uttar Pradesh to the urban energy of New Delhi, Age of Vice is an intoxicating novel of gangsters and lovers, false friendships, forbidden romance, and the consequences of corruption. It is binge-worthy entertainment at its literary best.

National Bestseller A brilliantly original and funny novel about a sex therapist's transcriptionist who falls in love with a client while listening to her sessions. When they accidentally meet in real life, an explosive affair ensues. Greta lives with her friend Sabine in an ancient Dutch farmhouse in Hudson, New York. The house, built in 1737, is unrenovated, uninsulated, and full of bees. Greta spends her days transcribing therapy sessions for a sex coach who calls himself Om. She becomes infatuated with his newest client, a repressed married woman she affectionately refers to as Big Swiss, since she's tall, stoic, and originally from Switzerland. Greta is fascinated by Big Swiss's refreshing attitude toward trauma. They both have dark histories, but Big Swiss chooses to remain unattached to her suffering while Greta continues to be tortured by her past. One day, Greta recognizes Big Swiss's voice at the dog park. In a panic, she introduces herself with a fake name and they quickly become enmeshed. Although Big Swiss is unaware of Greta's true identity, Greta has never been more herself with anyone. Her attraction to Big Swiss overrides her guilt, and she'll do anything to sustain the relationship... Bold, outlandish, and filled with irresistible characters, Big Swiss is both a love story and also a deft examination of infidelity, mental health, sexual stereotypes, and more--from an amazingly talented, one-of-a-kind voice in contemporary fiction.

"The Great Displacement is closely observed, compassionate, and far-sighted." --Elizabeth Kolbert, Pulitzer Prize-winning author of Under a White Sky The untold story of climate migration in the United States--the personal stories of those experiencing displacement, the portraits of communities being torn apart by disaster, and the implications for all of us as we confront a changing future. Even as climate change dominates the headlines, many of us still think about it in the future tense--we imagine that as global warming gets worse over the coming decades, millions of people will scatter around the world fleeing famine and rising seas. What we often don't realize is that the consequences of climate change are already visible, right here in the United States. In communities across the country, climate disasters are pushing thousands of people away from their homes. A human-centered narrative with national scope, The Great Displacement is "a vivid tour of the new human geography just coming into view" (David Wallace-Wells, New York Times bestselling author of The Uninhabitable Earth). From half-drowned Louisiana to fire-scorched California, from the dried-up cotton fields of Arizona to the soaked watersheds of inland North Carolina, people are moving. In the last few decades, the federal government has moved tens of thousands of families away from flood zones, and tens of thousands more have moved of their own accord in the aftermath of natural disasters. Insurance and mortgage markets are already shifting to reflect mounting climate risk, pricing people out of risky areas. Over the next fifty years, millions of Americans will be caught up in this churn of displacement, forced inland and northward in what will be the largest migration in our country's history. The Great Displacement compassionately tells the stories of those who are already experiencing life on the move, while detailing just how radically climate change will transform our lives--erasing historic towns and villages, pushing people toward new areas, and reshaping the geography of the United States.

INSTANT NATIONAL BESTSELLER From "one of the most soulful and perceptive writers of our time" (Brain Pickings): a journey through competing ideas of paradise to see how we can live more peacefully in an ever more divided and distracted world. "Masterful...A book of inner journeys told through extraordinary exteriors...One of his very best." --Washington Post Paradise: that elusive place where the anxieties, struggles, and burdens of life fall away. Most of us dream of it, but each of us has very different ideas about where it is to be found. For some it can be enjoyed only after death; for others, it's in our midst--or just across the ocean--if only we can find eyes to see it.   Traveling from Iran to North Korea, from the Dalai Lama's Himalayas to the ghostly temples of Japan, Pico Iyer brings together a lifetime of explorations to upend our ideas of utopia and ask how we might find peace in the midst of difficulty and suffering. Does religion lead us back to Eden or only into constant contention? Why do so many seeming paradises turn into warzones? And does paradise exist only in the afterworld - or can it be found in the here and now?   For almost fifty years Iyer has been roaming the world, mixing a global soul's delight in observing cultures with a pilgrim's readiness to be transformed. In this culminating work, he brings together the outer world and the inner to offer us a surprising, original, often beautiful exploration of how we might come upon paradise in the midst of our very real lives.

The revelatory New York Times and Publishers Weekly bestseller An unflinching investigation reveals the human rights abuses behind the Congo's cobalt mining operation--and the moral implications that affect us all. Cobalt Red is the searing, first-ever exposé of the immense toll taken on the people and environment of the Democratic Republic of the Congo by cobalt mining, as told through the testimonies of the Congolese people themselves. Activist and researcher Siddharth Kara has traveled deep into cobalt territory to document the testimonies of the people living, working, and dying for cobalt. To uncover the truth about brutal mining practices, Kara investigated militia-controlled mining areas, traced the supply chain of child-mined cobalt from toxic pit to consumer-facing tech giants, and gathered shocking testimonies of people who endure immense suffering and even die mining cobalt. Cobalt is an essential component to every lithium-ion rechargeable battery made today, the batteries that power our smartphones, tablets, laptops, and electric vehicles. Roughly 75 percent of the world's supply of cobalt is mined in the Congo, often by peasants and children in sub-human conditions. Billions of people in the world cannot conduct their daily lives without participating in a human rights and environmental catastrophe in the Congo. In this stark and crucial book, Kara argues that we must all care about what is happening in the Congo--because we are all implicated.

From the acclaimed, award-winning author of Present Tense Machine and Knots, a collection of playfully surreal stories about love, death, and metamorphosis. In Evil Flowers, a precise but madcap collection of short stories, Gunnhild Ã~yehaug extracts the bizarre from the mundane and reveals the strange, startling brilliance of everyday life. Across twenty-five stories, Ã~yehaug renovates the form again and again, confirming Lydia Davis's observation that her every story is "a formal surprise, smart and droll." The stories converse with, contradict, and expand on one another; birds, hagfish, and wild beasts reappear, gnawing at the fringes. A section of a woman's brain slips into the toilet bowl, removing her ability to remember or recognize types of birds (particularly problematic because she is an ornithologist). Medicinal leeches ingest information from fiberoptic cables, and a new museum sinks into the ground. Inspired by Charles Baudelaire, a dreamer and romantic in the era of realism, Ã~yehaug revolts against the ordinary, reaching instead for the wonder to be found in fantasy and absurdity. Brimming with wit, ingenuity, and irrepressible joy, these stories mark another triumph from a dazzling international writer.

From their acclaimed biographer, a final, powerful book about how Emerson, Thoreau, and William James forged resilience from devastating loss, changing the course of American thought In Three Roads Back, Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. For Emerson, it was the death of his young wife and, eleven years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple. Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers' responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy. In reaction to his traumatic loss, Emerson lost his Unitarian faith and found solace in nature. Thoreau, too, leaned on nature and its regenerative power, discovering that "death is the law of new life," an insight that would find expression in Walden. And James, following a period of panic and despair, experienced a redemptive conversion and new ideas that would drive his work as a psychologist and philosopher. As Richardson shows, all three emerged from their grief with a new way of seeing, one shaped by a belief in what Emerson called "the deep remedial force that underlies all facts." An inspiring book about resilience and the new growth and creativity that can stem from devastating loss, Three Roads Back is also an extraordinary account of the hidden wellsprings of American thought.

A taut, enthralling first novel about grief, sisterhood, and a young athlete's struggle to transcend herself. Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot and its echo. But on the court, she is not alone. She is with her pa. She is with Ged, a thirteen-year-old boy with his own formidable talent. She is with the players who have come before her. She is in awe. An indelible coming-of-age story, Chetna Maroo's first novel captures the ordinary and annihilates it with beauty. Western Lane is a valentine to innocence, to the closeness of sisterhood, to the strange ways we come to know ourselves and each other.

The acclaimed author of The Teller of Secrets returns with a gut-wrenching, yet heartwarming, story about a young Ghanaian woman's struggle to make a life in the US, and the challenges she must overcome. Lola is twenty-one, and her life in Senegal couldn't be better. An aspiring writer and university graduate, she has a great job, a nice apartment, a vibrant social life, and a future filled with possibility. But fate disrupts her world when she falls for Armand, an American Marine stationed at the U.S. Embassy. Her mother, a high court judge in Ghana, disapproves of her choice, but nothing will stop Lola from boarding a plane for Armand and America. That fateful flight is only the beginning of an extraordinary journey; she has traded her carefree existence in Senegal for the perilous position of an undocumented immigrant in 1990s America. Lola encounters adversity that would crush a less-determined woman. Her fate hangs on whether or not she'll grow in courage to forge a different life from one she'd imagined, whether she'll succeed in putting herself and family together again. Daughter in Exile is a hope-filled story about mother love, resilience, and unyielding strength.

NEW YORK TIMES EDITORS' CHOICE * An "epic and intimate" (David M. Kennedy) portrait of four generations of the Morgenthau family, a dynasty of power brokers and public officials with an outsize--and previously unmapped--influence extending from daily life in New York City to the shaping of the American Century "Magisterial . . . a vivid retelling of critical domestic and world events over two centuries."--Dr. Fiona Hill After coming to America from Germany in 1866, the Morgenthaus made history in international diplomacy, in domestic politics, and in America's criminal justice system. With unprecedented, exclusive access to family archives, award-winning journalist and biographer Andrew Meier vividly chronicles how the Morgenthaus amassed a fortune in Manhattan real estate, advised presidents, advanced the New Deal, exposed the Armenian genocide, rescued victims of the Holocaust, waged war in the Mediterranean and Pacific, and, from a foundation of private wealth, built a dynasty of public service. In the words of former mayor Ed Koch, they were "the closest we've got to royalty in New York City."  Lazarus Morgenthau arrived in America dreaming of rebuilding the fortune he had lost in his homeland. He ultimately died destitute, but the family would rise again with the ascendance of Henry, who became a wealthy and powerful real estate baron. From there, the Morgenthaus went on to influence the most consequential presidency of the twentieth century, as Henry's son Henry Jr. became FDR's longest-serving aide, his Treasury secretary during the war, and his confidant of thirty years. Finally, there was Robert Morgenthau, a decorated World War II hero who would become the longest-tenured district attorney in the history of New York City. Known as the "DA for life," he oversaw the most consequential and controversial prosecutions in New York of the last fifty years, from the war on the Mafia to the infamous Central Park Jogger case.  The saga of the Morgenthaus has lain half hidden in the shadows for too long. At heart a family history, Morgenthau is also an American epic, as sprawling and surprising as the country itself.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys' descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland. During the tumultuous summer of 1912, Matthew Diamond, a retired, idealistic but prejudiced schoolteacher-turned-missionary, disrupts the community's fragile balance through his efforts to educate its children. His presence attracts the attention of authorities on the mainland who, under the influence of the eugenics-thinking popular among progressives of the day, decide to forcibly evacuate the island, institutionalize its residents, and develop the island as a vacation destination. Beginning with a hurricane flood reminiscent of the story of Noah's Ark, the novel ends with yet another Ark. In prose of breathtaking beauty and power, Paul Harding brings to life an unforgettable cast of characters: Iris and Violet McDermott, sisters raising three orphaned Penobscot children; Theophilus and Candace Larks and their brood of vagabond children; the prophetic Zachary Hand to God Proverbs, a Civil War veteran who lives in a hollow tree; and more. A spellbinding story of resistance and survival, This Other Eden is an enduring testament to the struggle to preserve human dignity in the face of intolerance and injustice.

An "illuminating" (Daily Mail, London) exploration of the second generation of the iconic Bloomsbury Group who inspired their elders to new heights of creativity and passion while also pushing the boundaries of sexual freedom and gender norms in 1920s England. In the years before the First World War, a collection of writers and artists--Virginia Woolf, E.M. Forster, and Lytton Strachey among them--began to make a name for themselves in England and America for their irreverent spirit and provocative works of literature, art, and criticism. They called themselves the Bloomsbury Group and by the 1920s, they were at the height of their influence. Then a new generation stepped forward--creative young people who tantalized their elders with their captivating looks, bold ideas, and subversive energy. Young Bloomsbury introduces us to this colorful cast of characters, including novelist Eddy Sackville-West, who wore elaborate make-up and dressed in satin and black velvet; artist Stephen Tomlin, who sculpted the heads of his male and female lovers; and author Julia Strachey, who wrote a searing tale of blighted love. Talented and productive, these larger-than-life figures had high-achieving professional lives and extremely complicated emotional lives. The group had always celebrated sexual equality and freedom in private, feeling that every person had the right to live and love in the way they chose. But as transgressive self-expression became more public, this younger generation gave Old Bloomsbury a new voice. Revealing an aspect of history not yet explored and with "effervescent detail" (Juliet Nicolson, author of Frostquake), Young Bloomsbury celebrates an open way of living and loving that would not be embraced for another hundred years.

"The first thing we did was change our names. We were going to be Sappho," so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: "I want to make life fuller and fuller." Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past. "This book is splendid: Impish, irate, deep, courageous. . . . Brava!"--Lucy Ellmann, author of Ducks, Newburyport

SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE AND WINNER OF A PEN/HEIM TRANSLATION GRANT "Cool, brilliantly demented K-horror--just the way I like it!" --Ed Park, author of Personal Days  "Like the work of Carmen Maria Machado and Aoko Matsuda, Chung's stories are so wonderfully, blisteringly strange and powerful that it's almost impossible to put Cursed Bunny down." ―Kelly Link, bestselling author of Get In Trouble A stunning, wildly original debut from a rising star of Korean literature--surreal, chilling fables that take on the patriarchy, capitalism, and the reign of big tech with absurdist humor and a (sometimes literal) bite   From an author never before published in the United States, Cursed Bunny is unique and imaginative, blending horror, sci-fi, fairy tales, and speculative fiction into stories that defy categorization. By turns thought-provoking and stomach-turning, here monsters take the shapes of furry woodland creatures and danger lurks in unexpected corners of everyday apartment buildings. But in this unforgettable collection, translated by the acclaimed Anton Hur, Chung's absurd, haunting universe could be our own.   "The Head" follows a woman haunted by her own bodily waste. "The Embodiment" takes us into a dystopian gynecology office where a pregnant woman is told that she must find a father for her baby or face horrific consequences. Another story follows a young monster, forced into underground fight rings without knowing his own power. The titular fable centers on a cursed lamp in the shape of a rabbit, fit for a child's bedroom but for its sinister capabilities.   No two stories are alike, and readers will be torn whether to race through them or savor Chung's wit and frenetic energy on every page. Cursed Bunny is a book that screams to be read late into the night and passed on to the nearest set of hands the very next day.   

A fascinating tour of creatures from the surface to the deepest ocean floor, inviting us to envision wilder, grander, and more abundant possibilities for the way we live. "A miraculous, transcendental book." (Ed Yong, author of An Immense World) One of TIME's 10 Best Nonfiction Books of the Year *  A PEOPLE Best New Book  *  A Barnes & Noble and SHELF AWARENESS Best Book of 2022  *  An Indie Next Pick  *  One of Winter's Most Eagerly Anticipated Books: VANITY FAIR, VULTURE, BOOKRIOT A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature, including: the mother octopus who starves herself while watching over her eggs, the Chinese sturgeon whose migration route has been decimated by pollution and dams, the bizarre, predatory Bobbitt worm (named after Lorena), the common goldfish that flourishes in the wild, and more. Imbler discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a shimmering, otherworldly debut that attunes us to new visions of our world and its miracles.  

New York Times Bestseller The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as "his" slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day--among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again--this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story--one that would challenge the nation's core precepts of life, liberty, and justice for all--one that challenges us even now.

With "a voice as clear, sincere, and wry as any I've read in current American fiction" (Joshua Cohen), Martin Riker's poignant and startlingly original novel asks how to foster a brave mind in anxious times, following a newly jobless academic rehearsing a speech on John Maynard Keynes for a surprising audience In a hotel room in the middle of the night, Abby, a young feminist economist, lies awake next to her sleeping husband and daughter. Anxious that she is grossly underprepared for a talk she is presenting tomorrow on optimism and John Maynard Keynes, she has resolved to practice by using an ancient rhetorical method of assigning parts of her speech to different rooms in her house and has brought along a comforting albeit imaginary companion to keep her on track--Keynes himself. Yet as she wanders with increasing alarm through the rooms of her own consciousness, Abby finds herself straying from her prepared remarks on economic history, utopia, and Keynes's pragmatic optimism. A lapsed optimist herself, she has been struggling under the burden of supporting a family in an increasingly hostile America after being denied tenure at the university where she teaches. Confronting her own future at a time of global darkness, Abby undertakes a quest through her memories to ideas hidden in the corners of her mind--a piecemeal intellectual history from Cicero to Lewis Carroll to Queen Latifah--as she asks what a better world would look like if we told our stories with more honest and more hopeful imaginations. With warm intellect, playful curiosity, and an infectious voice, Martin Riker acutely animates the novel of ideas with a beating heart and turns one woman's midnight crisis into the performance of a lifetime. 

The final posthumous work by the coauthor of the major New York Times bestseller The Dawn of Everything. Pirates have long lived in the realm of romance and fantasy, symbolizing risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies--vibrant, imaginative experiments in self-governance and alternative social formations at the edges of the European empire. In graduate school, David Graeber conducted ethnographic field research in Madagascar for his doctoral thesis on the island's politics and history of slavery and magic. During this time, he encountered the Zana-Malata, an ethnic group of mixed descendants of the many pirates who settled on the island at the beginning of the eighteenth century. Pirate Enlightenment, or the Real Libertalia, Graeber's final posthumous book, is the outgrowth of this early research and the culmination of ideas that he developed in his classic, bestselling works Debt and The Dawn of Everything (written with the archaeologist David Wengrow). In this lively, incisive exploration, Graeber considers how the protodemocratic, even libertarian practices of the Zana-Malata came to shape the Enlightenment project defined for too long as distinctly European. He illuminates the non-European origins of what we consider to be "Western" thought and endeavors to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future.

A rich, discovery-filled history that tells how a forgotten empire transformed the ancient world In the late 8th and early 7th centuries BCE, Scythian warriors conquered and unified most of the vast Eurasian continent, creating an innovative empire that would give birth to the age of philosophy and the Classical age across the ancient world--in the West, the Near East, India, and China. Mobile horse herders who lived with their cats in wheeled felt tents, the Scythians made stunning contributions to world civilization--from capital cities and strikingly elegant dress to political organization and the world-changing ideas of Buddha, Zoroaster, and Laotzu--Scythians all. In The Scythian Empire, Christopher I. Beckwith presents a major new history of a fascinating but often forgotten empire that changed the course of history. At its height, the Scythian Empire stretched west from Mongolia and ancient northeast China to northwest Iran and the Danube River, and in Central Asia reached as far south as the Arabian Sea. The Scythians also ruled Media and Chao, crucial frontier states of ancient Iran and China. By ruling over and marrying the local peoples, the Scythians created new cultures that were creole Scythian in their speech, dress, weaponry, and feudal socio-political structure. As they spread their language, ideas, and culture across the ancient world, the Scythians laid the foundations for the very first Persian, Indian, and Chinese empires. Filled with fresh discoveries, The Scythian Empire presents a remarkable new vision of a little-known but incredibly important empire and its peoples.

An Asian American basketball star walks into a gym. No one recognizes him, but everyone stares anyway. It is the start of a joke but what is the punchline? When Won Lee, the first Asian American in the NBA, stuns the world in a seven-game winning streak, the global media audience dubs it "The Wonder"-much to Won's chagrin. Meanwhile, Won struggles to get attention from his coach, his peers, his fans, and most importantly, his hero, Powerball!, who also happens to be Won's teammate and the captain. Covering it all is sportswriter Robert Sung, who writes about Won's stardom while grappling with his own missed hoops opportunities as well as his place as an Asian American in media. And to witness it all is Carrie Kang, a big studio producer, who juggles a newfound relationship with Won while attempting to bring K-drama to an industry not known to embrace anything new or different. The Sense of Wonder follows Won and Carrie as they chronicle the human and professional tensions exacerbated by injustices and fight to be seen and heard on some of the world's largest stages. An incredibly funny and heart-rending dive into race and our "collective imagination that lays bare our limitations before blasting joyfully past them" (Catherine Chung). This is the work of a gifted storyteller at the top of his game.

"Forbidden Notebook promises a new cohort of readers, appetites whetted by the works of Elena Ferrante, Elsa Morante and Natalia Ginzburg. Translator Ann Goldstein has reinvigorated the text." --Joumana Khatib, The New York Times Book Review "Published in Italy in 1952, this intimate, quietly subversive novel is told through the increasingly frantic secret diary entries of a woman named Valeria."--The New Yorker "Reading Alba de Cespedes was, for me, like breaking into an unknown universe: social class, feelings, atmosphere." --Annie Ernaux, Nobel Prize laureate and author of The Years With a foreword by Jhumpa Lahiri, Quaderno Proibito is a classic domestic novel by the Italian-Cuban feminist writer Alba de Céspedes, whose work inspired contemporary writers like Elena Ferrante. In this modern translation by acclaimed Elena Ferrante translator Ann Goldstein, Forbidden Notebook centers the inner life of a dissatisfied housewife living in postwar Rome. Valeria Cossati never suspected how unhappy she had become with the shabby gentility of her bourgeois life--until she begins to jot down her thoughts and feelings in a little black book she keeps hidden in a closet. This new secret activity leads her to scrutinize herself and her life more closely, and she soon realizes that her individuality is being stifled by her devotion and sense of duty toward her husband, daughter, and son. As the conflicts between parents and children, husband and wife, and friends and lovers intensify, what goes on behind the Cossatis' facade of middle-class respectability gradually comes to light, tearing the family's fragile fabric apart.   An exquisitely crafted portrayal of domestic life, Forbidden Notebook recognizes the universality of human aspirations.

A provocative examination of reproductive technologies that questions our understanding of fertility, motherhood, and the female body Since the world's first test-tube baby was born in 1978, in vitro fertilization has made the unimaginable possible for millions of people, but its revolutionary potential remains unrealized. Today, fertility centers continue to reinforce conservative norms of motherhood and family, and infertility remains a deeply emotional experience many women are reluctant to discuss. In this vivid and incisive personal and cultural history, Jenni Quilter explores what it is like to be one of those women, both the site of a bold experiment and a potential mother caught between fearing and yearning. Quilter observes her own experience with the eye of a critic, recounting the pleasures and pains of objectification how medicine mediates between women and their bodies, how marketing redefines pregnancy and early parenthood as a set of products, how we celebrate the "natural" and denigrate the artificial. With nuance, empathy, and a fierce intellect, Quilterasks urgent questions about what it means to desire a child and how much freedom reproductive technologies actually offer. Her writing embraces the complexities of motherhood and the humanity of IVF the waiting rooms, the message boards, and the genetic permutations of what a thoroughly modern family might mean.

"Christopher de Bellaigue has a magic talent for writing history. It is as if we are there as the era of Suleyman the Magnificent unfolds." --Orhan Pamuk, winner of the Nobel Prize in Literature Narrated through the eyes of the intimates of Suleyman the Magnificent, the sixteenth-century sultan of the Ottoman Empire, The Lion House animates with stunning immediacy the fears and stratagems of those brought into orbit around him: the Greek slave who becomes his Grand Vizier, the Venetian jewel dealer who acts as his go-between, the Russian consort who becomes his most beloved wife. Within a decade and a half, Suleyman held dominion over twenty-five million souls, from Baghdad to the walls of Vienna, and with the help of his brilliant pirate commander, Barbarossa, placed more Christians than ever before or since under Muslim rule. And yet the real drama takes place in close-up: in small rooms and whispered conversations, behind the curtain of power, where the sultan sleeps head-to-toe with his best friend and eats from wooden spoons with his baby boy. In The Lion House, Christopher de Bellaigue tells the story not just of rival superpowers in an existential duel, nor of one of the most consequential lives in human history, but of what it means to live in a time when a few men get to decide the fate of the world.

A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator. This Afterlife: Selected Poems brings together poetry from A. E. Stallings's four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings's earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems. Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat's-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.

One of Publishers Weekly's Best Nonfiction Books of 2022 | A New York Times Book Review Editors' Choice The riveting true story of America's first homegrown Muslim terror attack, the 1977 Hanafi siege of Washington, DC. On March 9, 1977, Washington, DC, came under attack. Seven men stormed the headquarters of B'nai B'rith International, quickly taking control of the venerable Jewish organization's building and holding more than a hundred employees hostage inside. A little over an hour later, three more men entered the Islamic Center of Washington, the country's biggest and most important mosque, and took hostages there. Two others subsequently penetrated the municipal government's District Building, a few hundred yards from the White House. When the gunmen there opened fire, a reporter was killed, and city councilor Marion Barry, later to become the mayor of Washington, DC, was shot in the chest. The deadly standoff brought downtown Washington to a standstill. The attackers belonged to the Hanafi movement, an African American Muslim group based in DC. Their leader was a former jazz drummer named Hamaas Abdul Khaalis, who had risen through the ranks of the Nation of Islam before feuding with the organization's mercurial chief, Elijah Muhammad, and becoming Kareem Abdul-Jabbar's spiritual authority. Like Malcolm X, Khaalis paid a price for his apostasy: in 1973, seven of his family members and followers were killed by Nation supporters in one of the District's most notorious murders. As Khaalis and the hostage takers took control of their DC targets four years later, they vowed to begin killing their hostages unless their demands were met: the federal government must turn over the killers of Khaalis's family, the boxer Muhammad Ali, and Elijah's son Wallace so that they could face true justice. They also demanded that the American premiere of Mohammad: Messenger of God--a Hollywood epic about the life of the prophet Muhammad financed and supported by the Libyan leader Muammar Gaddhafi--be canceled and the film destroyed. Shahan Mufti's American Caliph gives the first full account of the largest-ever hostage taking on American soil and of the tormented man who masterminded it. Informed by extensive archival research and hundreds of declassified FBI files, American Caliph tracks the battle for control of American Islam, the international politics of religion and oil, and the hour-to-hour drama of a city facing a homegrown terror assault. The result is a riveting true-crime story that sheds new light on the disarray of the 1970s and its ongoing reverberations.

Antagony surveys the social history of Barcelona and Catalonia, primarily since the end of the Spanish Civil War in 1939. The work, originally published as a tetralogy and now collected into one volume, follows the youth and education of Raúl Ferrer Gaminde, son of a well-connected, middle-class Catalan family that embraces Franco and Spanish Nationalism. Its potent drama plays out through Goytisolo's crisp, forceful presentation of youth, humor, optimism, rebellion, violence, sexual awakening, indulgence, punishment, and the realization of one's artistic vocation. Alternately modern and historical, Antagony displays intelligent realism, emotional gravity, profane beauty, brute vulgarity, sweeping rhetorical scope, and seamless transitions through long, streaming passages of narrative and introspection.

A fascinating portrait of a radical age through the writers associated with a London publisher and bookseller--from William Wordsworth and Mary Wollstonecraft to Benjamin Franklin Once a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The veal and boiled vegetables may have been unappetising but the company was convivial and the conversation brilliant and unpredictable. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. In this book, Daisy Hay paints a remarkable portrait of a revolutionary age through the connected stories of the men and women who wrote it into being, and whose ideas still influence us today. Johnson's years as a publisher, 1760 to 1809, witnessed profound political, social, cultural and religious changes--from the American and French revolutions to birth of the Romantic age--and many of his dinner guests and authors were at the center of events. The shifting constellation of extraordinary people at Johnson's table included William Blake, William Wordsworth, Samuel Taylor Coleridge, Benjamin Franklin, the scientist Joseph Priestly and the Swiss artist Henry Fuseli, as well as a group of extraordinary women--Mary Wollstonecraft, the novelist Maria Edgeworth, and the poet Anna Barbauld. These figures pioneered revolutions in science and medicine, proclaimed the rights of women and children and charted the evolution of Britain's relationship with America and Europe. As external forces conspired to silence their voices, Johnson made them heard by continuing to publish them, just as his table gave them refuge. A rich work of biography and cultural history, Dinner with Joseph Johnson is an entertaining and enlightening story of a group of people who left an indelible mark on the modern age.

An New York Times Book Review Editor's Choice * An NPR Best Book of the Year * A Padma Lakshmi Book Club Pick For fans of On Earth We're Briefly Gorgeous and A Tree Grows in Brooklyn, an unforgettable story about female friendship and queer love in a Muslim-American community "Stunningly beautiful." --The New York Times Book Review "An unforgettable voice that moves you from the start." --People Magazine Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close-knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing miniskirts, and cutting school to explore the city. When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens. At Stuyvesant, Razia meets Angela and is attracted to her in a way that blossoms into a new understanding. When their relationship is discovered by an Aunty in the community, Razia must choose between her family and her own future. Punctuated by both joy and loss, full of '80s music and beloved novels, Roses, in the Mouth of a Lion is a new classic: a fiercely compassionate coming-of-age story of a girl struggling to reconcile her heritage and faith with her desire to be true to herself.

Humankind discovers intelligent life in an octopus species with its own language and culture, and sets off a high-stakes global competition to dominate the future. Rumors begin to spread of a dangerous species of hyperintelligent octopus that may have developed its own language and culture. The marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. The transnational tech corporation DIANIMA has sealed off the remote Con Dao Archipelago, where the octopuses were discovered, from the rest of world. Dr. Nguyen travels to the islands to join DIANIMA's team: a battle-scarred security agent and the world's first android. The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence. The stakes are high: there are vast fortunes to be made by whoever can take advantage of the octopuses' advancements, and as Dr. Nguyen struggles to communicate with the newly discovered species, forces larger than DIANIMA close in to seize the octopuses for themselves. But no one has yet asked the octopuses what they think. Or what they might do about it. A near-future thriller about the nature of consciousness, Ray Nayler's The Mountain in the Sea is a dazzling literary debut and a mind-blowing dive into the treasure and wreckage of humankind's legacy.

An instant New York Times and Wall Street Journal bestseller from one of the world's leading economists, offering a grand narrative of the century that made us richer than ever, yet left us unsatisfied. "A magisterial history."--​Paul Krugman Before 1870, humanity lived in dire poverty, with a slow crawl of invention offset by a growing population. Then came a great shift: invention sprinted forward, doubling our technological capabilities each generation and utterly transforming the economy again and again. Our ancestors would have presumed we would have used such powers to build utopia. But it was not so. When 1870-2010 ended, the world instead saw global warming; economic depression, uncertainty, and inequality; and broad rejection of the status quo.    Economist Brad DeLong's Slouching Towards Utopia tells the story of how this unprecedented explosion of material wealth occurred, how it transformed the globe, and why it failed to deliver us to utopia. Of remarkable breadth and ambition, it reveals the last century to have been less a march of progress than a slouch in the right direction.

From one of our most admired writers, a beautifully illustrated story of a dynamic artistic partnership between the wars.

Resonant with the emotional urgency of Alice Walker's classic Meridian and the poignant charm of Sue Monk Kidd's The Secret Life of Bees, a gripping debut novel of female power and vulnerability, race, and class that explores the unlikely friendship between a precocious black girl and a mysterious white woman in a small Mississippi town in the early 1980s. Set in 1982, in rural, racially divided Ricksville, Mississippi Wade in the Water tells the story of Ella, a black, unloved, precocious eleven-year-old, and Ms. St. James, a mysterious white woman from Princeton who appears in Ella's community to carry out some research. Soon, Ms. St. James befriends Ella, who is willing to risk everything to keep her new friend in a town that does not want her there. The relationship between Ella and Ms. St. James, at times loving and funny and other times tense and cautious, becomes more fraught and complex as Ella unwittingly pushes at Ms. St. James's carefully constructed boundaries that guard a complicated past, and dangerous secrets that could have devastating consequences.     Told in two voices, Ella's and Ms. St. James's, and set around richly developed characters, this riveting, page turning coming of age story will keep readers entranced until the last shocking revelation.  

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he'll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks. With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill's desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, "Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it's time we gave nothing back." Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn't to say that it's not about anything. In fact, it's about villains. Bond villains. And that's not nothing.

One of the world's greatest and most thoughtful architects recounts his extraordinary career and the iconic structures he has built--from Habitat in Montreal to Marina Bay Sands in Singapore--and offers a manifesto for the role architecture should play in society Over more than five decades, legendary architect Moshe Safdie has built some of the world's most influential and memorable structures--from the 1967 modular housing scheme in Montreal known as "Habitat" and the Yad Vashem memorial in Israel, to the Crystal Bridges Museum in Arkansas and the Marina Bay Sands development and extraordinary Jewel Changi airport interior garden and waterfall in Singapore. For Safdie, the way a space functions is fundamental; he is deeply committed to architecture as a social force for good, believing that any challenge, including extreme population density and environmental distress, can be addressed with solutions that enhance community and uplift the human spirit. Safdie always refers to the "silent client" an architect must ultimately serve: the people who live in, work in, or experience a building. If Walls Could Speak takes readers behind the veil of an essential yet mysterious profession to explain through Safdie's own experiences how an architect thinks and works--"from the spark of imagination through the design process, the model-making, the politics, the engineering, the materials." Relating memorable stories about what has inspired him--from childhoods in Israel and Montreal to the projects and personalities worldwide that have captured his imagination--Safdie reveals the complex interplay that underpins every project and his vision for the role architecture can and should play in society at large. Illustrated throughout with drawings, sketches, photographs, and documents from his firm's voluminous archives that illuminate his stories, If Walls Could Speak ends with a chapter outlining seven projects Safdie would pursue around the world if resources and will were no issue and the choices were his to make. A book like no other, If Walls Could Speak will forever change the way you look at and appreciate any built structure.

The remarkable untold story of a Jewish orphan who fled Nazi Germany for London, only to be arrested there by the British government and sent to an internment camp for suspected foreign agents on the Isle of Man, alongside a renowned group of refugee musicians, intellectuals, artists, and--possibly--genuine spies. Following the events of Kristallnacht in 1938, Peter Fleischmann evaded the Gestapo's midnight roundups in Berlin by way of a perilous journey to England via the Kindertransport train. But he could not escape the British police, who came for him in the early hours and shipped him off to Hutchinson Camp on the Isle of Man, under suspicion of being a spy for the very regime he had fled. Peter's story was no isolated incident. During Hitler's rise to power in the 1930s, tens of thousands of German and Austrian Jews escaped and found refuge in Britain. Once war broke out in 1939, the nation turned against them, fearing that Nazis had planted spies posing as refugees. Innocent asylum seekers thus were labeled "enemy aliens" and ultimately sentenced to an indefinite period of internment. When Peter arrived at Hutchinson Camp, he found one of history's most astounding prison populations: renowned professors, composers, journalists, and artists. Together, they created a thriving cultural community, complete with art exhibitions, lectures, musical performances, and poetry readings. The artists welcomed Peter as their pupil and forever changed the course of his life. Meanwhile, suspicions grew that a real spy was hiding among them--one connected to a vivacious heiress from Peter's past. Drawing from unpublished first-person accounts and newly declassified documents from the British government, award-winning journalist Simon Parkin tells the story of this unlikely group of internees. The Island of Extraordinary Captives brings history to life in vivid detail, revealing the hidden truth of Britain's grave wartime mistake and showcasing how hope and creativity can flourish in even the darkest of circumstances.

A darkly comic mystery by the author of Hark and The Ask set in the vibrant music scene of early 1990s New York City. Manhattan's East Village, 1993. Dive bars, DIY music venues, shady weirdos, and hard drugs are plentiful. Crime is high but rent is low, luring hopeful, creative kids from sleepy suburbs around the country. One of these is Jack S., a young New Jersey rock musician. Just a few days before his band's biggest gig, their lead singer goes missing with Jack's prized bass, presumably to hock it to feed his junk habit. Jack's search for his buddy uncovers a sinister entanglement of crimes tied to local real estate barons looking to remake New York City--and who might also be connected to the recent death of Jack's punk rock mentor. Along the way, Jack encounters a cast of colorful characters, including a bewitching, quick-witted scenester who favors dressing in a nurse's outfit, a monstrous hired killer with a devotion to both figure skating and edged weapons, a deranged if prophetic postwar novelist, and a tough-talking cop who fancies himself a retro-cool icon of the homicide squad but is harboring a surprising secret. No One Left to Come Looking for You is a page-turning suspense novel that also serves as a love letter to a bygone era of New York City where young artists could still afford to chase their dreams.

"Arresting and powerful, Flight examines the possibility and pain of fierce love and hope in our time of looming existential threats." -- Lily King, New York Times bestselling author of Writers & Lovers "Suspenseful, dazzling and moving." -- Rumaan Alam, New York Times bestselling author of Leave the World Behind  It's December twenty-second and siblings Henry, Kate, and Martin have converged with their spouses on Henry's house in upstate New York. This is the first Christmas the siblings are without their mother, the first not at their mother's Florida house. Over the course of the next three days, old resentments and instabilities arise as the siblings, with a gaggle of children afoot, attempt to perform familiar rituals, while also trying to decide what to do with their mother's house, their sole inheritance. As tensions rise, the whole group is forced to come together unexpectedly when a local mother and daughter need help.  With the urgency and artfulness that cemented her previous novel Want as "a defining novel of our age" (Vulture), Strong once again turns her attention to the structural and systemic failings that are haunting Americans, but also to the ways in which family, friends, and strangers can support each other through the gaps. Flight is a novel of family, ambition, precarity, art, and desire, one that forms a powerful next step from a brilliant chronicler of our time.

A Times Literary Supplement book of the year A bold new biography of legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. He scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work, while dressing like a businessman and crafting a highly respectable persona. He charmed the possessors of new money and old, while reserving his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes--and on nude drawings of male models that he kept to himself. In The Grand Affair, the scholar Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent's nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters--feelings that London, Paris, and New York high society was fascinated by yet kept at bay. Where did these feelings come from and how did they drive his art? Fisher traces Singer's life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he elicited, and on to London, where he mixed with Henry James, Oscar Wilde, and other aristocrats and eccentrics, and formed a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, he journeyed around the world with his friend and patron Isabella Stewart Gardner, and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent's most daring and powerful work. Relating Sargent's restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

A BEST NEW BOOK from *Vanity Fair *The New York Times *The Washington Post A lyrical, moving novel in the spirit of Transcendent Kingdom and A Burning--and the most awarded debut title in South Africa--that tells the story of a multiracial family when the Immorality Act is passed, revealing the story of one family's scattered souls in the wake of history. In 1927, South Africa passes the Immorality Act, prohibiting sexual intercourse between "Europeans" (white people) and "natives" (Black people). Those who break the draconian new law face imprisonment--for men of up to five years; for women, four years. Abram and his wife Alisa have their share of marital problems, but they also have a comfortable life in South Africa with their two young girls. But then the Act is passed. Alisa is black, and their two children are now evidence of their involvement in a union that has been criminalized by the state. At first, Alisa and Abram question how they'll be affected by the Act, but then officials start asking questions at the girls' school, and their estate is catalogued for potential disbursement. Abram is at a loss as to how to protect his young family from the grinding machinery of the law, whose worst discriminations have until now been kept at bay by the family's economic privilege. And with this, his hesitation, the couple's bond is tattered. Alisa, who is Jamaican and the descendant of slaves, was adopted by a wealthy white British couple, who raised her as their child. But as she grew older and realized that the prejudices of British society made no allowance for her, she journeyed to South Africa where she met Abram. In the aftermath of the Immorality Act, she comes to a heartbreaking conclusion based on her past and collective history - and she commits her own devastating act, one that will reverberate through their entire family's lives. Intertwining her storytelling with ritual, myth, and the heart-wrenching question of who stays and who leaves, Scatterlings marks the debut of a gifted storyteller who has become a sensation in her native South Africa--and promises to take the Western literary world by storm as well.

Fights about the fate of the state of Israel, and the Zionist movement that gave birth to it, have long been a staple of both Jewish and American political culture. But despite these arguments' significance to American politics, American Jewish life, and to Israel itself, no one has ever systematically examined their history and explained why they matter. In We Are Not One, historian Eric Alterman traces this debate from its nineteenth-century origins. Following Israel's 1948-1949 War of Independence (called the "nakba" or "catastrophe" by Palestinians), few Americans, including few Jews, paid much attention to Israel or the challenges it faced. Following the 1967 Six-Day War, however, almost overnight support for Israel became the primary component of American Jews' collective identity. Over time, Jewish organizations joined forces with conservative Christians and neoconservative pundits and politicos to wage a tenacious fight to define Israel's image in the US media, popular culture, Congress, and college campuses. Deeply researched, We Are Not One reveals how our consensus on Israel and Palestine emerged and why, today, it is fracturing.

Shortlisted for the 2022 Gordon Burn Prize * Shortlisted for the 2022 Ned Kelly Awards * Longlisted for the 2022 Booker Prize * Longlisted for the 2022 HWA Gold Crown Award SELECTED BY NEW YORK TIMES AS ONE OF 100 NOTABLE BOOKS OF 2022 The Booker-shortlisted author of His Bloody Project blurs the lines between patient and therapist, fiction and documentation, and reality and dark imagination. London, 1965. 'I have decided to write down everything that happens, because I feel, I suppose, I may be putting myself in danger,' writes an anonymous patient, a young woman investigating her sister's suicide. In the guise of a dynamic and troubled alter-ego named Rebecca Smyth, she makes an appointment with the notorious and roughly charismatic psychotherapist Collins Braithwaite, whom she believes is responsible for her sister's death. But in this world of beguilement and bamboozlement, neither she nor we can be certain of anything. Case Study is a novel as slippery as it is riveting, as playful as it is sinister, a meditation on truth, sanity, and the instability of identity by one of the most inventive novelists of our time.

Sarah and Angelina Grimke--the Grimke sisters--are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality. That the Grimke sisters had Black relatives in the first place was a consequence of slavery's most horrific reality. Sarah and Angelina's older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers' trials and exploits in the North, where Archibald and Francis became prominent members of the post-Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis's wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald's daughter, Angelina Weld Grimke, who channeled the family's past into pathbreaking modernist literature during the Harlem Renaissance. In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental--an emblem of the limits of progressive white racial politics. A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy--both traumatic and generative--of those myths, which reverberate to this day.

A NEW YORK TIMES BEST BOOK OF THE MONTH * A DECEMBER 2022 BELLETRIST BOOK CLUB PICK * A gripping novel set in the world of professional ballet, New York City during the AIDS crisis, and present-day Los Angeles. * "Beautiful...Howrey, a former dancer with the Joffrey Ballet, proves herself a talented choreographer in her own right...[A] finger-trap puzzle of a plot."--New York Times Book Review "They're Going to Love You is my idea of a perfect book. It is about art, life, death, love, and family and it is beautifully and sharply written. I cried several times while reading it, and was sorry to let it go when I was done. I cannot recommend it enough." --Jami Attenberg,  New York Times bestselling author of The Middlesteins and All This Could Be Yours Throughout her childhood, Carlisle Martin got to see her father, Robert, for only a few precious weeks a year when she visited the brownstone apartment in Greenwich Village he shared with his partner, James. Brilliant but troubled, James gave Carlisle an education in all that he held dear in life--literature, music, and, most of all, dance. Seduced by the heady pull of mentorship and hoping to follow in the footsteps of her mother--a former Balanchine ballerina--Carlisle's aspiration to become a professional ballet dancer bloomed. But above all else, she longed to be asked to stay at the house on Bank Street, to be a part of Robert and James's sophisticated world, even as the AIDS crisis brings devastation to their community. Instead, a passionate love affair created a rift between the family, with shattering consequences that reverberated for decades to come. Nineteen years later, when Carlisle receives a phone call that unravels the events of that fateful summer, she sees with new eyes how her younger self has informed the woman she's become.  They're Going to Love You is a gripping and gorgeously written novel of heartbreaking intensity. With psychological precision and a masterfully revealed secret at its heart, it asks what it takes to be an artist in America, and the price of forgiveness, of ambition, and of love.

A historical tapestry of border-crossing travelers, of students, wanderers, martyrs and invaders, The White Mosque is a memoiristic, prismatic record of a journey through Uzbekistan and of the strange shifts, encounters, and accidents that combine to create an identity In the late nineteenth century, a group of German-speaking Mennonites traveled from Russia into Central Asia, where their charismatic leader predicted Christ would return. Over a century later, Sofia Samatar joins a tour following their path, fascinated not by the hardships of their journey, but by its aftermath: the establishment of a small Christian village in the Muslim Khanate of Khiva. Named Ak Metchet, "The White Mosque," after the Mennonites' whitewashed church, the village lasted for fifty years.   In pursuit of this curious history, Samatar discovers a variety of characters whose lives intersect around the ancient Silk Road, from a fifteenth-century astronomer-king, to an intrepid Swiss woman traveler of the 1930s, to the first Uzbek photographer, and explores such topics as Central Asian cinema, Mennonite martyrs, and Samatar's own complex upbringing as the daughter of a Swiss-Mennonite and a Somali-Muslim, raised as a Mennonite of color in America. A secular pilgrimage to a lost village and a near-forgotten history, The White Mosque traces the porous and ever-expanding borders of identity, asking: How do we enter the stories of others? And how, out of the tissue of life, with its weird incidents, buried archives, and startling connections, does a person construct a self?

From one of America's most beloved storytellers: a dazzling tapestry of love and faith, memory and imagination that questions what it means to look back and accept one's place in history. In 1971, Harley Mann revisits his childhood, recounting his family's move to Florida's swamplands--mere miles away from what would become Disney World--to join a community of Shakers. "Russell Banks's new novel is eerily timely. Can what's gone wrong in the past offer keys to the future? The Magic Kingdom confronts our longings for Paradise; also the inner serpents that are to be found in all such enchanted gardens." --Margaret Atwood, author of The Testaments, via Twitter  Property speculator Harley Mann begins recording his life story onto a reel-to-reel machine, reflecting on his youth in the early twentieth century. He recounts that after his father's sudden death, his family migrated down to Florida to join a Shaker colony. Led by Elder John, a generous man with a mysterious past, the colony devoted itself to labor, faith, and charity, rejecting all temptations that lay beyond the property. Though this way of life initially saved Harley and his family from complete ruin, when Harley began falling in love with Sadie Pratt, a consumptive patient living on the grounds, his loyalty to the Shakers and their conservative worldview grew strained and, ultimately, broke. As Harley dictates his story across more than half a century--meditating on youth, Florida's everchanging landscape, and the search for an American utopia--the truth about Sadie, Elder John, and the Shakers comes to light, clarifying the past and present alike. With an expert eye and stunning vision, Russell Banks delivers a wholly captivating portrait of a man navigating Americana and the passage of time.

An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten.

LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD FOR NONFICTION An enthralling and ground-breaking new biography of one of modern America's most fascinating and consequential political figures, drawing on important new sources, by an award-winning biographer who covered Kennedy closely for many years John A. Farrell's magnificent biography of Edward M. Kennedy is the first single-volume life of the great figure since his death. Farrell's long acquaintance with the Kennedy universe and the acclaim accorded his previous books--including his New York Times bestselling biography of Richard Nixon, a finalist for the Pulitzer Prize--helped garner him access to a remarkable range of new sources, including segments of Kennedy's personal diary and his private confessions to members of his family in the days that followed the accident on Chappaquiddick. Farrell is, without question, one of America's greatest political biographers and a storyteller of deep wisdom and empathy. His book does full justice to this famously epic and turbulent life of almost unimaginable tragedy and triumph. As the fourth son of the close-knit but fiercely competitive Kennedy clan, Ted was the runt of the litter. Expelled from Harvard University for cheating, he was a fun-loving playboy who nevertheless served his brothers loyally and effectively. It was easy to take Ted lightly, and many did. But when he was elected to the United States Senate at the age of thirty to fill his brother Jack's seat, something unexpected happened: he found his home and his calling there. Over time, Ted Kennedy would build arguably the most significant senatorial career in American history. His life was buffeted by heartbreak: the violent deaths of his three older brothers, his own terrible plane crash, his children's bouts with cancer, and the hideous self-inflicted wounds of Chappaquiddick and stretches of drinking and womanizing that caused irreparable damage to an already fragile first marriage. Those wounds scarred Ted deeply but also tempered his character, and, eventually, he embarked on a run as legislator, party elder, and paterfamilias of the Kennedy family that would change America for the better. John A. Farrell brings us the man as he was, in strength and weakness, his profound but complicated inheritance and his vital legacy, as only a great biographer can do. Without the story this book tells, no understanding of modern America can be complete.

"A brilliant and heart-wrenching book, with universal and timely lessons about the power of information -- and misinformation. Is it possible to stop mass murder by telling the truth?" -- Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of Tomorrow A complex hero.  A forgotten story.  The first witness to reveal the full truth of the Holocaust . . .  Award-winning journalist and bestselling novelist Jonathan Freedland tells the incredible story of Rudolf Vrba--the first Jew to break out of Auschwitz, a man determined to warn the world and pass on a truth too few were willing to hear--elevating him to his rightful place in the annals of World War II alongside Anne Frank, Primo Levi, and Oskar Schindler and casting a new light on the Holocaust and its aftermath. People won't believe what they can't imagine . . .  In April 1944, Rudolf Vrba became the first Jew to break out of Auschwitz--one of only four who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world--and to warn the last Jews of Europe what fate awaited them at the end of the railway line. Against all odds, he and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen--a forensically detailed report that would eventually reach Franklin Roosevelt, Winston Churchill and the Pope.  And yet too few heeded the warning that Vrba--then just nineteen years old--had risked everything to deliver. Some could not believe it. Others thought it easier to keep quiet. Vrba helped save 200,000 Jewish lives--but he never stopped believing it could have been so many more.  This is the story of a brilliant yet troubled man--a gifted "escape artist" who even as a teenager understand that the difference between truth and lies can be the difference between life and death, a man who deserves to take his place alongside Anne Frank, Oskar Schindler and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

Winner of the 2022 National Book Award for Translated Literature A blazing new story collection that will make you feel like the house is collapsing in on you, from the 3 time International Booker Prize finalist, "lead[ing] a vanguard of Latin American writers forging their own 21st-century canon." -O, the Oprah magazine The seven houses in these seven stories are strange. A person is missing, or a truth, or memory; some rooms are enticing, some unmoored, others empty. But in Samanta Schweblin's tense, visionary tales, something always creeps back inside: a ghost, a fight, trespassers, a list of things to do before you die, a child's first encounter with darkness or the fallibility of parents. In each story, twists and turns will unnerve and surprise: Schweblin never takes the expected path and instead digs under the skin, revealing surreal truths about our sense of home, of belonging, and of the fragility of our connections with others. This is a masterwork from one of our most brilliant modern writers.

Colombo, 1990. Maali Almeida--war photographer, gambler, and closet queen--has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali. He has seven moons to contact the man and woman he loves most and lead them to the photos that will rock Sri Lanka. Ten years after his prize-winning novel Chinaman established him as one of Sri Lanka's foremost authors, Shehan Karunatilaka is back with a "thrilling satire" (Economist) and rip-roaring state-of-the-nation epic that offers equal parts mordant wit and disturbing, profound truths.

The first biography of Shirley Hazzard, the author of The Transit of Venus and a writer of "shocking wisdom" and "intellectual thrill" (The New Yorker). Shirley Hazzard: A Writing Life tells the extraordinary story of a great modern novelist. Brigitta Olubas, Hazzard's authorized biographer, has drawn, with great subtlety and understanding, on her fiction (itself largely based on Hazzard's own experience); on an extensive archive of letters, diaries, and notebooks; and on the memories of surviving friends and colleagues to create this resonant portrait of an exceptional woman. This biography explores the distinctive times of Hazzard's life, from her youth and middle age to her widowhood and years of decline, and traces the complex and intricate processes of self-fashioning that lay beneath Hazzard's formidable, beguiling presence. Olubas shows us the places of Hazzard's life, of which she wrote with characteristic lyricism: her childhood in Depression-era Sydney; her youth in postwar Hong Kong, New Zealand, and London; her years in New York in the 1950s, working at the United Nations and The New Yorker. Olubas also describes Hazzard's long marriage to the writer Francis Steegmuller and their deep involvement in postwar Naples and Capri. Rare photographs from Hazzard's collection and elsewhere accompany the text. Hazzard was the last of a generation of selftaught writers, devotees of a great literary tradition, and her depth of perception and expressive gifts have earned her iconic status. Brigitta Olubas has brought her brilliantly alive, enhancing and deepening our understanding of the singular woman who created some of the most enduring fiction of the past sixty years. As Dwight Garner wrote in The New York Times, "Hazzard's stories feel timeless because she understands, as she writes in one of them: 'We are human beings, not rational ones.'" Here, in Shirley Hazzard, is the story of a remarkable human being.

"A profound novel about friendship. I loved it to pieces." --Madeline Miller "A shining tour de force about a long friendship's respects, disrespects, loyalties and moralities." --Ali Smith  From the acclaimed author of Home Fire, the moving and surprising story of a lifelong friendship and the forces that bring it to the breaking point Zahra and Maryam have been best friends since childhood in Karachi, even though--or maybe because--they are unlike in nearly every way. Yet they never speak of the differences in their backgrounds or their values, not even after the fateful night when a moment of adolescent impulse upends their plans for the future.   Three decades later, Zahra and Maryam have grown into powerful women who have each cut a distinctive path through London. But when two troubling figures from their past resurface, they must finally confront their bedrock differences--and find out whether their friendship can survive.   Thought-provoking, compassionate, and full of unexpected turns, Best of Friends offers a riveting take on an age-old question: Does principle or loyalty make for the better friend?      

Some five hundred years ago, Sandro Botticelli, a painter of humble origin, created works of unearthly beauty. A star of Florence's art world, he was commissioned by a member of the city's powerful Medici family to execute a near-impossible project: to illustrate all one hundred cantos of The Divine Comedy by Dante Alighieri, the ultimate visual homage to that "divine" poet. This sparked a gripping encounter between poet and artist, between the religious and the secular, between the earthly and the evanescent, recorded in exquisite drawings by Botticelli that now enchant audiences worldwide. Yet after a lifetime of creating masterpieces including Primavera and The Birth of Venus, Botticelli declined into poverty and obscurity. His Dante project remained unfinished. Then the drawings vanished for over four hundred years. The once famous Botticelli himself was forgotten. The nineteenth-century rediscovery of Botticelli's Dante drawings brought scholars and art lovers to their knees: this work embodied everything the Renaissance had come to mean. From Botticelli's metaphorical rise from the dead in Victorian England to the emergence of eagle-eyed connoisseurs like Bernard Berenson and Herbert Horne in the early twentieth century, and even the rescue of precious art during World War II and the fall of the Berlin Wall in 1989, the posthumous story of Botticelli's Dante drawings is, if anything, even more dramatic than their creation. A combination of artistic detective story and rich intellectual history, Botticelli's Secret shows not only how the Renaissance came to life, but also how Botticelli's art helped bring it about--and, most important, why we need the Renaissance and all that it stands for today.

An epic account of the decades-long battle to control what has emerged as the world's most critical resource--microchip technology--with the United States and China increasingly in conflict. You may be surprised to learn that microchips are the new oil--the scarce resource on which the modern world depends. Today, military, economic, and geopolitical power are built on a foundation of computer chips. Virtually everything--from missiles to microwaves--runs on chips, including cars, smartphones, the stock market, even the electric grid. Until recently, America designed and built the fastest chips and maintained its lead as the #1 superpower, but America's edge is in danger of slipping, undermined by players in Taiwan, Korea, and Europe taking over manufacturing. Now, as Chip War reveals, China, which spends more on chips than any other product, is pouring billions into a chip-building initiative to catch up to the US. At stake is America's military superiority and economic prosperity. Economic historian Chris Miller explains how the semiconductor came to play a critical role in modern life and how the U.S. became dominant in chip design and manufacturing and applied this technology to military systems. America's victory in the Cold War and its global military dominance stems from its ability to harness computing power more effectively than any other power. But here, too, China is catching up, with its chip-building ambitions and military modernization going hand in hand. America has let key components of the chip-building process slip out of its grasp, contributing not only to a worldwide chip shortage but also a new Cold War with a superpower adversary that is desperate to bridge the gap. Illuminating, timely, and fascinating, Chip War shows that, to make sense of the current state of politics, economics, and technology, we must first understand the vital role played by chips.

**A New Yorker "Best Book of the Year"** A rich and luminous biography of nineteenth century music. When one thinks of "great" classical music--music with the most emotional resonance and timelessness--we harken back to the nineteenth century and the Romantic tradition. We recall the sweet melody of a Schubert song, the heroine dying for love in an Italian opera, the swooning orchestration of a Tchaikovsky symphony. The emotional resonance of nineteenth century has moved generations muscians and resonated with countless listeners. It has inspired artists and writers.  But no writer until how has adopted such a vividly insightful narrative approach as Stephen Walsh and he shows how there is more to Romantic music that meets the eye--and the ear. With authority, insight, and passion, The Beloved Vision, links the music history of this singular epoch to the ideas that lay behind Romanticism in all its manifestations.  In this complete, entertaining, and singularly readable account, we come to understand the entire phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire.  We also come to understand Beethoven, Mahler, Schubert, Chopin, and Wagner anew. The narrative begins in the eighteenth century, with C.P.E. Bach, Haydn and the literary movement known as Sturm und Drang, seen as a reaction of the individual artist to the confident certainties of the Enlightenment. The windows are flung open, and everything to do with style, form, even technique, is exposed to the emotional and intellectual weather, the impulses and preferences of the individual composer. Risk taking--the braving of the unknown--was certainly an important part of what the composers wanted to do, as true of Chopin and Verdi as it is of Berlioz and Wagner. It's an exciting, colorful, story, told with passion but also with the precision and clarity of detail for which Stephen Walsh is so widely admired. The Beloved Vision is a cultural tour de force, by turns bold, challenging, and immensely stimulating.

A Most Anticipated Book of Fall from: Atlanta Journal-Constitution * Austin-American Statesman * BookPage * Book Riot * Boston Globe * Entertainment Weekly * LitHub* Los Angeles Times * The Millions * Oprah Daily * Philadelphia Inquirer * Publishers Weekly * St. Louis Post Dispatch * Town & Country * USA Today ?A New Yorker Best Book of 2022 A taut, groundbreaking new novel from bestselling and award-winning author Elizabeth McCracken, about a writer's relationship with her larger-than-life mother--and about the very nature of writing, memory, and art Ten months after her mother's death, the narrator of The Hero of This Book takes a trip to London. The city was a favorite of her mother's, and as the narrator wanders the streets, she finds herself reflecting on her mother's life and their relationship. Thoughts of the past meld with questions of the future: Back in New England, the family home is now up for sale, its considerable contents already winnowed. The woman, a writer, recalls all that made her complicated mother extraordinary--her brilliant wit, her generosity, her unbelievable obstinacy, her sheer will in seizing life despite physical difficulties--and finds herself wondering how her mother had endured. Even though she wants to respect her mother's nearly pathological sense of privacy, the woman must come to terms with whether making a chronicle of this remarkable life constitutes an act of love or betrayal. The Hero of This Book  is a searing examination of grief and renewal, and of a deeply felt relationship between a child and her parents. What begins as a question of filial devotion ultimately becomes a lesson in what it means to write. At once comic and heartbreaking, with prose that delights at every turn, this is a novel of such piercing love and tenderness that we are reminded that art is what remains when all else falls away.

One of Literary Hub's Most Anticipated Books of 2022 A landmark work of intimate reporting on inequality, race, class, and violence, told through a murder and intersecting lives in an iconic American neighborhood. One New Haven summer evening in 2006, a retired grandfather was shot point-blank by a young stranger. A hasty police investigation culminated in innocent sixteen-year-old Bobby being sentenced to prison for thirty-eight years. New Haven native and acclaimed author Nicholas Dawidoff returned home and spent eight years reporting the deeper story of this injustice, and what it reveals about the enduring legacies of social and economic disparity. In The Other Side of Prospect, he has produced an immersive portrait of a seminal community in an old American city now beset by division and gun violence. Tracing the histories of three people whose lives meet in tragedy--victim Pete Fields, likely murderer Major, and Bobby--Dawidoff indelibly describes optimistic families coming north from South Carolina as part of the Great Migration, for the promise of opportunity and upward mobility, and the harrowing costs of deindustrialization and neglect. Foremost are the unique challenges confronted by children like Major and Bobby coming of age in their "forgotten" neighborhood, steps from Yale University. After years in prison, with the help of a true-believing lawyer, Bobby is finally set free. His subsequent struggles with the memories of prison, and his heartbreaking efforts to reconnect with family and community, exemplify the challenges the formerly incarcerated face upon reentry into society and, writes Reginald Dwayne Betts, make this "the best book about the crisis of incarceration in America." The Other Side of Prospect is a reportorial tour de force, at once a sweeping account of how the injustices of racism and inequality reverberate through the generations, and a beautifully written portrait of American city life, told through a group of unforgettable people and their intertwined experiences.

A National Bestseller A New Yorker Best Book of 2022 Fifteen years after the publication of Evidence of Things Unseen, National Book Award and Pulitzer Prize finalist Marianne Wiggins returns with a novel destined to be an American classic: a sweeping masterwork set during World War II about the meaning of family and the limitations of the American Dream. Rockwell "Rocky" Rhodes has spent years fiercely protecting his California ranch from the LA Water Corporation. It is here where he and his beloved wife Lou raised their twins, Sunny and Stryker, and it is here where Rocky has mourned Lou in the years since her death. As Sunny and Stryker reach the cusp of adulthood, the country teeters on the brink of war. Stryker decides to join the fight, deploying to Pearl Harbor not long before the bombs strike. Soon, Rocky and his family find themselves facing yet another incomprehensible tragedy. Rocky is determined to protect his remaining family and the land where they've loved and lost so much. But when the government decides to build a Japanese-American internment camp next to the ranch, Rocky realizes that the land faces even bigger threats than the LA watermen he's battled for years. Complicating matters is the fact that the idealistic Department of the Interior man assigned to build the camp, who only begins to understand the horror of his task after it may be too late, becomes infatuated with Sunny and entangled with the Rhodes family. Properties of Thirst is a novel that is both universal and intimate. It is the story of a changing American landscape and an examination of one of the darkest periods in this country's past, told through the stories of the individual loves and losses that weave together to form the fabric of our shared history. Ultimately, it is an unflinching distillation of our nation's essence--and a celebration of the bonds of love and family that persist against all odds.

National Bestseller * New Yorker "Best Books of 2022" selection * New York Times Editor's Choice * a most anticipated book of Fall 2022: the New York Times, Boston Globe, Los Angeles Times and Chicago Tribune From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions they voiced--in one notable case, only in private. Self-appointed vigilantes executed tens of thousands of citizens' arrests. Some seventy-five newspapers and magazines were banned from the mail and forced to close. When the government stepped in, it was often to fan the flames.   This was America during and after the Great War: a brief but appalling era blighted by lynchings, censorship, and the sadistic, sometimes fatal abuse of conscientious objectors in military prisons--a time whose toxic currents of racism, nativism, red-baiting, and contempt for the rule of law then flowed directly through the intervening decades to poison our own. It was a tumultuous period defined by a diverse and colorful cast of characters, some of whom fueled the injustice while others fought against it: from the sphinxlike Woodrow Wilson, to the fiery antiwar advocates Kate Richards O'Hare and Emma Goldman, to labor champion Eugene Debs, to a little-known but ambitious bureaucrat named J. Edgar Hoover, and to an outspoken leftwing agitator--who was in fact Hoover's star undercover agent. It is a time that we have mostly forgotten about, until now.  In American Midnight, award-winning historian Adam Hochschild brings alive the horrifying yet inspiring four years following the U.S. entry into the First World War, spotlighting forgotten repression while celebrating an unforgettable set of Americans who strove to fix their fractured country--and showing how their struggles still guide us today.  

In this beautiful story of adventure and survival from the New York Times bestselling author of Room, three men vow to leave the world behind them as they set out in a small boat for an island their leader has seen in a dream, with only faith to guide them. In seventh-century Ireland, a scholar and priest called Artt has a dream telling him to leave the sinful world behind. Taking two monks--young Trian and old Cormac--he rows down the river Shannon in search of an isolated spot on which to found a monastery. Drifting out into the Atlantic, the three men find an impossibly steep, bare island inhabited by tens of thousands of birds, and claim it for God. In such a place, what will survival mean?

In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir--featuring an introduction by Ernest Hemingway--made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray's reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d'Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki's seminal influence not only on Man Ray's art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses--and the lines separating the two.

Longlisted for the International Booker Prize This lyrical debut novel is at once a passionate coming-of-age story, a meditation on illness and death, and a kaleidoscopic journey through one woman's life--told in part by the malevolent voice of her disease. Lia, her husband Harry, and their beloved daughter, Iris, are a precisely balanced family of three. With Iris struggling to navigate the social tightrope of early adolescence, their tender home is a much-needed refuge. But when a sudden diagnosis threatens to derail each of their lives, the secrets of Lia's past come rushing into the present, and the world around them begins to transform. Deftly guided through time, we discover the people who shaped Lia's youth; from her deeply religious mother to her troubled first love. In turn, each will take their place in the shifting landscape of Lia's body; at the center of which dances a gleeful narrator, learning her life from the inside, growing more emboldened by the day. Pivoting between the domestic and the epic, the comic and the heart-breaking, this astonishing novel unearths the darkness and levity of one woman's life to symphonic effect.

Longlisted for the 2023 Andrew Carnegie Medals for Excellence in Fiction. A New York Times Book Review Editors' Choice. A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school, to the quiet Pennsylvania home where a woman can live without her past, The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will, by the celebrated author Yiyun Li. Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised--the place that Fabienne helped Agnès escape ten years ago. Now, Agnès is free to tell her story. As children in a war-ravaged, backwater town, they'd built a private world, invisible to everyone but themselves--until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.

NATIONAL BOOK AWARD FINALIST 2022 "Gayl Jones's work represents a watershed in American literature." --Imani Perry Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile Gayl Jones, the novelist Toni Morrison discovered decades ago and who Tayari Jones recently called her favorite writer, has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is publishing again. In the wake of her long-awaited fifth novel, Palmares, The Birdcatcher is another singular achievement, a return to the circles of her National Book Award finalist, The Healing. Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island. A study in Black women's creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature - rewarding longtime fans and bringing her talent to a new generation of readers.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals. "Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth."--Tayari Jones, author of An American Marriage "I say, 'the Black Period,' and mean 'home' in all its shapeshifting ways." In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase. At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering. Recalling her parents' lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artwork created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love. A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures America imposes to exist proudly and unabashedly as herself.

An account of the life and work of a once-famous self-taught American artist of the 1940s, and a study of how artists go missing from public memory. A garment worker and slipper manufacturer with no training in art, Morris Hirshfield was never expected to make history. Against all odds, his wildly stylized paintings of female figures, often nude, animals, and landscapes became internationally known in the 1940s. Admired by Pablo Picasso, Piet Mondrian, and the French surrealists, his peak moment of visibility occurred in 1943, when the Museum of Modern Art mounted a one-man show of his work. The exhibition was widely reviewed--though mostly reviled--by the press, who jeeringly crowned Hirshfield "Master of the Two Left Feet" for his tendency to display the female body in that unorthodox fashion.   After the artist's death in 1946, his work was largely forgotten, but in Master of the Two Left Feet, art historian Richard Meyer rediscovers Hirshfield for twenty-first-century audiences, offering full-color reproductions that capture the vibrant imagination and sheer visual pleasure of Hirshfield's paintings. The book also features a catalog of works compiled by curator Susan Davidson which provides the most comprehensive documentation of the artist's work ever assembled.   Ten years in the making, Master of the Two Left Feet presents Hirshfield's unlikely career as a painter not only as a missing episode in the history of twentieth-century art but as a case study of the ways in which artists go missing from historical knowledge and public memory. By looking closely at Hirshfield and his milieu in 1940s Brooklyn, Meyer demonstrates how much we have yet to learn, and to see, of the visual past.   The book accompanies the exhibition "Morris Hirshfield Rediscovered," at the American Folk Art Museum, New York City, September 22, 2022-January 27, 2023.  

A profound, poignant story of a village healer and her community, from one of the world's great contemporary novelists   "A complex and illuminating portrait of a group of healers in China . . . [that] offers profound insights about what it means to pursue and live a fulfilling life."--Publishers Weekly   "A barefoot doctor herself, [Can Xue] has a unique and powerful way of transporting readers to new worlds where reality and magic are intertwined, and she uses her own experiences to make this novel feel more personal."--Emily Park, Booklist   In rural Yun Village, herbalist Mrs. Yi lives with her husband in a cottage at the foot of Niulan Mountain, where she gathers herbs to treat the ailments of the villagers by day and studies medicine by night. Sickness and herbs are lovers, she tells her patients, rejoicing when they recover, comforting them when they do not. All the while, she hopes to find a worthy successor to take up her mantle. As curious younger villagers observe Mrs. Yi and begin imitating her work--planting gardens and studying the art of healing--they soon discover that the line dividing life from death is porous, and the mountain is more mysterious than they ever knew.   Drawing on her experiences as a barefoot doctor in her youth, Can Xue returns with a transporting novel that alights in the in-between spaces: between the living and the dead, healer and sick, nature and us.

If the law cannot protect a person from a lynching, then isn't lynching the law? In By Hands Now Known, Margaret A. Burnham, director of Northeastern University's Civil Rights and Restorative Justice Project, challenges our understanding of the Jim Crow era by exploring the relationship between formal law and background legal norms in a series of harrowing cases from 1920 to 1960. From rendition, the legal process by which states make claims to other states for the return of their citizens, to battles over state and federal jurisdiction and the outsize role of local sheriffs in enforcing racial hierarchy, Burnham maps the criminal legal system in the mid-twentieth-century South, and traces the unremitting line from slavery to the legal structures of this period and through to today. Drawing on an extensive database, collected over more than a decade and exceeding 1,000 cases of racial violence, she reveals the true legal system of Jim Crow, and captures the memories of those whose stories have not yet been heard.

"I couldn't put this book down and I loved spending time in the lives of Nonso, Remi, Aisha, and Solape. Truly this book will grab hold of your heart and mind and everything in between."--Roxane Gay, author of Hunger and Bad Feminist Nigerian author Omolola Ijeoma Ogunyemi makes her American debut with this dazzling novel which explores her homeland's past, present, and possible future through the interconnected stories of four fearless globe-trotting women. Moving between Nigeria and America, Jollof Rice and Other Revolutions is a window into the world of accomplished Nigerian women, illuminating the challenges they face and the risks they take to control their destinies. Students at an all-girls boarding school, Nonso, Remi, Aisha, and Solape forge an unbreakable sisterhood that is tempered during a school rebellion, an uprising with repercussions that will forever reverberate through their lives. The children of well-to-do families, these young women have been raised with a thirst for independence, believing a university education is their right--a legacy of ambition and hope inherited from their foremothers. Leaving school and adolescence behind, the women grapple with the unexpected possibilities--and limitations--of adulthood and the uncertainties of the world within and outside of Nigeria. A trip to Ghana opens Nonso's eyes to the lasting impact of the transatlantic slave trade, she falls in love with an African American, and makes a new home in the United States. Remi meets Segun, a dynamic man of Nigerian descent from Yonkers whose own traumatic struggles and support gives her the strength to confront painful family wounds. Aisha's overwhelming sense of guilt haunts her, influencing career and relationship decisions until she sees a chance to save her son's life and, through her sacrifice, redefine her own. Revolving around loss, belonging, family, friendship, alienation, and silence, Jollof Rice and Other Revolutions is a moving, multifaceted portrait of lives shaped by hope and sorrow--of women who must contend with the ever-present and unsettling notion that moving forward in time isn't necessarily progress. "I truly loved this linked short story collection. The narrative takes us into the intimate workings of friends and families. Omolola explores their complex lives in astoundingly beautiful language. If, like me, you enjoy stories that take you out of your reading chair to worlds that follow you back to your own, then this is the book for you."--Dahlma Llanos-Figueroa, award-winning author of A Woman of Endurance

A biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age.      Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like.   Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter's animated presence captured with energy and immediacy.   Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals's life, but also of the artistic, social, political, and religious worlds in which he lived and worked.  

The first full biography of the fearless and brilliant Maria Yudina, a legendary pianist who was central to Russian intellectual life   "Playing with Fire is a ground-breaking work--a phenomenal biography of a towering human spirit of everlasting relevance."--Norman Lebrecht, Wall Street Journal   Maria Yudina was no ordinary musician. An incredibly popular pianist, she lived on the fringes of Soviet society and had close friendships with such towering figures as Boris Pasternak, Pavel Florensky, and Mikhail Bakhtin. Legend has it that she was Stalin's favorite pianist.   Yudina was at the height of her fame during WWII, broadcasting almost daily on the radio, playing concerts for the wounded and troops in hospitals and on submarines, and performing for the inhabitants of besieged Leningrad. By the last years of her life, she had been dismissed for ideological reasons from the three institutions where she taught. And yet according to Shostakovich, Yudina remained "a special case. . . . The ocean was only knee-deep for her." In this engaging biography, Elizabeth Wilson sets Yudina's extraordinary life within the context of her times, where her musical career is measured against the intense intellectual and religious ferment of the post-revolutionary period and the ensuing years of Soviet repression.

In this haunting and noirish novel by a leading author and critic, an Indian writer travels to Berlin and soon finds himself slipping into a fragmented, fuguelike state. An Indian writer has come to Berlin as a visiting professor. This is his second sojourn in the city, which seems strange, and also strangely familiar, to him. He is disoriented by its names, its immensity, and its history; he is worried that something may happen to him there. Faqrul, a friendly Bangladeshi poet living in exile, takes him up--then disappears. The visiting writer is increasingly adrift in a city that not long ago was two cities, each cut off from the other, much as the new unified city is cut off from the divided one of the past. It is the fall of 2005; every day it grows colder. The visitor is beginning to feel his middle age. To him, the new world of the twenty-first century, with its endless commodities from all over the place and no prospect of any sort of historical transformation, appears to exist in a state of amnesiac suspense. He gets involved with a woman, Birgit. He begins to miss his classes. He blacks out in the street. People are worried. "I've lost my bearings--not in the city; in its history," he thinks. "The less sure I become of it, the more I know my way." But does he? Amit Chaudhuri's Sojourn is a dramatic and disconcerting work of fiction, a book about the present as it slips into the past, a picture of a city and of a troubled mind, a historical novel about an ostensibly post-historical time, a story of haunting. Here, as in his earlier work, Chaudhuri pries open fictional form to explore questions of public and private life in ways that are both bold and subtle.

In the warring, neo-feudal society of this cross-genre novel for fans of Cormac McCarthy and William Gibson, the greatest treasure is a dose of tellurium--a magical drug administered by a spike through the brain. Telluria is set in the future, when a devastating holy war between Europe and Islam has succeeded in returning the world to the torpor and disorganization of the Middle Ages. Europe, China, and Russia have all broken up. The people of the world now live in an array of little nations that are like puzzle pieces, each cultivating its own ideology or identity, a neo-feudal world of fads and feuds, in which no one power dominates. What does, however, travel everywhere is the appetite for the special substance tellurium. A spike of tellurium, driven into the brain by an expert hand, offers a transforming experience of bliss; incorrectly administered, it means death. The fifty chapters of Telluria map out this brave new world from fifty different angles, as Vladimir Sorokin, always a virtuoso of the word, introduces us to, among many other figures, partisans and princes, peasants and party leaders, a new Knights Templar, a harem of phalluses, and a dog-headed poet and philosopher who feasts on carrion from the battlefield. The book is an immense and sumptuous tapestry of the word, carnivalesque and cruel, and Max Lawton, Sorokin's gifted translator, has captured it in an English that carries the charge of Cormac McCarthy and William Gibson.

A unique history of the ancient Near East that compellingly presents the life stories of kings, priestesses, merchants, bricklayers, and othersIn this sweeping history of the ancient Near East, Amanda Podany takes readers on a gripping journey from the creation of the world's first cities to the conquest of Alexander the Great. The book is built around the life stories of many ancient men and women, from kings, priestesses, and merchantsto bricklayers, musicians, and weavers. Their habits of daily life, beliefs, triumphs, and crises, and the changes that they faced over time are explored through their own written words and the buildings, cities, and empires in which they lived.Rather than chronicling three thousand years of kings and kingdoms, Weavers, Scribes, and Kings instead creates a tapestry of life stories through which readers will come to know specific individuals from many walks of life, and to understand their places within the broad history of events andinstitutions in the ancient Near East. These life stories are preserved on ancient tablets, which allow us to trace, for example, the career of a weaver as she advanced to became a supervisor of a workshop, listen to a king trying to persuade his generals to prepare for a siege, and feel the pain ofa starving young couple who were driven to sell all four of their young children into slavery during a famine. What might seem at first glance to be a remote and inaccessible ancient culture proves to be a comprehensible world, one that bequeathed to us many of our institutions and beliefs, a trulyfascinating place to visit.

*The standout literary debut that everyone is talking about* "Inventive, heartbreaking and acutely funny"--The Guardian Blandine isn't like the other residents of her building. An online obituary writer. A young mother with a dark secret. A woman waging a solo campaign against rodents -- neighbours, separated only by the thin walls of a low-cost housing complex in the once bustling industrial centre of Vacca Vale, Indiana. Welcome to the Rabbit Hutch. Ethereally beautiful and formidably intelligent, Blandine shares her flat with three teenage boys she neither likes nor understands, all, like her, now aged out of the state foster care system that has repeatedly failed them, all searching for meaning in their lives. Set over one sweltering week in July and culminating in a bizarre act of violence that finally changes everything, The Rabbit Hutch is a savagely beautiful and bitingly funny snapshot of contemporary America, a gorgeous and provocative tale of loneliness and longing, entrapment and, ultimately, freedom. "Gunty writes with a keen, sensitive eye about all manner of intimacies―the kind we build with other people, and the kind we cultivate around ourselves and our tenuous, private aspirations."--Raven Leilani, author of Luster

A sublimely elegant, fractured reckoning with the legacy and inheritance of suicide in one American family. In 2009, Juliet Patterson was recovering from a serious car accident when she learned her father had died by suicide. His death was part of a disturbing pattern in her family. Her father's father had taken his own life; so had her mother's. Over the weeks and months that followed, grieving and in physical pain, Patterson kept returning to one question: Why? Why had her family lost so many men, so many fathers, and what lay beneath the silence that had taken hold? In three graceful movements, Patterson explores these questions. In the winter of her father's death, she struggles to make sense of the loss--sifting through the few belongings he left behind, looking to signs and symbols for meaning. As the spring thaw comes, she and her mother depart Minnesota for her father's burial in her parents' hometown of Pittsburg, Kansas. A once-prosperous town of promise and of violence, against people and the land, Pittsburg is now literally undermined by abandoned claims and sinkholes. There, Patterson carefully gathers evidence and radically imagines the final days of the grandfathers--one a fiery pro-labor politician, the other a melancholy businessman--she never knew. And finally, she returns to her father: to the haunting subjects of goodbyes, of loss, and of how to break the cycle. A stunning elegy that vividly enacts Emily Dickinson's dictum to "tell it slant," Sinkhole richly layers personal, familial, political, and environmental histories to provide not answers but essential, heartbreaking truth.

From the best-selling, award-winning author of The Sense of an Ending, a magnetic tale that centers on the presence of a vivid and particular woman, whose loss becomes the occasion for a man's deeper examination of love, friendship, and biography. "I'll remember Elizabeth Finch when most other characters I've met this year have faded." -John Self, The Times This beautiful, spare novel of platonic unrequited love springs into being around the singular character of the stoic, exacting Professor Elizabeth Finch. Neil, the narrator, takes her class "Culture and Civilisation," taught not for undergraduates but for adults of all ages; we are drawn into his intellectual crush on this private, withholding, yet commanding woman. While other personal relationships and even his family drift from Neil's grasp, Elizabeth's application of her material to the matter of daily living remains important to him, even after her death, in a way that nothing else does.   In Elizabeth Finch, we are treated to everything we cherish in Barnes: his eye for the unorthodox forms love can take between two people, a compelling swerve into nonfictional material (this time, through Neil's obsessive study of Julian the Apostate, following on notes Elizabeth left for him to discover after her death), and the forcefully moving undercurrent of history, and biography in particular, as nourishment and guide in our current lives.

A literary investigation into India as a society in transition through the lens of forbidden love, as three young couples reject arranged marriages and risk everything for true love in the midst of social and political upheaval. In India, two out of every three people are under the age of thirty-five. These are men and women who grew up with the internet and the advent of smartphones and social media. But when it comes to love and marriage, they're expected to adhere to thousands of years of tradition. It's that conflict between obeying tradition and embracing modernity that drives journalist Mansi Choksi's The Newlyweds. Through vivid, lyrical prose, Choksi shines a light on three young couples who buck against arranged marriages in the pursuit of true love, illustrating the challenges, shame, anger, triumph, and loss their actions and choices set in play. Against the backdrop of India's beautiful villages and cities, Choksi introduces our newlyweds. First, there's the lesbian couple forced to flee for a chance at a life together. Then there's the Hindu woman and Muslim man who escaped their families under the cover of night after being harassed by a violent militia group. Finally, there's the inter-caste couple who are doing everything to avoid the same fate as a similar couple who were burned alive. Engaging and moving, The Newlyweds raises universal questions, such as: What are we really willing to risk for love? If we're lucky enough to find it, does it change us? If so, for the better? Or for the worse?

Drowned. Buried by sand. Decimated by plague. Plunged off a cliff. This is the extraordinary tale of Britain’s eerie and remarkable ghost towns and villages; shadowlands that once hummed with life. Peering through the cracks of history, we find Dunwich, a medieval city plunged off a cliff by sea storms; the abandoned village of Wharram Percy, wiped out by the Black Death; the lost city of Trellech unearthed by moles in 2002; and a Norfolk village zombified by the military and turned into a Nazi, Soviet, and Afghan village for training.
Matthew Green, a British historian and broadcaster, tells the astonishing tales of the rise and demise of these places, animating the people who lived, worked, dreamed, and died there. Traveling across Britain to explore their haunting and often-beautiful remains, Green transports the reader to these lost towns and cities as they teeter on the brink of oblivion, vividly capturing the sounds of the sea clawing away row upon row of houses, the taste of medieval wine, or the sights of puffin hunting on the tallest cliffs in the country. We experience them in their prime, look on at their destruction, and revisit their lingering remains as they are mourned by evictees and reimagined by artists, writers, and mavericks.

LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION  A Phenomenal Book Club Pick * A Vogue Book Club Pick * A Good Housekeeping Book Club Pick * A The Rumpus Book Club Pick * An Autostraddle Book Club Pick "One of the buzziest, most human novels of the year...breathless, dizzying, and completely beautiful." --Vogue "Dazzling and wholly original...[written] with such mordant wit, insight, and specificity, it feels like watching a new literary star being born in real time." -Entertainment Weekly From a brilliant new voice comes an electrifying novel of a young immigrant building a life for herself--a warm, dazzling, and profound saga of queer love, friendship, work, and precarity in twenty-first century America Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She's moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women--soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach. But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It's then that Tig begins to draw up a radical solution to their problems, hoping to save them all. A beautiful and capacious novel rendered in singular, unforgettable  prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant's journey to make her home in the world.

A wholly original history of France, filled with a lifetime's knowledge and passion--by the author of the New York Times bestseller Parisians. Beginning with the Roman army's first recorded encounter with the Gauls and ending in the era of Emmanuel Macron, France takes readers on an endlessly entertaining journey through French history. Frequently hilarious, always surprising, Graham Robb's France combines the stylistic versatility of a novelist with the deep understanding of a scholar. Robb's own adventures and discoveries while living, working, and traveling in France connect this tour through space and time with on-the-ground experience. There are scenes of wars and revolutions from the plains of Provence to the slums and boulevards of Paris. Robb conveys with wit and precision what it felt like to look over the shoulder of a young Louis XIV as he planned the vast garden of Versailles, and the dangerous thrill of having a ringside seat at the French revolution. Some of the protagonists may be familiar, but appear here in a very different light--Caesar, Charlemagne, Louis XIV, Napoleon Bonaparte, General Charles de Gaulle. This extraordinary narrative is the fruit of decades of research and thirty thousand miles on a self-propelled, two-wheeled time machine (a bicycle). Even seasoned Francophiles will wonder if they really know that terra incognita on the edge of Europe that is currently referred to as "France."

"The Hop is a fresh ode to sisterhood and sexual agency that crackles with verve and wit. I couldn't put it down."--Gabriela Garcia, author of the New York Times bestseller and Good Morning America Pick Of Women and Salt "Clarke refuses to turn this story into a morality play...[and her] newly rich and famous [protagonist] doesn't turn away from sex work. Instead, she uses her new freedom to imagine what sex work might look like if its practitioners were truly empowered and autonomous. Like Clarke's debut, this is technically adventurous, politically relevant, and emotionally engaging." --Starred Kirkus Review  A page-turning feminist novel that tells the story of a poor scrappy girl from rural New Zealand who grows reluctantly into a sex icon, the face of a movement, and a mother, all at the same time. Kate Burns grows up wanting attention from her Ma, but her Ma wants only money and Kate learns how to get both. She and her childhood friend, Lacey, run kissing lessons for cash in the janitor's closet of Fenbrook High, and just like that, they find themselves in the sex work industry. From there, they go on to work at The Purple Panther, a strip club in Auckland. When Ma dies of cancer, Kate discovers that the men her Ma was always inviting over to their home were, in fact, clients. Ma was no stranger to sex work either.  Following in Ma's footsteps, Kate heads to Nevada where she picks up a job at America's most prestigious brothel: The Hop. In her new life as a Bunny, Kate searches for an identity she can perform--the other Bunnies include a goth, a housewife, a cheerleader, a rebel, not to mention Betty, a trans beauty queen, Mia, a Japanese cosplayer, and Rain, a dominatrix. Kate becomes Lady Lane. The girls at The Hop are more fantasy than fact, and performance is always more perfect than the real. Kate is a natural and quickly rises through the ranks to become the bestselling Bunny and the owner, Daddy's favorite. But when ten street hookers are killed in a nearby city, just bodies with no names, Lady joins her sister Bunnies in mourning and begins to see things in a new light. Lady's success breeds scandal and unwanted fame, deeply affecting her, transforming her life and The Hop forever. Diana Clarke's provocative second novel is subversive in the very best way, an unforgettable work of fiction with a radical message about women that couldn't be more important.

A complete collection of Robert Lowell's autobiographical prose, from unpublished writings about his youth to reflections on the triumphs and confusions of his adult life. Robert Lowell's Memoirs is an unprecedented literary discovery: the manuscript of Lowell's lyrical evocation of his childhood, which was written in the 1950s and has remained unpublished until now. Meticulously edited by Steven Gould Axelrod and Grzegorz Kosc, it serves as a precursor or companion to his groundbreaking book of poems Life Studies, which signaled a radically new prose-inflected direction in his work, and indeed in American poetry. Memoirs also includes intense depictions of Lowell's mental illness and his determined efforts to recover. It concludes with Lowell's reminiscences of other writers, among them T. S. Eliot, Robert Frost, Ezra Pound, John Berryman, Anne Sexton, Hannah Arendt, and Sylvia Plath. Memoirs demonstrates Lowell's expansive gifts as a prose stylist and his powers of introspection and observation. It provides striking new evidence of the range and brilliance of Lowell's achievement. Includes black-and-white photographs

For readers of Rachel Cusk and Jenny Odell, a lyrical work of autofiction that explores the dissolution of boundaries between the self and our earth as we head towards ecological catastrophe. "Emergency is an incisive kaleidoscope of past and present, nature and industry, stillness and pace, collapsing all into a tapestry of consciousness." --Ayşegül Savaş, author of Walking on the Ceiling Emergency is a novel about the interconnectedness of all life on Earth. Our narrator is at home during lockdown, where she ponders both past and present. She remembers her 1990s childhood in rural Yorkshire. She recalls a kestrel hunt, helping a farmer save a renegade bull, and days playing with her best friend, Clare. In her village, neighbors argue, keep secrets, care for one another, and try to hold down jobs. Fox cubs fight in the woods, plants compete for space, a quarry slowly falls apart, and we see a three-legged deer who likes cake. With painterly vision, Hildyard evokes the bygone, pre-internet world of her schooldays, whose irretrievability signals at something far greater than fleeting youth. With urgent intimacy, Emergency asks us to look at the essential; the people who help define us, animals, local and global ecologies, and to consider what the slow disappearance of Hildyard's and our own native environment might mean for humanity at large.   A requiem for the English countryside, a story of remote violence, and a work of praise for a persistently lively world, Daisy Hildyard's Emergency reinvents the pastoral novel for the climate change era.

"A book that draws us in to the strange beauty of what we so often run away from." -- Robin Ince, author of The Importance of Being Interested In this eye-opening and entertaining work of popular science in the spirit of The Mosquito, Entangled Life, and The Book of Eels, a leading behavioural ecologist transforms our understanding of wasps, exploring these much-maligned insects' secret world, their incredible diversity and complex social lives, and revealing how they hold our fragile ecosystem in balance. Everyone worries about the collapse of bee populations. But what about wasps? Deemed the gangsters of the insect world, wasps are winged assassins with formidable stings. Conduits of Biblical punishment, provokers of fear and loathing, inspiration for horror movies: wasps are perhaps the most maligned insect on our planet.  But do wasps deserve this reputation? Endless Forms opens our eyes to the highly complex and diverse world of  wasps. Wasps are 100 million years older than bees; there are ten times more wasp species than there are bees. There are wasps that spend their entire lives sealed inside a fig; wasps that turn cockroaches into living zombies; wasps that live inside other wasps. There are wasps that build citadels that put our own societies to shame, marked by division of labor, rebellions and policing, monarchies, leadership contests, undertakers, police, negotiators, and social parasites.  Wasps are nature's most misunderstood insect: as predators and pollinators, they keep the planet's ecological balance in check. Wasps are nature's pest controllers; a world without wasps would be just as ecologically devastating as losing the bees, or beetles, or butterflies. Wasps are diverse and beautiful by every measure, and they are invaluable to planetary health, Professor Sumner reminds us; we'd do well to appreciate them as much as their cuter cousins, the bees. 

A magnificent work of original research that unravels history through textiles and cloth--how we make it, use it, and what it means to us. A New York Times Book Review Editor's Choice How is a handmade fabric helping save an ancient forest? Why is a famous fabric pattern from India best known by the name of a Scottish town? How is a Chinese dragon robe a diagram of the whole universe? What is the difference between how the Greek Fates and the Viking Norns used threads to tell our destiny? In Fabric, bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it, and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama - where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form. She began her research just after the deaths of both her parents --and entwined in the threads she found her personal story too. Fabric is not just a material history of our world, but Finlay's own journey through grief and recovery.

INSTANT NATIONAL BESTSELLER THRUST IS: "Epic." -The New York Times "A triumph." --Elle "Stunningly beautiful." --The Daily Beast "Both of the moment and utterly timeless." --Chicago Review of Books "A book to take in wide-eyed."  --Rebecca Makkai NAMED A BEST BOOK OF THE SUMMER BY TIME, THE LOS ANGELES TIMES, ELLE, THE DAILY BEAST, BUSTLE, LITHUB, and GIZMODO As rising waters--and an encroaching police state--endanger her life and family, a girl with the gifts of a "carrier" travels through water and time to rescue vulnerable figures from the margins of history Lidia Yuknavitch has an unmatched gift for capturing stories of people on the margins--vulnerable humans leading lives of challenge and transcendence. Now, Yuknavitch offers an imaginative masterpiece: the story of Laisvė, a motherless girl from the late 21st century who is learning her power as a carrier, a person who can harness the power of meaningful objects to carry her through time. Sifting through the detritus of a fallen city known as the Brook, she discovers a talisman that will mysteriously connect her with a series of characters from the past two centuries: a French sculptor; a woman of the American underworld; a dictator's daughter; an accused murderer; and a squad of laborers at work on a national monument. Through intricately braided storylines, Laisvė must dodge enforcement raids and find her way to the present day, and then, finally, to the early days of her imperfect country, to forge a connection that might save their lives--and their shared dream of freedom.   A dazzling novel of body, spirit, and survival, Thrust will leave no reader unchanged.

A propulsive and daring new novel by the author of Very Nice about a woman on the run from catastrophe, searching for love, home, a swimming pool, and for someone who can perhaps stop the bleeding from her head. "Marcy Dermansky is one of the most wildly original writers that I've ever read, and Hurricane Girl showcases what makes her so amazing. In tracking the unpredictable movements of a strange and hypnotic journey in the aftermath of a natural disaster, Dermansky nails the sensation of being alive, of navigating a world so strange that it's almost a dream, of trying, again and again, to anchor yourself to a moment, to assure yourself that you exist, to withstand anything and somehow keep living." --Kevin Wilson, author of Nothing to See Here Allison Brody is thirty-two and newly arrived on the East Coast after just managing to flee her movie producer boyfriend. She has some money, saved up from years of writing and waitressing, and so she spends it, buying a small house on the beach. But then a Category 3 hurricane makes landfall and scatters her home up and down the shore, leaving Allison adrift. Should she go home from the bar with the strange cameraman and stay in his guest room? Is that a glass vase he smashed on her skull? Can she wipe the blood from her eyes, get in her car, and drive to her mother's? Does she really love the brain surgeon who saved her, or is she just using him for his swimming pool? And is it possible to ever truly heal without seeking some measure of revenge? A gripping, provocative novel that walks a knife's edge between comedy and horror, Hurricane Girl is the work of a singular talent, a novelist unafraid to explore the intersection of love, sex, violence, and freedom--while celebrating the true joy that can be found in a great swim and a good turkey sandwich.

From the critically acclaimed author of Temperament, a narrative account of the most defining moments in musical history--classical and jazz--all of which forever altered Western culture   "A fascinating journey that begins with the origins of musical notation and travels through the centuries reaching all the way to our time."--Semyon Bychkov, chief conductor and music director of the Czech Philharmonic The invention of music notation by a skittish Italian monk in the eleventh century. The introduction of multilayered hymns in the Middle Ages. The birth of opera in a Venice rebelling against the church's pious restraints. Baroque, Romantic, and atonal music; bebop and cool jazz; Bach and Liszt; Miles Davis and John Coltrane. In telling the exciting story of Western music's evolution, Stuart Isacoff explains how music became entangled in politics, culture, and economics, giving rise to new eruptions at every turn, from the early church's attempts to bind its followers by teaching them to sing in unison to the global spread of American jazz through the Black platoons of the First World War.   The author investigates questions like: When does noise become music? How do musical tones reflect the natural laws of the universe? Why did discord become the primary sound of modernity? Musical Revolutions is a book replete with the stories of our most renowned musical artists, including notable achievements of people of color and women, whose paths to success were the most difficult.

A NEW YORK TIMES BEST SELLER * A JIMMY FALLON BOOK CLUB PICK * In this exhilarating novel by the best-selling author of The Storied Life of A. J. Fikry two friends--often in love, but never lovers--come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. "Utterly brilliant. In this sweeping, gorgeously written novel, Gabrielle Zevin charts the beauty, tenacity, and fragility of human love and creativity. Tomorrow, and Tomorrow, and Tomorrow is one of the best books I've ever read." --John Green   On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts.   Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

An extraordinary novel from a Man Booker International Prize-winning author that follows one young Omani woman as she builds a life for herself in Britain and reflects on the relationships that have made her from a "remarkable" writer who has "constructed her own novelistic form" (James Wood, The New Yorker). From Man Booker International Prize-winning author Jokha Alharthi, Bitter Orange Tree is a profound exploration of social status, wealth, desire, and female agency. It presents a mosaic portrait of one young woman's attempt to understand the roots she has grown from, and to envisage an adulthood in which her own power and happiness might find the freedom necessary to bear fruit and flourish.   Zuhour, an Omani student at a British university, is caught between the past and the present. As she attempts to form friendships and assimilate in Britain, she can't help but ruminate on the relationships that have been central to her life. Most prominent is her strong emotional bond with Bint Amir, a woman she always thought of as her grandmother, who passed away just after Zuhour left the Arabian Peninsula.   As the historical narrative of Bint Amir's challenged circumstances unfurls in captivating fragments, so too does Zuhour's isolated and unfulfilled present, one narrative segueing into another as time slips and dreams mingle with memories.

On the 150th anniversary of his birth, a definitive new biography of a pivotal figure in American literary history A major poet, Paul Laurence Dunbar (1872-1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the "poet laureate of his race" hid the private struggles of a man who, in the words of his famous poem, felt like a "caged bird" that sings. Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents' survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three. Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history.

"To resist, therefore. But how, when and where? There were no laws, no guidelines, no precedents to show the way . . ." --Dutch resister Herman Friedhoff In every country that fell to the Third Reich during the Second World War, from France in the west to parts of the Soviet Union in the east, a resistance movement against Nazi domination emerged. And every country that endured occupation created its own fiercely nationalist account of the role of homegrown resistance in its eventual liberation. Halik Kochanski's panoramic, prodigiously researched work is a monumental achievement: the first book to strip these disparate national histories of myth and nostalgia and to integrate them into a definitive chronicle of the underground war against the Nazis. Bringing to light many powerful and often little-known stories, Resistance shows how small bands of individuals took actions that could lead not merely to their own deaths, but to the liquidation of their families and their entire communities. As Kochanski demonstrates, most who joined up were not supermen and superwomen, but ordinary people drawn from all walks of life who would not have been expected--least of all by themselves--to become heroes of any kind. Kochanski also covers the sheer variety of resistance activities, from the clandestine press, assistance to Allied servicemen evading capture, and the provision of intelligence to the Allies to the more violent manifestations of resistance through sabotage and armed insurrection. For many people, resistance was not an occupation or an identity, but an activity: a person would deliver a cache of stolen documents to armed partisans and then seamlessly return to their normal life. For Jews under Nazi rule, meanwhile, the stakes at every point were life and death; resistance was less about national restoration than about mere survival. Why resist at all? Who is the real enemy? What kind of future are we risking our lives for? These and other questions animated those who resisted. With penetrating insight, Kochanski reveals that the single quality that defined resistance across borders was resilience: despite the constant arrests and executions, resistance movements rebuilt themselves time and time again. A landmark history that will endure for decades to come, Resistance forces every reader to ask themselves yet another question, this distinct to our own times: "What would I have done?"

NEW YORK TIMES BEST SELLER * OPRAH'S BOOK CLUB PICK * A dazzling novel about a young Black woman who walks the streets of Oakland and stumbles headlong into the failure of its justice system--the debut of a blazingly original voice and "a soul-searching portrait of survival and hope" (Oprah Winfrey) "Nightcrawling bursts at the seams of every page and swallows you whole." --Tommy Orange, author of There There Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent--which has more than doubled--and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed. One night, what begins as a drunken misunderstanding with a stranger turns into the job Kiara never imagined wanting but now desperately needs: nightcrawling. Her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland Police Department. Rich with raw beauty, electrifying intensity, and piercing vulnerability, Nightcrawling marks the stunning arrival of a voice unlike any we have heard before. 

One of BuzzFeed's Must-Read Summer Books For readers of Ottessa Moshfegh and Mona Awad, this fearless debut chronicles one woman's escape into a world of obsessive imagination. Bonnie Lincoln just wants to be left alone. To come home from work, shut out the ghosts of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three's Company. When Bonnie wins the lottery, a more grandiose vision--to completely shuck off her own troublesome identity--takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three's Company and slip into the lives of its main characters: no-nonsense Janet Wood, pleasantly airheaded Chrissy Snow, and confident Jack Tripper. While her best friend, Krystal, tries to drag her back to her old life, Bonnie is determined to transcend pain, trauma, and the baggage of her past by immersing herself in the ultimate binge-watch.

This captivating memoir is a "startling testimony to the glories and sorrows of raising and harvesting plants and animals" (Anthony Doerr, best-selling author of All the Light We Cannot See), as an itinerant farmhand chronicles the wonders hidden within the ever-blooming seasons of life, death, and rebirth. Pig Years catapults American nature writing into the 21st century, and has been hailed by Lydia Davis and Aimee Nezhukumatathil as "engrossing" and "a marvel." As a farmer in Upstate New York and Vermont, Ellyn Gaydos lives on the knife edge between loss and gain. Her debut memoir draws us into this precarious world, conjuring with stark simplicity the lifeblood of the farm: its livestock and stark full moons, the sharp cold days lives near to the land. Joy and tragedy are frequent bedfellows. Fields go barren and animals meet their end too soon, but then their bodies become food in a time-old human ritual. Seasonal hands are ground down by the hard work, but new relationships are formed, love blossoms and Gaydos yearns to become a mother. As winter's dark descends, Pig Ears draws us into a violent and gorgeous world where pigs are star-bright symbols of hope and beauty surfaces in the furrows, the sow, even in the slaughter.   In hardy, lyrical prose that recalls the agrarian writing of Annie Dillard and Wendell Berry, Gaydos asks us to bear witness to the work that sustains us all and to reconsider what we know of survival and what saves us. Pig Years is a rapturous reckoning of love, labor, and loss within a landscape given to flux.

Bad Mexicans tells the dramatic story of the magonistas, the migrant rebels who sparked the 1910 Mexican Revolution from the United States. Led by a brilliant but ill-tempered radical named Ricardo Flores Mag??n, the magonistas were a motley band of journalists, miners, migrant workers, and more, who organized thousands of Mexican workers?and American dissidents?to their cause. Determined to oust Mexico's dictator, Porfirio D??az, who encouraged the plunder of his country by U.S. imperialists such as Guggenheim and Rockefeller, the rebels had to outrun and outsmart the swarm of U. S. authorities vested in protecting the Diaz regime. The U.S. Departments of War, State, Treasury, and Justice as well as police, sheriffs, and spies, hunted the magonistas across the country. Capturing Ricardo Flores Mag??n was one of the FBI's first cases. But the magonistas persevered. They lived in hiding, wrote in secret code, and launched armed raids into Mexico until they ignited the world's first social revolution of the twentieth century. Taking readers to the frontlines of the magonista uprising and the counterinsurgency campaign that failed to stop them, Kelly Lytle Hern??ndez puts the magonista revolt at the heart of U.S. history. Long ignored by textbooks, the magonistas threatened to undo the rise of Anglo-American power, on both sides of the border, and inspired a revolution that gave birth to the Mexican-American population, making the magonistas' story integral to modern American life.

"Lapvona flips all the conventions of familial and parental relations, putting hatred where love should be or a negotiation where grief should be . . . Through a mix of witchery, deception, murder, abuse, grand delusion, ludicrous conversations, and cringeworthy moments of bodily disgust, Moshfegh creates a world that you definitely don't want to live in, but from which you can't look away." --The Atlantic In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh's most exciting leap yet Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life's few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did so many of the village's children. Ina's gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina's home in the woods outside of the village is a place to fear and to avoid, a godless place.    Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people's desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord's family, new and occult forces upset the old order. By year's end, the veil between blindness and sight, life and death, the natural world and the spirit world, will prove to be very thin indeed.

"Brooks' chronological and cross-disciplinary leaps are thrilling." --The New York Times Book Review "Horse isn't just an animal story--it's a moving narrative about race and art." --TIME A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.    New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.   Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse--one studying the stallion's bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.   Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

INSTANT NEW YORK TIMES BESTSELLER * Based on newly opened Vatican archives, a groundbreaking, explosive, and riveting book about Pope Pius XII and his actions during World War II, including how he responded to the Holocaust, by the Pulitzer Prize-winning author of The Pope and Mussolini "Splendid . . . The Pope at War ends much of the debate about the pope and surely makes any lingering apologia for his stance implausible."--Ian Kershaw, author of Hitler: A Biography When Pope Pius XII died in 1958, his papers were sealed in the Vatican Secret Archives, leaving unanswered questions about what he knew and did during World War II. Those questions have only grown and festered, making Pius XII one of the most controversial popes in Church history, especially now as the Vatican prepares to canonize him. In 2020, Pius XII's archives were finally opened, and David I. Kertzer--widely recognized as one of the world's leading Vatican scholars--has been mining this new material ever since, revealing how the pope came to set aside moral leadership in order to preserve his church's power. Based on thousands of never-before-seen documents not only from the Vatican, but from archives in Italy, Germany, France, Britain, and the United States, The Pope at War paints a new, dramatic portrait of what the pope did and did not do as war enveloped the continent and as the Nazis began their systematic mass murder of Europe's Jews. The book clears away the myths and sheer falsehoods surrounding the pope's actions from 1939 to 1945, showing why the pope repeatedly bent to the wills of Hitler and Mussolini. Just as Kertzer's Pulitzer Prize-winning The Pope and Mussolini became the definitive book on Pope Pius XI and the Fascist regime, The Pope at War is destined to become the most influential account of his successor, Pius XII, and his relations with Mussolini and Hitler. Kertzer shows why no full understanding of the course of World War II is complete without knowledge of the dramatic, behind-the-scenes role played by the pope. "This remarkably researched book is replete with revelations that deserve the adjective 'explosive,'" says Kevin Madigan, Winn Professor of Ecclesiastical History at Harvard University. "The Pope at War is a masterpiece."

In the wake of Brexit, Ian Morris chronicles the ten-thousand-year history of Britain's relationship to Europe as it has changed in the context of a globalizing world. When Britain voted to leave the European Union in 2016, the 48 percent who wanted to stay and the 52 percent who wanted to go each accused the other of stupidity, fraud, and treason. In reality, the Brexit debate merely reran a script written ten thousand years earlier, when the rising seas physically separated the British Isles from the European continent. Ever since, geography has been destiny--yet it is humans who get to decide what that destiny means. Ian Morris, the critically acclaimed author of Why the West Rules--for Now, describes how technology and organization have steadily enlarged Britain's arena, and how its people have tried to turn this to their advantage. For the first seventy-five hundred years, the British were never more than bit players at the western edge of a European stage, struggling to find a role among bigger, richer, and more sophisticated continental rivals. By 1500 CE, however, new kinds of ships and governments had turned the European stage into an Atlantic one; with the English Channel now functioning as a barrier, England transformed the British Isles into a United Kingdom that created a worldwide empire. Since 1900, thanks to rapid globalization, Britain has been overshadowed by American, European, and--increasingly--Chinese actors. In trying to find its place in a global economy, Britain has been looking in all the wrong places. The ten-thousand-year story bracingly chronicled by Geography Is Destiny shows that the great question for the current century is not what to do about Brussels; it's what to do about Beijing.

*A Washington Post "Book to Read This Summer"* *AN ADVOCATE BEST LGBTQ+ BOOK OF 2022* A groundbreaking account of New York's Fire Island, chronicling its influence on art, literature, culture and queer liberation over the past century Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now, poet and scholar Jack Parlett tells the story of this iconic destination--its history, its meaning and its cultural significance--told through the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution. Transporting, impeccably researched and gorgeously written, Fire Island is the definitive book on an iconic American destination and an essential contribution to queer history.

An astonishing journey into the heart of Nazi evil: a portrait of one of the darkest figures of Hitler's Nazi elite--Reinhard Heydrich, the designer and executor of the Holocaust, chief of the Reich Main Security, including the Gestapo--interwoven with commentary by his wife, Lina, from the author's in-depth interviews. He was called the Hangman of the Gestapo, the "butcher of Prague," with a reputation as a ruthlessly efficient killer. He was the head of the SS, and the Gestapo, second in command to Heinrich Himmler. His orders set in motion the Kristallnacht pogrom of 1938 and, as the lead planner of Hitler's Final Solution, he chaired the Wannsee Conference, at which details of the murder of millions of Jews across Nazi-occupied Europe were toasted with cognac.   In The Hangman and His Wife, Nancy Dougherty, and, following her death, Christopher Lehmann-Haupt, masterfully explore who Heydrich was and how he came to be, and how he came to do what he did. We see Heydrich from his rarefied musical family origins and his ugly-duckling childhood and adolescence, to his sudden flameout as a promising Naval officer (he was forced to resign his Naval commission after dishonoring the office corps by having sex with the unmarried daughter of a shipyard director and refusing to marry her).   Dougherty writes of his seemingly hopeless job prospects as an untrained civilian during Germany's hyperinflation and unemployment, and his joining the Nazi party through the attraction to Nazism of his fiancée, Lina von Osten, and her father, along with the rumor shadowing him of a strain of Jewishness inherited from his father's side. And we follow Heydrich's meteoric rise through the Nazi high command--from SS major, to colonel to brigadier general, before he was thirty, deputy to Heinrich Himmler, expanding the SS, the Gestapo, and developing the Reich's plans for "the Jewish solution."   And throughout, we hear the voice of Lina Heydrich, who was by his side until his death at the age of thirty-eight, living inside the Nazi inner circles as she waltzed with Rudolf Hess, feuded with Hermann Göring, and drank vintage wine with Albert Speer.

A dazzling new look into the short but intense, tragic life and remarkable work of John Keats, one of the greatest lyric poets of the English language, seen in a whole new light, not as the mythologized Victorian guileless nature-lover, but as the subversive, bawdy complex cynic whose life and poetry were lived and created on the edge. In this brief life, acclaimed biographer Lucasta Miller takes nine of Keats's best-known poems--"Endymion"; "On First Looking into Chapman's Homer"; "Ode to a Nightingale"; "To Autumn"; "Bright Star" among them--and excavates how they came to be and what in Keats's life led to their creation. She writes of aspects of Keats's life that have been overlooked, and explores his imagination in the context of his world and experience, paying tribute to the unique quality of his mind.   Miller, through Keats's poetry, brilliantly resurrects and brings vividly to life, the man, the poet in all his complexity and spirit, living dangerously, disdaining respectability and cultural norms, and embracing subversive politics. Keats was a lower-middle-class outsider from a tragic and fractured family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression, who delighted in the sensation of the moment.   We see how Keats was regarded by his contemporaries (his writing was seen as smutty) and how the young poet's large and boisterous life--a man of the metropolis, who took drugs, was sexually reckless and afflicted with syphilis--went straight up against the Victorian moral grain; and Miller makes clear why his writing--considered marginal and avant-garde in his own day--retains its astonishing originality, sensuousness and power two centuries on.

A vibrant portrait of four college friends--Iris Murdoch, Philippa Foot, Elizabeth Anscombe, and Mary Midgley--who formed a new philosophical tradition while Oxford's men were away fighting World War II. The history of European philosophy is usually constructed from the work of men. In Metaphysical Animals, a pioneering group biography, Clare Mac Cumhaill and Rachael Wiseman offer a compelling alternative. In the mid-twentieth century Elizabeth Anscombe, Mary Midgley, Philippa Foot, and Iris Murdoch were philosophy students at Oxford when most male undergraduates and many tutors were conscripted away to fight in the Second World War. Together, these young women, all friends, developed a philosophy that could respond to the war's darkest revelations.   Neither the great Enlightenment thinkers of the past, the logical innovators of the early twentieth century, or the new Existentialist philosophy trickling across the Channel, could make sense of this new human reality of limitless depravity and destructive power, the women felt. Their answer was to bring philosophy back to life. We are metaphysical animals, they realized, creatures that can question their very being. Who am I? What is freedom? What is human goodness? The answers we give, they believed, shape what we will become.   Written with expertise and flair, Metaphysical Animals is a lively portrait of women who shared ideas, but also apartments, clothes and even lovers. Mac Cumhaill and Wiseman show how from the disorder and despair of the war, four brilliant friends created a way of ethical thinking that is there for us today.

Sam has spent more than half his life at the prestigious Leverett high school, which lies at the heart of an affluent Connecticut town of the same name. First as a student in the late 1960s, before coeducation, then as an English teacher, he developed a keen sense of loyalty to this vaunted institution that shaped his identity. But when the headmaster reveals that a former classmate of Sam's has raised allegations of long-concealed sexual abuse, Sam finds himself reliving those formative years, forced to confront the dark underside of a seemingly enviable world of wealth and intellect.

On an autumn morning in 1849, Henry David Thoreau stepped out his front door to walk the beaches of Cape Cod. Over a century and a half later, Ben Shattuck does the same. With little more than a loaf of bread, brick of cheese, and a notebook, Shattuck sets out to retrace Thoreau's path through the Cape's outer beaches, from the elbow to Provincetown's fingertip. This is the first of six journeys taken by Shattuck, each one inspired by a walk once taken by Henry David Thoreau. After the Cape, Shattuck goes up Mount Katahdin and Mount Wachusett, down the coastline of his hometown, and then through the Allagash. Along the way, Shattuck encounters unexpected characters, landscapes, and stories, seeing for himself the restorative effects that walking can have on a dampened spirit. Over years of following Thoreau, Shattuck finds himself uncovering new insights about family, love, friendship, and fatherhood, and understanding more deeply the lessons walking can offer through life's changing seasons. Intimate, entertaining, and beautifully crafted, Six Walks is a resounding tribute to the ways walking in nature can inspire us all.

"Buzzy and enthralling ...A glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery...Fun as hell to read." --Oprah Daily "A genre-bending, time-skipping story about New York City's elite in the roaring '20s and Great Depression."--Vanity Fair "A riveting story of class, capitalism, and greed." --Esquire "Captivating."--NPR "Exhilarating." --New York Times An unparalleled novel about money, power, intimacy, and perception Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth--all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.     Hernan Diaz's TRUST elegantly puts these competing narratives into conversation with one another--and in tension with the perspective of one woman bent on disentangling fact from fiction. The result is a novel that spans over a century and becomes more exhilarating with each new revelation.     At once an immersive story and a brilliant literary puzzle, TRUST engages the reader in a quest for the truth while confronting the deceptions that often live at the heart of personal relationships, the reality-warping force of capital, and the ease with which power can manipulate facts.

A profound and singular story about a young woman searching for her place in the world, from one of America's most original voices--the irresistible story of one teenager's reckoning with society at large and her search for a personal utopia. Bran's Southern California upbringing is anything but traditional. After her mother joins a Buddhist colony, Bran is raised by her "common-law stepfather" on Bourdon Farms--a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school, and imagining what life could be if she had been born to a different family.   And then she meets Peter, a beautiful, troubled, and charming train wreck of a college student from the East Coast, who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, Bran searches for meaning in her own surroundings--attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots.   Exceedingly rich, ecstatically dark, and delivered with masterful humor, Avalon is a poignant portrait of a young woman who, against all odds, is determined to find her place in the world and find clarity in its remote corners.  

"Cultural clashes, political satire, Oedipal conflicts, elegant prose--they're all here in this romp of a book." --Oprah Daily A Phenomenal Book Club Pick and a New York Times Book Review Group Text Selection, Love Marriage is a glorious moving novel from Booker Prize shortlisted Monica Ali, who has "an inborn generosity that cannot be learned" (The New York Times Book Review). In present-day London, Yasmin Ghorami is twenty-six, in training to be a doctor (like her Indian-born father), and engaged to the charismatic, upper-class Joe Sangster, whose formidable mother, Harriet, is a famous feminist. The gulf between families is vast. So, too, is the gulf in sexual experience between Yasmin and Joe. As the wedding day draws near, misunderstandings, infidelities, and long-held secrets upend both Yasmin's relationship and that of her parents, a "love marriage," according to the family lore that Yasmin has believed all her life. A gloriously acute observer of class, sexual mores, and the mysteries of the human heart, Monica Ali has written a "riveting" (BookPage, starred review) social comedy and a moving, revelatory story of two cultures, two families, and two people trying to understand one another that's "sure to please Ali's fans and win some new ones" (Publishers Weekly).

" An elegantly layered exploration of Europe's past and future . . . a multifaceted masterpiece."-The Wall Street Journal "A lovely, personal journey around the Adriatic, in which Robert Kaplan revisits places and peoples he first encountered decades ago."-Peter Frankopan, author of The Silk Roads In this insightful travelogue, Robert D. Kaplan, geopolitical expert and bestselling author of Balkan Ghosts and The Revenge of Geography, turns his perceptive eye to a region that for centuries has been a meeting point of cultures, trade, and ideas. He undertakes a journey around the Adriatic Sea, through Italy, Slovenia, Croatia, Montenegro, Albania, and Greece, to reveal that far more is happening in the region than most news stories let on. Often overlooked, the Adriatic is in fact at the center of the most significant challenges of our time, including the rise of populist politics, the refugee crisis, and battles over the control of energy resources. And it is once again becoming a global trading hub that will determine Europe's relationship with the rest of the world as China and Russia compete for dominance in its ports. Kaplan explores how the region has changed over his three decades of observing it as a journalist. He finds that to understand both the historical and contemporary Adriatic is to gain a window on the future of Europe as a whole, and he unearths a stark truth- The era of populism is an epiphenomenon-a symptom of the age of nationalism coming to an end. Instead, the continent is returning to alignments of the early modern era as distinctions between East and West meet and break down within the Adriatic countries and ultimately throughout Europe. With a brilliant cross-pollination of history, literature, art, architecture, and current events, in Adriatic, Kaplan demonstrates that this unique region that exists at the intersection of civilizations holds revelatory truths for the future of global affairs.

"Kelly unearths the stories of the people-farm laborers, domestic workers, factory employees--behind some of the labor movement's biggest successes." --The New York Times A revelatory and inclusive history of the American labor movement, from independent journalist and Teen Vogue labor columnist Kim Kelly. Freed Black women organizing for protection in the Reconstruction-era South. Jewish immigrant garment workers braving deadly conditions for a sliver of independence. Asian American fieldworkers rejecting government-sanctioned indentured servitude across the Pacific. Incarcerated workers advocating for basic human rights and fair wages. The queer Black labor leader who helped orchestrate America's civil rights movement. These are only some of the working-class heroes who propelled American labor's relentless push for fairness and equal protection under the law. The names and faces of countless silenced, misrepresented, or forgotten leaders have been erased by time as a privileged few decide which stories get cut from the final copy: those of women, people of color, LGBTQIA people, disabled people, sex workers, prisoners, and the poor. In this assiduously researched work of journalism, Teen Vogue columnist and independent labor reporter Kim Kelly excavates that history and shows how the rights the American worker has today--the forty-hour workweek, workplace-safety standards, restrictions on child labor, protection from harassment and discrimination on the job--were earned with literal blood, sweat, and tears. Fight Like Hell comes at a time of economic reckoning in America. From Amazon's warehouses to Starbucks cafes, Appalachian coal mines to the sex workers of Portland's Stripper Strike, interest in organized labor is at a fever pitch not seen since the early 1960s. Inspirational, intersectional, and full of crucial lessons from the past, Fight Like Hell shows what is possible when the working class demands the dignity it has always deserved.

ONE OF THE MOST ANTICIPATED BOOKS OF 2022--BuzzFeed, Vogue, Electric Lit, The Millions, Lit Hub, Nylon, Autostraddle A provocative debut of sex and sexuality--"depicting the liquid frequencies of need and power with a thoughtful, savage eye" (Raven Leilani, author of Luster)--as a twentysomething New Yorker pursues a sexual freedom that follows no other lines than her own desire. "Radical, daring, and bracing . . . for me, it made the human creature feel like something new."--Sheila Heti, author of How Should a Person Be? and Pure Colour   "Bold and unflinchingly sexy."--Vogue I had been going around for years trying to figure out what sex meant to other people. . . . Eve has an adoring girlfriend, an impulsive streak, and a secret fear that she's wasting her brief youth with just one person. So one evening she posts some nudes online. This is how Eve meets Olivia, and through Olivia the charismatic Nathan. Despite her better instincts, the three soon begin a relationship--one that disturbs Eve as much as it enthralls her.  As each act of their affair unfolds across a cold and glittering New York, Eve is forced to confront the questions that most consume her: What do we bring to sex? What does it reveal of ourselves, and one another? And how do we reconcile what we want with what we think we should want?  In the way only great fiction can, Acts of Service takes between its teeth the contradictions written all over our ideas of sex and sexuality. At once juicy and intellectually challenging, sacred and profane, Lillian Fishman's riveting debut is bold, unabashed, and required reading of the most pleasurable sort.

An intimate portrait of a legendary generation of artists, writers, activists, and dreamers who created a utopia on the shores of Cape Cod during the first half of the twentieth century. Their names are iconic: Eugene O'Neill, Willem de Kooning, Josef and Anni Albers, Emma Goldman, Mary McCarthy, Edward Hopper, Walter Gropius--the list goes on and on. Scorning the devastation that industrialization had wrought on the nation's workforce and culture in the early decades of the twentieth century, they gathered in the streets of Greenwich Village and on the beach - fronts of Cape Cod. They began as progressives but soon turned to socialism, then communism. They founded theaters, periodicals, and art schools. They formed editorial boards that met in beach shacks and performed radical new plays in a shanty on the docks, where they could see the ocean through cracks in the floor. They welcomed the tremendous wave of talent fleeing Europe in the 1930s. At the end of their era, in the 1960s, as the postwar economy boomed, they took shelter in liberalism when the anticapitalist movement fragmented into other causes. John Taylor "Ike" Williams, who married into the Cape's artistic world and has spent half a century talking about and walking along its shores with these cultural and political luminaries, renders the twisting lives and careers of a generation of staggering American thinkers and creators. The Shores of Bohemia records a great set of shifts in American culture and the ideas and arguments fueled by drink, infidelity, and competition that made for a fifty-year conversation among intellectual leaders and creative revolutionaries. Together they found a community as they created some of the great works of the American Century. This is their story. Welcome to the party!

In this "seismically moving memoir" (The New York Times Book Review, Editors' Choice), one woman asks a seemingly impossible question in the aftermath of her mother's suicide: How do you mourn a loved one as you repair the injuries they inflicted?   "Laura Trujillo resurfaces from the dark 'sub-basement' of despair with assurances for us all: There is hope. There is healing. Always, there is love. This book will save lives."--Connie Schultz, author of The Daughters of Erietown Laura Trujillo had been close to her mother for most of her adult life, raising her four children within a few miles of their beloved grandmother's Phoenix home. But just three months after moving her young family to Cincinnati for a new job, Laura receives shocking news: Her mother had taken her own life--by jumping off a ledge into the Grand Canyon, a place Laura knew her mother had always loved.  Laura and her mother had shared a profound and special bond, yet each had also kept from the other the deepest truths about their lives. As an adult, Laura finally broke her silence about the sexual abuse she had suffered as a teenager at the hands of her stepfather--a secret Laura had buried to protect her mother. After her mother's death, Laura embarks on an emotional odyssey, searching for clues that could explain the depression, intergenerational trauma, and shared heartbreaks in her family. When she returns to the Grand Canyon, it becomes an oasis that nurtures Laura's search for redemption and peace. As Laura wrestles with her feelings, she forges a new path forward.  Moving and intimate, powerfully told, Stepping Back from the Ledge is a remarkable exploration of the bond between a mother and daughter, and of the hope that can come from facing the truth.

An award-winning international sensation--with a second-act dystopian twist--Time Shelter is a tour de force set in a world clamoring for the past before it forgets. "At one point they tried to calculate when time began, when exactly the earth had been created," begins Time Shelter's enigmatic narrator, who will go unnamed. "In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ." But for our narrator, time as he knows it begins when he meets Gaustine, a "vagrant in time" who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century. In an apricot-colored building in Zurich, surrounded by curiously planted forget-me-nots, Gaustine has opened the first "clinic for the past," an institution that offers an inspired treatment for Alzheimer's sufferers: each floor reproduces a past decade in minute detail, allowing patients to transport themselves back in time to unlock what is left of their fading memories. Serving as Gaustine's assistant, the narrator is tasked with collecting the flotsam and jetsam of the past, from 1960s furniture and 1940s shirt buttons to nostalgic scents and even wisps of afternoon light. But as the charade becomes more convincing, an increasing number of healthy people seek out the clinic to escape from the dead-end of their daily lives--a development that results in an unexpected conundrum when the past begins to invade the present. Through sharply satirical, labyrinth-like vignettes reminiscent of Italo Calvino and Franz Kafka, the narrator recounts in breathtaking prose just how he became entrenched in a plot to stop time itself. "A trickster at heart, and often very funny" (Garth Greenwell, The New Yorker), prolific Bulgarian author Georgi Gospodinov masterfully stalks the tragedies of the last century, including our own, in what becomes a haunting and eerily prescient novel teeming with ideas. Exquisitely translated by Angela Rodel, Time Shelter is a truly unforgettable classic from "one of Europe's most fascinating and irreplaceable novelists" (Dave Eggers).

The final collection of poems by the great Australian poet Les Murray, Continuous Creation We bring nothing into this world except our gradual ability to create it, out of all that vanishes and all that will outlast us. In Continuous Creation, the final collection from Les Murray, the preeminent poet of modern Australia recalls moments from his youth and wryly observes the changing world, moving back and forth through time and history with characteristic curiosity and an ever-fresh commitment to capturing the rhythms of life in verse. This collection displays Murray's miraculous ability to reinvent language in order to plant his and our reality on the page, whether he writes about the Australian landscape ("Kangaroo sleeping / ahead on the road turns out / to be twigs and leaves") or unsold books sitting in department stores. Continuous Creation demonstrates, once more, that Murray was one of the great poets of the English language. As Joseph Brodsky said, he was, "quite simply, the one by whom the language lives."

One of Esquire's best books of spring 2022 An extended meditation on late style and last works from "one of our greatest living critics" (Kathryn Schulz, New York). When artists and athletes age, what happens to their work? Does it ripen or rot? Achieve a new serenity or succumb to an escalating torment? As our bodies decay, how do we keep on? In this beguiling meditation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, footballers, musicians, and tennis stars who've mattered to him throughout his life. With a playful charm and penetrating intelligence, he recounts Friedrich Nietzsche's breakdown in Turin, Bob Dylan's reinventions of old songs, J. M. W. Turner's paintings of abstracted light, John Coltrane's cosmic melodies, Bjorn Borg's defeats, and Beethoven's final quartets--and considers the intensifications and modifications of experience that come when an ending is within sight. Throughout, he stresses the accomplishments of uncouth geniuses who defied convention, and went on doing so even when their beautiful youths were over. Ranging from Burning Man and the Doors to the nineteenth-century Alps and back, Dyer's book on last things is also a book about how to go on living with art and beauty--and on the entrancing effect and sudden illumination that an Art Pepper solo or Annie Dillard reflection can engender in even the most jaded and ironic sensibilities. Praised by Steve Martin for his "hilarious tics" and by Tom Bissell as "perhaps the most bafflingly great prose writer at work in the English language today," Dyer has now blended criticism, memoir, and humorous banter of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer's passions, and the perfect introduction to his sly and joyous work.

The story of the urgent fight to save coral reefs, and why it matters to us all Coral reefs are a microcosm of our planet- extraordinarily diverse, deeply interconnected, and full of wonders. When they're thriving, these fairy gardens hidden beneath the ocean's surface burst with color and life. They sustain bountiful ecosystems and protect vulnerable coasts. Corals themselves are evolutionary marvels that build elaborate limestone formations from their collective skeletons, broker symbiotic relationships with algae, and manufacture their own fluorescent sunblock. But corals across the planet are in the middle of an unprecedented die-off, beset by warming oceans, pollution, damage by humans, and a devastating pandemic. Juli Berwald fell in love with coral reefs as a marine biology student, entranced by their beauty and complexity. Alarmed by their peril, she traveled the world to discover how to prevent their loss. She met scientists and activists operating in emergency mode, doing everything they can think of to prevent coral reefs from disappearing forever. She was so amazed by the ingenuity of these last-ditch efforts that she joined in rescue missions, unexpected partnerships, and risky experiments, and helped rebuild reefs with rebar and zip ties. Life on the Rocks is an inspiring, lucid, meditative ode to the reefs and the undaunted scientists working to save them against almost impossible odds. As she also attempts to help her daughter in her struggle with mental illness, Berwald explores what it means to keep fighting a battle whose outcome is uncertain. She contemplates the inevitable grief of climate change and the beauty of small victories.

In the spirit of works by Jia Tolentino and Anne Helen Peterson, a smart and incisive essay collection centered on the fashion industry--its history, its importance, why we wear what we wear, and why it matters--from Elle Magazine's fashion features director. Why does fashion hold so much power over us? Most of us care about how we dress and how we present ourselves. Style offers clues about everything from class to which in-group we belong to. Bad Feminist for fashion, Dress Code takes aim at the institutions within the fashion industry while reminding us of the importance of dress and what it means for self-presentation. Everything--from societal changes to the progress (or lack thereof) of women's rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group--can be tracked through clothing.  Veronique Hyland examines thought-provoking questions such as: Why has the "French girl" persisted as our most undying archetype? What does "dressing for yourself" really mean for a woman? How should a female politician dress? Will gender-differentiated fashion go forever out of style? How has social media affected and warped our sense of self-presentation, and how are we styling ourselves expressly for it? Not everyone participates in painting, literature, or film. But there is no "opting out" of fashion. And yet, fashion is still seen as superficial and trivial, and only the finest of couture is considered as art. Hyland argues that fashion is a key that unlocks questions of power, sexuality, and class, taps into history, and sends signals to the world around us. Clothes means something--even if you're "just" wearing jeans and a T-shirt.  

A New York Times best-selling scholar's illuminating exploration of the earliest Christian narrated journeys to heaven and hell   "[An] illuminating deep dive . . . An edifying origin story for contemporary Christian conceptions of the afterlife."--Publishers Weekly   From classics such as the Odyssey and the Aeneid to fifth-century Christian apocrypha, narratives that described guided tours of the afterlife played a major role in shaping ancient notions of morality and ethics. In this new account, acclaimed author Bart Ehrman contextualizes early Christian narratives of heaven and hell within the broader intellectual and cultural worlds from which they emerged. He examines how fundamental social experiences of the early Christian communities molded the conceptions of the afterlife that eventuated into the accepted doctrines of heaven, hell, and purgatory.   Drawing on Greek and Roman epic poetry, early Jewish writings such as the Book of Watchers, and apocryphal Christian stories including the Acts of Thomas, the Gospel of Nicodemus, and the Apocalypse of Peter, Ehrman demonstrates that ancient tours of the afterlife promoted reflection on matters of ethics, faith, ambition, and life's meaning, the fruit of which has been codified into Christian belief today.

An inventor dreams of escaping his drab surroundings in a flying machine. A criminal, trapped beneath a frozen lake, fights a giant fish. A strange girl pledges to ignite a field of sorghum stalks.Rouge Street presents three novellas by Shuang Xuetao, the lauded young Chinese writer whose frank, fantastical short fiction has already inspired comparisons to Ernest Hemingway and Haruki Murakami. Located in China's frigid northeast, Shenyang, the author's birthplace, boasts an illustrious past--legend holds that the emperor's makeup was manufactured here. But while the city enjoyed renewed importance as an industrial hub under Mao Zedong, China's subsequent transition from communism to a market economy led to an array of social ills--unemployment, poverty, alcoholism, domestic violence, divorce, suicide--that gritty Shenyang epitomizes.Orbiting the toughest neighborhood of a postindustrial city whose vast, inhospitable landscape makes every aspect of life a struggle, these many-voiced missives are united by Shuang Xuetao's singular style--one that balances hardscrabble naturalism with the transcendent, and faces the bleak environs with winning humor. Lyrical, masterful, Rouge Street illuminates not only the hidden pains of those left behind in an extraordinary economic boom, but also the unlikely, nourishing grace they, nevertheless, manage to discover.

A NATIONAL BOOK FOUNDATION "5 UNDER 35" HONOREE "A darkly sensuous tale of awakening that will quietly engulf you in flames." --Ling Ma, author of Severance When the unnamed narrator of Little Rabbit first meets the choreographer at an artists' residency in Maine, it's not a match. She finds him loud, conceited, domineering. He thinks her serious, guarded, always running away to write. But when he reappears in her life in Boston and invites her to his dance company's performance, she's compelled to attend. Their interaction at the show sets off a summer of expanding her own body's boundaries: She follows the choreographer to his home in the Berkshires, to his apartment in New York, and into submission during sex. Her body learns to obediently follow his, and his desires quickly become inextricable from her pleasure. This must be happiness, right? Back in Boston, her roommate Annie's skepticism amplifies her own doubts about these heady weekend retreats. What does it mean for a queer young woman to partner with an older man, for a fledgling artist to partner with an established one? Is she following her own agency, or is she merely following him? Does falling in love mean eviscerating yourself? Combining the sticky sexual politics of Luster with the dizzying, perceptive intimacy of Cleanness, Little Rabbit is a wholly new kind of coming-of-age story about lust, punishment, artistic drive, and desires that defy the hard-won boundaries of the self.

One of The Millions' Most Anticipated Books of 2022 A searching, sharply observed debut novel on the interconnection between work and life, loneliness and kinship, and the projects that occupy our time. How do we take stock of a life--by what means, and by what measure? This is the question that preoccupies Alice, a Taiwanese immigrant in her late thirties. In the off-hours from her day job, Alice struggles to create a project about the enigmatic downtown performance artist Tehching Hsieh and his monumental, yearlong 1980s performance pieces. Meanwhile, she becomes the caretaker for her aging stepfather, a Vietnam vet whose dream of making traditional Chinese furniture dissolved in alcoholism and dementia. As Alice roots deeper into Hsieh's radical use of time--in one piece, the artist confined himself to a cell for a year; in the next, he punched a time clock every hour, on the hour, for a year--and his mysterious disappearance from the art world, her project starts metabolizing events from her own life. She wanders from subway rides to street protests, loses touch with a friend, and tenderly observes her father's slow decline. Moving between present-day and 1980s New York City, with detours to Silicon Valley and the Venice Biennale, this vivid debut announces Lisa Hsiao Chen as an audacious new talent. Activities of Daily Living is a lucid, intimate examination of the creative life and the passage of time.

A page-turning history about the invention of the motion picture and the mysterious man behind it--detailing his life, work, disappearance, and legacy. The year is 1888 and Louis Le Prince is finally testing his "taker" or "receiver" device for his family on their front lawn. The device is meant to capture ten to twelve images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. No human experience--from the most mundane to the most momentous--would need to be lost to history. In 1890, Le Prince was granted patents in four countries ahead of other inventors who were rushing to accomplish the same task. But just weeks before unveiling his invention to the world, he mysteriously disappeared and was never seen or heard from again. Three and a half years later, Thomas Edison, Le Prince's rival, made the device public, claiming to have invented it himself. And the man who had dedicated his life to preserving memories was himself lost to history--until now. The Man Who Invented Motion Pictures pulls back the curtain and reveals the riveting story of both Louis Le Prince's life and work, dispelling the secrets that shroud each. This captivating, impeccably researched work presents the never before told history of the motion picture and sheds light on the unsolved mystery of Le Prince's disappearance.

Parks are essential to our well-being; this has never been clearer than it is today, and a recent surge of park development offers us much to celebrate. Parks of the 21st Century presents 52 parks in the U.S., Mexico, Canada, Europe, and China that have turned despoiled and polluted land (including former factories, railroads, and industrial waterfronts) into beneficial landscapes.   Landscape architects have been referred to as 'the first environmentalists', and Parks of the 21st Century shows how parks are being designed as proactive, dynamic green spaces. The High Line in New York is an early example of how an obsolete railroad could be transformed. Opened in 2009, it now attracts nearly 8 million visitors a year. In addition to providing public open space, these renewed landscapes offer economic revitalisation and large-scale environmental improvement. Among the parks featured in this book are designs by well-known professionals such as James Corner Field Operations, Michael Van Valkenburgh Associates, Kongjian Yu/Turenscape, and Catherine Mosbach.

A "deeply original" (Elif Batuman), "violently funny" (Myriam Gurba), "brilliant and unforgettable" (Deesha Philyaw) debut about a young lawyer finally confronting her dark past To the outside observer, Vivian is a success story--a dedicated lawyer who advocates for mentally ill patients at a New York City psychiatric hospital. Privately, Vivian contends with the memories and aftereffects of her bad childhood--compounded by the everyday stresses of being a Black Latinx woman in America. She lives in a constant state of hypervigilant awareness that makes even a simple subway ride into a heart-pounding drama. For years, Vivian has self-medicated with a mix of dating, dieting, dark humor and smoking weed with her BFF, Jane. But after a family reunion prompts Vivian to take a bold step, she finds herself alone in new and terrifying ways, without even Jane to confide in, and she starts to unravel. Will she find a way to repair what matters most to her? A debut from a stunning talent, Post-traumatic is a new kind of survivor narrative, featuring a complex heroine who is blazingly, indelibly alive. With razor-sharp prose and mordant wit, Chantal V. Johnson performs an extraordinary feat, delivering a psychologically astute story about the aftermath of trauma that somehow manages to brim with warmth, laughter, and hope.  

From "one of our most nuanced thinkers on the intersections of race, class, and feminism (Cathy Park Hong, New York Times bestselling author of Minor Feelings) comes a memoir "as electric as the title suggests" (Maggie Nelson, author of On Freedom). The Pulitzer Prize-winning critic and memoirist Margo Jefferson has lived in the thrall of a cast of others--her parents and maternal grandmother, jazz luminaries, writers, artists, athletes, and stars. These are the figures who thrill and trouble her, and who have made up her sense of self as a person and as a writer. In her much-anticipated follow-up to Negroland, Jefferson brings these figures to life in a memoir of stunning originality, a performance of the elements that comprise and occupy the mind of one of our foremost critics. In Constructing a Nervous System, Jefferson shatters her self into pieces and recombines them into a new and vital apparatus on the page, fusing the criticism that she is known for, fragments of the family members she grieves for, and signal moments from her life, as well as the words of those who have peopled her past and accompanied her in her solitude, dramatized here like never before. Bing Crosby and Ike Turner are among the author's alter egos. The sounds of a jazz LP emerge as the intimate and instructive sounds of a parent's voice. W. E. B. Du Bois and George Eliot meet illicitly. The muscles and movements of a ballerina are spliced with those of an Olympic runner, becoming a template for what a black female body can be. The result is a wildly innovative work of depth and stirring beauty. It is defined by fractures and dissonance, longing and ecstasy, and a persistent searching. Jefferson interrogates her own self as well as the act of writing memoir, and probes the fissures at the center of American cultural life.

"Allegra Hyde's seductive first novel tackles the big stuff of climate change and the more intimate matter of heartbreak with grace. Indeed, Eleutheria bravely braids these together, the story of a lost soul moving through the world we're rapidly losing." --Rumaan Alam, author of Leave the World Behind Willa Marks has spent her whole life choosing hope. She chooses hope over her parents' paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she's found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever.   And then she finds a book in Sylvia's library: a guide to fighting climate change called Living the Solution. Inspired by its message and with nothing to lose, Willa flies to the island of Eleutheria in the Bahamas to join the author and his group of ecowarriors at Camp Hope. Upon arrival, things are not what she expected. The group's leader, author Roy Adams, is missing, and the compound's public launch is delayed. With time running out, Willa will stop at nothing to realize Camp Hope's mission--but at what cost?   A VINTAGE ORIGINAL

Toni Bentley, a dancer for George Balanchine, the greatest ballet maker of the 20th century, tells the story of Serenade, his iconic masterpiece, and what it was like to dance--and live--in his world at New York City Ballet during its legendary era.   "Reading Bentley's Serenade made me feel as alive as I felt on the stage the moment that I fell in love with ballet.... [A] delicate balance of personal memoir, rarefied elegance, history of the arts and pure human interest."--Misty Copeland, New York Times Book Review "[A] unique document about one of the greatest ballets ever created.... A beautiful read"--Mikhail Baryshnikov At age seventeen, Toni Bentley was chosen by Balanchine, then in his final years, to join the New York City Ballet. From both backstage and onstage, she carries us through the serendipitous history and physical intricacies and demands of Serenade: its dazzling opening, with seventeen women in a double-diamond pattern; its radical, even jazzy, use of the highly refined language that is ballet; its place in the choreographer's own dramatic story of his immigration to the United States from Soviet Russia; its mystical--and literal--embodiment of the tradition of classical ballet in just thirty-three minutes.   Bentley takes us inside the rarefied, intense, and thrilling world Balanchine created through his lifelong devotion to celebrating and expanding female beauty and strength--a world that, inevitably, passed upon his death. An intimate elegy to grace and loss and to the imprint of a towering artist and his transcendent creation on Bentley's own life, Serenade: A Balanchine Story is a rich narrative by a dynamic artist about the nature of art itself at its most ephemeral and glorious.

"If you read one debut novel in 2022, this should be it." --Los Angeles Times Named a Most Anticipated Book of the Year by Entertainment Weekly, Vulture, Harper's Bazaar, Buzzfeed, Ms. Magazine, Lit Hub, The Millions, and Electric Literature In the bustling streets and cloistered homes of Lagos, a cast of vivid characters--some haunted, some defiant--navigate danger, demons, and love in a quest to lead true lives.   As in Nigeria, vagabonds are those whose existence is literally outlawed: the queer, the poor, the displaced, the footloose and rogue spirits. They are those who inhabit transient spaces, who make their paths and move invisibly, who embrace apparitions, old vengeances and alternative realities. Eloghosa Osunde's brave, fiercely inventive novel traces a wild array of characters for whom life itself is a form of resistance: a driver for a debauched politician with the power to command life and death; a legendary fashion designer who gives birth to a grown daughter; a lesbian couple whose tender relationship sheds unexpected light on their experience with underground sex work; a wife and mother who attends a secret spiritual gathering that shifts her world. As their lives intertwine--in bustling markets and underground clubs, churches and hotel rooms--vagabonds are seized and challenged by spirits who command the city's dark energy. Whether running from danger, meeting with secret lovers, finding their identities, or vanquishing their shadowselves, Osunde's characters confront and support one another, before converging for the once-in-a-lifetime gathering that gives the book its unexpectedly joyous conclusion.   Blending unvarnished realism with myth and fantasy, Vagabonds! is a vital work of imagination that takes us deep inside the hearts, minds, and bodies of a people in duress--and in triumph.

A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers. She redefined "The Star-Spangled Banner." She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life. Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon.

"Manifoldly clever...brilliant... 'Glory' is its own vivid world, drawn from its own folklore. This is a satire with sharper teeth, angrier, and also very, very funny." --Violet Kupersmith, The New York Times Book Review   "Genius."--#1 New York Times bestselling author Jason Reynolds   From the award-winning author of the Booker-prize finalist We Need New Names, an exhilarating novel about the fall of an oppressive regime, and the chaos and opportunity that rise in its wake. NoViolet Bulawayo's bold new novel follows the fall of the Old Horse, the long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation. Inspired by the unexpected fall by coup in November 2017 of Robert G. Mugabe, Zimbabwe's president of nearly four decades, Glory shows a country's imploding, narrated by a chorus of animal voices that unveil the ruthlessness required to uphold the illusion of absolute power and the imagination and bulletproof optimism to overthrow it completely. By immersing readers in the daily lives of a population in upheaval, Bulawayo reveals the dazzling life force and irresistible wit that lie barely concealed beneath the surface of seemingly bleak circumstances.   And at the center of this tumult is Destiny, a young goat who returns to Jidada to bear witness to revolution--and to recount the unofficial history and the potential legacy of the females who have quietly pulled the strings here. The animal kingdom--its connection to our primal responses and its resonance in the mythology, folktales, and fairy tales that define cultures the world over--unmasks the surreality of contemporary global politics to help us understand our world more clearly, even as Bulawayo plucks us right out of it.   Although Zimbabwe is the immediate inspiration for this thrilling story, Glory was written in a time of global clamor, with resistance movements across the world challenging different forms of oppression. Thus it often feels like Bulawayo captures several places in one blockbuster allegory, crystallizing a turning point in history with the texture and nuance that only the greatest fiction can.  

Named a Most Anticipated Book of the Year by The Millions, Thrillist, LitHub, The Week, and more An evocative and engrossing collection of new stories and a novella about women experiencing life's challenges and beauty from the award-winning writer Megan Mayhew Bergman. A recently separated woman fills a huge terrarium with endangered flowers to establish a small world only she can control in an attempt to heal her broken heart. A competitive swimmer negotiates over which days she will fulfill her wifely duties, and which days she will keep for herself. A peach farmer wonders if her orchard will survive a drought. And generations of a family in South Carolina struggle with fidelity and their cruel past, some clinging to old ways and others painfully carving new paths. In these haunting stories, Megan Mayhew Bergman portrays women who wrestle with problematic inheritances: a modern glass house on a treacherous California cliff, a water-starved ranch, and an abandoned plantation on a river near Charleston. Bergman's provocative prose asks the questions: what are we leaving behind for our descendants to hold, and what price will they pay for our mistakes?

Synthetic biology will revolutionize how we define family, how we identify disease and treat aging, where we make our homes, and how we nourish ourselves. This fast-growing field-which uses computers to modify or rewrite genetic code-has created revolutionary, groundbreaking solutions such as the mRNA COVID vaccines, IVF, and lab-grown hamburger that tastes like the real thing. It gives us options to deal with existential threats: climate change, food insecurity, and access to fuel. But there are significant risks. Who should decide how to engineer living organisms? Whether engineered organisms should be planted, farmed, and released into the wild? Should there be limits to human enhancements? What cyber-biological risks are looming? Could a future biological war, using engineered organisms, cause a mass extinction event? Amy Webb and Andrew Hessel's riveting examination of synthetic biology and the bioeconomy provide the background for thinking through the upcoming risks and moral dilemmas posed by redesigning life, as well as the vast opportunities waiting for us on the horizon.

NATIONAL BESTSELLER "Ms. Haigh is an expertly nuanced storyteller long overdue for major attention. Her work is gripping, real, and totally immersive, akin to that of writers as different as Richard Price, Richard Ford, and Richard Russo."--Janet Maslin, New York Times The highly praised, "extraordinary" (New York Times Book Review) novel about the disparate lives that intersect at a women's clinic in Boston, by New York Times bestselling author Jennifer Haigh  For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance. But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia's days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy's, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11--the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs. Mercy Street is a novel for right now, a story of the polarized American present. Jennifer Haigh, "an expert natural storyteller with a keen sense of her characters' humanity" (New York Times), has written a groundbreaking novel, a fearless examination of one of the most divisive issues of our time.  

Told by one of our greatest chroniclers of technology and society, the definitive biography of iconic serial visionary Stewart Brand, from the Merry Pranksters and the generation-defining Whole Earth Catalog to the marriage of environmental consciousness and hacker capitalism and the rise of a new planetary culture--the story behind so many other stories Stewart Brand has long been famous if you know who he is, but for many people outside the counterculture, early computing, or the environmental movement, he is perhaps best known for his famous mantra "Stay Hungry. Stay Foolish." Steve Jobs's endorsement of these words as his code to live by is fitting; Brand has played many roles, but one of the most important is as a model for how to live.   The contradictions are striking: A blond-haired WASP with a modest family inheritance, Brand went to Exeter and Stanford and was an army veteran, but in California in the 1960s he became an artist and a photographer in the thick of the LSD revolution. While tripping on acid on the roof of his building, he envisioned how valuable it would be for humans to see a photograph of the planet they shared from space, an image that in the end landed on the cover of his Whole Earth Catalog, the defining publication of the counterculture. He married a Native American woman and was committed to protecting indigenous culture, which connected to a broader environmentalist mission that has been a through line of his life. At the same time, he has outraged purists because of his pragmatic embrace of useful technologies, including nuclear power, in the fight against climate change. The famous tagline promise of his catalog was "Access to Tools"; with rare exceptions he rejected politics for a focus on direct power. It was no wonder, then, that he was early to the promise of the computer revolution and helped define it for the wider world.   Brand's life can be hard to fit onto one screen. John Markoff, also a great chronicler of tech culture, has done something extraordinary in unfolding the rich, twisting story of Brand's life against its proper landscape. As Markoff makes marvelously clear, the streams of individualism, respect for science, environmentalism, and Eastern and indigenous thought that flow through Brand's entire life form a powerful gestalt, a California state of mind that has a hegemonic power to this day. His way of thinking embraces a true planetary consciousness that may be the best hope we humans collectively have.  

A Best Book of 2022 in Harper's Bazaar, Daily Mail, Glamour, and Thrillist. Most Anticipated of 2022 in The Millions, Ms. Magazine, LitHub A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch. Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated. Then there are the humans - the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for - perpetual youth, near-invulnerability, immortality - but she is miserable; she is lonely; and she is hungry - always hungry. As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans - if she is to find a way to exist in the world. Before any of this, however, she must eat. "Absolutely brilliant - tragic, funny, eccentric and so perfectly suited to this particularly weird time. Claire Kohda takes the vampire trope and makes it her own in a way that feels fresh and original. Serious issues of race, disability, misogyny, body image, sexual abuse are handled with subtlety, insight, and a lightness of touch. The spell this novel casts is so complete I feel utterly, and happily, bitten." -- Ruth Ozeki, Booker-shortlisted author of A Tale for the Time Being

For Sarah Krasnostein it begins with a Mennonite choir performing on a subway platform, a fleeting moment of witness that sets her on a fascinating journey to find out why people need to believe in absolute truths and what happens when their beliefs crash into her own. Some of the people Krasnostein interviews believe in things many people do not. Ghosts. UFOs. The literal creation of the universe in six days. Some believe in things most people would like to. Dying with dignity and autonomy. Facing up to our transgressions with truthfulness. Living with integrity and compassion. By turns devastating and delighting, and captured in snapshot-vivid detail, these six profiles with a death doula, a geologist who believes the world is six thousand years old, a lecturer in neurobiology who spends his weekends ghost hunting, the fiancé of a disappeared pilot and UFO enthusiasts, a woman incarcerated for killing her husband after suffering years of domestic violence, and Mennonite families in New York will leave you convinced that the most ordinary-seeming people are often the most remarkable and that deep and abiding commonalities can be found within the greatest differences. Vivid, unconventional, entertaining, and full of wonder, Krasnostein interweaves the stories of these believers with compassion and empathy, culminating in an unforgettable tour of the human condition that cuts to the core of who we are as people, and what we're doing on this earth.

An entirely original novel in which a book--Joseph Roth's masterpiece Rebellion--narrates its own astonishing life story, from 1930s Germany to the present day, at the heart of a gripping mystery.   "A powerful, powerful piece of work." --Colum McCann, best-selling author of Apeirogon One old copy of the novel Rebellion sits in Lena Knecht's tote bag, about to accompany her on a journey from New York to Berlin in search of a clue to the hand-drawn map on its last page. It is the brilliantly captivating voice of this novel--a first edition nearly burned by Nazis in May 1933--that is our narrator.   Fast-paced and tightly plotted, The Pages brings together a multitude of dazzling characters, real and invented, in a sweeping story of survival, chance, and the joys and struggles of love. At its center are Roth, an Austrian Jewish author on the run, and his wife, Friederike, who falls victim to mental illness as Europe descends into war. With vivid evocations of Germany under Nazism and today, The Pages dramatically illuminates the connections between past and present as it looks at censorship, oppression, and violence. Here is a propulsive, inspiring tale of literature over a hundred years: a novel for book lovers everywhere that will bring a fresh audience to this acclaimed writer.

New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico?   On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us "not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist."   Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.

What does contemporary China's diverse and exciting fiction tell us about its culture, and the relationship between art and politics? The Subplot takes us on a lively journey through a literary landscape like you've never seen before: a vast migrant-worker poetry movement, homoerotic romances by "rotten girls," swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel laureate Mo Yan, and what is widely hailed as a golden age of Chinese science fiction. Chinese online fiction is now the largest publishing platform in the world. Fueled by her passionate engagement with Chinese literature and culture, Megan Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction--an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, and they work on a different wavelength to keep alive ideas and events that are either overlooked or off limits. The Subplot vividly captures the ways in which literature offers an alternative--perhaps truer--understanding of the contradictions that make up China itself.

An in-depth look into the life of Romantic essayist Charles Lamb and the legacy of his work A pioneer of urban Romanticism, essayist Charles Lamb (1775-1834) found inspiration in London's markets, theaters, prostitutes, and bookshops.  He prized the city's literary scene, too, where he was a star wit.  He counted among his admirers Mary Shelley, William Wordsworth, and Samuel Taylor Coleridge.  His friends valued in his conversation what distinguished his writing style: a highly original blend of irony, whimsy, and melancholy.    Eric G. Wilson captures Lamb's strange charm in this meticulously researched and engagingly written biography.  He demonstrates how Lamb's humor helped him cope with a life-defining tragedy: in a fit of madness, his sister Mary murdered their mother.  Arranging to care for her himself, Lamb saved her from the gallows.  Delightful when sane, Mary became Charles's muse, and she collaborated with him on children's books.  In exploring Mary's presence in Charles's darkly comical essays, Wilson also shows how Lamb reverberates in today's experimental literature.

The Western world has turned its back on migrants, leaving them to cope with one of the most devastating humanitarian crises in history. Reporter Sally Hayden was at home in London when she received a message on Facebook: "Hi sister Sally, we need your help." The sender identified himself as an Eritrean refugee who had been held in a Libyan detention center for months, locked in one big hall with hundreds of others. Now, the city around them was crumbling in a scrimmage between warring factions, and they remained stuck, defenseless, with only one remaining hope: contacting her. Hayden had inadvertently stumbled onto a human rights disaster of epic proportions. From this single message begins a staggering account of the migrant crisis across North Africa, in a groundbreaking work of investigative journalism. With unprecedented access to people currently inside Libyan detention centers, Hayden's book is based on interviews with hundreds of refugees and migrants who tried to reach Europe and found themselves stuck in Libya once the EU started funding interceptions in 2017. It is an intimate portrait of life for these detainees, as well as a condemnation of NGOs and the United Nations, whose abdication of international standards will echo throughout history. But most importantly, My Fourth Time, We Drowned shines a light on the resilience of humans: how refugees and migrants locked up for years fall in love, support each other through the hardest times, and carry out small acts of resistance in order to survive in a system that wants them to be silent and disappear.

"Pankaj Mishra transforms a visceral, intimate story of one man's humble origins into a kaleidoscopic portrait of a society bedazzled by power and wealth--what it means on a human level, and what it costs. Run and Hide is a spectacular, illuminating work of fiction." --Jennifer Egan, author of Manhattan Beach Growing up in a small railway town, Arun always dreamed of escape. His acceptance to the prestigious Indian Institute of Technology, enabled through great sacrifice by his low-caste parents, is seemingly his golden ticket out of a life plagued by everyday cruelties and deprivations. At the predominantly male campus, he meets two students from similar backgrounds. Unlike Arun--scarred by his childhood, and an uneasy interloper among go-getters--they possess the sheer will and confidence to break through merciless social barriers. The alumni of IIT eventually go on to become the financial wizards of their generation, working hard and playing hard from East Hampton to Tuscany--the beneficiaries of unprecedented financial and sexual freedom. But while his friends play out Gatsby-style fantasies, Arun fails to leverage his elite education for social capital. He decides to pursue the writerly life, retreating to a small village in the Himalayas with his aging mother. Arun's modest idyll is one day disrupted by the arrival of a young woman named Alia, who is writing an exposé of his former classmates. Alia, beautiful and sophisticated, draws Arun back to the prospering world where he must be someone else if he is to belong. When he is implicated in a terrible act of violence committed by his closest friend from IIT, Arun will have to reckon with the person he has become. Run and Hide is Pankaj Mishra's powerful story of achieving material progress at great moral and emotional cost. It is also the story of a changing country and global order, and the inequities of class and gender that map onto our most intimate relationships.

"A profound allegory of good and evil, and a deep exploration of human interaction, black and white, alternately beautiful and tender, cruel and unsettling."--Guardian Australia's leading indigenous storyteller makes his American debut with this immersive and deeply resonant novel, set in the 1960s, that explores the lengths we'll go to save the people we love--an unforgettable story of one native Australian family and the racist government that threatens to separate them. Odette Brown has lived her entire life on the fringes of Deane, a small Australian country town. Dark secrets simmer beneath the surface of Deane--secrets that could explain why Odette's daughter, Lila, left her one-year-old daughter, Sissy, and never came back, or why Sissy has white skin when her family is Aboriginal.  For thirteen years, Odette has quietly raised her granddaughter without drawing notice from welfare authorities who remove fair-skinned Aboriginal children from their families. But the arrival of a new policeman with cruel eyes and a rigid by-the-book attitude throws the Brown women's lives off-kilter. It will take all of Odette's courage and cunning to save Sissy from the authorities, and maybe even lead her to find her daughter.  Bolstered by love, smarts, and the strength of their ancestors, Odette and Sissy are an indomitable force, handling threats to their family and their own identities with grace and ingenuity, while never losing hope for themselves and their future. In The White Girl, Miles Franklin Award-nominated author Tony Birch illuminates Australia's devastating post-colonial past--notably the government's racist policy of separating Indigenous children from their families, known today as the Stolen Generations--and introduces a tight-knit group of charming, inspiring characters who remind us of our shared humanity, and that kindness, hope, and love have no limits.

An eerily dreamlike memoir, and the first work of nonfiction by one of our most inventive novelists. Aurelia, Aurélia begins on a boat. The author, sixteen years old, is traveling to Europe at an age when one can "try on personae like dresses." She has the confidence of a teenager cultivating her earliest obsessions--Woolf, Durrell, Bergman--sure of her maturity, sure of the life that awaits her. Soon she finds herself in a Greece far drearier than the Greece of fantasy, "climbing up and down the steep paths every morning with the real old women, looking for kindling." Kathryn Davis's hypnotic new book is a meditation on the way imagination shapes life, and how life, as it moves forward, shapes imagination. At its center is the death of her husband, Eric. The book unfolds as a study of their marriage, its deep joys and stinging frustrations; it is also a book about time, the inexorable events that determine beginnings and endings. The preoccupations that mark Davis's fiction are recognizable here--fateful voyages, an intense sense of place, the unexpected union of the magical and the real--but the vehicle itself is utterly new. Aurelia, Aurélia explodes the conventional bounds of memoir. It is an astonishing accomplishment.

"A tender and funny story about love, family and the peculiar position of being a stepparent...[Chilean Poet] broadens the author's scope and quite likely his international reputation." --Los Angeles Times "Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own." --Juan Vidal, NPR.org A writer of "startling talent" (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a family After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family--a stepfamily, though no such word exists in their language.   Eventually, their ambitions pull the lovers in different directions--in Gonzalo's case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather's love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets--not the famous, dead kind, your Nerudas or Mistrals or Bolaños, but rather the living, striving, everyday ones. Pru's research leads her into this eccentric community--another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other?   In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments--sexy, absurd, painful, sweet, profound--that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships--a partner, father, stepfather, teacher, lover, writer, and friend--it is a bold and brilliant new work by one of the most important writers of our time.

Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets's captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women's Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative.

"Immersive . . . bracingly ambitious . . . rewinds the story of life on Earth--from the mammoth steppe of the last Ice Age to the dawn of multicellular creatures over 500 million years ago."--The Economist "One of those rare books that's both deeply informative and daringly imaginative."--Elizabeth Kolbert, author of Under a White Sky The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In Otherlands, Halliday makes sixteen fossil sites burst to life on the page. This book is an exploration of the Earth as it used to exist, the changes that have occurred during its history, and the ways that life has found to adapt―or not. It takes us from the savannahs of Pliocene Kenya to watch a python chase a group of australopithecines into an acacia tree; to a cliff overlooking the salt pans of the empty basin of what will be the Mediterranean Sea just as water from the Miocene Atlantic Ocean spills in; into the tropical forests of Eocene Antarctica; and under the shallow pools of Ediacaran Australia, where we glimpse the first microbial life.  Otherlands also offers us a vast perspective on the current state of the planet. The thought that something as vast as the Great Barrier Reef, for example, with all its vibrant diversity, might one day soon be gone sounds improbable. But the fossil record shows us that this sort of wholesale change is not only possible but has repeatedly happened throughout Earth history. Even as he operates on this broad canvas, Halliday brings us up close to the intricate relationships that defined these lost worlds. In novelistic prose that belies the breadth of his research, he illustrates how ecosystems are formed; how species die out and are replaced; and how species migrate, adapt, and collaborate. It is a breathtaking achievement: a surprisingly emotional narrative about the persistence of life, the fragility of seemingly permanent ecosystems, and the scope of deep time, all of which have something to tell us about our current crisis.

"Just as awe-inspiring as the Nobel judges claimed." - The Washington Post "Olga Tokarczuk is one of our greatest living fiction writers. . . This could well be a decade-defining book akin to Bolaño's 2666." -AV Club "Sophisticated and ribald and brimming with folk wit. . . The comedy in this novel blends, as it does in life, with genuine tragedy." -Dwight Garner, The New York Times The Nobel Prize-winner's richest, most sweeping and ambitious novel yet follows the comet-like rise and fall of a mysterious, messianic religious leader as he blazes his way across eighteenth-century Europe. In the mid-eighteenth century, as new ideas--and a new unrest--begin to sweep the Continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires with throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumors of his sect's secret rituals and the spread of his increasingly iconoclastic beliefs. The story of Frank--a real historical figure around whom mystery and controversy swirl to this day--is the perfect canvas for the genius and unparalleled reach of Olga Tokarczuk. Narrated through the perspectives of his contemporaries--those who revere him, those who revile him, the friend who betrays him, the lone woman who sees him for what he is--The Books of Jacob captures a world on the cusp of precipitous change, searching for certainty and longing for transcendence. In a nod to books written in Hebrew, The Books of Jacob is paginated in reverse, beginning on p. 955 and ending on p. 1 - but read traditionally, front cover to back.

With the US Supreme Court nomination of Ketanji Brown Jackson, "it makes sense to revisit the life and work of another Black woman who profoundly shaped the law: Constance Baker Motley" (CNN). The first major biography of one of our most influential judges--an activist lawyer who became the first Black woman appointed to the federal judiciary--that provides an eye-opening account of the twin struggles for gender equality and civil rights in the 20th Century. "A must-read for anyone who dares to believe that equal justice under the law is possible and is in search of a model for how to make it a reality." --Anita Hill Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hair dresser. Instead, she became the first black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only black woman member in the legal team at the NAACP's Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first black woman appointed to the federal judiciary.      Civil Rights Queen captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions--how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America.

A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE An exuberant, wildly inventive debut about a young woman fascinated by her ancestors' legendary "falling curse" and trying to keep her own family from falling apart. Marta and her twin brother Nick have always been haunted and fascinated by an ancestral legend that holds that members of their family are doomed to various types of falls. And when their own family collapses in the wake of a revelation and a resulting devastating fight with their Catholic mother, the twins move to Prague, the city in which their "falling curse" began. There, Marta and Nick try to forge a new life for themselves. But their ties to the past and each other prove difficult to disentangle, and when they ultimately return to their midwestern home and Nick falls from a balcony himself, Marta is forced to confront the truths they've hidden from each other and themselves. Ingeniously and unforgettably narrated by Marta as she reflects on all the ways there are to fall--from defenestration in nineteenth century Prague to the pratfalls of her childhood idol Buster Keaton, from falling in love to falling midflight from an airplane--Defenestrate is a deeply original, gorgeous novel about the power of stories and the strange, malleable bonds that hold families together.

A NYTBR Editor's Choice  "This is a book of radical empathy, crossing many borders - not just borders that separate nations, but also borders of form, borders of meaning, and borders of possibility. It is powerful and humane and deserves to find a wide, wandering readership." -- Mohsin Hamid, author of Exit West In this extraordinary book, an acclaimed young war reporter chronicles a dangerous journey on the smuggler's road to Europe, accompanying his friend, an Afghan refugee, in search of a better future. In 2016, a young Afghan driver and translator named Omar makes the heart-wrenching choice to flee his war-torn country, saying goodbye to Laila, the love of his life, without knowing when they might be reunited again. He is one of millions of refugees who leave their homes that year. Matthieu Aikins, a journalist living in Kabul, decides to follow his friend. In order to do so, he must leave his own passport and identity behind to go underground on the refugee trail with Omar. Their odyssey across land and sea from Afghanistan to Europe brings them face to face with the people at heart of the migration crisis: smugglers, cops, activists, and the men, women and children fleeing war in search of a better life. As setbacks and dangers mount for the two friends, Matthieu is also drawn into the escape plans of Omar's entire family, including Maryam, the matriarch who has fought ferociously for her children's survival.  Harrowing yet hopeful, this exceptional work brings into sharp focus one of the most contentious issues of our times. The Naked Don't Fear the Water is a tale of love and friendship across borders, and an inquiry into our shared journey in a divided world.  

A fresh history of the West grounded in the lives of mixed-descent Native families who first bridged and then collided with racial boundaries. Often overlooked, there is mixed blood at the heart of America. And at the heart of Native life for centuries there were complex households using intermarriage to link disparate communities and create protective circles of kin. Beginning in the seventeenth century, Native peoples--Ojibwes, Otoes, Cheyennes, Chinooks, and others--formed new families with young French, English, Canadian, and American fur traders who spent months in smoky winter lodges or at boisterous summer rendezvous. These families built cosmopolitan trade centers from Michilimackinac on the Great Lakes to Bellevue on the Missouri River, Bent's Fort in the southern Plains, and Fort Vancouver in the Pacific Northwest. Their family names are often imprinted on the landscape, but their voices have long been muted in our histories. Anne F. Hyde's pathbreaking history restores them in full. Vividly combining the panoramic and the particular, Born of Lakes and Plains follows five mixed-descent families whose lives intertwined major events: imperial battles over the fur trade; the first extensions of American authority west of the Appalachians; the ravages of imported disease; the violence of Indian removal; encroaching American settlement; and, following the Civil War, the disasters of Indian war, reservations policy, and allotment. During the pivotal nineteenth century, mixed-descent people who had once occupied a middle ground became a racial problem drawing hostility from all sides. Their identities were challenged by the pseudo-science of blood quantum--the instrument of allotment policy--and their traditions by the Indian schools established to erase Native ways. As Anne F. Hyde shows, they navigated the hard choices they faced as they had for centuries: by relying on the rich resources of family and kin. Here is an indelible western history with a new human face.

In 1917, during the construction of a large reservoir in the Catskill hamlet of Gilboa, New York, a young paleontologist named Winifred Goldring identified fossils from an ancient forest flooded millions of years ago when the earth's botanical explosion of oxygen opened a path for the evolution of humankind. However, the reservoir water was needed for NYC, and the fossils were buried once again during the flooding of the doomed town. A mix of fact and fiction, The Door-Man follows three generations of interwoven families who share a deep wound from Gilboa's last days. The story is told by Winifred's grandson, a disaffected NYC doorman working near the Central Park Reservoir during its decommissioning in 1993. The brief and provisional nature of one's life on earth - and the nested histories of the places, people and events that give it meaning - engender a reckoning within the tangled roots and fragile bonds of family.

"The Hummingbird is a remarkable accomplishment, a true gift to the world." --Michael Cunningham "Long considered one of Italy's leading writers, Sandro Veronesi has re-written the family saga. Ardent, gripping, and inventive to the core, it has already been hailed a classic."--Jhumpa Lahiri "The Hummingbird is a masterly novel, a brilliantly conceived mosaic of love and tragedy."--Ian McEwan The #1 international sensation from a master of European literature--winner of Italy's Premio Strega--a saga of a Florentine family from the 1960s to the present that brilliantly captures the power of history and the multi-faceted experience of life itself as it explores how we contend with uncontrollable forces that both buffet and buoy us.  Marco Carrera is "the hummingbird," a man with an almost supernatural ability to remain still amid the chaos of an ever-changing world. Though his life is rife with emotional challenges--suffering the death of his sister and the absence of his brother; caring for his elderly parents; raising his granddaughter when her mother, Marco's own child, is no longer capable; loving an enigmatic woman--Marco carries on with a noble stoicism that belies an intensity for living. As the years pass and the arc of his life bends, Marco finds himself filled with joy for the future as the baton passes from him to the next generation.  A beautiful and compelling journey through time told in myriad narrative styles, The Hummingbird is a story of suffering, happiness, loss, love, and hope--of a man who embodies the quiet heroism that defines daily life for countless ordinary folk. A thrilling novel about the need to look to the future with hope and live with intensity to the very end, Sandro Veronesi's masterpiece--eminently readable, rich in insight, and filled with interesting twists and revelations--is a portrait of human existence, the vicissitudes and vagaries that propel and ultimately define us Translated from the Italian by Elena Pala "A great novel, vibrating with life and death, happiness and pain, nostalgia and hope for the future." --Vanity Fair "Everything that makes the novel worthwhile and engaging is here ... magnificent - moving, replete, beautiful." --The Guardian

Around the turn of the nineteenth century, a steady stream of young German poets and thinkers coursed to the town of Jena to make history. The French Revolution and the Napoleonic Wars had dealt a one-two punch to the dynastic system. Confidence in traditional social, political, and religious norms had been replaced by a profound uncertainty that was as terrifying for some as it was exhilarating for others. Nowhere was the excitement more palpable than among the extraordinary group of poets, philosophers, translators, and socialites who gathered in this Thuringian village of just four thousand residents.Jena became the place for the young and intellectually curious, the site of a new departure, of philosophical disruption. Influenced by Johann Wolfgang von Goethe, then an elder statesman and artistic eminence, the leading figures among the disruptors--the translator August Wilhelm Schlegel; the philosophers Fritz Schlegel and Friedrich Schelling; the dazzling, controversial intellectual Caroline Schlegel, married to August; Dorothea Schlegel, a poet and translator, married to Fritz; and the poets Ludwig Tieck and Novalis--resolved to rethink the world, to establish a "Republic of Free Spirits." They didn't just question inherited societal traditions; with their provocative views of the individual and of nature, they revolutionized our understanding of freedom and reality.With wit and elegance, Peter Neumann brings this remarkable circle of friends and rivals to life in Jena 1800,a work of intellectual history that is colorful and passionate, informative and intimate--as fresh and full of surprises as its subjects.Includes Black-and-White Illustrations

Dan Saladino's Eating to Extinction is the prominent broadcaster's pathbreaking tour of the world's vanishing foods and his argument for why they matter now more than ever Over the past several decades, globalization has homogenized what we eat, and done so ruthlessly. The numbers are stark: Of the roughly six thousand different plants once consumed by human beings, only nine remain major staples today. Just three of these--rice, wheat, and corn--now provide fifty percent of all our calories. Dig deeper and the trends are more worrisome still: The source of much of the world's food--seeds--is mostly in the control of just four corporations. Ninety-five percent of milk consumed in the United States comes from a single breed of cow. Half of all the world's cheese is made with bacteria or enzymes made by one company. And one in four beers drunk around the world is the product of one brewer. If it strikes you that everything is starting to taste the same wherever you are in the world, you're by no means alone. This matters: when we lose diversity and foods become endangered, we not only risk the loss of traditional foodways, but also of flavors, smells, and textures that may never be experienced again. And the consolidation of our food has other steep costs, including a lack of resilience in the face of climate change, pests, and parasites. Our food monoculture is a threat to our health--and to the planet. In Eating to Extinction, the distinguished BBC food journalist Dan Saladino travels the world to experience and document our most at-risk foods before it's too late. He tells the fascinating stories of the people who continue to cultivate, forage, hunt, cook, and consume what the rest of us have forgotten or didn't even know existed. Take honey--not the familiar product sold in plastic bottles, but the wild honey gathered by the Hadza people of East Africa, whose diet consists of eight hundred different plants and animals and who communicate with birds in order to locate bees' nests. Or consider murnong--once the staple food of Aboriginal Australians, this small root vegetable with the sweet taste of coconut is undergoing a revival after nearly being driven to extinction. And in Sierra Leone, there are just a few surviving stenophylla trees, a plant species now considered crucial to the future of coffee. From an Indigenous American chef refining precolonial recipes to farmers tending Geechee red peas on the Sea Islands of Georgia, the individuals profiled in Eating to Extinction are essential guides to treasured foods that have endured in the face of rampant sameness and standardization. They also provide a roadmap to a food system that is healthier, more robust, and, above all, richer in flavor and meaning.

An extraordinary history of resistance and the fight for Indian independence--the little-known story of seven foreigners to India who joined the movement fighting for freedom from British colonial rule. Rebels Against the Raj tells the story of seven people who chose to struggle for a country other than their own: foreigners to India who across the late 19th to late 20th century arrived to join the freedom movement fighting for independence from British colonial rule.   Of the seven, four were British, two American, and one Irish. Four men, three women. Before and after being jailed or deported they did remarkable and pioneering work in a variety of fields: journalism, social reform, education, the emancipation of women, environmentalism. This book tells their stories, each renegade motivated by idealism and genuine sacrifice; each connected to Gandhi, though some as acolytes where others found endless infuriation in his views; each understanding they would likely face prison sentences for their resistance, and likely live and die in India; each one leaving a profound impact on the region in which they worked, their legacies continuing through the institutions they founded and the generations and individuals they inspired.   Through these entwined lives, wonderfully told by one of the world's finest historians, we reach deep insights into relations between India and the West, and India's story as a country searching for its identity and liberty beyond British colonial rule.  

"Durastanti casts the universal drama of the family as the sieve through which the self--woman, artist, daughter--is filtered and known." --Ocean Vuong   A work of fiction about being a stranger in your own family and life. Every family has its own mythology, but in this family none of the myths match up. Claudia's mother says she met her husband when she stopped him from jumping off a bridge. Her father says it happened when he saved her from an attempted robbery. Both parents are deaf but couldn't be more different; they can't even agree on how they met, much less who needed saving.   Into this unlikely yet somehow inevitable union, our narrator is born. She comes of age with her brother in this strange, and increasingly estranged, household split between a small village in southern Italy and New York City. Without even sign language in common - their parents have not bothered to teach them - family communications are chaotic and rife with misinterpretations, by turns hilarious and devastating. An outsider in every way, she longs for a freedom she's not even sure exists. Only books and punk rock--and a tumultuous relationship--begin to show her the way to create her own mythology, to construct her own version of the story of her life.   Kinetic, formally dazzling, and spectacularly original, this book is a funny and profound portrait of an unconventional family that makes us look anew at how language shapes our understanding of ourselves.  

The "masterly" (The New York Times) debut novel from "an exquisitely astute writer" (The Boston Globe), about growing up in--and out of--the suffocating constraints of small-town America.   "Crackles like a room-temperature beverage poured over ice. . . . Manguso portrays the fears surrounding girlhood with a blistering clarity."--The Washington Post ONE OF THE MOST ANTICIPATED BOOKS OF 2022--Oprah Daily, Good Housekeeping, The Week, The Millions, She Reads, Lit Hub "My parents didn't belong in Waitsfield, but they moved there anyway." For Ruthie, the frozen town of Waitsfield, Massachusetts, is all she has ever known. Once home to the country's oldest and most illustrious families--the Cabots, the Lowells: the "first, best people"--by the tail end of the twentieth century, it is an unforgiving place awash with secrets.   Forged in this frigid landscape Ruthie has been dogged by feelings of inadequacy her whole life. Hers is no picturesque New England childhood but one of swap meets and factory seconds and powdered milk. Shame blankets her like the thick snow that regularly buries nearly everything in Waitsfield.   As she grows older, Ruthie slowly learns how the town's prim facade conceals a deeper, darker history, and how silence often masks a legacy of harm--from the violence that runs down the family line to the horrors endured by her high school friends, each suffering a fate worse than the last. For Ruthie, Waitsfield is a place to be survived, and a girl like her would be lucky to get out alive. In her eagerly anticipated debut novel, Sarah Manguso has written, with characteristic precision, a masterwork on growing up in--and out of--the suffocating constraints of a very old, and very cold, small town. At once an ungilded portrait of girlhood at the crossroads of history and social class as well as a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smoldering rage, Very Cold People is a haunted jewel of a novel from one of our most virtuosic literary writers.

The author of the award-winning Sally Hemings now brings to life Hannah Elias, one of the richest black women in America in the early 1900s, in this mesmerizing novel swirling with atmosphere and steeped in history. A murder and a case of mistaken identity brings the police to Hannah Elias' glitzy, five-story, twenty-room mansion on Central Park West. This is the  beginning of an odyssey that moves back and forth in time and reveals the dangerous secrets of a mysterious woman, the fortune she built, and her precipitous fall. Born in Philadelphia in the late 1800s, Hannah Elias has done things she's not proud of to survive. Shedding her past, Hannah slips on a new identity before relocating to New York City to become as rich as a robber baron.  Hannah quietly invests in the stock market, growing her fortune with the help of businessmen. As the money pours in, Hannah hides her millions across 29 banks. Finally attaining the life she's always dreamed, she buys a mansion on the Upper West Side and decorates it in gold and first-rate décor, inspired by her idol Cleopatra. The unsolved murder turns Hannah's world upside-down and threatens to destroy everything she's built. When the truth of her identity is uncovered, thousands of protestors gather in front of her stately home. Hounded by the salacious press, the very private Mrs. Elias finds herself alone, ensnared in a scandalous trial, and accused of stealing her fortune from whites. Packed with glamour, suspense, and drama, populated with real-life luminaries from the period, The Great Mrs. Elias brings a fascinating woman and the age she embodied to glorious, tragic life.

Named a Most Anticipated Book of 2022 by Literary Hub and Goodreads A playful history of the humble index and its outsized effect on our reading lives. Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years.

In his blazing debut novel, Andrew Lipstein blurs the lines of fact and fiction with a thrilling story of fame, fortune, and impossible choices. Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the agent, who offers him money, acclaim, and a taste of the literary life. He can't wait for his book to be shopped to every editor in New York, except one: Avi Deitsch, an old college rival and the novel's "inspiration." When Avi gets his hands on it, he sees nothing but theft--and opportunity. Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition, and the limits of art. Last Resort is the razor-edged account of a young man's reckless journey into authenticity. As Caleb fights to right his mistakes and reclaim his name, he must burn every bridge, confront his deepest desires, and finally see his work from the perspectives of characters he'd imagined were his own.

"[U]ndoubtedly [Cox's] most comprehensive, and candid, work."--Yahoo! Entertainment

The story of Clarence Henderson, a Black sharecropper convicted and sentenced to death three times for a murder he didn't commit The Three Death Sentences of Clarence Henderson is the story of Clarence Henderson, a wrongfully accused Black sharecropper who was sentenced to die three different times for a murder he didn't commit, and the prosecution desperate to pin the crime on him despite scant evidence. His first trial lasted only a day and featured a lackluster public defense. The book also tells the story of Homer Chase, a former World War II paratrooper and New England radical who was sent to the South by the Communist Party to recruit African Americans to the cause while offering them a chance at increased freedom. And it's the story of Thurgood Marshall's NAACP and their battle against not only entrenched racism but a Communist Party--despite facing nearly as much prejudice as those they were trying to help--intent on winning the hearts and minds of Black voters. The bitter battle between the two groups played out as the sides sparred over who would take the lead on Henderson's defense, a period in which he spent years in prison away from a daughter he had never seen. Through it all, The Three Death Sentences of Clarence Henderson is a portrait of a community, and a country, at a crossroads, trying to choose between the path it knows is right and the path of least resistance. The case pitted powerful forces--often those steering legal and journalistic institutions--attempting to use racism and Red-Scare tactics against a populace that by and large believed the case against Henderson was suspect at best. But ultimately, it's a hopeful story about how even when things look dark, some small measure of justice can be achieved against all the odds, and actual progress is possible. It's the rare book that is a timely read, yet still manages to shed an informative light on America's past and future, as well as its present.

As globalisation continues languages are disappearing faster than ever, leaving our planet's linguistic diversity leaping towards extinction. The science of how languages are acquired is becoming more advanced and the internet is bringing us new ways of teaching the next generation, however it is increasingly challenging for minority languages to survive in the face of a handful of hegemonic 'super-tongues'. In Speak Not, James Griffiths reports from the frontlines of the battle to preserve minority languages, from his native Wales, Hawaii and indigenous American nations, to southern China and Hong Kong. He explores the revival of the Welsh language as a blueprint for how to ensure new generations are not robbed of their linguistic heritage, outlines how loss of indigenous languages is the direct result of colonialism and globalisation and examines how technology is both hindering and aiding the fight to prevent linguistic extinction. Introducing readers to compelling characters and examining how indigenous communities are fighting for their languages, Griffiths ultimately explores how languages hang on, what happens when they don't, and how indigenous tongues can be preserved and brought back from the brink.

Moving, sexy, and archly funny, Gina Apostol's Philippine National Book Award-winning Bibliolepsy is a love letter to the written word and a brilliantly unorthodox look at the rebellion that brought down a dictatorship   Gina Apostol's debut novel, available for the first time in the US, tells of a young woman caught between a lifelong desire to escape into books and a real-world revolution.   It is the mid-eighties, two decades into the kleptocratic, brutal rule of Ferdinand Marcos. The Philippine economy is in deep recession, and civil unrest is growing by the day. But Primi Peregrino has her own priorities: tracking down books and pursuing romantic connections with their authors.   For Primi, the nascent revolution means that writers are gathering more often, and with greater urgency, so that every poetry reading she attends presents a veritable "Justice League" of authors for her to choose among. As the Marcos dictatorship stands poised to topple, Primi remains true to her fantasy: that she, "a vagabond from history, a runaway from time," can be saved by sex, love, and books.

An Instant New York Times Bestseller A Read with Jenna Today Show Book Club Pick In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance. Frida Liu is struggling. She doesn't have a career worthy of her Chinese immigrant parents' sacrifices. She can't persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough. Until Frida has a very bad day. The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother's devotion. Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good. A searing page-turner that is also a transgressive novel of ideas about the perils of "perfect" upper-middle class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

In this sprawling, award-winning novel, celebrated Chinese writer Liu Xinwu cordially invites you to an epic, riotous, and moving neighborhood feast. On a December morning in 1982, the courtyard of a Beijing siheyuan--a lively quadrangle of homes--begins to stir. Auntie Xue's son Jiyue is getting married today, and she is determined to make the day a triumph. Despite Jiyue's woeful ignorance in matters of the heart--and the body. Despite a chef in training tasked with the onerous responsibility of preparing the banquet. With a cross-generational multitude of guests, from anxious family members to a fretful bridal party--not to mention exasperating friends, interfering neighbors, and wedding crashers--what will the day ahead bring? Set at a pivotal point after the turmoil of the Chinese Cultural Revolution, Liu Xinwu's tale weaves together a rich tapestry of characters, intertwined lives, and stories within stories. The Wedding Party is a touching, hilarious portrait of life in this singular city, all packed into a Beijing courtyard on a single day that manages to be both perfectly normal and utterly extraordinary at the same time.

A provocative and bracing send-up of modern masculinity, from the author of Class and The Story of My Purity Marcello, an editor and poet, is on the brink of his forties. Like everyone in his life, including his sister-in-law, he's writing a novel. This novel. This novel will be about women. Love. Growing older. Maybe even taking responsibility. But unfortunately for Marcello, the women in his life resist definition. They flit and flicker constantly between archetype and actuality: sirens and saviors, subordinates and savants, vixens and villains. So Marcello cannot write plainly about love. Instead, he tries to write into the complexities of his many relationships: Eleonora, the junior editor, his former protegeé and sometime lover; Barbara, his claustrophobic girlfriend; his estranged gay sister; his elegant mother. Fresh, frank, and painfully cool, Francesco Pacifico's The Women I Love dives nakedly into gender, sex, and power. Set in a vivid and alcoholic Italy, it acknowledges and subverts the narrow ways canonical male writers gaze at, and somehow fail to see, women--illuminating the possibility of equity between people in love, in bed, in work, and in life.

BOOKER PRIZE FINALIST * Based on a true event, this novel is "a blues song cut straight from the heart ... about the unjust death of an innocent Black man caught up in a corrupt system. The full life of Mahmood Mattan, the last man executed in Cardiff for a crime he was exonerated for forty years later [is] brought alive with subtle artistry and heartbreaking humanity" (Walter Mosley, best-selling author of Devil in a Blue Dress). In Cardiff, Wales in 1952, Mahmood Mattan, a young Somali sailor, is accused of a crime he did not commit: the brutal killing of Violet Volacki, a shopkeeper from Tiger Bay. At first, Mahmood believes he can ignore the fingers pointing his way; he may be a gambler and a petty thief, but he is no murderer. He is a father of three, secure in his innocence and his belief in British justice.   But as the trial draws closer, his prospect for freedom dwindles. Now, Mahmood must stage a terrifying fight for his life, with all the chips stacked against him: a shoddy investigation, an inhumane legal system, and, most evidently, pervasive and deep-rooted racism at every step.   Under the shadow of the hangman's noose, Mahmood begins to realize that even the truth may not be enough to save him. A haunting tale of miscarried justice, this book offers a chilling look at the dark corners of our humanity.

A witty, moving, piercingly insightful new novel about a marvelously complicated woman who can't be anyone but herself, from the award-winning author of Chemistry "A deeply felt portrait . . . With gimlet-eyed observation laced with darkly biting wit, Weike Wang masterfully probes the existential uncertainty of being other in America."--Celeste Ng, author of Little Fires Everywhere ONE OF THE MOST ANTICIPATED BOOKS OF 2022--Esquire, BuzzFeed, Bustle, Town & Country, Ms. magazine, The Millions, Electric Lit, Lit Hub Joan is a thirtysomething ICU doctor at a busy New York City hospital. The daughter of Chinese parents who came to the United States to secure the American dream for their children, Joan is intensely devoted to her work, happily solitary, successful. She does look up sometimes and wonder where her true roots lie: at the hospital, where her white coat makes her feel needed, or with her family, who try to shape her life by their own cultural and social expectations.   Once Joan and her brother, Fang, were established in their careers, her parents moved back to China, hoping to spend the rest of their lives in their homeland. But when Joan's father suddenly dies and her mother returns to America to reconnect with her children, a series of events sends Joan spiraling out of her comfort zone just as her hospital, her city, and the world are forced to reckon with a health crisis more devastating than anyone could have imagined.   Deceptively spare yet quietly powerful, laced with sharp humor, Joan Is Okay touches on matters that feel deeply resonant: being Chinese-American right now; working in medicine at a high-stakes time; finding one's voice within a dominant culture; being a woman in a male-dominated workplace; and staying independent within a tight-knit family. But above all, it's a portrait of one remarkable woman so surprising that you can't get her out of your head.

A personal account of life in the orbit of Mao and Zhao En-Lai and one woman's effort to tell what it was like to be at the center of the storm.The history of China in the twentieth century is comprised of a long series of shocks: the 1911 revolution, the civil war between the communists and the nationalists, the Japanese invasion, the revolution, the various catastrophic campaigns initiated by Chairman Mao between 1949 and 1976, its greatopening to the world under Deng, and the Tiananmen Square Massacre.Yuan-tsung Chen, who is now 90, lived through most of it, and at certain points in close proximity to the seat of communist power. Born in Shanghai in 1929, she came to know Zhou En-Lai - second only to Mao in importance - as a young woman while living in Chungking, where Chiang Kai-Shek'sgovernment had relocated to, during the war against Japan. That connection to Zhou helped her advance after the communists took power, and she obtained a job in one of the culture ministries after the revolution. While there, she frequently engaged with the upper echelon of the party and was afirst-hand witness to some of the purges that the regime regularly initiated. Eventually, the commissar she worked under was denounced in 1956, and she barely escaped being purged herself for exhibiting bourgeois tendencies. Sent to the countryside to further the revolution during the Great LeapForward of the late 1950s, she witnessed the mass starvation that ensued. Later, during Cultural Revolution, she and her husband were purged and sent to live in a rough, poor area-a common fate for many intellectuals. She finally escaped to Hong Kong in 1971.A first-hand account of what life was like in the period before the revolution and in Mao's China, The Secret Listener gives a unique perspective on the era, and Chen's vantage point provides us with a new perspective on the Maoist regime-one of the most radical political experiments in modernhistory and a force that genuinely changed the world.

A sweeping and captivatingly told history of clothing and the stuff it is made of--an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet "Thanhauser ... examines the effect of clothes on our environment, politics and even our ethics ... admirable, meticulously researched ... [and] makes us pay attention." --The Wall Street Journal In this panoramic social history, Sofi Thanhauser brilliantly tells five stories--Linen, Cotton, Silk, Synthetics, Wool--about the clothes we wear and where they come from, illuminating our world in unexpected ways. She takes us from the opulent court of Louis Quatorze to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed with lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast fashion brands.   Thanhauser makes clear how the clothing industry has become one of the planet's worst polluters, and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear.   Drawn from years of intensive research and reporting from around the world, and brimming with fascinating stories, Worn reveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories. It comes, as well, from deep in our histories.

"An elegant meditation on the complexities of the American South--and thus of America--by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration." --Isabel Wilkerson, New York Times bestselling author of The Warmth of Other Suns and Caste: The Origins of Our Discontents An essential, surprising journey through the history, rituals, and landscapes of the American South--and a revelatory argument for why you must understand the South in order to understand America We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole. This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life. Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.  

Named a Most Anticipated book of the year by The Washington Post, Good Morning America, Bustle, Lit Hub, Hey Alma, and The Millions Through the scrim of fading memory, an elderly woman confronts a lifetime of secrets and betrayal, under the mysterious skies of her island home Off the coast of Georgia, near Savannah, generations have been tempted by strange blue lights in the sky near an island called Lyra. At the height of WWII, impressionable young Elle Ranier leaves New York City to forge a new life together on the island with her new husband, Simon. There they will live for decades, raising a family while waging a quixotic campaign to find the source of the mysterious blue offshore light--and the elusive minerals rumored to lurk beneath the surface. Fifty years later,  Elle looks back at her life on the mysterious island--and at a secret she herself has guarded for decades. As her memory recedes into the mists of Alzheimer's disease, her life seems a tangle of questions: How did her husband's business, now shuttered, survive so long without ever finding the legendary Lyra stones? How did her own life crumble under treatment for depression? And what became of Gabriel--the handsome, raffish other man who came to the island with them and risked everything to follow the lights? Darkly romantic and deeply haunting, The Stars Are Not Yet Bells pulls us into a story of the tantalizing, faithless relationship between ourselves and the lives and souls we leave behind.

A stunningly ambitious, prescient novel about madness, generational trauma, and cultural breakdown At the outset of the 2008 financial crisis, Em has a dependable, dull marketing job generating reports of vague utility while she anxiously waits to hear news of her sister, Ad, who has gone missing--again. Em's days pass drifting back and forth between her respectably cute starter house (bought with a "responsible, salary-backed, fixed-rate mortgage") and her dreary office. Then something unthinkable, something impossible, happens and she begins to see how madness permeates everything around her while the mundane spaces she inhabits are transformed, through Lucy Corin's idiosyncratic magic, into shimmering sites of the uncanny. The story that swirls around Em moves through several perspectives and voices. There is Frank, the tart-tongued, failing manager at her office; Jack, the man with whom Frank has had a love affair for decades; Em and Ad's eccentric parents, who live in a house that is perpetually being built; and Tasio, the young man from Chiapas who works for them and falls in love with Ad. Through them Corin portrays porousness and breakdown in individuals and families, in economies and political systems,in architecture, technology, and even in language itself. The Swank Hotelis an acrobatic, unforgettable, surreal, and unexpectedly comic novel that interrogates the illusory dream of stability that pervaded early twenty-first-century America.

"The Uninnocent is so elegantly crafted that the pleasure of reading it nearly overrides its devastating subject matter. Blake is an investigator of heartbreak, turning a critical eye on the ways our systems have failed us, and how we fail each other. Through that investigation Blake creates a story of radical empathy, a triumph of care and forgiveness." --Stephanie Danler, author of Stray and SweetbitterA harrowing intellectual reckoning with crime, mercy, justice and heartbreak through the lens of a murderOn a Thursday morning in June 2010, Katharine Blake's sixteen-year-old cousin walked to a nearby bike path with a boxcutter, and killed a young boy he didn't know. It was a psychological break that tore through his brain, and into the hearts of those who loved both boys--one brutally killed, the other sentenced to die at Angola, one of the country's most notorious prisons.In The Uninnocent, Blake, a law student at Stanford at the time of the crime, wrestles with the implications of her cousin's break, as well as the broken machinations of America's justice system. As her cousin languished in a cell on death row, where he was assigned for his own protection, Blake struggled to keep her faith in the system she was training to join. Consumed with understanding her family's new reality, Blake became obsessed with heartbreak, seeing it everywhere: in her cousin's isolation, in the loss at the center of the crime, in the students she taught at various prisons, in the way our justice system breaks rather than mends, in the history of her parents and their violent childhoods. As she delves into a history of heartbreak--through science, medicine, and literature--and chronicles the uneasy yet ultimately tender bond she forms with her cousin, Blake asks probing questions about justice, faith, inheritance, family, and, most of all, mercy. Sensitive, singular, and powerful, effortlessly bridging memoir, essay, and legalese, The Uninnocent is a reckoning with the unimaginable, unforgettable, and seemly irredeemable. With curiosity and vulnerability, Blake unravels a distressed tapestry, finding solace in both its tearing and its mending.

For precocious 11-year-old Lea Ypi, Albania's Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests. Communism had failed to deliver the promised utopia. One's "biography"--class status and other associations long in the past--put strict boundaries around one's individual future. When Lea's parents spoke of relatives going to "university" or "graduating," they were speaking of grave secrets Lea struggled to unveil. And when the early '90s saw Albania and other Balkan countries exuberantly begin a transition to the "free market," Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking. With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort--here recounted with outstanding literary talent. Now one of the world's most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.

In this prize-winning Iranian novel, a spoiled and foul-mouthed young woman looks to get high while her family and city fall to pieces. What do you do when the world is falling apart and you're in withdrawal? Disillusioned, wealthy, and addicted to opium, Shadi wakes up one day to apocalyptic earthquakes and a dangerously low stash. Outside, Tehran is crumbling: yuppies flee in bumper-to-bumper traffic as skaters and pretty boys rise up to claim the city as theirs. Cross-dressed to evade hijab laws, Shadi flits between her dysfunctional family and depressed friends--all in search of her next fix. Mahsa Mohebali's groundbreaking novel about Iranian counterculture is a satirical portrait of the disaster that is contemporary life. Weaving together gritty vernacular and cinematic prose, In Case of Emergency takes a darkly humorous, scathing look at the authoritarian state, global capitalism, and the gender binary.

Georg is on the verge of retirement. No one notices him anymore at the office, and there is no dinner waiting for him at home. He seems to dissolve slowly and a nameless horror seizes him. Sabrina is flattered when an artist approaches her. But when she sees herself as a work of art for the first time, she shudders. David wants to rob a bank. He already has a mask for the purpose, but he won't be using it today. He's heard that bank robbers often study the scene for weeks before they strike. So he's started to lurk. We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.

An authoritative, illuminating, and deeply humane history of addiction--a phenomenon that remains baffling and deeply misunderstood despite having touched countless lives--by an addiction psychiatrist striving to understand his own family and himself "Carl Erik Fisher's The Urge is the best-written and most incisive book I've read on the history of addiction. In the midst of an overdose crisis that grows worse by the hour and has vexed America for centuries, Fisher has given us the best prescription of all: understanding. He seamlessly blends a gripping historical narrative with memoir that doesn't self-aggrandize; the result is a full-throated argument against blaming people with substance use disorder. The Urge is a propulsive tour de force that is as healing as it is enjoyable to read."--Beth Macy, author of Dopesick Even after a decades-long opioid overdose crisis, intense controversy still rages over the fundamental nature of addiction and the best way to treat it. With uncommon empathy and erudition, Carl Erik Fisher draws on his own experience as a clinician, researcher, and alcoholic in recovery as he traces the history of a phenomenon that, centuries on, we hardly appear closer to understanding--let alone addressing effectively.   As a psychiatrist-in-training fresh from medical school, Fisher was soon face-to-face with his own addiction crisis, one that nearly cost him everything. Desperate to make sense of the condition that had plagued his family for generations, he turned to the history of addiction, learning that the current quagmire is only the latest iteration of a centuries-old story: humans have struggled to define, treat, and control addictive behavior for most of recorded history, including well before the advent of modern science and medicine.   A rich, sweeping account that probes not only medicine and science but also literature, religion, philosophy, and public policy, The Urge illuminates the extent to which the story of addiction has persistently reflected broader questions of what it means to be human and care for one another. Fisher introduces us to the people who have endeavored to address this complex condition through the ages: physicians and politicians, activists and artists, researchers and writers, and of course the legions of people who have struggled with their own addictions. He also examines the treatments and strategies that have produced hope and relief for many people with addiction, himself included. Only by reckoning with our history of addiction, he argues--our successes and our failures--can we light the way forward for those whose lives remain threatened by its hold.   The Urge is at once an eye-opening history of ideas, a riveting personal story of addiction and recovery, and a clinician's urgent call for a more expansive, nuanced, and compassionate view of one of society's most intractable challenges.

New York Times: Best Thriller of the Year Publishers Weekly: Best Thriller of the Year Lit Hub: Favorite Book of the Year CrimeReads: Best International Crime Novel of the Year PopSugar: Best Mystery/Thriller of the Month   Winner of the Goncourt Prize and now an international phenomenon, this dizzying, whip-smart novel blends crime, fantasy, sci-fi, and thriller as it plumbs the mysteries surrounding a Paris-New York flight. Who would we be if we had made different choices? Told that secret, left that relationship, written that book? We all wonder--the passengers of Air France 006 will find out. In their own way, they were all living double lives when they boarded the plane:                 Blake, a respectable family man who works as a contract killer.                 Slimboy, a Nigerian pop star who uses his womanizing image to hide that he's gay.                 Joanna, a Black American lawyer pressured to play the good old boys' game to succeed with her Big Pharma client.                 Victor Miesel, a critically acclaimed yet largely obscure writer suddenly on the precipice of global fame.                 About to start their descent to JFK, they hit a shockingly violent patch of turbulence, emerging on the other side to a reality both perfectly familiar and utterly strange. As it charts the fallout of this logic-defying event, The Anomaly takes us on a journey from Lagos and Mumbai to the White House and a top-secret hangar.                 In Hervé Le Tellier's most ambitious work yet, high literature follows the lead of a bingeable Netflix series, drawing on the best of genre fiction from "chick lit" to mystery, while also playfully critiquing their hallmarks. An ingenious, timely variation on the doppelgänger theme, it taps into the parts of ourselves that elude us most.

A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR * BOOKLISTS' EDITOR'S CHOICE * ONE OF NPR'S BEST BOOK OF THE YEAR "At once a film book, a history book, and a civil rights book.... Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read." --Shondaland This unprecedented history of Black cinema examines 100 years of Black movies--from Gone with the Wind to Blaxploitation films to Black Panther--using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation--which glorified the Ku Klux Klan and became Hollywood's first blockbuster--Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes.   He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves--including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others.   An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.

A brilliant work of historical true crime charting a pivotal event in the l9th century, the Phoenix Park murders in Dublin, that gripped the world and forever altered the course of Irish history, from renowned journalist, former New Yorker London editor, and Costa Biography Award finalist Julie Kavanagh.

From the author of the internationally bestselling Strange Weather in Tokyo, a collection of interlinking stories that masterfully blend the mundane and the mythical--"fairy tales in the best Brothers Grimm tradition: naïf, magical, and frequently veering into the macabre" (Financial Times). A bossy child who lives under a white cloth near a tree; a schoolgirl who keeps doll's brains in a desk drawer; an old man with two shadows, one docile and one rebellious; a diplomat no one has ever seen who goes fishing at an artificial lake no one has ever heard of. These are some of the inhabitants of People from My Neighborhood. In their lives, details of the local and everyday--the lunch menu at a tiny drinking place called the Love, the color and shape of the roof of the tax office--slip into accounts of duels, prophetic dreams, revolutions, and visitations from ghosts and gods. In twenty-six "palm of the hand" stories--fictions small enough to fit in the palm of one's hand and brief enough to allow for dipping in and out--Hiromi Kawakami creates a universe ruled by mystery and transformation.

A haunting portrait of lives arriving at different destinies, Brothers and Keepers is John Edgar Wideman’s seminal memoir about two brothers -- one an award-winning novelist, the other a fugitive wanted for robbery and murder. Wideman recalls the capture of his younger brother Robby, details the subsequent trials that resulted in a sentence of life in prison, and provides vivid views of the American prison system. A gripping, unsettling account, Brothers and Keepers weighs the bonds of blood, tenderness, and guilt that connect Wideman to his brother and measures the distance that lies between them.

Winner of the Duff Cooper Prize Winner of the Elizabeth Longford Prize A FINANCIAL TIMES, SPECTATOR, SUNDAY TIMES, and TELEGRAPH BOOK OF THE YEAR "In crafting the finest one-volume life of de Gaulle in English, Julian Jackson has come closer than anyone before him to demystifying this conservative at war with the status quo, for whom national interests were inseparable from personal honor." --Richard Norton Smith, Wall Street Journal "Masterly...makes for awesome reading...an outstanding biography."--Max Hastings, Sunday Times In the early summer of 1940, when France was overrun by German troops, one junior general who had fought in the trenches in Verdun refused to accept defeat. He fled to London, where he took to the radio to address his compatriots back home. "Whatever happens," he said, "the flame of French resistance must not be extinguished and will not be extinguished." At that moment, Charles de Gaulle entered history. For the rest of the war, de Gaulle insisted he and his Free French movement were the true embodiment of France. Through sheer force of personality he inspired French men and women to risk their lives to resist the Nazi occupation. Sometimes aloof but confident in his leadership, he quarreled violently with Churchill and Roosevelt. Yet they knew they would need his help to rebuild a shattered Europe. Thanks to de Gaulle, France was recognized as one of the victorious Allies when Germany was finally defeated. Then, as President of the Fifth Republic, he brought France to the brink of a civil war over his controversial decision to pull out of Algeria. He challenged American hegemony, took France out of NATO, and twice vetoed British entry into the European Community in his pursuit of what he called "a certain idea of France." Julian Jackson's magnificent biography, the first major reconsideration in over twenty years, captures this titanic figure as never before. Drawing on the extensive resources of the recently opened de Gaulle archives, Jackson reveals the conservative roots of de Gaulle's intellectual formation, sheds new light on his relationship with Churchill, and shows how he confronted riots at home and violent independence movements from the Middle East to Vietnam. No previous biography has so vividly depicted this towering figure whose legacy remains deeply contested.

In her first novel since The Quick and the Dead (a finalist for the Pulitzer Prize), the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic.   "She practices ... camouflage, except that instead of adapting to its environment, Williams's imagination, by remaining true to itself, reveals new colorations in the ecology around her." --A.O. Scott, The New York Times Book Review Khristen is a teenager who, her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen's failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a "resort" on the shores of a mysterious, putrid lake the elderly residents there call "Big Girl."   In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature's beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this "gabby seditious lot, in the worst of health but with kamikaze hearts, an army of the aged and ill, determined to refresh, through crackpot violence, a plundered earth"?   Rivetingly strange and beautiful, and delivered with Williams's searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons--against all reasonableness--to try and recover something of it.

Winner of the 2020 Believer Book Award for Fiction "A brilliant study of the mundane, full of unexpected detours and driving prose. Hjorth's novel ingeniously orbits the intimate stories that are possible only when a character has put words on paper and sent them through the post." - New York Times Book Review, "The Best Post Office Novel You Will Read Before the Election" "Vigdis Hjorth is one of my favorite contemporary writers." - Sheila Heti, author of Motherhood and How Should a Person Be? From the author of the 2019 National Book Award Longlisted Will and Testament Ellinor, a 35-year-old media consultant, has not been feeling herself; she's not been feeling much at all lately. Far beyond jaded, she picks through an old diary and fails to recognise the woman in its pages, seemingly as far away from the world around her as she's ever been. But when her coworker vanishes overnight, an unusual new task is dropped on her desk. Off she goes to meet the Norwegian Postal Workers Union, setting the ball rolling on a strange and transformative six months. This is an existential scream of a novel about loneliness (and the postal service!), written in Vigdis Hjorth's trademark spare, rhythmic and cutting style.

Opera is a visceral, emotional experience. No prior knowledge is needed to enjoy a soaring aria, or to be moved to laughter and to tears by popular operas like Carmen and La Boheme. But to fully appreciate this centuries-old art form, one must know its history and the many ways its component parts-music, poetry, theater-can be fit together. In A Mad Love, critic Vivien Schweitzer offers a lively introduction to opera, spanning from Monteverdi's L'Orfeo in 1600, generally considered the first successful opera, to Dead Man Walking and Anna Nicole Smith in recent decades. Along the way, she introduces readers to the genre's most important composers, performers, and conductors, and to its key terminology, from coloratura to recitative. She recounts the longstanding debates about how best to pair story and song that have shaped opera over the centuries, highlighting some of the ways operas have shocked and delighted listeners. Dissecting opera's eclectic musical language, she equips readers to assess precisely how a particular performance succeeded or failed. There is undoubtedly a thrill to hearing a great opera singer fill a beautiful, historic theater with his or her unamplified voice. But today, opera ranges far beyond these traditional quarters; it is everywhere, from movie theaters to public parks and offbeat performance spaces to our earbuds. A Mad Love is an essential book for anyone who wants to appreciate this living, evolving art form in all its richness.

An expert and intimate exploration of a life in clothes: their memories and stories, enchantments and spells. A linen sheet, smooth with age. A box of buttons, mother-of-pearl and plastic, metal and glass, rattling and untethered. A hundred-year-old pin, forgotten in a hem. Fragile silks and fugitive dyes, fans and crinolines, and the faint mark on leather from a buckle now lost. Claire Wilcox has worked as a curator in Fashion at the Victoria & Albert Museum for most of her working life. Down cool, dark corridors and in quiet store rooms, she and her colleagues care for, catalogue and conserve clothes centuries old, the inscrutable remnants of lives long lost to history; the commonplace or remarkable things that survive the bodies they once encircled or adorned. In Patch Work, Wilcox deftly stitches together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in luminous prose the spellbinding power of the things we wear: their stories, their secrets, their power to transform and disguise and acts as portals to our pasts; the ways in which they measure out our lives, our gains and losses, and the ways we use them to write our stories.

He is relentlessly defiant. He is exceedingly libidinous. His appetite for the outrageous is insatiable. He is Mickey Sabbath, the aging, raging powerhouse whose savage effrontery and mocking audacity are at the heart of Philip Roth's astonishing new novel. Sabbath's Theater tells Mickey's story in the wake of the death of his mistress, an erotic free spirit whose adulterous daring exceeds even his own. Once a scandalously inventive puppeteer, Mickey is now in his mid-sixties and besieged by ghosts - of his mother, his beloved brother, his vanished first wife, his mistress of thirteen years. Bereft and grieving, he embarks on a turbulent journey back into his past, one that brings him to the brink of madness and extinction. But no matter how ardently he courts death, he is too exuberantly alive to succeed at dying. Sabbath's Theater is a comic creation of epic proportions, and Mickey Sabbath is its gargantuan hero. This book, which presents Philip Roth at the peak of his powers, is sur

One of our most brilliant biographers takes on one of our greatest living playwrights, drawing on a wealth of new materials and on many conversations with him. One of our most brilliant biographers takes on one of our greatest living playwrights, drawing on a wealth of new materials and on many conversations with him Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations--Rosencrantz and Guildenstern are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love--remain as fresh and moving as when they entranced their first audiences. Born in Czechoslovakia, Stoppard escaped the Nazis with his mother and spent his early years in Singapore and India before arriving in England at age eight. Skipping university, he embarked on a brilliant career, becoming close friends over the years with an astonishing array of writers, actors, directors, musicians, and political figures, from Peter O'Toole, Harold Pinter, and Stephen Spielberg to Mick Jagger and Václav Havel. Having long described himself as a "bounced Czech," Stoppard only learned late in life of his mother's Jewish family and of the relatives he lost to the Holocaust. Lee's absorbing biography seamlessly weaves Stoppard's life and work together into a vivid, insightful, and always riveting portrait of a remarkable man.

A "touching, heartbreaking, and exceptional" (Town & Country) coming-of-age memoir by the daughter of artistic, bohemian parents--set against a backdrop of 1950s New York, Cape Cod, and Mexico. Hayden Herrera's parents each married five times; following their desires was more important to them than looking after their children. When Herrera was only three years old, her parents separated, and she and her sister moved from Cape Cod to New York City to live with their mother and their new hard-drinking stepfather. They saw their father only during the summers on the Cape, when they and the other neighborhood children would be left to their own devices by parents who were busy painting, writing, or composing music. These adults inhabited a world that Herrera's mother called "upper bohemia," a milieu of people born to privilege who chose to focus on the life of the mind. Her parents' friends included such literary and artistic heavyweights as artist Max Ernst, writers Edmund Wilson and Mary McCarthy, architect Marcel Breuer, and collector Peggy Guggenheim. On the surface, Herrera's childhood was idyllic and surreal. But underneath, the pain of being a parent's afterthought was acute. Upper Bohemia captures the tension between a child's excitement at every new thing and her sadness at losing the comfort of a reliable family. For her parents, both painters, the thing that mattered most was beauty--and so her childhood was expanded by art and by a reverence for nature. But her early years were also marred by abuse and by absent, irresponsible adults. As a result, Herrera would move from place to place, parent to parent, relative to family friend, and school to school--eventually following her mother to Mexico. The stepparents and stepsiblings kept changing too. Intimate and honest, Upper Bohemia "captures an enchanted but erratic childhood in a rarefied milieu with the critical but appreciative eye of a seasoned art historian" (The Wall Street Journal). It is a celebration of a wild and pleasure-filled way of living--and a poignant reminder of the toll such narcissism takes on the children raised in its grip.

From a millennial climate activist, an exploration of how young people live in the shadow of catastrophe "Strikingly perceptive." -Jenny Offill, author of Weather "Beautifully rendered and bracingly honest." -Jenny Odell, author of How to Do Nothing Warmth is a new kind of book about climate change- not what it is or how we solve it, but how it feels to imagine a future--and a family--under its weight. In a fiercely personal account written from inside the climate movement, Sherrell lays bare how the crisis is transforming our relationships to time, to hope, and to each other. At once a memoir, a love letter, and an electric work of criticism, Warmth goes to the heart of the defining question of our time- how do we go on in a world that may not?

A "journalistic masterpiece" (The New Yorker) about a nation careening into violent autocracy--told through harrowing stories of the Philippines' state-sanctioned killings of its citizens--from a reporter of international renown "Tragic, elegant, vital . . . Evangelista risked her life to tell this story."--Tara Westover, #1 New York Times bestselling author of Educated "My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don't wait very long." Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte's war on drugs--a war that has led to the slaughter of thousands--immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: "I'm really not a bad guy," he said. "I'm not all bad. Some people need killing." A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

The Boy from Kyiv is the life story of Alexei Ratmansky, the most celebrated ballet choreographer of our time. "[A] spirited, engaging biography . . . Ms. Harss analyzes each of Mr. Ratmansky's ballets, skillfully describing them in such vivid detail that you can almost see them . . . A deeply researched portrait." --Moira Hodgson, The Wall Street Journal Alexei Ratmansky is transforming ballet for the twenty-first century. An artist of daring imagination, the choreographer has created breathtakingly original works for the world's most revered companies. He has fashioned a singular approach to balletic storytelling that bridges the space between narrative and abstraction and heightens ambiguity and surprise on the stage. He has boldly restored great centuries-old ballets to their former glory, combining archival research with his own choreographic genius to retrieve detail and color once lost to the ages. And above all, he is renowned for fusing the Western and Eastern ballet traditions, and for drawing on the visual arts, literature, music, film, and beyond with inspired vim, to forge a style that is vibrant, eclectic, and utterly new: one that promises to leave an indelible mark on this venerable art form. But before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, "the most sought-after man in ballet," he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion. In The Boy from Kyiv, the first biography of this groundbreaking artist, the celebrated dance writer Marina Harss takes us behind the curtain to reveal Ratmansky's fascinating life, from his Soviet boyhood through his globe-spanning career. Over a decade in the making, this biography arrives at a pivotal moment in Ratmansky's journey, one that has seen him painfully and publicly break ties with Russia, the country in which he made his name, in solidarity with his native Ukraine, and take on a new challenge at the storied New York City Ballet. Told with the lyricism, drama, and verve that befit its subject, The Boy from Kyiv is a riveting account of this major artist's ascent to the peaks of his field, a mesmerizing study of creativity in action, and a triumphant testament to ballet's enduring vitality.

For fans of Maggie Nelson and Eileen Myles, the lyrical and deeply moving story of a young queer woman's journey across Russia to inter her mother's ashes and to understand her sexuality, femininity, and grief From one of Russia's most exciting new voices, Wound follows a young lesbian poet on a journey from Moscow to her hometown in Siberia, where she has promised to bury her mother's ashes. Woven throughout this fascinating travel narrative are harrowing and at times sublime memories of her childhood and her sexual and artistic awakening. As she carefully documents her grief and interrogates her past, the narrator of Oksana Vasyakina's autobiographical novel meditates on queerness, death, and love and finds new words for understanding her relationship with her mother, her country, her sexuality, and her identity as an artist. A sensual, whip-smart account of the complicated dynamics of queer life in present-day Siberia and Moscow, Wound is also in conversation with feminist thinkers and artists, including Susan Sontag, Louise Bourgeois, and Monique Wittig, locating Vasyakina's work in a rich and exciting international literary tradition.

Pushing intimacy to its limits in prose of unearthly beauty, Vauhini Vara explores the nature of being a child, parent, friend, sibling, neighbor, or lover, and the relationships between self and others. A young girl reads the encyclopedia to her elderly neighbor, who is descending into dementia. A pair of teenagers seek intimacy as phone-sex operators. A competitive sibling tries to rise above the drunken mess of her own life to become a loving aunt. One sister consumes the ashes of another. And, in the title story, an experimental artist takes on his most ambitious project yet: constructing a life-size ark according to the Bible's specifications. In a world defined by estrangement, where is communion to be found? The characters in This Is Salvaged, unmoored in turbulence, are searching fervently for meaning, through one another.